Feeds:
Posts
Comments

Archive for the ‘Venues’ Category

[ATTENDED: September 21, 2024] Lydia Persaud & Christine Bougie

Back in 2022, I saw Stars for the first time (on their Christmas tour) and loved them.  The opening act was Lydia Persaud (& Christine Bougie).

I believe that they both play together in a lot of things.  Lydia has been a member of The Soul Motivators, The O’Pears and Dwayne Gretzky and she and Christine are part of the the Queer Songbook Orchestra.  

They played a jazzy set of remarkably sad music.

When Stars announced this new tour for Set Yourself on Fire, I was super excited.  And, they announced some interesting opening acts along the way (including Dears, a band I could have seen before the pandemic but missed them and they haven’t been back since).  (more…)

Read Full Post »

[ATTENDED: September 20, 2024] Born of Osiris

I’ve seen Jinjer twice and I didn’t really think I needed to see them again.  But they announced this show at Starland Ballroom and I was intrigued by one of the openers, Hanabie.  I hadn’t heard of Born of Osiris.

Turns out Born of Osiris is a metalcore band that’s been around for over fifteen years.  Interestingly, the band’s first two records were more or less created and played by the band’s mastermind and drummer, Cameron Losch.

Their set was very loud–so loud that it was hard to distinguish anything.  I wasn’t really all that interested in anything they played.   There were a few moments that included some electronics but mostly it was just bludgeoning and intense metal.

I found it kind of dull, actually.  It amused me that the singer kept trying to get people really psyched–I’m assuming that they have played headlining shows in the last fifteen years.  But every time they pointed the floodlights to the crowd, it kept showing an empty floor.  Part of the problem for them was that the website said they were going on at 7:30, but they went on at 7:10 and Starland is notoriously bad about slow entry.

There were some people who enjoyed it, but compared to the dynamic nature of the next two bands, they seemed really rather plodding.

This was the setlist from a show a few days later.  I assume it was the same.

 

2024
Open Arms to Damnation §
Bow Down §
Elevate ¥
Empires Erased §
Abstract Art §
Angel or Alien
A Mind Short Circuiting ¥
In Desolation ¥
Machine

¥ single (2024)
♥ Angel or Alien (2021)
⊗ Tomorrow We Die Alive (2013)
§ The New Reign EP (2007)

Read Full Post »

[DID NOT ATTEND: September 18, 2024] Sisters of Mercy / Black Audio

Back in the 80s, I was big into goth bands.  And I loved The Sisters of Mercy.   They were pretty damned cool.

Well, except for Vision Thing.  But the other two albums were awesome.

I was sort of interested in seeing this show to relive the old days (seeing Skinny Puppy this year was awesome).  But I didn’t really think I wanted to go.  At least not really.

I have since seen the setlist and there’s only three songs from Floodland and four from Vision Thing.  And then a whole bunch of unreleased stuff.

Just as well I stayed home

Blaqk Audio (I didn’t realize that was a q until writing this–look at the poster above) is an American electronic music duo, formed by current AFI members Davey Havok and Jade Puget.

They seem almost like they are poking fun of this kind of music.  But apparently their live shows are a lot of fun with lots of dancing.

 

Read Full Post »

[ATTENDED: September 16, 2024] Brutus

Brutus is a trio from Belgium.  I wasn’t familiar with them until this show was announced but when I listened to their album Unison Life, I loved everything about them and knew I wanted to see them.

As the Superbloom gear was being removed, there was a drumkit on the right side of the stage.  I assumed that it would get moved to the middle, but it never did!

Rather, guitarist Stijn Vanhoegaerden and bassist Peter Mulders were center stage with all of their gear (including Milders’ bass pedals) and vocalist and drummer Stefanie Mannaerts faced them from the side of the stage.

Mannaerts’ microphone was on her left so she turned to the crowd when she sang.  The problem for me is that one of her cymbals was right where her face was, so I literally couldn’t see her face the whole night.  Even when the guy in front of me made room for me (that was very nice), it was still impossible to see her. (more…)

Read Full Post »

[ATTENDED: September 16, 2024] Superbloom

Superbloom is a 4 piece Brooklyn band.  They are grunge-y and heavy (and loud).

Their latest single shows the band as a five piece so I don’t know which guitarist was playing.

Lead singer Dave Hoon has a great grungy voice, at times sounding a bit like Kurt Cobain (and on one song drummer Matteo Dix did backing vocals like Dave Grohl).  Hoon was wearing a Soundgarden shirt and I’m sure that was only part of the reason I could hear Soundgarden in their music as well.

None of this is to say that they were a knock off band because they weren’t.  I never thought “this sounds just like X,” rather I loved the vibe and the confidence of the songwriting. (more…)

Read Full Post »

[DID NOT ATTEND: September 14 & 15, 2024] The Lemonheads / Cooper B. Handy / The Taxidermists

I rather enjoyed The Lemonheads’ anniversary of It’s a Shame About Ray.  But I felt that Evan Dando’s performance was less than stellar.  And there was no word that he was “doing better” these days.

So even though I would have really enjoyed hearing these two albums in total, I wanted to hear them by Evan from twenty years ago.

Markit Aneight was there so I didn’t have to be and his video confirms that Evan was in a bad way that night.  So I’m glad I didn’t waste my time.

The first night opener was Cooper B. Handy.

Cooper B Handy has a kind of 90s DIY sound, but from the video below I wouldn’t really have enjoyed him that much.

Born on Cape Cod, Cooper B. Handy started releasing music as LUCY in 2009. In the years since, the Western Massachusetts based singer/producer has made a career of self-releasing music and videos, unpolished & posted in near real time.

The second night opener was The Taxidermists, a band from Massachusetts that’s been around for over a decade and which may have been the same band as played the first night.

the duo of singer/guitarist Cooper B. Handy (LUCY) and drummer Salvadore McNamara—take complete creative control on their infectious new KO EP. The organic sound of two childhood best friends sequestered in a garage with tape reels.

The first night it was just Cooper and a drummer, so maybe it was the same band–but probably different songs?  Maybe?

 

Read Full Post »

[DID NOT ATTEND: September 14, 2024] Garcia Peoples / Country Westerns

I have seen Garcia Peoples five times, but I hadn’t heard much from them lately–which is only surprising because they used to play all the time.  So much so that I have NOT SEEN them five times since the last time I saw them.

I would have liked seeing them again, and Milkboy would be a great place to see them.  But this was a day that we had plans and it has been a busy concert month, so I gave it a miss.  I do hope  they play around again soon.

Country Westerns are a three-piece band with a two-man engine: Joseph Plunket is an Atlanta hardcore kid turned singer-songwriter whose first solo gig was opening for Cat Power. He went on to lead Brooklyn alt-country legends The Weight during the height of NYCs mid-00’s garage rock bonanza and played bass on the side for King Tuff and Gentleman Jesse. Brian Kotzur is a swaggery metronome who drummed for Silver Jews and was a close collaborator of David Berman. The band’s first fan and an early champion of theirs, Berman would lurk in the back of dingy Nashville clubs and film their early shows on a flip phone.

They play a kind of late Clash-like punk and would be a lot of fun.

Read Full Post »

[ATTENDED: September 12, 2024] Silversun Pickups

I had several opportunities to see Silversun Pickups in the last year or so.  (They’ve played in Sayreville, Asbury Park and now Montclair, as well as Glenside, Bensalem and Philly in the last two years).  So I finally decided it was time to go see them.

I think their song Panic Switch is absolutely dynamite.  It’s one of my favorite songs of the early 2000s.  And they have a few other songs that I like as well.  Indeed, I listened to their discography recently and overall really liked them.  I mean, I can’t shake how much they sound like Smashing Pumpkins, but since I haven’t listened to Smashing Pumpkins on purpose in years, that’s fine.   They’re like Pumpkins without all of the Billy Corgan drama.

The band i a four piece with amazing bass sounds from Nikki Monninger–with only one guitar (and keys) Monninger’s bass is fundamental to these songs and they often (like in Panic Switch) have a great riff holding the song down.  The keys are from Joe Lester.  I have no real sense of what he was adding, but I know he was adding a lot–probably more than I realized.

I’ve always liked the look of Chris Guanlao who stands out in pictures with his long dark hair among the light-haired guys.  But holy crap I was not prepared for how loud his drums would be.  The guy is a beast back there–playing all kinds of tempo changes and just accentuating everything.  He was amazing.

And of course up front is Brian Aubert who said he was bummed that he didn’t get to buy a jacket at thrift store that had closed by the time he returned to it.

The band came out to red lights and the song Growing Old is Getting Old (from Swoon).   Midway through, the song shifted and the full stage lights kicked in.  The stage had dozens of lightbulbs hanging down from the ceiling.  They were LCD and changed colors and lit up.  I was pretty cool.

I really like It Doesn’t Matter Why from their previous album and I think I need to listen to that one a bit more. (more…)

Read Full Post »

[DID NOT ATTEND: September 13, 2024]  Weezer / The Flaming Lips / Dinosaur Jr.

I mean, there’s no reason I DIDN’T go to this show.  I love all three bands and have seen each of them at least 3 times.

But this show (in which Weezer played the whole Blue Album) just felt too big.  I didn’t want to go to Wells Fargo Center to see them–especially since I’ve seen all three of them in smaller venues.

As it happened, the week was busy anyhow, but I still acknowledge that this would have been an amazing show to see.

The Weezer setlist was fantastic, including a small Pinkerton section.

The Flaming Lips played for almost an hour–ten songs, most of the hits and a few songs from Yoshimi.  Great stuff.

Dinosaur Jr opened and they played six songs classics in about 25 minutes.

What a cool show.

Read Full Post »

[DID NOT ATTEND: September 12, 2024] Powerwolf / Unleash the Archers

My I’ve never heard of Powerwolf but I saw this big announcement that

German Metal Juggernauts Powerwolf Announce Their First Ever North American Dates

And I briefly got caught up in the excitement, but I was going to shows the two nights before and had had two Pearl Jam shows a few days before.  So I didn’t get tickets.

I’ve since listened to them and, well, I do certainly love melodic anthemic metal and as the Wikipedia summary says

The group uses religious themes and images, as well as corpse paint, gothic-tinged compositions and songs about werewolf and vampire legends.

This show was either a super fun headbanging sing along or a massive moshpit that I would have hated.

Unleash the Archers are a Canadian power metal band from British Columbia.  The first song I listened to by them was Northwest Passage which features the lyrics

Ah, for just one time, I would take the Northwest PassageTo find the hand of Franklin reaching for the Beaufort SeaTracing one warm line through a land so wide and savageAnd make a Northwest Passage to the sea

It is sung in a sea shanty style, without music for much of the song.  I’m so intrigued by the band.  Not sure that I like them, but they have piqued my interest to be sure.

Although listening to a bit more, I’m not interested in seeing them.

Read Full Post »

« Newer Posts - Older Posts »