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[ATTENDED: March 12, 2022] Wet Leg

Wet Leg became a huge sensation on the basis of one song.

“Chaise Longue” was suddenly everywhere.  And it’s a weird, catchy, funny song with lots of talking a lot of repetition.  It hit all of my buttons and I was immediately a fan.

But it was so strange that the band had just this one song out–nothing else online or anywhere.  NPR Music introduced me to the song in July 2021.  They had a second single “Wet Dream” out in September.  And that was that–two songs and an album promised in 2022.

And they announced a tour of the States in November.  Somehow I missed the announcement because I would have totally gotten tickets at PhilMOCA.  And it sold out pretty quickly.  Then at some point it was announced that it was moved to Underground Arts and more tickets were available.  I grabbed one immediately and it soon sold out at UA as well.

I thought the show would be fun, but I also thought that the band was a kind of left-field, one hit wonder who it would be fun to see because they’d probably never come back.  Heck, they seemed like they might just make the one album and be done.

So my expectations weren’t super high, but I assumed I’d have a good time. Continue Reading »

[ATTENDED: March 12, 2022] Lowertown

I had a great plan for this evening  I would drive into Philly early–this show was at 6:30!  I’d stop in at Federal Donuts for treats for the family.

Then I would park near Underground Arts on the street.  I would see Lowertown and Wet Leg, then I would hop in my car and drive to Union Transfer–just a few blocks away, and see Daughter of Swords and The Tallest Man on Earth–a double header!

And then it snowed.

I wasn’t even sure if I could make it.  But it stopped snowing with enough time for me to get to the venue and do my plan without the donuts.  But when I got to Underground Arts, it was packed.  There was a huge line out the door and nowhere to park! Continue Reading »

[ATTENDED: March 9, 2022] Animal Collective

We had seen Animal Collective open for Fleet Foxes back in 2017.  Their set was fin and weird and I came away thinking that they’re probably even more fun and weird when they are headlining.

This show made me realize how little I know about Animal Collective.  I couldn’t even have told you many song names before the show.  So I guess I didn’t really know what to expect.  Which is apparently good because I gather that every show is different, so no expectations are preferred.

For instance, I thought that each member of the band sang lead.  And while that is sort of true the majority of the songs were sung by Avey Tare, who stood up front and played guitar and bass and occasional keys.  But it was drummer Panda Bear who lead of the night with the vocals.  And to my left, behind a tie-dyed tapestry was Deakin, the keyboardist and occasional guitarist who sang back up and an occasional lead.  The only one who didn’t sing (I don’t think) was Geologist, who stood in front of his array of gear (including a hurdy gurdy) creating the foundation of most of the songs while the other three noodled.

Animal Collective songs tend to be weird… maybe or maybe not in a bad way.  At the same time, their live show tends to be a little weird too.  But it is  firmly controlled chaos.  You may not know what they are going to do next, but they certainly do.

As the one review (from The Key) notes:

Most of Animal Collective’s set was a will they or won’t they play “the hits” — namely “My Girls”, or even “Leaf House.” Several times in the set and the encore it felt like there were about to just fall into those songs but pulled back at the last second.

I knew in the back of my head that Animal Collective had “hits,” but I had no idea what they were.  So I was just there to kick back and enjoy the show.

Every song had a video projection behind it–each video was different and seemed to have something to do with each song.

They played five songs from their new album.  It was interesting to judge the popularity of each song by the reaction of the people around me.  There was one woman who sang along to every song (even the unreleased ones).  Some parts were super catchy, but just about all of the parts were danceable in someway.  I was especially intrigued by the songs that featured multiple backing vocals–often Panda Bear singing or almost yodeling.

The crowd reacted very positively to “In  the Flowers” (the only song from Merriweather), and as the song built to its super catchy midle section everyone, including the band, was bouncing around to the track.

I really enjoyed the visuals in back of Passer-By as well.

There was a big reaction for “Chores” a rather weird song from Sung Tongs that was a lot of fun.  Deakin came out from behind his keys to dance around with his guitar and even Geologist, who always seems too busy to dance was bopping his head around.

I really enjoyed their lengthy song “Defeat (Not a Suite)” which I gather is the new thing they are working on (or something).  It’s not available anywhere,   It started with Geologist playing the hurdy gurdy and Panda Bear playing drums with his hands rather than sticks.  It was slow and warbly as it built over fifteen minutes (!) and Panda Bear sang somewhat operatic lines behind Avey’s lead.   The middle had a church like feel to it from Deakin pipe organ effects, and towards the end, there was a part with just Avey and Panda singing wordless melodies while Geologist was making all kinds of cool spacey effects.  I wasn’t sure if it was one song or a bunch of songs (sometimes it’s hard to tell with this band). but it did feel like a cohesive piece and it was pretty wonderful.

They ended the set with “Applesauce” one of their more popular songs.  And then they took a break.

They came back and played two more unreleased songs and then the crowd went absolutely berserk for “The Purple Bottle.”  I didn’t know the song but I quickly caught on why this song was so much fun and such a great show ender. Any song that has a section that features a section like

Then I go and take some pills
Cause I can’t do all of my do’s and still feel ill
You get that, woo!
You get that, woo!
You get that, woo!
You get that, woo!
You get that, woo!
You get that, woo!
You get that, woo!

In which the audience gets to “woo!” is going to be a huge hit and boy was it a fun rollicking song.  What a fun night of music.

I happened to check the show they played in Sayreville–the other place I could have seen them and the setlist was almost entirely different.  I guess you never know what you;re going to get at an Animal Collective show.

 

2022 2017
Screens Lying in the Grass
Cherokee © Kinda Bonkers
Broke Zodiac ¢ Sweet Road ¥
Dragon Slayer © Bees ƒ
Genie’s Open ¢ 

(interpolation of Trains Across The Sea by SilverJews)
Daily Routine π
In the Flowers π Guys Eyes π
Passer-By © Water Curses ϖ
Chores § Summertime Clothes π
Strung With Everything ©
Car Keys ©
Defeat (A Not Suite) ¢
Applesauce
encore
King’s Walk ¢
Stride Rite ¢
The Purple Bottle ƒ

 

© Time Skiffs (2022)
‰ The Painters EP (2017)
¶ Painting With (2016)
≅ Centipede Hz (2012)
⊗ ODDSAC (video album) (2010)
π Merriweather Post Pavilion (2009)
ϖ Water Curses (2008)
§ Strawberry Jam (2007)
ƒ Feels (2005)
¥ Sung Tongs (2004)
¢ unreleased

 

[DID NOT ATTEND: March 12, 2022] Ministry / Helmet / Front Line Assembly [rescheduled from July 18, 2020, April 16, 2021; moved to March 12, 2022]

I’ve been a fan of Ministry for decades.  I even liked the first album With Sympathy (and listen to it now more than their hardercore stuff).  But when Land of Rape and Honey came out, it was the most intense thing in the world. It was incredible.

They put out a series of great heavy albums, although by 1999’s Filth Pig either I stopped enjoying it or they just weren’t as good.

So I guess it has been two decades since I cared about Ministry.  However, Al Jourgensen and his band keep touring and, since I’ve seen Slayer now, I thought I should see what a ministry experience is like.

However, I already had two shows this evening that I had tickets to, so there was no way I could squeeze in this one.

I have a couple of very early Corrosion of Conformity albums.  But I hadn’t kept up with them at all.  I would have guessed that they broke up a long time ago, but they continually put out records.  Their iconic drummer Reed Mullin died in 2020, but the band continues with Woody Weatherman in charge.  No idea what they sound like now.  But I’ve always liked the band name

I’ve never been much of a fan of the Melvins.  I know that they are legendary and I should be psyched to see them, but I never really got into them.  Maybe some day I’ll see them and they’ll prove me wrong.

Be Cool or Be Podcast Out posted the entire Ministry show

 

 

[ATTENDED: March 9, 2022] L’Rain

Up until the day of the show, I had mistakenly thought that the opening act for Animal Collective was L’Orange, a hip hop producer from North Carolina.  I listened to his stuff and really liked it.

I recalled that when this tour was announced, there was serious buzz about the opening act.  I could see how L’Orange worked with Animal Collective and was curious how he would do his show.

Then I read that it was L’Rain, and it changed everything.  L’Rain is the project of Taja Cheek.  She creates most of the music herself, playing (at least) guitar and bass and looping her voice.   After reading a few reviews, I was really intrigued to hear her. Continue Reading »

[POSTPONED: July 18, 2020] Tigers Jaw

Back in 2020, Tigers Jaw was scheduled to play a show in Garwood at a place called Crossroads.  I had never heard of Crossroads, but there was a flyer in the local Jersey Mike’s.  I was intrigued because I knew a little about Tigers Jaw and I liked what I’d heard.

Then those shows were cancelled and eventually, they came touring around and I saw them at Union Transfer–a sold out show.

They were supposed to open for Circa Survive in February and March, but that tour was cancelled at the last minute, so Tigers Jaw decided to do a small tour of their own called The Last Minute Magic Tour.  And so they finally made it to Crossroads.

The venue was great–excellent sound, great sight lines.  It holds about 200 people.  I assume it sold out–but what a difference from Union Transfer.

The crowd was 100% fans of the band and it started out fun and chill.  But there was one guy who was insistent on starting a pit.  At first people kind of ignored him, but by the end there was some serious moshing around in an uncontrolled way–I got almost knocked down once. Continue Reading »

[ATTENDED: March 8, 2022] Cave People

Cave People is the project of Dave Tomaine.  I don’t know much about them–except that he is friends with Tigers Jaw from a long time ago.

I listened to one of their songs before the show and found it to be kinda folky and okay.  So I thought the set might be solo.  But instead, five people filled the stage.  Tomaine gave a quick introduction of everyone, but I don’t remember what he said.

There were three guitars onstage  In front of me was the lead guitarist.  On the far side was a rhythm guitarist who played a few leads.  In the middle was Tomaine.

I realized about half way through the set that Tomaine’s amp was either louder than everyone else’s or was facing right at me while the other pointed away.  So while one of the guitarists was playing lead, all I could hear was the rhythm.

Which was a shame since when Tomaine was playing quietly, the full band sounded great together.

The bassist and drummer were also good (and loud enough).  I also loved the drummer’s hair. Continue Reading »

[ATTENDED: March 6, 2022] Deafheaven

I’m not a huge fan of Deafheaven, but the more I kept seeing this show advertised (and postponed and rescheduled) the more I thought I might really like to see them live.

I like their blend of shoegaze and screaming metal.  I couldn’t listen to a lot of it, but I figured a show would be just right.

The band’s newest album, however, is very different from past efforts.  There is almost no screaming at all.  Lead singer George Clarke who pretty much only screamed a largely incoherent rasp on previous records actually sang on this one.  The music wasn’t vastly different although it tended to be a bit less intense.

When I looked to see what their setlist was like, the show in late 2021 had them play the entire new album and then a couple old ones.  I wasn’t that excited by that prospect, but figured I’d still enjoy it.  And after Holy Fawn, I was ready.

They opened with “Shellstar” which is quite a pretty song.  I think I would have really liked it if it weren’t Deafheaven.  Plus, I had never seen any footage of them before.  Clarke was a wildly intense figure, but he was dancing and moving and shuffling.  Dressed all in black in a button long sleeve shirt, he moved about the stage and fully engaged with the audience. Continue Reading »

[DID NOT ATTEND: March 8, 2022] Gang of Four / Guitar Army / DJ EBG III

I am not a huge fan of Gang of Four.  But I like some of their records quite a lot and I would have really enjoyed seeing them.  Especially since they seemed to be playing a lot of their Entertainment album.    But I already had tickets to see Tigers Jaw, a band I’ve been interested in for a little while.  UPDATE CIRCA 2025: Gang of Four has not come back and when they did return in 2025, they skipped Philly entirely.  Hmmph.

Guitar Army has a promising name, but their bio says that they are “a rock n’ roll band that hasn’t forgotten its roots. Formed in Windsor with strong dose of Detroit rock, rhythm and blues, Guitar Army has been kickin’ out the jams in the Windsor/Detroit circuit for more than 25 years.”  And indeed, they sound like a rock and roll band that’s been around for 25 years.  Possibly fun live, but not that great on record.

I can’t find anything about DJ EBG III except that he he also spun records for a David Bowie tribute night.  He’s clearly Philly based and that’s all I know.

[ATTENDED: March 6, 2022] Holy Fawn

Holy Fawn was supposed to open a show I was going to go to a while ago.  I didn’t go for whatever reason, but here they are again.

“Candy” started out kind of slow and atmospheric.  There were quiet guitars and whisper/sung vocals by Ryan Osterman.  It had a powerful shoegaze vibe.  After a minute or so drummer Austin Reinholz started hitting a martial beat that felt like it was heading to a burst of noise.  But that never came.  It wasn’t until almost four minutes into the song that it burst forth.  And at nearly five minutes started screaming in an intense growl–but just for the end of the song.

“Dark Stone” worked the other way.  After some slow swirling intro sounds, the band played a heavy chord and then silence.  And it worked that way as the full band kicked in–loud crashing chords followed my ambient noise.  vocals were quiet and clean as the band played a picked guitar melody and interesting sounds from the second guitarist Evan Phelps.  The song just built and built on a wall of noise with crashing guitars, lots of cymbals and screams from bassist Alexander Rieth (who was into the music bodily–bouncing and headbanging like crazy). Continue Reading »