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[DID NOT ATTEND: December 2, 2021] Surfbort / Smirk / Dog Date / Pure Adult

Here’s another great show from Underground Arts that I didn’t get to.

I had not heard of Surfbort until a few days ago.  They sound like an insanely fun band.  I mean, look at the picture of them.

They also seem to be all kinds of boundaries pushing.

Here’s what their blurb says about them

Channeling inspiration from the 80’s punk scene to produce rousing, explosive music, their feedback strafed, guitar-shredding music says no to a digital age full of intolerance; they radiate love and friendship. All are welcome in the SURFBORT FREAK FAMILY!

That’s right up my alley.  It’s a shame I found out about this show too late.

Smirk and Pure Adult were unknown to me.

Smirk is the solo project from Nick Vicario (who I don’t know).  The music is wiry, well-crafted punk with heaps of hooks.

Pure Adult has this as a write up

Pure Adult is pure experimental punk shit.

You will listen to this noisy goodness and you will love it.

(although, if you’re only looking for catchy bops, you might hate it)

That sounds pretty great to me.  And according to the videos below the longest set was 40 minutes.

Markit Aneight was there and recorded all four shows:

Pure Adult

Dog Date

Smirk

Surfbort

[DID NOT ATTEND: December 2, 2021] Darlingside / Lullanas

S. and I love Darlingside and have seem them several times.  I have them on my list of bands to see wherever and whenever. But sometimes things get in the way.

I think seeing them at Ardmore Music Hall would be a treat.  The sound would be amazing.  But sometimes getting to Ardmore is a hassle.

Plus, it actually felt nice to stay home for a week.  So we blew off this show, safe in the knowledge that they’ll be back to entertain us in the not too distant future.

I’d never heard of Lullanas.  According to their label

Twin sisters Atisha and Nishita Lulla, aka LULLANAS, create songs wrapped in Americana warmth, folk eloquence, country storytelling, and unassuming pop ambition. Their debut EP, Before Everything Got Real, thrives on an inimitable and familial balance.

They sound like an excellent complement to Darlingside.

SOUNDTRACK:  hiatus

[READ: December 2, 2021] “Lend Me Your Character”

This year, S. ordered me The Short Story Advent Calendar.  This is my seventh time reading the Calendar.  The 2021 Short Story Advent Calendar is a deluxe box set of individually bound short stories.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check this link where editor Alberto Manguel is providing daily commentary on each of the stories he selected for this year’s calendar.

This story was probably my favorite of the collection.

It was meta- and funny with a feminist slant and a perverse kind of sexuality throughout. Continue Reading »

SOUNDTRACK:  hiatus

[READ: December 1, 2021] “The Moon over the Mountain”

This year, S. ordered me The Short Story Advent Calendar.  This is my seventh time reading the Calendar.  The 2021 Short Story Advent Calendar is a deluxe box set of individually bound short stories.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check this link where editor Alberto Manguel is providing daily commentary on each of the stories he selected for this year’s calendar. Continue Reading »

[ATTENDED: November 27, 2021] The Districts

I was supposed to see The Districts play at Union Transfer on March 12.  COVID-19 had just found its way into New Jersey and Pennsylvania and I was being very cautious so I decided to skip the show.  It was a safe decision, but one that I now regret as it would have been a pretty great final show of the year.  Shows pretty much completely stopped after that.

I was then supposed to see the Districts three times in 2021 (a lot of that was coincidence).  The opened for Modest Mouse (I had no idea they were going to), then they announced a show in Asbury Park and then, at the end of the year they were supposed to open for Dr. Dog (they bailed on that show, as did I, even though the show went on).

After seeing them open for Modest Mouse, I wanted to see them headline, because they tend to go a bit more nuts when they are in charge.

I was happy to see them in such a small place, but I hadn’t really thought this show through.  Asbury Park, on Thanksgiving weekend.  Holy crap, the place was full of reunited and drunk college students.  Which made for a more festive atmosphere but also meant that security almost had to pull somebody out and that everyone was singing along (badly) at the top of their lungs.  And of course drunk people were pushing forward throughout the show.

The band seemed to be in a really good mood when they came out and they rocked several classic songs: “4th and Roebling,” “Salt” and ‘If Before I Wake” (the crowd loves singing the “I’m just a narcissist” line)  Then they moved on to You Know I’m Not Going Anywhere for “Hey Jo,” and the moody “My Only Ghost.” Continue Reading »

SOUNDTRACK:  hiatus

[READ: November 30, 2021] “In Praise of the Short Story”

This year, S. ordered me The Short Story Advent Calendar.  This is my seventh time reading the Calendar.  The 2021 Short Story Advent Calendar is a deluxe box set of individually bound short stories.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check the link where editor Alberto Manguel is providing daily commentary on each of the stories he selected for this year’s calendar.

Manguel introduces this set with a love letter to the short story.

For absurd commercial reasons, publishers have decreed that short stories don’t sell…yet more than ever writers continue to write stories and readers continue to read them.

He continues that we are told that bigger is better.  A huge novel much better than a tiny story.  But he offers this quote from William James: : Anybody can have a statue; but a statuette–that indeed is immortality.”

He also explains that for this collection he decided to choose a method as good and arbitrary as any other to select these 25 stories: choose stories from twenty-five different countries “(knowing that many a unicorn and mermaid would be left behind).” Continue Reading »

[ATTENDED: November 27, 2021] Sham

After The Scouts, Sham came out.  Sham is the project of Shane Justice McCord.  It was him and a bass player (I loved his bass guitar!) for this set.

The bass player started by playing bird calls on a small device while Shane played acoustic guitar.

The set was quiet and acoustic and perhaps a little atonal.  Very experimental (in a video I took, you can barely hear the band from all the chatter, until a guy behind me says, “this band is so weird, this is the best.”

In no way were they the right band for this particular show–a rowdy New jersey crowd looking to rock.  But aside from talking over the set, the crowd was at least respectful.

A few songs in, the bassist moved to drums and a new bassist came out and that added a little (very little) oomph to their set. Continue Reading »

[ATTENDED: November 27, 2021] The Scouts

I didn’t know if there were any opening bands for The Districts, and it turned out there were two.

The Scouts (a difficult search term, especially when combined with The Districts) are from The District’s home town of Lititz, PA.

They came out as a five piece and won me over immediately with some really solid guitar rock.  Their songs were all pretty long–about five minutes each with lengthy intros and multiple sections.

Lead singer Nathan Yager has long hair and a big beard but has a relatively restrained vocal sound (powerful but not overpowering).  He plays guitar as well and when he and Tom Hartman played together, they really brought in a nice mix of quiet and loud guitar. Continue Reading »

[ATTENDED: November 24, 2021] Jinjer

I first heard JInjer when I saw a video for their song “Pisces.”  The song starts out slow and melodic with Tatiana Shmaylyuk singing in a quiet, lovely voice.  At the one minute mark, the songs shifts to a heavy off-kilter riff and Shmaylyuk unleashes a guttural growl that you absolutely assume is from someone off screen–but it’s not.  [Check out hilarious vocal coach reaction videos].

So I wanted to see Jinjer to experience Shmayluk’s voice in person.  But I was absolutely blown away by the rest of the band.

Jinjer is from Ukraine and I don’t know how often they come to the U.S., but there were some really die hard fans there.  The band’s lineup has changed quite a lot over the years, but since 2016, the lineup has reamined Roman Ibramkhalilov on guitar, Eugene Abdukhanov on bass and Vladislav Ulasevich on drums.

Their sound is quite heavy, but with lots of moments of quieter, pretty melodies.  Indeed, they play really complicated rhythms and time changes, with terrific riffs and bass lines.  The drummer also adds a lot of percussive sounds to the songs making them a band where it’s hard to know who to watch. Continue Reading »

[DID NOT ATTEND: November 27 & 28, 2021] The Menzingers / Dirty Nil / Kayleigh Goldsworthy

I saw The Menzingers during Philly Music Fest.  I really enjoyed the set but I was in a terribly location and the sound was dreadful.  I told myself I wanted to see them again.  And there it was, just a month later at Underground Arts!

I couldn’t go on Saturday night because I had tickets to see The Districts, but then they added a 2nd show on Sunday.

But I had just gone to a show on Saturday and the previous week was just chock full of shows.  I couldn’t bring myself to go out again.  Especially since I had just seen them.

I do hope they come back again soon.  And it would be amazing of they could play a small club like that again. Continue Reading »