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Archive for the ‘Jawbox’ Category

[ATTENDED: October 13, 2026] Sugar 

Sugar hasn’t toured in some 30 years.  For some reason I thought I had seen them back the first time, but I’d actually seen Bob Mould doing a solo tour (with a band) and they played Sugar songs.

I’ve seen Bob several times, both by himself and with a band, but I was really excited to see Sugar and, while it wasn’t THAT different from when he plays a solo show (with a band) it was all Sugar and there were several songs sung by David Barbe, the legend from Athens.  And Malcolm Travis (I had no idea his history) was on drums.

There was a MASSIVE banner that read SUGAR behind them and, aside from lighting changes, there wasn’t much more spectacle.  Because this (as with most things Bob does) was all about the music.

After an opening tape of The Beatles’ She Said She Said (which I joked was played at the loudest volume I’ve ever heard The Beatles played) the band came out.  Malcolm sat at the drums, David grabbed his bass and Bob headed to the guitar.  For the whole show, nobody changed instruments, they just played 23 songs in 90 minutes and left us exhausted and elated.

Bob was his usual antsy self, stomping around the stage like a boxer warming up. He was dripping sweat by the end of the first song.  They opened with the first three songs from Copper Blue.  I have seen Bob and I’ve seen him play a few Sugar songs in recent years, but as soon as David sang the backing vocals on The Act We Act, it was a real Sugar show.

I deliberately didn’t listen to any of the albums before the show for fear that I’d be upset if they didn’t play the song I wanted to hear and I was pretty thrilled by how much all of this music that I’d listened to so much came back to me.

Hearing the opening bass line of A Good Idea (a very Pixies like song) was wonderful and watching Bob play that rising guitar note was just as cool .  We all sang along to “that’s a good idea, she said she said.”  There was an older woman in front of my wife.  She was short with long gray hair and for the first couple of songs, she was completely consumed by the music–raising her arm (something I particularly hate) and dancing and moving and backing into my wife–she took up way too much space.  She settled down after the opening salvo of songs, but it was fascinating.  We were annoyed by her, but also appreciative of how into it she was.

I loved hearing Changes, and probably would have happily had them play the entire album straight through (but they had to save a few songs for the end).  They  sprinkled songs from File Under: Easy Listening throughout the set.  So up next came the David Barbe sung Company Man.  I didn’t recognize it at first–David’s mic seemed a little quiet and/or he was singing a little too quietly.  His backing vocals (which were usually higher) sounded great.  But he was a little muffled on lead.   I hadn’t thought of Company Man in a long time and it was cool to hear it–Bob’s screams at the end gave it even more punch. (more…)

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[ATTENDED: October 13, 2026] J. Robbins

I could have seen J. Robbins open for Bob Mould last year.  But I wound up not going to that show.  I have one Jawbox album but I didn’t really remember all that much about it.  So I wasn’t that excited for this solo show.  In the past he has played with backing musicians, but for this show it was just him and his acoustic guitar.

And it was fantastic.

He was great right from the start.  He asked who was there the night before (“Me too!”).  He played a slightly different set for us than for night 1 saying that having the two nights together meant that he could play songs he didn’t usually get to play.

He started playing and the sound of his guitar was great–loud but clear.  And his voice was also clear–powerful and unflinching.  And the words were wonderful.  Not just the topic, but the way with words.  I loved the lyric Shield from me the words I struggle to find.

He played one Jawbox song (I didn’t know it but the crowd went nuts for it).

The first five songs were in an interesting open tuning.  Interesting enough that a nerdy guy behind me asked what tuning he was using (it was a very quiet room for him).  He demurred and just said an unusual one.

He switched tuning for the next few songs.  The first was a Burning Airlines song.  That’s a band I’d never heard of and (obviously) didn’t know he was in.  After one more song he introduced a song saying it was his favorite song in the world by a weirdo Baltimore band that he loved called Lungfish.  I’d never heard of them either.

The final two songs were just as good as the rest.  I see he typically opens with Anodyne.  And after Abandoned Mansion, he thanked us and left.

A solid 30 minutes of great acoustic guitar playing.  He was compelling and his voice sounded fantastic.  I’m now going back to see what else I’ve missed by him.

  1. (Unknown)
    (“nothing behind. Shield from me the words I struggle to find”)
  2. Exquisite Corpse ♣
  3. Winter Sun §
  4. Soldier On ⊗
  5. Static (Jawbox song)
  6. Outside the Aviary (Burning Airlines song)
  7. Old Soul ♣
  8. Love Is Love (Lungfish cover)
  9. Anodyne ⊗
  10. Abandoned Mansions ⊗


♣ Basilisk (2024)
⊗ Un-becoming (2019)
§ single (2019)

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[DID NOT ATTEND: October 12, 2026] Sugar / J. Robbins

Sugar hasn’t toured in some 30 years.  For some reason I thought I had seen them back the first time, but I’d actually see Bob Mould doing a solo tour (with a band) and they played Sugar songs.

Sugar is Bob’s poppiest band and every song is a delight.  I was so excited when they announced a reunion tour.  The first few dates were NYC only and I considered going.  But it seemed likely they’d add more dates and here they were with two nights at Union Transfer.  I deliberately got night two, so I didn’t go to this first night.

But I’m super psyched for tomorrow.

I have one album from Jawbox, their last.  J. Robbins was the singer and main dude behind the band.  I’m not sure what got me to buy it (that was back in 1996 after all).  I may have been the Tori Amos cover.  They were a post-hardcore band before that was a thing.  I probably would like it now if I listened to it.  Maybe I’ll give it a listen before the show (but I see he’s not playing any songs from it so…)

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[DID NOT ATTEND: May 4, 2025] Bob Mould / J. Robbins

I saw this incarnation of the Bob Mould trio back in 2021 and they were great. I didn’t know if I needed to see them again, but when this show was announced, I thought I’d like to go again.  But it was the same night as the comedy special we were going to see with Paul F. Tompkins, which I could not pass up.

J. Robbins is listed as J.Robbins (Jawbox).  So I guess after Jawbox, he went solo.  I knew about Jawbox a little.  I have their self titled album.  I remember liking it, but don’t remember it much.

J Robbins’ solo music is with a band but he also plays solo.  I’m not sure what he playing this night.

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SOUNDTRACK: CHRIS WALLA AND J. ROBBINS-Create ‘Mercury’ (Project Song: October 12, 2009).

Project Song was a nifty little show that NPR Music created.  The premise was that NPR would give a musician some prompts and a recording studio.  They then had two days to write and record a song.  I don’t know how much of the process was to be filmed, but presumably most of it. Then it would be edited down to a fifteen minute show.  The results are pretty cool and it’s a shame they only made five of them.

The fourth one they did was over a year and a half after the previous one.  This Project was offered to Chris Walla (of Death Cab for Cutie) and a performer he’d admired, J. Robbins (of Jawbox and Burning Airlines).

What made this project especially difficult was that the two had never even met before they stepped into NPR’s performance studio.

I supplied some inspiration for their song: photo collages created by artist Tom Chambers [The picture are really, really cool]. They chose a photograph of a house in a canyon filled with water, tilted and flooded. Not far from the house is a dog on a boat, floating either toward or away from the house. I also supplied a series of words. They selected the word “cerebral” and promised when they wrote the song not to be too cerebral about it.

Unlike the pairing from Georgie James, this pair is instantly excited at the possibilities–changes and ideas.

Robbins says he will not write any lyrics, it takes him a month and a half to hone them,

But it didn’t take long for Robbins to pick up his bass guitar, for Walla to pick up a guitar, and for the two to begin their musical friendship.

They were inspired by JG Ballard and his drowned world series. In these books there are people who know the world is dying but they embrace it as a forward movement into the unknown

J. get a great bass line right away (its sounds very Death Cab, interestingly).  Bob asks about the music and J. says the music sounds like a dog on a boat heading towards a half-submerged house.  And Walla is singing the word “mercury.”

Walla and Robbins were joined by Robbins’ friend, drummer Darren Zentek.

He adds a wonderful beat and the song sounds great.  They get excited filling out the possibilities–end on the bridge!

Walla goes off by himself to write lyrics.  And Robbins works on a piano part.  And then things really come together when Walla picks up the 12 string.

The song they created, “Mercury,” takes its subject matter from that photograph, which is a bit of a cataclysmic scenario turned into a song about the climate crisis.

The result has a definite Death Cab feel, but with Robbins and Walla alternating lead vocals it is a different, wonderful thing.

[READ: July 23, 2018] “I Walk Between the Raindrops”

This story centers around Valentine’s Day.  But it’s a T.C. Boyle story so there’s always something else to look forward to.

I love the way this story opens with Brandon the narrator telling us.

This past Valentine’s Day, I was in Kingman, Arizona, with my wife, Nola, staying in the Motel 6 there, just off the I-40. You might not think of Kingman as a prime location for a romantic getaway (who would?), but Nola and I have been married for fifteen years now, and romance is just part of the continuum….  Were we slumming?  Yes, sure.  We could have stayed anywhere we liked…and if it’s not ideal, at least it’s different.

They were there because Nola’s father lives nearby and they decided to pay a visit and to let Nola search for antiques.  They went to Denny’s (the only place her father will eat), and after eating, Nola went antiquing and Brandon went to a bar to wait for her.

It’s not unfriendly (despite some graffiti like “fuck you, liberal pussies” (which he chooses to take as ironic), but he doesn’t order a Pinot Noir or anything.  (more…)

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