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Archive for the ‘Union Transfer’ Category

[DID NOT ATTEND: January 19, 2024] The Charlatans (UK) & Ride

I was rather looking forward to this show.

I was never a huge fan of either band, but it seemed like the perfect way to check off an old itch of bands that I enjoyed back in the day.

I have the first three Charlatans records (but actually didn’t even realize they had been making music since then).

Like with The Charlatans, I really enjoyed the first couple of Ride albums.  Unlike The Charlatans, Ride broke up for a long time and then reunited about a decade ago.

This was also going to be my first show of the new year (and then two other shows crept in front).

As it turned out, there was a snowstorm on this day.  I don’t think the snow was all that bad, but there was a lot of hand wringing and street clearing and it seemed like it just wasn’t a good idea to drive down to Philly and try to find parking.

It was also the night before my son was going back to college, so it was nice to be home for that.

I suspect that if I had really wanted to go to the show, the snow wouldn’t have kept me away, so overall it’s not a huge loss.  I’m a little bummed though that Ride didn’t play their Free at Noon earlier in the day, because at least I would have gotten a chance to hear some of the show.

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[DID NOT ATTEND: January 17, 2023] Wednesday / Hotline TNT / Echotracer

Back in June, Wednesday headlined Union Transfer.  I wrote:

Wednesday were supposed to open for Beach Bunny at The Fillmore last year.  They bailed on the show and I was a little bummed because I had heard good things about them.  When they announced this headlining tour (at Union Transfer?  They’re big enough for there already?) I was intrigued.  I’d heard a song or two that I liked, but there was something that held me back.

I really like the fuzzy guitars and largely grunge sound, but there’s a kind of alt-country vibe that underpins their sound that I just can’t get past.  They have a lap steel guitar (which I either love or hate depending on how it’s used) and are often described as merging shoegaze and country.  So I didn’t feel compelled to go to this show after all.  And it was nice to have a Saturday night at home.

They have only gotten more popular in the last six months and I was interested in going this time.  However, it was on the night of a very special date for me–so I had other plans.

Hotline TNT plays what I can only describe as classic shoegaze, which is definitely having a moment again.  Unlike a lot of their contemporaries, they don’t really mess with the classic shoegaze vibe all that much–not adding elements at all.  Their music warms my heart and I’d love to see them live.

Echotracer is a couple of DJs or something.  They are members of a couple of Philly bands who make a kind of noisy dance collage.  I listened to a few minutes and didn’t like them.

 

 

 

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[DID NOT ATTEND: December 1, 2023] Baroness / Sheer Mag / Uniform / Zorn

I was really looking forward to this show.  I had seen Baroness in Kung Fu Necktie.  It was a fun show, but it was close and crowded and, while it was a great experience I wanted to see them in a bigger (but not huge) place.  Union Transfer was perfect.

Then I got COVID.

I was so bummed.  And with COVID being so weird these days, I wouldn’t have even tested if the tests hadn’t just come in the mail that day.  But I took it and couldn’t in good conscience go to the show.

I had been torn about when to get to this show, though.  It started at 6:30, which is insane.  And the openingest band was called Zorn.  Not John Zorn, but Zorn, a Philly based metal/punk band that I was really curious to see.  I mean check out this review from Punknews.org

During Zorn’s set, singer Eric Flea approached one of three already burning torches on stage, whipped out a sword, lit the sword on fire, and began waiving it all around as the flames grew up to some eight feet. I mean, that’s all I have to say about the Philly Vender Bender from October 28, 2022. What else can I say? A flaming sword!

I’ll admit, I was worried about Zorn. The band quickly released a string of excellent EPs which coincided with a string of excellent live shows (bandmembers jumping out coffins; people dressed like plague monks; chains being whipped at the audience; really kick ass death punk) but then, things seemed to go… silent. Was one of Philly’s most promising acts snuffed out in the bud before the flame could grow?

For one thing, Zorn was in raw and ragged and crazed top form. Their songs are as fast and as furious as ever. And, their strongest asset (aside from a great core concept) is that they’ve found that perfect sweet spot between metal and punk where the songs have the epic, grandiosity of metal as well as the slam-damn-heaviness, but they also have the unpredictable swing and danger of punk rock. A lot bands try to mix metal and punk and most of them are terrible. At the show, as the epics riffs swung upwards only for the screeched vocals to tear them back down, Zorn proved that it can be done and that the sum is greater than the parts.

The band also played some newish songs. the new tracks are more complex and frantic than earlier hits. This makes the band particularly effective because, while a lot of the spooky bands sound cool for a song or two, all their songs sound like those one or two songs. at the show, Zorn had a core style, but were able to flex it into a broad array of slashing. I’ll also add that the band has some degree of self-awareness, which, much likes Bauhaus, is the extra bit of pop that makes this band soooo good.

Also, did I mention that they started the show by having pallbearers bring out the aforementioned torches and a coffin, only for the vocalist to jump out of said coffin and throw said coffin lid at the audience? Now, THAT’S WHAT I AM HERE TO SEE.

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[DID NOT ATTEND: November 11, 2023] Spiritualized [moved from September 23, 2022]

Last year when Spiritualized came around, I wrote

I wasn’t entirely sure that I wanted to see Spiritualized live.  I really like their album Ladies and Gentlemen We Are Floating in Space.  But I wasn’t sure how well they would translate live.  But I read some rave reviews of their live show, so I grabbed a ticket.

This year I forgot that those shows had been cancelled and thought that maybe they were just back again pretty quickly.

I didn’t buy tickets for this show.  I haven’t heard anything about the show either.

 

 

 

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[DID NOT ATTEND: November 10, 2023] Ty Segall / Charles Moothouse

Last year, about a Ty Segall show that I missed, I wrote:

I have become a fan of Ty Segall in the last few years.  He releases far too much music to keep tabs on him, but I’ve wanted to see his fuzzed out live show for a while now.

When I finally do get to see Ty Segall, I want it to be with a big noisy fuzzy band, not as an acoustic performer.

So, I opted to give this one a miss.  Wonder if I’ll regret it someday.

Well, it’s a year or so later and he’s back with a solo show in New Jersey and I feel the same way.  Luckily, I’m going to see him (I assume with a band) in April in Philly.

I went to high school with someone named Mike Donovan.  When I saw that this Mike Donovan was roughly the same age as me I wondered if it could be him.  But this one is from San Francisco.   He is “best known” as the guitarist and singer of Sic Alps (2004-2013).

He has a few solo albums that are kind of sloppy anti-folk.  Probably okay live but I’ll never listen to him on purpose.

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[DID NOT ATTEND: November 10, 2023] Nation of Language / Miss Grit

I heard about this show because I follow Miss Grit.  I has seen her open for someone a while back and really enjoyed her show.  She had not yet even released an album, so I was curious to see how much better she was.

I thought I knew Nation of Language.  I even had a generally favorable idea of them.

But when I listened to them before buying tickets for the show, I realized that I didn’t really like them all that much.  They are very new wave synthy, which is fine.  But it wasn’t anything I needed to see.

So I’m bummed to miss Miss Grit whose playlist  was probably something like this:

  1. Perfect Blue
  2. Your Eyes Are Mine
  3. Nothing’s Wrong
  4. Lain (phone clone)
  5. Follow the Cyborg
  6. saibogeuleul ttalawa
  7. Like You
  8. Syncing

Interestingly, Nation of Language’s opening acts were all great and I would happily see a show with all three of them together: Miss Grit, Gustaf and Reggie Watts!

 

 

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[DID NOT ATTEND: November 9, 2023] Blonde Redhead / Marnie Stern

When Blonde Redhead announced that they were playing Union Transfer I was pretty excited.  I hadn’t listened to them in a long time, but I remember really liking them.  I assumed that they’d been broken up and had reunited for this tour. But it turns out that they’ve either never broken up or have gotten back together after a hiatus in 2014. Or something.

I listened to the new record.  And then I listened to the old records and I realized that I didn’t know them very well at all. I must have been really into them for a very short time.

Since there’s already a ton of bands that I want to see, I didn’t want to spend a night out on a band I THOUGHT I liked.

So I stayed home.

Marnie Stern is guitar god.  I had heard about her shredding skills, but wasn’t really aware of her music.  Then she got a gig playing guitar as part of the Late Night with Seth Meyers band.  She literally never did anything interesting on the show.  Which is not to say she was bad–she was a fine part of the band, but I couldn’t believe that she was the person everyone raved about because she was so still and quiet.

Now she’s back with a new album.   It’s pretty out there.  I wonder what she’s like live.

 

 

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[ATTENDED: November 6, 2023] Tortoise 

Back in the 1990s I really liked Tortoise.  I was especially fond of Millions Now Living Wil Never Die.  But as they released more instrumentals, (all of the songs are instrumentals–more or less), they veered more into a jazz and lite-jazz field.  I didn’t mind it all that much at the time but I definitely listened to them a lot less.

I didn’t even realize they were still an ongoing concern (their last album came out in 2016).  When this show was announced I was intrigued.  I knew my friend Lar had experiences with them (good and bad), but his description of both shows was enough to make me think I should check this show out.

It turns out they haven’t been to Philly since 2016, so this seemed like a reasonable enough reason to check them out.  I mean, even if the songs were jazzy, the musicianship would be excellent.

I was pretty excited to get their early enough to be on the railing.  So I could see everything perfectly.  Well, except that there were two drum kits right in front of the stage.  Which was awesome, but did tend to block my view of the vibes.

Yes, vibes. There were actually two sets of vibes on stage.  One must have been electronic (I was right in front of it and couldn’t see what it was), while the other was across the stage. (more…)

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[ATTENDED: November 6, 2023] Basic

Basic is a trio comprised of Chris Forsyth and Nick Millevoi on guitars and Mikel Patrick Avery on drums.

When I found out that Chris Forsyth would be opening this show for Tortoise, it pushed me into the “I gotta go” category.  I knew that whatever it sounded like, I would enjoy it.

I sat near Millevoi, who I didn’t know–he’s a Philly guitarist in Desertion Trio who has released a bunch of solo stuff as well.  For the first song he was pretty quiet while Chris Forsyth soloed.   But for the second song he played a lot more loudly.  He seemed to be the low end–paying riffs and chords while Forsyth was the high notes.

The only problem for me was that Millevoi’s guitar was pretty loud and we were standing in front of his amp, so it made Forsyth’s solos a little hard to hear.

Avery had a tiny bass drum that he hit with a mallet.  On it was a kind of woodblock, which he hit with a plastic mallet.  That’s all he had.  Millevoi often started a drum machine as he started playing so technically Avery didn’t have a lot to do, but seeing and hearing him add bass drum was a nice touch.  Avery also played with some electronics on a table near him.

They played five songs.  The first three were about ten minutes each.  The fourth one was a little shorter, and when I assumed they’d be finishing up around 8:45, at 8:40 they started a new song which took them to a full fifty minutes of jazzy guitar improv.

It was pretty great.  Catchy and fun and interesting to watch these three dudes jam with each other.

They didn’t introduces songs so I have no idea what they played.  In fact the only words spoken their whole set were at the end when Chris said, “that was Basic.”

Great instrumental fun.

And Markit Aneight recorded the whole set

 

 

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[DID NOT ATTEND: October 18, 2023] Bahamas / Fortunate Ones

About five years ago I watched a video of Bahamas at Massey Hall and I liked it.

Bahamas is Afie Jurvanen a Canadian folk act. I haven’t followed them much but considered that I might want to see them. But when I listened to their newer songs, I didn’t like them.

It’s very much soft rock with, and I feel that this works for the name Bahamas, a kind of summery vacationy islandy feel.  It’s the kind of thing that I would enjoy hearing while I was walking around in a vacation chalet, but not someone I’d want to see live.

Fortunate Ones is a Canadian indie folk duo from St. John’s, Newfoundland, consisting of Andrew James O’Brien and Catherine Allan.

It’s nice that Bahamas invited another Canadian band along with him.  But I didn’t like either of their voices (which surprises me).

Needless to say I’m not going to this show.

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