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Archive for the ‘Union Transfer’ Category

[ATTENDED: October 26, 2025] Autechre

I have one Autechre album and I don’t really listen to it.  But when they announced this American tour (their first time playing here in ten years), I asked my friend Lar, who had seen them if I should go.  He told me an amusing story about how he liked the show but he took his significant other to the show and she almost broke up with him because of it.

But when I dove a little more deeply into the show it sounded like a unique experience that I’d like to try.

I arrived at the show knowing that this would be the case, but I loved seeing this in print on a flyer at the door:

autechre

will  perform in darkness.

For their set all lights in the venue will be off.

Please plan on being in one place for the performance and do not move unnecessarily until it has finished when the lights will come back on again.

Please do not shine any lights at the stage or ar0und the room during the performance unless you require assistance.

If you are uncomforatble with the idea of spending around 80 minutes in the dark while Autechre play, please see venue staff before the performance starts.

Autechre are an English electronic music duo consisting of Sean Booth and Rob Brown, formed in 1987.  After the two openers did their set, the lights dimmed, with only red lights on the stage.  Some ambient music played for, frankly, longer than was necessary.  It was so long, that the music stopped and they had to start it again. (more…)

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[ATTENDED: October 26, 2025] Mark Broom

I have one Autechre album and I don’t really listen to it.  But when they announced this American tour (their first time playing here in ten years), I asked my friend Lar, who had seen them if I should go.  He told me an amusing story about how he liked the show but he took his significant other to the show and she almost broke up with him because of it.

But when I dove a little more deeply into the show it sounded like a unique experience that I’d like to try.

The opening act for the tour was Mark Broom. We also ha William Fields.  Fields was on the left side of the stage with his laptop and when he was done (after 30 minutes), Mark Broom who was on the right side of the stage with a laptop, started immediately (I appreciated the lack of pause).

I assumed that it would be more of the same because Autechre are also glitchy and noisy, but Broom had a different vibe.  His music was a bit more musical and a bit more dancey.  In the most basic way, it was more “enjoyable.”

I have no idea what he was doing up there (the lighting was very dim).  He had a laptop I know but he had some other gear too.  I could see him twisting knobs from time to time.  So I don’t know if he was making up the sounds on the fly or if they were existing songs that he was mixing around with.  As I said, it’s not my genre, but I found myself really getting into his stuff.

Broom has been DJing (and producing others) for a long time.  He is a veteran of the techno scene and evidently specializes in hardgroove with heavy percussion and tribal beats.

I assumed that he would get a 45 minute set, but he actually played for an hour.  Since I was planning to kick back and enjoy the night, I didn’t have a problem with him playing for an hour.  I felt like he mixed the tempos up and added interesting sounds and beats to make the hour pretty enjoyable.

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[ATTENDED: October 26, 2025] William Fields

I have one Autechre album and I don’t really listen to it.  But when they announced this American tour (their first time playing here in ten years), I asked my friend Lar, who had seen them if I should go.  He told me an amusing story about how he liked the show but he took his significant other to the show and she almost broke up with him because of it.

But when I dove a little more deeply into the show it sounded like a unique experience that I’d like to try.

There was an opening act listed, but we had two opening acts.  William Fields is a Philadelphia based DJ whose bio says

William Fields is an artist and musician from the Phildelphia area whose work explores the intersection of generative processes, improvisation, and audio-visual correspondence.

What does that mean?  Beats me.  But here’s some reviews

“Some of the most mind-blowing algorithmically generated music I’d ever heard”  — Richard Devine

“William Fields is at the absolute front of algorithmic music and this tremendous 24 hour collection is some of the wildest stuff out there… TOP NOTCH” — Telefon Tel Aviv

That still doesn’t quite explain it but this kind of does (more…)

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[ATTENDED: October 3, 2025] Deltron 3030

I really enjoyed the Deltron 3030 album. Del the Funky Homosapien is one of my favorite rappers.  Dan the Automator is an amazing producer and Kid Koala is the king of the turntables.  Their futuristic band set in 3030 was a great combination of the three of them.

When this tour was announced–the 25th anniversary of their debut album–I grabbed tickets immediately.  I brought my son with me (he was not born when the album came out) because I thought he’d really like the show.  And he did!

After Kid Koala’s set, the trio emerged.  Dan the Automator stood behind a massive bank of sound equipment, Kid Koala took his place behind his turntables and Del (Deltron 0) walked out and stood in the middle of the other two.

And then came the opening announcement from the album–and we were all thrilled.

Then Del started rapping 3030 and it was real. There were visuals on the screen behind them–perhaps videos from 25 years ago–or maybe new for the show.  They often had lyrics on the visuals and occasionally, they showed the cameras facing Kid Koala’s turntables. (more…)

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[ATTENDED: October 3, 2025] Kid Koala x Lealani

I’ve been a fan of Kid Koala for a really long time.  His turntable skills are incredible.  I was able to see him once (I can’t believe it was 7 and a half years ago).  I’ve been wanting to catch him again ever since.  And here he was, playing with Deltron and doing his own set.  I didn’t know what the X Lealani meant, but we would soon find out.

Kid Koala came out and moved over to his three turntables.  And as he started playing some records, he said, I’m Kid Koala and I’m here to play records incorrectly.  And then his cameras turned on.  He had cameras mounted above the turntables so you could watch his hands as he scratched and spun his vinyl.

His set was so much fun and having the cameras on meant you could see that he had taped marks and other notifications on his vinyl that helped him keep track of where to put the needle.  Watching him spin the vinyl backwards to get it to exactly where he wanted it was amazing.  He didn’t play any of his own songs, he played samples and snippets of songs and had everybody bopping along.

After a few minutes, he brought Lealani out (I think she was eating dinner with him at La Chinesca–my son and I ate at La Chinesca.  And, lo and behold Kid Koala was sitting there two tables away.  I was going to say hi, but with the cane I am not subtle or fast.  So I assumed he would walk past us and I’d say hi then; but he went out a different way.  Waah wahh.)  Lealani is from Pomona California and Kid Koala introduced her as an incredible electronic musician.  She had one of those light up boxes that makes sound.  I don’t know what they’re called.  There was a camera on her as well and her hands were incredible.  She played elaborate beats and melodies on this box and the whole room was blown away.

Lealani left and Kid Koala played some more.  And then Lealani came back out with a guitar. She sang a kicking punk song while Kid Koala played some drums.  And then Kid Koala told us that he and Lealani had started a new band together and that they would be touring early next year.  This band is called Distorter and I’ll be there when they come to town.

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[ATTENDED: October 3, 2025] Lord Sko

When this show was announced–Deltron 3030 playing their debut front to back– I grabbed two tickets immediately.  I grabbed one for my son because even though he didn’t know the album, I assumed he’d enjoy the show.

In addition to enjoying his company, I enjoy picking him up on the way to Philly because it usually means we can get there super early.  Which we did–although traffic was a little heavier than I expected.  But we had time to get food at La Chinesca.  And, lo and behold Kid Koala was sitting there two tables away.  I was going to say hi, but with the cane I am not subtle or fast.  So I assumed he would walk past us and I’d say hi then; but he went out a different way.  Waah wahh.

I had looked at the previous show and they were done by around 10:20, which was great because we were going to grab churros (yum!) for the ride home.  However, the previous show did not have the extra opening act, Lord Sko.

I was expecting Kid Koala to come out to his turntables.  But instead, a person came out with a laptop and got us hyped up for Lord Sko.

His logo reminded me of Newport cigarette ads. And moments later he came out.  He had on a big winter hat with ear flaps.  You could barely see his face but you could see his long hair.  And you could hear him quite clearly.  I always think it’s weird when an opening act whom I assume few have heard of, tries to get the crowd hyped up by yelling at us to put our hands up.  I mean, have man, the bar is low, but you have to earn the love.

Anyway, he began rapping and his flow was really good.  Hiphopdx said of him

A true student of the culture, his sound is nostalgic yet fresh, fearless yet effortless. From standout tracks to a fire 2025 project, he’s building momentum fast. Hip Hop heads — don’t sleep on this one

There was some technical difficulties with the laptop, but Sko handled it very well.  He even did a freestyle while the laptop rebooted.

I cam away from his set with respect for the guy (who is like 20) and I’d happily see him again.

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[DID NOT ATTEND: September 7, 2025] James: Laid and Deep Cuts

Back in the day I rally liked James a lot.  I got into them through Laid and listened to most of their music over the years.  Although I stopped listening in 2001.  Turns out that broke up and reunited in 2008 and I totally missed it.  Haven’t heard anything on their reunion albums (there are 9, as many as they put out before they broke up).

A few days before the show a DJ on WXPN was listing all of the songs he hoped they’d play and I started to remember all the songs I liked by them. But it was too late to go by then.

Interestingly, James doesn’t come to the US very often.  They opened for Johnny Marr last year, and the previous tour was in 2016 (they played Kung Fu Necktie, which is so tiny it’s insane–they also played there in 2015).

Looking at the setlist, it was pretty good.  They played all of Laid, but not in order–they stretched it out through the whole show.  In addition to Laid, they played three songs from 7, 2 from Whiplash (which I really liked), 1 from Gold Mother and 1 from Pleased to Meet You.  The rest were new songs that I didn’t know.

So I’m not that bummed about missing it.

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[DID NOT ATTEND: September 4, 2025] Swans / Little Annie & Paul Wallfisch

Last year I saw Swans for the first time.  It was intense and wonderful.

This year, the band announced that they would tour once more and this would be the last time in this format:

This is to let you know that there will be zero additional shows/tours added to the 2 Swans tours listed here. This is the final tour, the last chance to experience this expansive sound and ensemble. The players: Kristof Hahn, Norman Westberg, Dana Schechter, Phil Puleo, Larry Mullins, Christopher Pravdica, Michael Gira. This marks about 15 years of this phase of Swans. It’s been wonderful to be inside such an overwhelming, total sonic experience, but it’s time to end it. Following these 2 tours Swans will continue in a much different, stripped down version. I’m not exactly sure what form the music will take, but I’m excited to find out.

I put this show on my maybe pile because I did want to go but if something better came along, I’d be okay with missing it, since I  had just seen it the year before.

And then Poppy announced a show near us and I got tickets for my daughter and I.

Swans wound up playing an entirely different set then when I saw them, but since most Swans music is of the same ilk, I pretty much know what the show was like (glorious, no doubt). (more…)

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[DID NOT ATTEND: August 23, 2025] Wisp / Dream Ivory / Aldn

I had never heard of the band Wisp.  They were announced as an opening band for the System of a Down show so I checked them out and enjoyed them.  I was looking forward to seeing them [UPDATE: we arrived too late and missed them entirely].

I was absolutely fascinated that they (she) had a headlining gig at Union Transfer a few days before the show (apparently Wisp has a big online following).

But this show was smack dab in the middle of our vacation so there was no way I could go anyway.

Luckily Gloss was at the show and recorded all three bands (see below). (more…)

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[ATTENDED: May 30, 2025] Momma

Just over a year ago, I saw Momma open for Girl in Red.  I had been wanting to see them for a while and an opening set is a fine way to see them.  But I was really excited when they announced this headline tour and that they were playing Union Transfer.

I was off to t he side a bit–near Allegra Weingarten but with a great view of Etta Friedman.  Last time it wasn’t entirely clear if the band was just the tow of them (as photos showed) or all four, but the two guys are still with them so I’m guessing they are part of the band now–Aron Kobayashi Ritch on bass and Preston Fulks on drums.

The set was largely songs from their new album, which was to be expected.  Although I was really surprised that they played I Want You (Fever) (which I think is a huge hit) second!  The crowd went nuts for it of course.

In fact I feel like they stacked the front of the show with the songs I wanted to hear because they followed Fever with Medicine and Ohio All the Time. (more…)

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