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Archive for the ‘Union Transfer’ Category

Russian Circles / Pelican (Union Transfer, Philadelphia, PA, October 4, 2026) [DID NOT ATTEND]

Posted in Pelican, Philadelphia, PA, Russian Circles, Union Transfer on October 4, 2026| Leave a Comment »

[DID NOT ATTEND: October 4, 2026] Russian Circles / Pelican

Russian Circles played Union Transfer last year and I didn’t know anything about it.  I’d never heard of them until this show and I only investigated because of Pelican who I like.   They are a three piece instrumental band from Chicago.  They are very heavy and not very math rock influenced.  But their instrumentals convey a lot of intensity.

Pelican is an American post-metal band also from Chicago known for their heavy, atmospheric and almost entirely instrumental style.

I would have liked to check this out but I had tickets for another show this evening already.  So many shows in October.

I’d been vaguely aware of Pelican for a while, and when this show was announced, I listened to a bunch more and was really excited to see them.  When they came to town last year I really wanted to see them, but the show was the same night as another commitment.  I was excited to see them coming back, but once again, the timing was terrible.

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Public Image Limited (Union Transfer, Philadelphia, PA, October 2, 2026)

Posted in Philadelphia, PA, Plague Vendor, Public Image Ltd, Union Transfer on October 3, 2026| Leave a Comment »

[ATTENDED: October 2, 2026] Plague Vendor

I was torn about this show from the get go.  John Lydon has (possibly) become a right wing stooge like Morrissey (there are those who say he is mocking the MAGA camp, who the hell knows).  I didn’t really want to give him any money (although I did feel bad about his wife dying and all that).

And yet, I’ve loved most of PiL’s output (at least up through 9) and have never seen them live.  Reviews suggested that on their last tour, at least, they were still great live and so I grabbed a ticket.  There were many other shows that night that I was interested in.  Indeed, we almost went to Karina Rykman at the last minute.  And, boy oh boy do I wish that we had.

Public Image Limited was the worst show I have ever been to.

I’ve been reading other reviews of this tour in which people were blown away by this show and I can’t tell if they are all crazy or if John was just really off tonight.  And yet, people around me seemed to really enjoy it as well.  I’m not sure what rubbed me the wring way so badly.

Now, I know all about John and his antics–his utter disdain for the audience, the “did you ever get the feeling you’ve been swindled,” everything.  I was expecting a performative asshole.  I was actually worried that he might get in my face and give me shit for something I was or wasn’t doing.  But instead, what I got was an old fat guy who didn’t even sound like Lydon.  Lydon has the most distinctive (borderline irritating) high pitched voices in music.  And yet, when he sang (if you can call it that) his voice was deep and gravelly.  It’s hard to imagine that his voice can’t get high pitched and whiny anymore, but maybe he can’t?  And yet it’s not like singing where you have to hit the high notes, this is just a high whiny sound.  Can you really lose that ability? (more…)

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Plague Vendor (Union Transfer, Philadelphia, PA, October 2, 2026) [PUBLIC IMAGE LIMITED]

Posted in Philadelphia, PA, Plague Vendor, Public Image Ltd, Union Transfer on October 2, 2026| Leave a Comment »

[ATTENDED: October 2, 2026] Plague Vendor

I was torn about this show from the get go (see main post) and when I listened to Plague Vendor briefly, they were interesting but not compelling.  So I wasn’t that excited when they came out on stage.

Three guys came out and they started playing an awesome, simple bass and guitar riff.  The bass and guitars sounds fantastic and I was instantly hooked.  Their outfits (the bassist was wearing like a Sears cowboy outfit from the 70s, including a glittering belt buckle that said Bill.)  The guitarist had a fringe of hair that fell in his face and I couldn’t see him at all.

After a minute or so of this riffage, a guy came out on stage in black pants, a black muscle shirt and lots of tattoos.  His hair was soaking wet and he was an absolutely lunatic.  He started singing the first song fairly calmly and then the chorus exploded and his voice exploded too.  It was fascinating.

During the instrumental parts, he lined up the bottles of water (one of which he dumped all over his head midway through the show).  He seemed unhappy with the microphone stand and at one point he threw it into the photographer pit and then later climbed down to get it.  He complained about the lights twice saying how hot it was up there.  He even said I don’t know where the hell I am and I’m sure you don’t either, so let’s just play music.

I didn’t really like him, but I couldn’t take my eyes off of him.  And it’s a good thing I didn’t, because suddenly, he was standing on the barrier singing right at us.  He was holding on the a fan’s hand (and head at one point) just wobbling and singing.  (more…)

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Altin Gün (Union Transfer, Philadelphia, PA, September 24, 2026)

Posted in Alex Maas, Altin Gün, Philadelphia, PA, Union Transfer on September 25, 2026| Leave a Comment »

[ATTENDED: September 24, 2026] Altin Gün 

I first heard of Altin Gün (which means Golden Day) in 2022 when they played Underground Arts.   Back then I quoted

Altin Gün’s relentless grooves are truly immersive, anti-elitist, inclusive. It’s truly music for the dancefloor – all dancefloors. Altin Gün are the perfect 21st Century psych band, hinting at a deep record collection while still belonging to a living tradition and having a unique and distinctive voice  [from Forestpunk].

They returned in 2023, this time playing Union Transfer.  I wanted to go, but we had a family obligation that night so I couldn’t check them out.  But in the past year I’d gotten an album and really liked it.

So, this year the show was announced and I grabbed a ticket, super excited to see them live.  Their music is psychedelic with a dirty blend of funk rhythms, wah-wah guitars and analogue organs.  They often play psychedelic covers of Turkish folk music.  Singer Erdinç Ecevit Yıldız is Turkish while the other four members are Dutch.

I walked in and it was really quite empty. I was able to walk up to the barrier with no problem.  And it was a great spot to be because the mixing was perfect.  Aside from the two women who would not shut up behind me.

They came out with a simple set up–guitar, bass and two percussionists.  The man on the left had a full on percussion set up–conga, bongos, wood blocks, cowbells, tambourines and a couple of foot pedals, which I couldn’t figure out what they played.  Daniel Smienk was on the standard drum kit and he was fantastic–a simple kit but complex rhythms.

Jasper Verhulst played bass.  He was on the far side, behind the singer’s keyboards, so I didn’t see him too much,but his bass was essnetial, especially when the other two guys were soloing.  I was right in front of guitarist Thijs Elzinga and he was fantastic.  He switched back and forth between rhythm and lead guitar effortlessly.  His solos were fantastic and he shared the soloing spotlight easily.   Then up front was Erdinç Ecevit Yıldız.  He played keys (some great keyboard solos) and also played the bağlama (or saz)–four-stringed, long-necked (lute family) instrument.  He played some incredible solos on this thing!

I’d listened to the album I have and quickly listened to the new album which I didn’t like quite as much as its a bit quieter.  But I needn’t have worried about that because they came out and played the grooviest psychedelic sounds.  On Gönül Dağ The bass was loud and low, the guitars were great and the percussion kept things interesting.  It had a mid-period Pink Floyd sound.  The percussion came out in force for Sevda Olmasaydı. (more…)

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Alex Maas (Union Transfer, Philadelphia, PA, September 24, 2026) [ALTIN GÜN]

Posted in Altin Gün, Philadelphia, PA, The Black Angels, Union Transfer on September 24, 2026| Leave a Comment »

[ATTENDED: September 24, 2026] Alex Maas

Alex Maas is the singer for The Black Angels. I didn’t realize that when this show was first announced.  I saw The Black Angels back in May and as curious to see how different Alex’ solo stuff would be.  And the answer is: very different.

He still sounds the same (he has a very distinctive voice), but for this set it was just him and an unnamed drummer.  In fact, I’m not sure he even introduced himself–his mic had a huge echo on it the whole time, so who knows what he ever said).

He played mellotron for a couple of songs and he played (very quiet) electric guitar for a couple of songs.  For the final song he played a small middle eastern sounding instrument.  It was small and stringed, but I’m pretty sure he pressed keys to change the notes.

The songs were all short with lots of echo.  The melodies were nice (and simple) and the drums were mostly snare and bass, but he also had some tiny roto toms which made really sharp sounds.  (more…)

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The Charlatans (UK) / Frankie Rose (Union Transfer, Philadelphia, PA, September 23, 2026) [DID NOT ATTEND]

Posted in Frankie Rose, Philadelphia, PA, The Charlatans, Union Transfer on September 23, 2026| Leave a Comment »

[DID NOT ATTEND: September 23, 2026] The Charlatans (UK) / Frankie Rose

I have the first three Charlatans records (but actually didn’t even realize they had been making music since then).  I was supposed to see them in 2024 when they toured with Ride.  That would have been a great show, but a snowstorm kept me away.

I don’t listen to The Charlatans enough since their early stuff is so good. Their newer stuff sounds a bit like Oasis (or does Oasis sound like  them?)  Listening now, I think this would have been a really fun show.  Their sound has remained largely consistent over the years.

But we had tickets to see a comedian, Lauren Ramoso which was originally schedule for November but inexplicably moved to tonight.  Which meant I didn’t have to decide whether or not to go to this show.

Frankie Rose is evidently a legendary musician who has played with everyone like Vivian Girls and Dum Dum Girls.  Although her solo stuff is very synthy and unlike those other bands.   It would work well with the Charlatans, I think.

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The Rasmus / Saint Agnes / Death Valley Dreams (Underground Arts, Philadelphia, PA, September 14, 2026) [DID NOT ATTEND]

Posted in Philadelphia, PA, Saint Agnes, The Rasmus, Underground Arts, Union Transfer on September 14, 2026| Leave a Comment »

[DID NOT ATTEND: September 14, 2026] The Rasmus / Saint Agnes / Death Valley Dreams

I had not heard of The Rasmus before this show was announced.  Indeed, the only reason I paid any attention to this listing is because my friend’s son plays bass in Death Valley Dreams.  He has been playing in bands for years and I have never had a chance to see him.  I did consider going to this show, but it just wouldn’t work out for me.

People seemed kind of excited about this show.  But as I thought, I didn’t know The Rasmus.  But in fact, I do!  They are a Finnish band that had a song in Eurovision in 2022.  Their latest album, Weirdo, had SIX singles released.  Which makes them more successful, or at least more prolific than Maneskin.  They play a kind of rock with pop sensibilities and goth vibes.  They also have some high-energy, feel-good moments.  They’re pretty enjoyable (if lyrically bland), and I’ll bet they’re even more fun live .

Saint Agnes is an English industrial rock band formed by singer, songwriter, and multi-instrumentalist Kitty A. Austen and guitarist Jon James Tufnell in 2014.  They play simple, catchy industrial songs.  They look pretty theatrical and seem like they’d be fun live, too.

So I’ve not heard much by Death Valley Dreams–they went media silent before releasing new stuff.  But I love how their website describes them: “It’s as if The Cars got David Bowie to sing and played something that could have been on The Lost Boys soundtrack.” The sound is familiar yet fresh and unique.  They are from Wilkes-Barre/Scranton, Pennsylvania… “an area that was actually voted the least happy place to live in the continental United States…a place where writing music and being creative are the only real ways to stay sane.”  I’m led to understand that the singer is a great frontman.

Bummed I couldn’t make this show, now that I know I could have added to my Eurovision bands!

 

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Peter Hook & the Light (Union Transfer, Philadelphia, PA, September 7, 2026) [DID NOT ATTEND]

Posted in Joy Division, New Order, Peter Hook & The Light, Philadelphia, PA, Union Transfer on September 7, 2026| Leave a Comment »

[DID NOT ATTEND: September 7, 2026] Peter Hook & the Light

In 2022, Peter Hook & the Light played Union Transfer and I couldn’t go.  He came back again in 2024 and I grabbed a ticket and had a great time.  They were playing Substance from New Order and Substance from Joy Division, which was pretty damned awesome.

My only complaint (and I don’t deserve it since I knew what was coming) is that I like a lot of newer New Order too.  But that wasn’t on the menu, so nevermind.

So it turns out that this tour was for the Get Ready album, a newer album that I thought I liked–the cover was easily memorable to me.  And yet when I put it on, I didn’t really remember it.  Turns out I really liked Republic, and the ones after that, not so much (turns out he played the Republic album back in 2019).

Initially I had penciled this show in for my wife and I to go, because I assumed we’d really like it.  I never got tickets because it didn’t look like it was going to sell out.  It was also the night before she was going back to work, so when I found out the show was mostly an album she didn’t know, I didn’t even bother getting tickets.

It also turns out I was wiped out from the show the night before, and I would have been miserable had I gone.  Maybe in two years we’ll try again.

Although listening to Get Ready now, it is a good album.

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Peter Hook & the Light (Union Transfer, Philadelphia, PA, September 7, 2026) [DID NOT ATTEND]

Posted in Joy Division, New Order, Peter Hook & The Light, Philadelphia, PA, Union Transfer on September 7, 2026| Leave a Comment »

[DID NOT ATTEND: September 7, 2026] Peter Hook & the Light

In 2022, Peter Hook & the Light played Union Transfer and I couldn’t go.  He came back again in 2024 and I grabbed a ticket and had a great time.  They were playing Substance from New Order and Substance from Joy Division, which was pretty damned awesome.

My only complaint (and I don’t deserve it since I knew what was coming) is that I like a lot of newer New Order too.  But that wasn’t on the menu, so nevermind.

So it turns out that this tour was for the Get Ready album, a newer album that I thought I liked–the cover was easily memorable to me.  And yet when I put it on, I didn’t really remember it.  Turns out I really liked Republic, and the ones after that, not so much (turns out he played the Republic album back in 2019).

Initially I had penciled this show in for my wife and I to go, because I assumed we’d really like it.  I never got tickets because it didn’t look like it was going to sell out.  It was also the night before she was going back to work, so when I found out the show was mostly an album she didn’t know, I didn’t even bother getting tickets.

It also turns out I was wiped out from the show the night before, and I would have been miserable had I gone.  Maybe in two years we’ll try again.

Although listening to Get Ready now, it is a good album.

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Arlo Parks / Baird (Union Transfer, Philadelphia, PA, August 31, 2026) [DID NOT ATTEND]

Posted in Arlo Parks, Baird, Philadelphia, PA, Union Transfer on August 31, 2026| Leave a Comment »

[DID NOT ATTEND: August 31, 2026] Arlo Parks / Baird

Back in 2024, I blew off seeing Arlo Parks because I wasn’t feeling that well. I noted that I had failed to see her several times now and that maybe I should just give up.  But every time that Arlo releases a new song, I just love it.  So this time, I promised myself that I would go to see her.

And then we had to bring my daughter to college and there was literally no way to make it back in time.  Obviously the trip to college was so much more important and quite a lot of fun), but sometimes timing sucks.

I was able t sell my ticket, so that’s cool.  Maybe, indeed, I won’t be able to see her live after all

I think this means I’m not going to be seeing Arlo live.

I hadn’t heard of Baird but he evidently her producer and co-creator.  He has assisted with much of her music.  His own music is kind of lo-fi dancey.  I was unimpressed by the opening of Dogpile, but I like the way it built into something else while retaining the same elements throughout.

Last time, I chose not to go because Arlo played for only an hour.  This time it was 90 minutes.  I did get to see her (sort of) at all things go.  But maybe in a couple years I’ll finally geta proper show.  We’ll see.

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