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Archive for the ‘Union Transfer’ Category

[ATTENDED: October 15, 2019] Preoccupations

I saw Preoccupations open for Protomartyr about a year ago.  At the time I wrote:

Preoccupations is a band from Calgary Alberta Canada.  They were originally called Viet Cong. They put out a stunning album called Viet Cong and then met all kinds of grief for the name (shows cancelled, etc), so they changed it to Preoccupations.  It’s amazing that a band as minor and indie as them would get so much grief, but whatever.

I thought their show was fantastic.  I loved the sound of their music and the energy that the band brought.

This show was similarly good–although perhaps the smaller venue of the Foundry made the band seem more dynamic.

I see that the setlist was largely the same for both shows (they haven’t put out new material since New Material in 2018).  I find it fascinating that much of the setlist comes from their first album Viet Cong.  I wonder why that is.

I also feel like for this show the band was considerably quieter than last time.  I realize that at the last show I was in front of speakers, and this one I was a little further back and therefore muffled.  But it seems like the overall wall of sound was somewhat lessened. (more…)

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[ATTENDED: October 7, 2019] The Distillers [rescheduled from June 1 & August 14]

The Distillers and Starcrawler were supposed to play a show at Union Transfer on June 1.

I bought tickets because I wanted to see Starcrawler–a band whose live show is becoming legendary.  I thought I didn’t even know The Distillers.  This turned out not to be true.  About a year earlier I had watched an NPR Field Recording with Brody Dalle.

Dalle (who is Australisn, which is hard to imagine given her speaking/singing voice which has no accent) has been in a bunch of bands.

First was The Distillers who broke up in 2006.
Then she formed Spinnerette who put out a couple of records until roughly 2011.
Then she did a solo album in 2014.
She has done all kinds of guest appearances, especially with Queens of the Stone Age.

Then she reconvened The Distillers in 2018.

I listened to a couple of their songs and was pretty excited to go to a old good punk show with a legendary singer. (more…)

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[ATTENDED: October 7, 2019] Death Valley Girls [rescheduled from June 1 & August 14, replaced Starcrawler]

I had the opportunity to see Death Valley Girls twice in August.  The first time was with The Distillers who had to cancel their second show at Union Transfer due to a different injury.  The second (and it probably happened because of that cancellation) was with Sharkmuffin, a band I really wanted to see but wasn’t free that night.

So I was pleased that they were opening for The Distillers again a few months down the line.

I actually didn’t know much about them before seeing the show.  I had an idea of what they sounded like but, for instance, I had no idea that they were founded by Patty Schemel, the original drummer for Hole.  I also had no idea that there was a man in the band (Larry Schemel–Patty’s brother).  Patty Schemel has since left, replaced by Laura Kelsey.

So what exactly do the Death Valley Girls sound like?

Well, they’re sort of a fuzzy rock band with goth leanings.  The goth leaning come primarily from their look and their lyrics–not their sound. (more…)

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[ATTENDED: October 3, 2019] Team Dresch

Back in the mid 90s (when things were pretty great), as I was exploring more and more indie music, I was drawn to the Pacific Northwest scene.  There were a lot of great bands fronted by or comprised entirely of women–it was like discovering a gold mine of new sounds and voices.

This led to discoveries like Sleater-Kinney and Team Dresch.

This also led to exploring the Candy Ass record label (run by Team Dresch singer/bassist Jody Bleyle) and the amazing Free to Fight compilation.  As well as the Chainsaw records label (run by Donna Dresch).  They shared a lot of bands.

Team Dresch is one of the great queercore bands and they opened my eyes to a lot of avenues of queer culture that I didn’t know about.  I’ve become a huge LGBTQ+ advocate over the years and I attribute much of that to discovering Team Dresch and all that they stand for. (more…)

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[ATTENDED: October 3, 2019] Screaming Females

I was surprised and excited to hear the Team Dresch were doing a tour of our area.  They were playing at Monty Hall (a venue I love) as well as Union Transfer (a much bigger venue that I love).  It was a little hard to parse that they would play a venue with a capacity of 200 followed by a capacity of 1,200, but there ya go.

I would, of course, prefer the show at Monty Hall; however, for some reason, the Union Transfer show was also featuring Screaming Females.  So there was no way I could miss a chance to see this great band one more time.

Before Des Ark, I was looking at Screaming Females’ merch and actually wound up buying a CD directly from King Mike, which is pretty cool.

After Des Ark ended, Screaming Females came out.  They set up their own gear quickly and efficiently and then started playing. (more…)

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[ATTENDED: October 3, 2019] Des Ark

I had never heard of Des Ark.  This show was a double bill of Screaming Females and Team Dresch and I had kind of forgotten there was another opening act.  So I didn’t look into them at all.

I was amused when the drummer came out and was texting on his phone before their set began.

Turns out that drummer is Ashley Arnwine who I had seen play with Waxahatchee (that band was fantastic, too).  He is also in the band Pinkwash.

The other two guys in the band were brothers Chris Taylor and Mike Taylor who were both in Pg. 99.

But these three guys are just with the band for this short (5 day) tour.

Des Ark is really the creation of singer/guitarist Aimee Argote.  Des Ark has three albums out Loose Lips Sink Ships (2005), Battle of the Beards (2007) and Don’t Rock the Boat, Sink the Fucker (2011).   In between these she released three live albums from Durham, North Carolina radio station WXDU: WXDU v. 1 (2006); WXDU v.2 (2007) and Live at WXDU Vol. 3 (2013).  On these she plays new songs which may or may not make the next record.

Note the dates. That last WXDU record was from 2013.  And, it turns out that Des Ark hasn’t played live (despite being amazing) for over three years.  Why is that?

 because main member Aimee Argote quit music for the past three years. She posted a lengthy statement explaining on her hiatus on Instagram, which reads in part: “I left music because I felt unsafe, exhausted, unsupported, poor as shit, and my body was super, SUPER fucking broken. I had no plan, no health insurance (w/ chronic health issues), no stability, and I knew I would never have consistency in my life or in my relationships if I was going to keep touring as much as it would take for me to make a [pretty shitty] living.” She also later added, “Being talented isn’t enough. It simply isn’t enough to keep me or others safe in an industry that tries to destroy women, POC, and queers at every turn.”

But I didn’t know anything about this when Aimee came out on stage and started playing and singing. (more…)

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[ATTENDED: September 26, 2019] Stereolab

I can still remember going into Ralph’s Record City (R.I.P.) in Scranton and buying a used copy of Transient Random Noise Bursts with Announcements based on a friend’s recommendation.  I remember thinking that the title made it sound a lot like a stereo test record.  I also remember not understanding the image on the cover as a phonograph needle for quite a while.

I also remember really liking it.

And that started my long time appreciation of Stereolab.   My friend Lar was always updating me about the latest release or re-release or re-issue (which even happened recently with the new reissues of the band’s back catalog).

I started to drift away from them a bit with their last couple of records, and then they more or less broke up.

Nevertheless, it was pretty exciting to hear that they were reuniting for a new tour (and returning to Philadelphia 11 years after their last show in the city.

I really had no idea what to expect, but I grabbed tickets immediately and they quickly sold out. (more…)

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[ATTENDED: September 26, 2019] Bitchin Bajas

I was super excited to see that Stereolab was touring again for the first time in over a decade.  I wondered who they would have open for them.

I never imagined it would be a band called Bitchin Bajas, of whom I had never heard.

The band is a three-piece and is a side-project of Cooper Crane from the band Cave (who I also don’t know).

With a name like Bitchin Bajas, I assumed they’d be a kind of desert punk band, but boy was I wrong about that.

When I walked in, the stage was set with three keyboards.  The band came out rather quietly with little fanfare and sat down. (more…)

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[ATTENDED: September 25, 2019] Pinegrove

This is the third time I have seen Pinegrove.  I saw them in 2017 and had plans to see them two more times by the end of the year.  But they cancelled their shows and took a hiatus.  They came back this year and I was lucky enough to catch one of their first shows back down in Asbury Park.

Despite having seen them just a few months earlier, I felt somewhat unsatisfied about that HoI show.  Not sure what it was–maybe because I was off to the side too far, or what.  I mean the band sounded great that night.  But I felt like I needed one more show from them, and tonight’s show scratched that itch.

Even though they played pretty much the same set, something about this show felt complete.

Maybe it was that they upgraded from a curtain with their logo of two boxes on it to neon lights in the shape of two boxes.

Or maybe it was that there six people on stage instead of five? (more…)

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[ATTENDED: September 25, 2019] Boyscott

I hadn’t heard of Boyscott before this tour either.

It turns out that the Scott of Boyscott [Scott Hermo Jr] grew up on the same street in Montclair as Evan Stephens Hall (they’re about six years apart).  I don’t know if that’s why they were chosen to play these local dates, but whatever the reason, it was great to have them open for Pinegrove.

It’s surprisingly hard to find out who was on stage with them.  The live band was a five piece, although their album was recorded by a three-piece.  Names associated with the band include: Emma Willer of Slumbers on guitar, John Lewandowski of Super Low on drums, Ellen McGirk (keys and vocals who I am pretty sure was not there), and bassist Noah Miller.  There was also someone with one name on a second guitar and percussion.

They played same light indie-pop.  What I really liked about the band was that none of the songs were simple verse chorus verse. Each one had some interesting middle part or new section or even just an unexpected stop mid-song.

By the second or third song I was really enjoying their set. (more…)

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