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Archive for the ‘Union Transfer’ Category

Wisp / Dream Ivory / Aldn (Union Transfer, Philadelphia, PA, August 23, 2025) [DID NOT ATTEND]

Posted in Aldn, Dream Ivory, Philadelphia, PA, Union Transfer, Wisp on August 23, 2025| Leave a Comment »

[DID NOT ATTEND: August 23, 2025] Wisp / Dream Ivory / Aldn

I had never heard of the band Wisp.  They were announced as an opening band for the System of a Down show so I checked them out and enjoyed them.  I was looking forward to seeing them [UPDATE: we arrived too late and missed them entirely].

I was absolutely fascinated that they (she) had a headlining gig at Union Transfer a few days before the show (apparently Wisp has a big online following).

But this show was smack dab in the middle of our vacation so there was no way I could go anyway.

Luckily Gloss was at the show and recorded all three bands (see below). (more…)

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The Warning / Speed of Light (Union Transfer, Philadelphia, PA, July 19, 2025) [DID NOT ATTEND]

Posted in Mexico, Philadelphia, PA, Speed of Light, The Warning, Union Transfer on July 19, 2025| Leave a Comment »

[DID NOT ATTEND: July 19, 2025] The Warning / Speed of Light

In a really weird coincidence, I had literally just read about The Warning and how much they rocked.  I listened to a couple of songs and liked them quite a lot.  And then I saw that they were playing at Union Transfer.  I was really interested in going, but it was one of four shows that I wanted to see today.  And I already had tickets for Weird Al so The Warning lost out.

So The Warning is from Monterrey, Mexico (they sing in English).  The band members are sisters: Daniela (guitar, vocals, piano), Paulina (drums, vocals, piano), and Alejandra (bass guitar, backing vocals, piano) Villarreal Vélez.  They rock really hard , Daniela’s voice is great and they seem like they’d be fantastic live.

Speed of Light are also siblings Riley (bass and vocals) Tyler (drums) and Cameron (lead guitar) Christensen.  They are from California and started the band when they were children.  They are less metal than The Warning, with a grungy sound, they have clean (excellent) vocals and some growling as well.  They are pretty intense.

I think this would have been a great show to go to and I hope they both tour again around here.

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Godspeed You! Black Emperor / Marisa Anderson (Union Transfer, Philadelphia, PA, November 24, 2024) [POSTPONED]

Posted in Alan Sparhawk, Godspeed You Black Emperor, Marisa Anderson, Philadelphia, PA, Union Transfer on June 24, 2025| Leave a Comment »

[DID NOT ATTEND: June 24, 2025] Godspeed You! Black Emperor / Marisa Anderson [moved from November 24, 2024]

Back in 2000, I saw Godspeed You Black Emperor at Maxwell’s in Hoboken.  My friend Lar was in from Ireland and he went to the show with me, which was pretty awesome.

I waited 18 years to see them again, but the last time I saw them, the show was marred by the crowd.  I was ready to see them again but when the night arrived I wasn’t feeling it.  So I stayed home.

GY!BE tends to have interesting and perhaps unexpected openers. Last year it was supposed to be Alan Sparhawk from Low.  For whatever reason, this time it was Marisa Anderson is an American guitarist and composer from Portland, Oregon. She is known for mixing American primitive guitar with various genres.  She’s the kind of artist that the intellectual in me loves (because she’s really good, I’ve listened to few songs) but who I would find dull in a live setting after a short time.

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Blondshell / Daffo (Union Transfer, Philadelphia, PA, June 21, 2025) DID NOT ATTEND]

Posted in Blondshell, Daffo, Philadelphia, PA, Union Transfer on June 21, 2025| Leave a Comment »

[DID NOT ATTEND: June 21, 2025] Blondshell / Daffo

I really like Blondshell.  I saw her do a Free at Noon, but I couldn’t make her show that night at PhilaMOCA.  Good for her that her next Philly show was at Union Transfer. I was really looking forward to this show.  I had gotten my daughter a ticket because I thought she’d enjoy it and she likes Daffo.  But the night of she was really busy so we both wound up staying home.

We saw Daffo open for Sir Chloe and really enjoyed her set.  At the end of the night my daughter bought a shirt from her and chatted with her.  I was sure she’d want to see her again, but I guess not.

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Sleigh Bells / Sophie Hunter (Union Transfer, Philadelphia, PA, June 3, 2025) DID NOT ATTEND]

Posted in Philadelphia, PA, Sleigh Bells, Sophie Hunter, Union Transfer on June 3, 2025| Leave a Comment »

[DID NOT ATTEND: June 3, 2025] Sleigh Bells / Sophie Hunter

I saw Sleigh Bells open for Pixies a few years ago.  I had remembered when they first came out and they were very noisy.  Several years later and they looked different but they were still noisy.  I had written

For this show the band consisted of two guitarists who flanked Alexis Krauss.  The drums and every other noise was handles by a woman offstage.  The two guitars were probably overkill as they both did the same thing pretty much all the time.  But the stage belonged to Krauss.  She jumped around, she sang (beautifully).  Despite her attitude, the show was a little monotonous.  The guys didn’t do much, and she can only keep the crowd rolling for so long.  It was a fun opening set, but probably would have been more fun in a small dark club.

So this was in a small dark club, but I didn’t want to see them as a headline act.

Sophie Hunter is a delightfully weird musician who kinda raps over unusual beats.  Feel the throb describes her perfectly

Those red curls and that Natasha Lyonne-esque voice deadpan-rapping while she walks the streets of NYC. Since 2021, the New Haven native has been steadily building buzz with singles like Cvnt and Fight!  Hunter grabs you by the eardrums and doesn’t let go. Her self-described “pop+rap” style is less a fusion and more a full-on collision of genres, with shrapnel flying in all directions. It’s messy, it’s loud, and it’s glorious. However, don’t let the cacophony fool you – there’s method to this madness. Hunter’s lyrics are a masterclass in wordplay, with more double entendres than a late-night comedy show. She weaves tales of the female experience with the dexterity of a verbal contortionist, leaving you reaching for the replay button to catch what you missed the first time around.

I’m going to keep an eye on her–she’s probably a blast live.

But Tito Santana recorded the whole show

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Momma (Union Transfer, Philadelphia, PA, May 30, 2025)

Posted in Momma, Philadelphia, PA, Union Transfer, Wishy on May 31, 2025| Leave a Comment »

[ATTENDED: May 30, 2025] Momma

Just over a year ago, I saw Momma open for Girl in Red.  I had been wanting to see them for a while and an opening set is a fine way to see them.  But I was really excited when they announced this headline tour and that they were playing Union Transfer.

I was off to t he side a bit–near Allegra Weingarten but with a great view of Etta Friedman.  Last time it wasn’t entirely clear if the band was just the tow of them (as photos showed) or all four, but the two guys are still with them so I’m guessing they are part of the band now–Aron Kobayashi Ritch on bass and Preston Fulks on drums.

The set was largely songs from their new album, which was to be expected.  Although I was really surprised that they played I Want You (Fever) (which I think is a huge hit) second!  The crowd went nuts for it of course.

In fact I feel like they stacked the front of the show with the songs I wanted to hear because they followed Fever with Medicine and Ohio All the Time. (more…)

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Wishy (Union Transfer, Philadelphia, PA, May 30, 2025) [MOMMA]

Posted in Momma, Philadelphia, PA, Union Transfer, Wishy on May 30, 2025| Leave a Comment »

[ATTENDED: March 22, 2025] Wishy

I Was happy that Wishy opened for Momma.  I knew one or two songs by them and really liked them.

The band came out–a five piece, with the two singer/guitarists Kevin Krauter and Nina Pitchkites.  They harmonize perfectly with each other–both vocally and on guitar.  There’s something very appealing about the two singers going Ah ah ah in harmony on Planet Popstar.  There’s a few different parts in this song so I actually wasn’t sure if they were playing different songs or one long one (it’s only 4 minutes, but is pretty complicated)

Wishy released an EP this year and they played half of it.  That left five songs from last year’s Triple Seven, which is the album t hat I first heard them from.  The (very simple ) guitar riff in Persuasion is wonderful–and when the harmony guitar came in–fantastic.

Love on the Outside is mostly Kevin on guitar, but after a verse, the band kicks in and the harmonies are terrific.  The rest of the band is guitarist Dimitri Morris , bassist Mitch Collins, and drummer Conner Host.  It almost seems like overkill to have three guitarists in the band, but all three do different things to make the sound enormous. (more…)

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Lucius (Union Transfer, Philadelphia, PA, May 22, 2025)

Posted in Lucius, Philadelphia, PA, Union Transfer, Victoria Canal on May 23, 2025| Leave a Comment »

[ATTENDED: May 22, 2025] Lucius

I saw Lucius last year when they played the anniversary of their debut album.  I enjoyed the show and their performance so much that I knew I’d want to see them again.  And I knew my wife would really enjoy it as well.

But I had no idea she’s enjoy it as much as she did.  She said it was her favorite concert of the year [UPDATE: at year’s end she maintains that belief].

The stage was set up with two large cacti flanking the keyboard set up of Jess Wolfe and Holly Laessig.  I love that they dress alike (down to the wigs they are wearing).  They wore red, beautifully decorated ponchos, and it’s amazing that they face each other and more or less mimic each others movements–they’re not a tightly choreographed ship, which is good.  They are more like a loose duo who can allow the moment to overtake perfect choreography.  And they’re all the better for it,

But mostly, Lucius are instantly recognizable because of the gorgeous vocals of Wolfe and Laessig,  And it gives you goosebumps to see them perform live.

There’s a several Lucius songs that I absolutely love.  There’s also some that I’m iffy about (but the hits greatly outweigh the misses for me).  And I really like the vibe of the new album a lot.  I’m sure that has a lot to do with Adam Granduciel of The War on Drugs who produced the album (his fingerprints are all over it).  The opening song Final Days doesn’t sound like The War on Drugs, but it does sound like Lucius covering a War on Drugs song.

They followed up with Gold Rush, which I was surprised to hear so early as its the big hit from the album.  They wound up playing five new songs in a row.  Trespassers Will Be Shot uploaded several songs from our show (see below).  Things had mellowed, but when Stranger Danger came on and the guitars went crazy and Jess and Holly came to the front of the stage–it was electrifying.

The band had a simple set up.  Jess and Holly in the center.  On our right side was drummer Dan Molad and on our left was multi-instrumentalist (but mostly, an amazing guitarist–the sounds he generates are amazing) Peter Lalish.

They played the quieter 24 and then moved to Wildewoman for the amazing Tempest.  Since they had just toured the album last year I didn’t think they’d play too much from it, so it was cool to hear this one.

Then for the really fun Joy Ride, they put on matching hats and sat stage right in a couple of folding chairs.  We got a kick out of them snapping their heads left and right to the beat.

They jumped back to Wildewoman again for the awesome (and even more awesome live Nothing Ordinary) and the fantastic Genevieve, which was delightfully percussion heavy (Jess and Holly playing cowbells) and full of cool lighting. (more…)

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Victoria Canal (Union Transfer, Philadelphia, PA, May 22, 2025) [LUCIUS]

Posted in Lucius, Philadelphia, PA, Union Transfer, Victoria Canal on May 22, 2025| Leave a Comment »

[ATTENDED: May 22, 2025] Victoria Canal

I had not heard of Victoria Canal before this show.

She has a fascinating backstory.  She was born in Germany but is of Spanish American heritage and was raised mostly in Spain.  And yet when she spoke she had no trace of an accent.

Canal was born without her right forearm.  What’s fascinating is that although she does not try to hide it at all, we didn’t notice for the first couple of songs.

Victoria played acoustic guitar and keyboards.  She also had really nice boots on.  Between songs she told delightful stories that really fleshed out songs like the new (and wonderful) Pseudo Zen Buddhist: A Screenplay.  Which she introduced by saying the song was about her ex boyfriend’s next girlfriend murdering him (she works in movies, hence the screenplay part).  It was great.

There was also a really funny intro to Yes Man, a song she write when on a songwriting retreat with Chris Martin of Coldplay.

Canal’s voice is soft and gentle with a really nice timbre.  And she can mix in some falsettos on a song like Totally Fucking Fine. (more…)

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Deafheaven / Gatekeeper / Trauma Ray (Union Transfer, Philadelphia, PA, May 12, 2025) [DID NOT ATTEND]

Posted in Deafheaven, Gatecreeper, Philadelphia, PA, Trauma Ray, Union Transfer on May 12, 2025| Leave a Comment »

[DID NOT ATTEND: May 12,2025] Deafheaven / Gatekeeper / Trauma Ray

This was the most embarrassing reason I’ve ever had for missing a show.  I thought it was the 13th, but it was actually the 12th.  I just wrote down the wrong date in my calendar.  WTF!

I had missed Deafheaven last year when they came around (scheduling conflict) so I was all about going to this one.  I only found out because I couldn’t get a ticket for my son online so I wrote the venue and they said sales were closed because the show was the previous night.  Holy crap.

Gatecreeper are an old-school death metal band from Arizona who formed in 2013.  They are loud and growly.  I probably wouldn’t have enjoyed them for the entire set.  But I would have enjoyed the first opener.

Trauma Ray opened for Panchiko last year and after listening to them I really wanted to see them

Among the current wave of shoegaze revivalists, Fort Worth’s trauma ray rank as high as any at capturing its complexity, intensity, and expressive devastation.   One of trauma ray’s greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an ear-worm, without production tricks or gimmicks: “Riff, verse, chorus, three guitar parts – that’s all you need.

Once again, Deafheaven picks two diverse opening bands that each match their sound in their own way.

 

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