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Archive for the ‘Union Transfer’ Category

[ATTENDED: April 2, 2019] Christian Lee Hutson

I had not heard of Christian Lee Hutson before this show. I had no idea that he was in the Better Oblivion Community Center band (multi-instrumentalist) or that he has written songs for BOCC and boygenius (and that Phoebe Bridgers was producing his album).  So he has a lot of connections in this Community.

He looks rather Southern California.  With his sweeping hair and good looks he could be an extra on the new Veronica Mars series).  But he sings in a lovely accent-less voice. His voice and his guitar lines are clean and classic.  His melodies sound ageless, aside from his more contemporary lyrics (like on Northsiders):

We were so pretentious then
Didn’t trust the government
Said that we were communists
And thought that we invented it

Morrissey apologists
Amateur psychologists
Serial monogamists
We went to different colleges

(more…)

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[ATTENDED: March 15, 2019] Teenage Fanclub

I’ve been a fan of Teenage Fanclub since I heard “The Concept” back in 1991.  The band has changed (and mellowed) a lot since then (they had long hair, they had hair, and they could have been teenagers, maybe), but they still write gorgeous harmony-filled, pop-rock songs.  I had never seen them live (I’d heard that in their early days their live shows were tempestuous and insane).

Last year when bassist Gerald Love retired (amicably) from the band, I assumed they were done.  Love wrote a little more than 1/3 of the songs (Norman Blake wrote a lot and Raymond McGinley wrote a bit less) and he wrote some of their catchiest songs.

So I was surprised and delighted that they announced an American tour and they were coming into Philly to Union Transfer.  I knew they wouldn’t play any of Love’s songs, but I also knew that they had a whole bunch of songs that the other two guys wrote that I really loved. (more…)

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[ATTENDED: March 15, 2019] The Love Language

I had not heard of North Carolina’s The Love Language before this show, despite the fact that they’ve been playing together for nine years.

Their drum head had the band’s name written in a big, puffy, hippie, sixties style, so I expected some serious psychedelia.  Which I did not get.  In fact they rocked pretty hard

They are a four piece centered around guitarist/vocalist/songwriter Stuart McLamb (they’ve been a band for about ten years and the Wikipedia page lists 20 former members).  The current lineup (according to their Facebook page) consists of Thomas Simpson, Andy Holmes, Eddie Sanchez, Jordan McLamb and Stuart McLamb.  Clearly one of those guys wasn’t in Philly. (more…)

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[ATTENDED: March 9, 2019] Aurora

I enjoyed the Aurora show in New York so much that I knew I’d want to see her again.  I also knew that I could bring my wife and daughter to the show and they would be equally enthralled even if they didn’t know her music very well.

This was my daughter’s first club show and I thought she’d be pretty excited at the prospect.  But we do go to a lot of different live entertainment, so she wasn’t any more excited than usual.  Although I think she enjoyed the fact that we weren’t in seats, because she liked walking from where we were to up close by the stage.

Aurora’s stage design was minimal but cool–five or six large jellyfish hung from the ceiling.  The lights were a dark blue–feeling very underwater as she sang the beautiful and haunting “Churchyard.”  Her voice is powerful and amazing (even if she was a little under the weather–she told us an amazing story about the color of her snot).  And it’s very funny when she speaks between songs because she is quiet and soft-spoken.  She tells adorable, weird stories (which has garnered her an overly dedicated, slightly annoying, eye-rolling fan base).  The kind of fan base who shouts, “no thank YOU!” every time Aurora says thanks.  On the plus side, this fan base is absolutely respectful while she sings which is wonderful because you can hear everything.

The setlist was very similar to the show in NYC, although I actually didn’t realize it until i looked at them right now.  In NYC, the new songs hadn’t been released yet so they were new and ephemeral.  By now they were well established.

She continued to sound amazing through the uptempo “Warrior” and “Gentle Earthquakes.

I tend to not like dance music or aggressively pop music and Aurora certainly falls within the confines of that style, especially a song like “All is Soft Inside.”  But she has this wonderful off-kilter presentation.  It certainly has something to do with her being from Norway and living what appears to a be a fairly isolated existence.  She just sings differently.  It’s not weird or radically different, it’s just not the same as what everyone else does.  And her sense of melody is also slightly different.  It’s really wonderful.

She slowed things down with the disturbing ballad “Murder Song (5,4,3,2,1)” followed by the other sad song (she apologized for these songs being so sad), “Runaway,” a soaring beautifully sad song.

The stage production was mostly understated.  Some lights, changing occasionally and appropriately.  Mostly it was an opportunity of Aurora to dance and dance–an infectious dance.  But “The Seed” was just utterly intense with the flashing strobe lights in the more intense moments.  And when the strobe ended and the stage when briefly black it was an incredibly moment.

Things really quieted down for “It Happened Quiet” where it was just her and her amazing keyboardist/backing vocalist Silja Sol.  Then she came back with the new single “Animal” which brought everyone back up with some great dance.

The rest of her band is really stellar.  Most of them are from Bergen Norway.  Magnus Åserud Skylstad plays drums and while I’m sure there are a lot of electronics in the kit, the sound was powerful and amazing.  Odd Martin Skålnes is the bassist in her band.  His backing vocals–largely singing low but occasionally going high–are fantastic.  Although nobody’s backing vocals were as amazing as Silja Sol.  She may actually get higher than Aurora.  Throughout the show her voice was just wonderful–perfectly complementing Aurora in whatever was sounded best.  Aurora’s voice is great, but with Silja Sol, she is unbelievable.

I love the new song “Forgotten Love” which she followed with the older song “I Went Too Far.”

The show was nearing its end and my daughter grabbed my hand because she wanted me to come up really close to the stage.  To the left of the stage is an artist’s entrance.  And not many people were there.  So this afforded us an amazing view of her from very close up.  I wouldn’t have wanted to stay there for the whole show as you miss everything else going on stage (the sound was also a little different there but still sounded great).  But it was really cool being a few yards away from Aurora with my daughter while she sang the stunning “Running with the Wolves” one of my favorite of her songs.

Aurora left for an encore break and when she came back it was just her and keyboardist Sean McVerry (the only American playing that night, he also had a solo set earlier in the evening).  They played the lovely “Infections of a Different Kind.”  When the show started people were passing out small paper hearts with instructions to shine out phone light behind them during this song.  Many people did and it looked very cool–she even commented on how lovely it was.

During the encore break, people brought her all manner of creative things including a rather large painting which was, frankly, creepy as all hell.  Aurora was so kind and said she would put it over her bed, but damn, it would give me nightmares.

She ended the show was the wonderful “Queendom.”  It was catchy and dancy and the whole room vibrated with fun.  I especially liked that she said there would be no presidents in her queendom.  She also brought out a rainbow flag to wave around.  And then the spell was over and we were back out in the cold night.

I don’t know if it was the life-enhancing moment that I wanted it to be for my daughter, but my wife has certainly become a fan.  Maybe when my daughter goes to her first concert on her own she’ll remember being that close to someone who is inexplicably not huge.

 

 

Union Transfer 2019 Bowery Ballroom 2018
Chrurchyard Nature Boy
Warrior Warrior
Gentle Earthquakes Gentle Earthquakes
All Is Soft Inside Under Stars *
Murder Song (5, 4, 3, 2, 1) Forgotten Love
Runaway Murder Song (5, 4, 3, 2, 1)
The Seed Runaway
It Happened Quiet Soft Universe ⊗
Animal Queendom
Forgotten Love All is Soft Inside
I Went Too Far Animal
Running with the Wolves I Went Too Far
encore The Seed
Infections of a Different Kind Running with the Wolves
Queendom encore
Through the Eyes of a Child ∀

* early single
∀ All My Demons Greeting Me as a Friend
⊗ Infections of a Different Kind Step 1
ℵ new unreleased

 

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[ATTENDED: March 9, 2019] Talos

When I saw that Talos was opening for Aurora. I looked them up online and heard a couple of songs which I thought sounded cool.  They were ethereal and soaring with lead singer Eoin French’s vocals rising to an incredible falsetto.

Turns out Talos are from Cork, Ireland and the band is largely French’s creation.   As I understand it, he created all of the music on his first album (which was more electronic) and now has this massive five-piece backing him.  Although on stage there were five total, so I’m not sure who was actually at our show.

The band made amazing atmospheric music.  Between the synths that the keyboardist/bassist was playing and the guitar/synths that French played, the songs were just full of textures.  Couple that with French’s voice which was really powerful but could also reach staggering heights, and add in the flair and splash of a drummer and a percussionist and you have an amazing symphonic sound that really rocks.

They had a Sigur Rós vibe, but were definitely doping their own thing. (more…)

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[ATTENDED: March 9, 2019] Sean McVerry

After seeing Aurora in New York last year, I knew I’d go see her again if she came back to the States.  So I was pretty excited that she was scheduled to play Union Transfer.  I bought three tickets–one for me, one for S. and one for T.  This was going to be her first club show.  She had been to an arena to see Katy Perry, but I thought this experience would be really different for her.

Going in, she honestly wasn’t quite as excited about the whole thing as I thought she’d be.  I guess we’ve been to enough performances that this one didn’t seem very different.  We found a great spot against one of the lower raised sections.  This allowed S. and T. to rest against the wall and still have a great view.

Before the show, I listened to one or two songs from the opening act, Talos, and liked what I heard–atmospheric and keyboardy with high vocals and a cool rocking undercurrent.  So I was surprised when a nicely dressed fellow came out with an acoustic guitar. (more…)

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[ATTENDED: February 7, 2019] Sharon Van Etten

I really loved Sharon’s Epic and Tramp albums.  After her 2014 release she kind of disappeared from the music scene, focusing on some TV work and on her family.

Then last year she came back with the single “Comeback Kid” and the album Remind me Tomorrow, which sounded very different from her guitar-based earlier work.

I had been told that she puts on a great show, so I grabbed tickets the day they were announced, assuming she’d sell out.  She did but only on t he night of the show.

I’d only listened to Remind Me Tomorrow once through before seeing this show.  In fact, I have more or less stopped listening to artists before I got to see them so that I’m not disappointed if they don’t play a song I really want to hear.  This served me very well tonight as she played the entire new album and just a few other songs.

Before she started, a guy next to me was talking to his lady friend.  In addition to spouting off about how he was the only one not looking at his phone and how he was kind of over his phone, he also said that she would never open with “Comeback Kid” because everyone would leave right after the song.

So it amused me that after the intense opening song “Jupiter 4,” (which opens with washes of synth that Sharon walked out to) she played “Comeback Kid” and the lady friend asked if they should leave now.  No one left. (more…)

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[ATTENDED: February 7, 2019] Nilüfer Yanya

I had heard a little buzz about Nilüfer Yanya (and NPR had featured her at a SXSW show).  I found her music peculiar.   Nearly everything she does has a staccato feel–guitar lines, melodies and especially her vocal delivery.  I find that her vocal style is either love or hate–sometimes even within a song itself.

Her music is sort of jazzy, but with definite rock angles.  Her guitar playing style was pretty delicate with some really excellent-looking chords (all over the neck of her guitar). She played delicately most of the time, with the loud angles handled by drums and bass.  She also had a saxophonist/keyboardist who handled a lot of the accents and sound effects.

But most of the focus has to be on her voice. (more…)

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[ATTENDED: October 19, 2018] Mitski

I haven’t had that much exposure to Mitski.  I loved her Tiny Desk Concert and had heard great things about her live show.  So I was pretty excited to see her.  I was amazed that she sold out Union Transfer (and every other date on her tour!) so quickly.  She even added a second date in November and that one sold out, too.  Good for her!

In the Tiny Desk, she is solo, playing her guitar.  I was totally unprepared for what was to come.

This was the first night of her tour, so I gather everyone was unprepared.

The stage was constructed with three large screens.  They projected various images, often static, sometimes scenes from nature, sometimes rain-covered windows, in other words, nothing especially memorable.  They served as backdrop for Mitski herself.

The band came out–drums and guitar to the left and bass and keys to the right.  And then Mitski came out in a high-buttoned long-sleeve shirt and a long black skirt.  Her hair was pulled back and she looked very much not ready to rock.  She looked almost puritanical.   (more…)

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[ATTENDED: October 19, 2018] Overcoats

Overcoats were the first concert I went to this year.  They had opened for a band I’d never heard of, but I was there for them.  I got there early, had a great spot up front and really enjoyed the show.

Now here it is ten months later and they were opening for someone I really wanted to see.  I knew they didn’t have a new album out so I wasn’t sure what they’d be playing.  It turns out that they had taken a bit of a touring break and this was their first gig in a little bit (we’re so out of shape, JJ said).

Well, I arrived later than I wanted to and wound up with a not great but not terrible spot.  I walked in during their first song (boo).

The crowd was (like last time) very responsive, which is always fun.  And it felt like Overcoats were more relaxed than last time (but that’s probably not true). (more…)

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