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Archive for the ‘Underground Arts’ Category

[DID NOT ATTEND: September 23, 2022] Girlpool / Cecile Believe

I first heard Girlpool back in 2015.  I loved the way the two members of the band sang, but not in harmony–it was more like in unison.  It gave them almost a childlike quality that somehow made their songs really impactful.

I had wanted to see them live since then.  When they came around in 2017, I had a ticket and then a last minute plan meant I couldn’t go.  They came back in 2019, but it was during our summer vacation.

Finally, they came back around in 2023, but it was the same night as several other shows, including one I wasn’t going to pass up.

Interestingly, over the past seven years a lot has happened to the band.  Avery Tucker transitioned and Harmony Tividad started exploring new facets of herself.  So they looked very different from when they first started out.

Their musical style changed a lot as well.  They no longer sounded anything like they did on the debut.  Primarily because Avery’s voice was no so much deeper.   I didn’t enjoy their music that much anymore.  So I wasn’t that upset about missing them.

Then on August 25, Girlpool announced that they will breakup at the end of the year, and that their remaining tour dates would serve as a farewell tour.  So I guess I’ll never see them live.

Cecile Believe (formerly known as Mozart’s Sister) is a solo project by Montreal-based Canadian musician Caila Thompson-Hannant.

Resident Advisor describers her music:

Cecile Believe’s vocal and emotional range, with its exhilarating twinkles of vulnerability, made an immediate impression on me when I first heard her performing “Ponyboy” and “Faceshopping”  .. Her new mixtape, Plucking A Cherry From The Void, a collection of restless and reflective lockdown-fermented electro-pop bangers, has those same attributes in ample supply.

Although I listened to a few songs and wasn’t that impressed.  It was all fine.

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[DID NOT ATTEND: September 16, 2022] Afghan Whigs / Pink Mountaintops

Back in May, although they had no Philadelphia show planned, Afghan Whigs were going to stop in and do a Free at Noon.

I grabbed a ticket but the show was cancelled because of a COVID case.

I love The Afghan Whigs’ album Gentlemen.  I should love more by them, but I like them just fine (never been in the cult of Dulli).  I’ve never really been interested in seeing them live.

When this show was announced, I was notified because of Pink Mountaintops.

Pink Mountaintops are a band led by Stephem McBean who is the main guy behind Black Mountain.  I saw Black Mountain a while back and they were great.  I’m not sure I would enjoy Pink Mountaintops as much.  So I was never really likely to go to this show.

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[DID NOT ATTEND: September 8, 2022] Earthless / Ecstatic Vision / Riff Mountain DJs

I jotted down this show as one I’d like to check out and then I forgot all about it and the bands that were playing.  So a little later I even wrote, who the hell are Earthless.

Well, this was a heavy psych/stoner rock super bill that would have been fun to see live.

Earthless has been around since 2001.  They are a mostly instrumental psychedelic rock band from San Diego, California, consisting of guitarist Isaiah Mitchell, bassist Mike Eginton and drummer Mario Rubalcaba.  I really enjoyed their overall vibe.  I also love that their second album is made of 2 20 minute songs (one with five parts).  Although they also have a song “Volt Rush” that’s under two minutes and kicks much ass.  Although I prefer the instrumentals.

Ecstatic Vision are from Philly and they continue with the fuzzy…everything.  They describe themselves as “Trance inducing raw heavy psych. Ecstatic Vision is Doug Zabolchech, Kevin Nickles, Michael Field Connor and Ricky Culp.”

The song I listened to “Astral Plane” is 13 minutes of heavy fuzziness.  Vocals come in about 5 minutes in and I didn’t really like them.  Maybe this kind of music is meant to be instrumental.

Since I’m not in the know, I can’t quite figure out what Riff Mountain DJs are.  Their Instagram profile says Philadelphia DJ Collective / All Rock / All Wax.  So I guess they spin heavy songs before and between bands?

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[ATTENDED: July 17, 2022] Fucked Up [moved from January 23, 2021]

I’ve been intrigued by Canadian band Fucked Up since I first heard of them. Obviously they had no intention of getting mainstream success with a name like that.  And yet, their music has turned heads.

Which is also a bit of a puzzle because, while it can be very, very catchy, lead singer Pink Eyes screams like the lyrics are comic from the pit of his soul (although you can actually understand most of what he says, which is a neat trick).

Pink Eyes is Damian Abraham who had led the band since 2001.

Fascinatingly, the band won the Polaris Prize in 2009 (for an album with mostly guest vocalists).  They followed up that album with david Comes to Life in 2011–a rock opera set in 1970s and 1980s England. The story involves unreliable narrators and meta-narrative plot devices.

And so it was that in 2021, they were going to do a ten year anniversary and pay the album front to back.  It was postponed, but, undaunted, they pressed on in 2022.

I had never seen Fucked Up before, but had a pretty good idea what to expect.  And yet they exceeded any expectation.

The band came out on stage while a projection of the band with their logo was on the screen behind them.  They played the opening song (an instrumental) and then Damian came out in sweatpants, and a black vinyl glove (he later revealed that he had cut his hand and this was protecting his from getting blood everywhere).  He proceeded to do his screaming thing. (more…)

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[ATTENDED: July 17, 2022] Pony [moved from January 23, 2021]

I had not heard of Pony before this show.  I was interested in hearing the original opening band, Empath, who are a Philly band that play a kind of noise punk.  Rolling Stone says “They sound like four people who sat in a room flexing their own freaky styles until — before they realized their interests might be wholly incompatible — the chaos created its own logic.”  They sound pretty great.

But Pony are a pop punk band from Toronto and they were fantastic.

Pony is fronted by Sam Bielanski who plays guitar and sings.  She is also a voice actress and voiced Jazz in My Little Pony: Tell Your Tale (hence the band name).

For a couple of songs at the end Sam didn’t play guitar she just sang and dominated the stage, stomping around in Doc Martins and a plaid skirt. (more…)

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[DID NOT ATTEND: May 13, 2022] The Lemon Twigs / Tchotchke [rescheduled from May 16, 2020]

I discovered The Lemon Twigs a few years ago and really enjoyed their glam rock sound and I imagined that they would be a ton of fun live.  The band is technically a duo, although I don’t know if they have more people on stage with them.

I really liked The Lemon Twigs’ Do Hollywood album and their follow up EPs showed even more development.  Since then they have put out a few albums, and I have enjoyed them.

I have rather wanted to see them–this new tour, which was playing at TWO locations really close to me seemed to be an easy way to catch them.

We had a school day scheduled for this day and it ran much longer than I imagined, so even though I had tickets, there was no way to get to the show.

Tchotchke is a band from New York comprised of Anastasia Sanchez, Eva Chambers and Emily Tooraen.  They used to be called Pinky Pinky which I think is a much more apt name for the style of music they play–it’s a kind of an updated doo-wop, pop sheen aesthetic.

Really not my thing, although I heard that if you went to their merch booth after the show they handed out a tchotchke to each person.

 

 

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[DID NOT ATTEND: May 6, 2020] Destroyer / Rosali

It was just over two years ago that Destroyer was the last show I saw before the pandemic shut everything down.  So, Destroyer will always have a warm place in my heart because of that.  When this show was announced, I immediately bought tickets for it.

Then, over the next few weeks, SIX other shows were posted for that very same night.  Gogol Bordello, Sunflower Bean, Olivia Rodrigo (which sold out long before I could get a ticket), Lucius and Pup (which my son and I went to).

Pup was a big hit in my house and so we decided to go to that one.

I’m sure Dan and his team will be back for another tour in the not too distant future.

I saw Rosali open for Graham Coxon.

Here’s what I had to say about her in 2018

She is a Philadelphia-based singer songwriter with two albums out (her last album got some pretty glowing reviews).

She has a lovely voice which reminded me of Aimee Mann.  …  But the problem was that there were no hooks in her songs.

She also had very little stage presence.  She stated as much, confessing that stage banter wasn’t her thing.  No kidding.  One time she asked if anyone watched the news today, after some mild boos, she didn’t follow it up.  Every other time that she tuned, she was basically quiet.  In fact, she never said her name, the most basic thing you do when tuning your guitar.

The other problem was her guitar.  She was playing an electric guitar and was primarily playing slowly, picked notes.  But the settings of this guitar–so clean and sharp–were not helping with her voice at all, which was pretty and rather quiet.

She needed either some echo or vibrato or even an acoustic guitar to let the music resonate more.  She made a number of chord flubs which is no big deal but which really stood out since she was by herself and her guitar was so unforgiving.

I hope that her stage show has gotten better in the last four years, because I did really like her voice.

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[POSTPONED: May 5, 2022] Psychedelic Porn Crumpets / Acid Dad [postponed to October 21, 2022]

I’m not exactly sure how I discovered Psychedelic Porn Crumpets.  They are an Australian band and they are weird and pretty wonderful.

I have been really getting into them and Acid Dad (thanks to the Levitation live shows.

Sadly, but only mildly sadly, I received an email on March 30:

Due to circumstances both unforeseen and beyond our control, the Psychedelic Porn Crumpets show at Underground Arts originally scheduled for May 5, 2022, has been Rescheduled to Friday, October 21st, 2022.

No big deal, they’ll be just a great in the fall as they would be in the spring.

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[DID NOT ATTEND: May 4, 2022] Nilüfer Yanya / Tasha / Ada Lea

I saw Nilüfer Yanya back in 2019.  She opened for Sharon Van Etten.  For some reason I keep thinking that she was the headliner for that show.  Which I guess is why I thought it was strange that she was downsizing to Underground Arts.  But she’s now headlining with this tour.

This had been a very busy concert time for me, so I didn’t buy a ticket for this show right away.

Then my Spoon show which had been postponed in April was rescheduled for this same date.  So I was glad I hadn’t bought the ticket yet.

I have rather enjoyed her new album though and would like to see her again.  I’m sure she’s become even more dynamic of a performer.

Tasha (I have to say that there are far too many one-named people with just a first name.  Why do you think that’s okay?  How are people supposed to find you?) is a singer from Chicago.  She has a lovely voice and sings a blend of folk and torch song.  She’d be a great addition to Yanya’s show

Ada Lea (not a one-name singer, as her name is Alexandra Levy) is a Canadian singer who plays slightly up-tempo folk.  She sings a bit like Andy Shauf–what’s up with this style being so prominent?

I’m rather taken with her bio’s blurb about her record:

classic, soft-rock beauty to intimate finger-picked folk passages and night-drive art-pop. And the textures are frequently surprising due to the collage of lo-fi and hi-fi sounds that tastefully decorate the album without ever clouding the heart-center of the song.

I’ve really enjoyed what I heard from her so far–it’s quiet moody and interesting.  I bet she’s great live.

For ease of searching I include: Nilufer Yanya

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[ATTENDED: April 29, 2022] Behemoth

Behemoth is a Polish extreme metal band.  I’ve never been to an extreme metal show before and figure it would be fun (I guess) to see one.

Behemoth have been around for over twenty years and have stirred up their share of controversy.  As NME wrote: Singer Nergal was prosecuted for blasphemy a decade ago for ripping up a bible on stage, but he argued his right to free speech and won the case, having to neither draw pentagrams in salt nor shed the blood of any lambs in the process.

NME also notes: When he is not onstage, he hosted the Polish version of Pop Idol, he runs a chain of barbershops and is a qualified museum curator.

I had heard that Behemoth live shows were legendary.  So I waited to see what would come next.

There were three sculpted microphone stands on the stage and a giant drum set in the back.  There was a sculpture behind the drum riser and lots of pyro.

Then the band came out in corpse paint looking ominous and intense.

The music started.  It was relentless and powerful and the crowd went berserk.  There were clearly long-time fans who knew the words to all the songs.  There was a massive pit in the center of the room.  But mostly there was the band.

Lead singer and guitarist Nergal was in the middle, conducting the whole thing.  Behind him was long time drummer Inferno.

We were in front of bassist Orion and on the other side was a behemoth of a guitarist Seth.

At some point Nergal changed outfits and was wearing a Pope hat.  Orion spit blood in the air and at the audience.  Seth stomped all around the stage and Inferno blasted the hell out of his drums.

It was intense and exhausting (especially after three other bands).  I was pretty wiped out by the end of the show and decided that I probably didn’t need to see any more extreme metal bands.

Behemoth had destroyed them all.

  1. Ora Pro Nobis Lucifer §
  2. Wolves ov Siberia
  3. Ov Fire and the Void
  4. Evoe Δ
  5. Christians to the Lions ¢
  6. Bartzabel
  7. Conquer All δ
  8. Ov My Herculean Exile Ø
  9. Decade of Therion ¥
  10. Slaves Shall Serve δ
  11. Chant for Eschaton 2000 ¥
  12. O Father O Satan O Sun! §

Ø Opvs Contra Natvram (2022)
Δ A Forest EP (2020)
♥ I Loved You at Your Darkest (2018)
§ The Satanist (2014)
€ Evangelion (2009)
δ Demigod (2004)
¢ Thelema.6 (2000)
¥ Satanica (1999)

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