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Archive for the ‘Union Transfer’ Category

[DID NOT ATTEND: September 24, 2025] Stereolab

I saw Stereolab at Union Transfer in 2019.  I really enjoyed the show–they sounded great and they were really entertaining.  I saw them again at Franklin Music Hall in 2022 and I didn’t really enjoy it.  I couldn’t put my finger on why it was less fun.  Bigger venue, with a less serious crowd?  I don’t know.  But I was a little bored by the set.  So when this show was announced, despite it being at the better venue, I opted not to get a ticket.

I see now that they played 9 songs from their latest album, so I’m glad I didn’t go.

Memorials (Verity Susman and Matthew Simms, previously of Electrelane/WIRE) are an experimental pop band from the UK with a psychedelic sound that is both melodic and unconventional. They sound an awful lot like Stereolab–which is no bad thing.  Maybe a bit more fun?  This is a pretty ideal double bill.  Verity even sounds like Lætitia Sadier.

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[DID NOT ATTEND: September 15, 2025] Wolf Alice / Willy Mason

I saw Wolf Alice play the Wonderbar in Asbury Park in 2017.  It was a teeny place and I was one of the few people there.  It was a fantastic show.  I loved every second of it.

I didn’t realize this was their first time back to the area since then.  And they have become far more popular.  They’ve been getting a lot of airplay on WXPN.  I would absolutely have gone to this show (even if I don’t like the new album as much as the first three), but we had tickets to see Wet Leg.  So, we’ll have to hope for another visit next year.

Willy Mason opened for the Lemonheads in2023, but I didn’t go to those shows.  Back then I wrote

Willy Mason is a folk singer with a deep voice.  I listened to a little of one song and didn’t like his vibe at all.  So that kind of helped me decide not to go to this tour.

So I guess I’m glad I didn’t see him.

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[DID NOT ATTEND: September 13, 2025] Jenny Tian

I have made a list of all of comedians from Taskmaster who I would like to see live.  It’s not everyone of course (some of them don’t do stand up and some I don’t think I would enjoy).  And then we started watching Taskmaster Australia and Taskmaster New Zealand, and I’ve added a dozen or so more to that list.

I was pretty surprised to see that Jenny Tian was playing Philly and even more surprised that she was at Union Transfer.  I know they do seated shows, so I assume this was seated, but it just seemed so odd.

We were really busy that week so I didn’t get us a ticket and I kind of wish I had now.   I thought she was pretty funny on the show, but I hadn’t gotten the bug for seeing these comedians just yet.

So I hope she comes back–it sounds like she had a lot of fun.

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[DID NOT ATTEND: September 7, 2025] James: Laid and Deep Cuts

Back in the day I rally liked James a lot.  I got into them through Laid and listened to most of their music over the years.  Although I stopped listening in 2001.  Turns out that broke up and reunited in 2008 and I totally missed it.  Haven’t heard anything on their reunion albums (there are 9, as many as they put out before they broke up).

A few days before the show a DJ on WXPN was listing all of the songs he hoped they’d play and I started to remember all the songs I liked by them. But it was too late to go by then.

Interestingly, James doesn’t come to the US very often.  They opened for Johnny Marr last year, and the previous tour was in 2016 (they played Kung Fu Necktie, which is so tiny it’s insane–they also played there in 2015).

Looking at the setlist, it was pretty good.  They played all of Laid, but not in order–they stretched it out through the whole show.  In addition to Laid, they played three songs from 7, 2 from Whiplash (which I really liked), 1 from Gold Mother and 1 from Pleased to Meet You.  The rest were new songs that I didn’t know.

So I’m not that bummed about missing it.

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[DID NOT ATTEND: September 4, 2025] Swans / Little Annie & Paul Wallfisch

Last year I saw Swans for the first time.  It was intense and wonderful.

This year, the band announced that they would tour once more and this would be the last time in this format:

This is to let you know that there will be zero additional shows/tours added to the 2 Swans tours listed here. This is the final tour, the last chance to experience this expansive sound and ensemble. The players: Kristof Hahn, Norman Westberg, Dana Schechter, Phil Puleo, Larry Mullins, Christopher Pravdica, Michael Gira. This marks about 15 years of this phase of Swans. It’s been wonderful to be inside such an overwhelming, total sonic experience, but it’s time to end it. Following these 2 tours Swans will continue in a much different, stripped down version. I’m not exactly sure what form the music will take, but I’m excited to find out.

I put this show on my maybe pile because I did want to go but if something better came along, I’d be okay with missing it, since I  had just seen it the year before.

And then Poppy announced a show near us and I got tickets for my daughter and I.

Swans wound up playing an entirely different set then when I saw them, but since most Swans music is of the same ilk, I pretty much know what the show was like (glorious, no doubt). (more…)

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[DID NOT ATTEND: August 23, 2025] Wisp / Dream Ivory / Aldn

I had never heard of the band Wisp.  They were announced as an opening band for the System of a Down show so I checked them out and enjoyed them.  I was looking forward to seeing them [UPDATE: we arrived too late and missed them entirely].

I was absolutely fascinated that they (she) had a headlining gig at Union Transfer a few days before the show (apparently Wisp has a big online following).

But this show was smack dab in the middle of our vacation so there was no way I could go anyway.

Luckily Gloss was at the show and recorded all three bands (see below). (more…)

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[DID NOT ATTEND: July 19, 2025] The Warning / Speed of Light

In a really weird coincidence, I had literally just read about The Warning and how much they rocked.  I listened to a couple of songs and liked them quite a lot.  And then I saw that they were playing at Union Transfer.  I was really interested in going, but it was one of four shows that I wanted to see today.  And I already had tickets for Weird Al so The Warning lost out.

So The Warning is from Monterrey, Mexico (they sing in English).  The band members are sisters: Daniela (guitar, vocals, piano), Paulina (drums, vocals, piano), and Alejandra (bass guitar, backing vocals, piano) Villarreal Vélez.  They rock really hard , Daniela’s voice is great and they seem like they’d be fantastic live.

Speed of Light are also siblings Riley (bass and vocals) Tyler (drums) and Cameron (lead guitar) Christensen.  They are from California and started the band when they were children.  They are less metal than The Warning, with a grungy sound, they have clean (excellent) vocals and some growling as well.  They are pretty intense.

I think this would have been a great show to go to and I hope they both tour again around here.

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[DID NOT ATTEND: June 24, 2025] Godspeed You! Black Emperor / Marisa Anderson [moved from November 24, 2024]

Back in 2000, I saw Godspeed You Black Emperor at Maxwell’s in Hoboken.  My friend Lar was in from Ireland and he went to the show with me, which was pretty awesome.

I waited 18 years to see them again, but the last time I saw them, the show was marred by the crowd.  I was ready to see them again but when the night arrived I wasn’t feeling it.  So I stayed home.

GY!BE tends to have interesting and perhaps unexpected openers. Last year it was supposed to be Alan Sparhawk from Low.  For whatever reason, this time it was Marisa Anderson is an American guitarist and composer from Portland, Oregon. She is known for mixing American primitive guitar with various genres.  She’s the kind of artist that the intellectual in me loves (because she’s really good, I’ve listened to few songs) but who I would find dull in a live setting after a short time.

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[DID NOT ATTEND: June 21, 2025] Blondshell / Daffo

I really like Blondshell.  I saw her do a Free at Noon, but I couldn’t make her show that night at PhilaMOCA.  Good for her that her next Philly show was at Union Transfer. I was really looking forward to this show.  I had gotten my daughter a ticket because I thought she’d enjoy it and she likes Daffo.  But the night of she was really busy so we both wound up staying home.

We saw Daffo open for Sir Chloe and really enjoyed her set.  At the end of the night my daughter bought a shirt from her and chatted with her.  I was sure she’d want to see her again, but I guess not.

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[DID NOT ATTEND: June 3, 2025] Sleigh Bells / Sophie Hunter

I saw Sleigh Bells open for Pixies a few years ago.  I had remembered when they first came out and they were very noisy.  Several years later and they looked different but they were still noisy.  I had written

For this show the band consisted of two guitarists who flanked Alexis Krauss.  The drums and every other noise was handles by a woman offstage.  The two guitars were probably overkill as they both did the same thing pretty much all the time.  But the stage belonged to Krauss.  She jumped around, she sang (beautifully).  Despite her attitude, the show was a little monotonous.  The guys didn’t do much, and she can only keep the crowd rolling for so long.  It was a fun opening set, but probably would have been more fun in a small dark club.

So this was in a small dark club, but I didn’t want to see them as a headline act.

Sophie Hunter is a delightfully weird musician who kinda raps over unusual beats.  Feel the throb describes her perfectly

Those red curls and that Natasha Lyonne-esque voice deadpan-rapping while she walks the streets of NYC. Since 2021, the New Haven native has been steadily building buzz with singles like Cvnt and Fight!  Hunter grabs you by the eardrums and doesn’t let go. Her self-described “pop+rap” style is less a fusion and more a full-on collision of genres, with shrapnel flying in all directions. It’s messy, it’s loud, and it’s glorious. However, don’t let the cacophony fool you – there’s method to this madness. Hunter’s lyrics are a masterclass in wordplay, with more double entendres than a late-night comedy show. She weaves tales of the female experience with the dexterity of a verbal contortionist, leaving you reaching for the replay button to catch what you missed the first time around.

I’m going to keep an eye on her–she’s probably a blast live.

But Tito Santana recorded the whole show

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