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Archive for the ‘The Foundry’ Category

[POSTPONED: July 21, 2021] The Linda Lindas / Bacchae [moved to July 26, 2022]

I was excited to take my daughter to see The Linda Lindas since she is the same age as they are.  She didn’t really know their music (I heard about them when they played at a library in LA), but I thought she’d enjoy the show and the venue.

We drove all the way to Philly.  We parked.  We walked to the venue.  And discovered that the show had been postponed!

In fairness to the world, apparently it was known on July 19th, that these shows were being postponed because of a case of COVID in the touring party.  BrooklynVegan posted on the 19th (more…)

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[DID NOT ATTEND: June 23, 2022] Vundabar / Runnner [moved from March 25, 2022, First Unitarian Church]

This show was moved forward a couple of months.  By this time I knew who Vundabar was and was interested in seeing them because of their ubiquitous (in my house) old song “Alien Blues.”

This show sold out before I really knew about it, so there was no way i was going.

I was also a little surprised to find out that their music doesn’t really sound like “Alien Blues”–that song is a bit more frenetic and weird than their most recent album anyway.  Although most live reviews I’ve read say they are terrific live.

M.A.G.S. was supposed to open for this tour, but he couldn’t accommodate the new dates.

Instead, Runnner was the opener.  Noah Weinman is the singer-songwriter behind the melancholy bedroom-folk project.  I listened to a couple of songs and yes, “melancholy bedroom-folk” sounds about right.  I wouldn’t have enjoyed them as an opener, especially if I thought Vundabar was going to be a rocking outfit.

 

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[DID NOT ATTEND: June 4, 2022] La Femme / Cumgirl8

I heard about La Femme through the Levitation Sessions releases.  I have enjoyed just about everything that Levitation has released in this series–most of it trippy psychedelia.

La Femme is a different beast though.  While still trippy, the are more of a disco-based, Kraftwerk-inspired form of Parisian punk psych pop.  They could be trashy psych as played by techno acts, or prickly electro as louche sophisti-noir.  Whatever the case, I though they’d be fun to see live.

I found out about this show pretty late in the game and it happened to be on the same night as the Crawlers show that my daughter really wanted to go see.  So I hope La Femme comes back around sooner rather than later.

Cumgirl8 sounds like the name of a band that is trying too hard.  But they are getting some good review for their music.

Like this from V Magazine.

Founded on the idea of taking back control and fighting against toxicity, cumgirl8 is true adventurist-punk group. The group has received praise from the likes of Stereogum and Fader, and their latest song, “dumb bitch,” has already garnered over 15,000 listens on Spotify.

They remind me of a British 70s punk band ala The Slits (I thought they were British–they are not).  The music is weird, with a pulsing bass that follows the main vocal line and jagged, echoing guitars.

Here’s an interesting factoid about the band: singer and bass player Lida Fox and guitarist Veronika Vilim are both models, as in big baller runway Marc Jacobs type shit, with drummer/synth tweaker/producer Chase Noelle having played in BOYTOY and others.

I wonder how much durability they’ll have.

 

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[CANCELLED: May 15, 2022] Little Simz

I’ve never been to a rap show, but this week I had an opportunity to go to three that I wanted to go to: DAVE (British), SHAD (Canadian) and Little Simz (British).

I really like Little Simz’ delivery and attitude and I thought she’d be a lit of fun to see live.  Apparently a lot of other people did too, because this show was originally scheduled for The Foundry but it got moved to TLA.

However, on April 20, Little Simz cancelled her American tour.

Little Simz has cancelled her upcoming US tour, citing the financial unviability of the undertaking as an independent artist.

“I take my live shows seriously and would only want to give you guys nothing but the best of me,” the 28-year-old rapper and actor, born Simbiatu Ajikawo, tweeted.

“Being an independent artist, I pay for everything encompassing my live performances out of my own pocket and touring the US for a month would leave me in a huge deficit. As much as this pains me to not see you at this time, I’m just not able to put myself through that mental stress.”

The 11-date tour was due to commence in May. It would have been the first time that Simz had showcased her widely acclaimed 2021 album, Sometimes I Might Be Introvert, in the US. A representative for the musician could not confirm whether the cancellation would also affect her planned dates in Canada and South America.

Simz advised artists to “know your worth and stick to your guns”.

Good for her for knowing her worth.  And obviously the stress would be too much, but I still think she might have made some money on this tour.

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[DID NOT ATTEND: May 19, 2022] Sleaford Mods / Sorry

It’s weird to me when bands that I like feud with each other.

So it was weird to me that Idles and Sleaford Mods would have some kind of shouting match feud with each other, especially since they both advocate for the same thing (it’s not even worth getting into what the feud was about).

I love Idles.  I like Sleaford Mods–but I also thought they’d be really cool to see live.

I was pleased to get a ticket for this show, but then The Front Bottoms announced a show at White Eagle Hall and my son was really keen on going to see it.  So, I basically blew off this show for The Front Bottoms.  Which we wound up not going to anyway.  Fortunately, Sleaford Mods seem to come to Philly a bunch, so I think I’ll get to see them next year.

Sorry is a fascinating band from England with kind of spoken/sung deadpan lyrics.  But defining their music is really a challenge

Matty Pywell of GigWise stated that “Listening to Sorry’s discography is to hear a safari of different sounds, as eye catching as the next. One area might contain the grumbled discontent of punk and rock, whilst if you look close enough you can catch a flash of hip-hop and jazz. Grouping them into a single genre is a fool’s errand”. Lorenz and O’Bryen have themselves talked about their genre in music, describing it as pop music, while Lorenz has stated that “It’s just a bit annoying to be called post punk or grunge because I don’t think we are that.

I actually think the music is pretty weird and not very poppy at all.  They’d have been a great opening act for Sleaford Mods and I hope they come back to the US sometime too.

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[DID NOT ATTEND: May 14, 2022] Sunflower Bean / Hello Mary

I’ve seen Sunflower bean twice.  The first time I was blown away by them.  The second time, they had changed their sound a bit and, while I liked them, I didn’t really love the new direction quite as much.

Sunflower Bean had cancelled a few shows earlier this month due to singer Julia Cumming’s injury. This show did happen, but if I was going out this night it was to see The Dead Milkmen.

Although now that I know about Hello Mary, that might have changed.

Hello Mary is a band I hadn’t heard of.  Why hadn’t I heard of them?  Well, because this article from November 2022 (yes, out of chronology, but it shows just how unknown they were back in May) explains

The New York trio’s self-titled full-length debut, out March 3, is a blast of distorted chords, sunny harmonies, and all-consuming angst that will renew your faith in the hopelessly dated and/or timelessly classic sounds of alternative rock. Hello Mary is an instant contender for 2023’s most bracing entrance to the stage, sharp and self-assured. Oh yeah, and the band’s two founders — singer-guitarist Helena Straight and bass player Mikaela Oppenheimer, both 18 — just graduated from high school this summer.

So at the time of the show they were still in high school.  That would have been wild to see them.  I have since listened to the album and I love it.  I sure hope the tour soon.

 

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[ATTENDED: April 28, 2022] Son Lux

April 28th turned out to be a banner night of shows.  There were four I was interested in seeing–three of those I was really interested in.  It was very hard to choose especially since one of them was a show rescheduled to that night and I already had tickets to a different one.

I had seen Son Lux in an NPR Tiny Desk Concert (the NPR folks love Son Lux) and was blown away by all three of them.  Drummer Ian Chang is just amazing to watch as he plays all sorts of different things and in unusual rhythms.  But then I would notice that guitarist Rafiq Bhatia was making some incredible sounds out of his guitar and I would wind up watching him for awhile.  And all along, keyboardist and vocalist Ryan Lott would be singing and playing these heartbreaking melodies.

I knew I had to see them and since I had been waiting the longest to see them, they won out.

And it was amazing.  The band had just scored the film Everything Everywhere All at Once so there were some songs from that in the mix, but mostly this set came from their new trio of albums Tomorrows I, II and III.

The songs were gorgeous and soaring or quiet and meditative or jazzy and fun.  They each went far beyond their own length, with solos from all the members of the band.

At one point Ian and Rafiq played a wonderful interplay and Ryan just stood back away from his keys and watched as we all did.

The only concession to playing a “hit” is that they played an updated version of their song “Easy” which would be the closest thing they have to a popular song.  They even brought out local rapper Low G (I think) to do some freestyling over the middle of the song.

The rest of the set was wonderful and magical.

  1. Vacancy III
  2. Only I
  3. Prophecy II
  4. Plans We Made I
  5. Honesty I
  6. Easy £
  7. Last Light I
  8. Live Another Life II
  9. A Different Kind of Love III
    encore
  10. Unbind III

I Tomorrows I (2020)
II Tomorrows II (2020)
III Tomorrows III (2020)
£ Lanterns (2013)

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[ATTENDED: April 28, 2022] Emily Wells

April 28th turned out to be a banner night of shows.  There were four I was interested in seeing–three of those I was really interested in.  It was very hard to choose especially since one of them was a show rescheduled to that night and I already had tickets to a different one.

I didn’t realize that I knew Emily Wells, but I had recalled her albums getting reviewed on NPR music.  I particularly remembered them talking about her album This World Is Too _____ For You.  And then just recently they had reviewed her new album Regards to the End and the song “All Burn No Bridge.”

Emily is a classically trained violinist, but she has morphed into a kind of electro-classical-pop singer.  The songs are full of rage but are also quite delicate.  She seems to thrive on tension.

Live, she was entertaining, but I was unprepared for how powerful her voice would be and how well it would play off the loops of synths and violins (and occasional percussion).

When I an Chang came out to play with her, he was quite restrained, but his additions lifted the song up even higher.

  1. I’m Numbers
  2. Come On Kiki
  3. Love Saves the Day
  4. All Burn, No Bridge
  5. Two Dogs Tethered Inside (with Ian Chang on drums)

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[ATTENDED: February 12, 2022] CHAI

I heard about CHAI from NPR. Bob Boilen had found them charming and said their live show was not to be missed.  But since they were from Japan I had to wonder how likely it would be to see them.  When they announced a tour, I grabbed pre-sale tickets even though I was sure it wouldn’t sell out.

It didn’t, of course, and it was scheduled opposite Joe Russo’s Almost Dead, so the two crowds couldn’t have been more different.

So here’s a brief histoy of CHAI

Chai was formed in 2012 in Nagoya, by twin sisters Mana and Kana.  Mana, Kana, and Yuna were in the same class at high school.  Yuna introduced the other band members to Japanese music that did not easily fit into the traditional definition of “J-Pop”, such as the band Cero or Kimyō Reitaro. After the members went to university, Mana became friends with Yuuki (originally from Gifu Prefecture, who had moved to Nagoya), and asked the four friends to form a band.  The band’s name comes from Russian tea (known as chai). Kana drank the tea with jam with her Russian literature professor at a Russian restaurant, which she thought was cute.

Cute is the key.  They wanted to make something that was neo-Kawaii.  Not as limiting as what people thought of as kawaii.

The band came out in brightly reflective rain jackets with hoods.  Underneath these were pink toile…outerwear.  Underneath those were a kind of jumpsuit that had short sleeves and pants.  In short, they were matching and they were a sight to behold.

Three of the women came to the front of the stage and faced away from the audience.  The fourth, Yuni, sat at the drum set.  She played a beat while electronic sounds swirled (I assume she was triggering, them, too, but who knows).

The other three women proceeded to do synchronized and, at times, wildly freeform “dances.” as they sang their hilarious song “No More Cake.”

Thank you for reminding me your daily makeup routine
But look at you
That’s way too much
That’s way too much
You’re not a cake
Look at you
That’s way too much
Your face is made up like a cake ha?

As the song neared its end, Kana was handed a guitar.  She walked up front and proceeded to play a noisy, wonderfully wild guitar solo.  Then she handed the guitar back and they finished the song. (more…)

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[ATTENDED: February 12, 2022] Su Lee

If you’re a fairly unknown Japanese band coming to America for the first time (some cities anyway), who do you invite for an opener?

Well, apparently, you pick Su Lee, a Korean singer who had a burst of success on Reddit with her song “I’ll Just Dance” (subtitled: ‘what my mental breakdown sounds like’).  That was in May 2020.  The viral success apparently allowed her to continue as a musician.

Lee was very funny and very very nervous.  This was her first ever tour and we were he fourth or fifth show.

She came out on stage, and shouted at us.  “This thing isn’t working!”  The ear piece–a technology she had never used before wasn’t doing what it was supposed to do.  She muttered and cursed a bunch and eventually it started working. (more…)

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