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Archive for the ‘Venues’ Category

[ATTENDED: December 8, 2012] The Russian Nutcracker

nutcrackWe decided to take the kids to see The Nutcracker this year.  Fortunately, it was being performed at our beloved RVCC by the Moscow Ballet!  I saw The Nutcracker performed by the Boston Ballet about a dozen years ago, and the performance was stunning (it was also expensive).  This performance was definitely scaled down compared to that one, and it was also shorter (which was good for our kids).

I honestly don’t remember all that much from the Boston Performance (except that when the tree gets bigger, I was blown away).  There wasn’t much blowing away with this show.  As I say, it was scaled down tremendously–the stage itself was about half the size.  But that said, it was charming and the performers–especially the men–were amazing.

I really enjoyed the opening which was quite simple, with the families approaching the castle for the Christmas party–it was fun seeing the adults dressed as kids skipping about while the proper adults strolled casually.  Typically the first act is longer than the second and it’s certainly less exciting.  I don’t know the ballet well enough to know if they cut any of the scenes, but it didn’t seem quite as long as I remembered.  The kids were a little less excited by the grown up fancy ball dancing, but they held up very well.

I enjoyed the sequence where Masha (she’s not Clara in The Russian Nutcracker–I wonder just how different the two are) and her brother have a fight over the Nutcracker.  Masha’s brother was quite funny and the broken Nutcracker was amazing in his life-less-ness.  Indeed, all of the “toys” were incredible. (more…)

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[ATTENDED: November 23, 2012] Phineas and Ferb

Phineas and Ferb is one of the smartest, funniest kids shows around.  It’s a show that I would watch by myself if I didn’t have a queue of things that I can’t watch with my kids as well.  This live show has been bouncing around the area for months.  It has played at least four locations in NY and NJ that I thought about going to, but I wasn’t really sure if it was worth the expense and effort.  Then, it finally came to the State Theatre, with a mail flier that saved us 20%.  Hard to say no.

So this is a Disney production.  This means, among other things, that they take care of you while you wait for the show to start–they had a dancer ask questions and warm us all up.  It was fun.  They also had good production numbers and a very talented, anonymous cast.

Okay so the TV show is about two boys (with crazy heads) who are on summer vacation.  They are looking for something awesome to do on this particular day and they wind up getting involved in some preposterously over the top plan (building a rollercoaster in their yard, creating a time machine, etc).  It’s not like the show explains anything technical about how they do it–it’s not that kind of smart–but it really encourages creativity.  Their older sister Candace is always trying to get them in trouble for their schemes, but she always fails (but they’re never really mean to her back, which I like).

The other aspect of the show is Perry the Platypus.  Perry is their pet.  But, unbeknownst to the boys, he is also a secret agent who is bent on stopping the evil Dr Doofenschmirtz, the evil doctor who creates some kind of “-inator” machine every episode which is designed to cause some kind of destruction in the tri-state area.

So how can this over the top cartoon translate to the stage? (more…)

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[ATTENDED: October 21, 2012] Trout Fishing in America

Trout Fishing in America is (primarily) a children’s band.  They are a duo comprised of Ezra Idlet (who plays the guitar and is six-foot nine inches tall) and Keith Grimwood (who plays bass and is five foot five inches tall).  When I first encountered them, Ezra had very long hair–although he no longer does.  They are quite a sight onstage (and they play up this height difference a lot).

Trout Fishing is, I assume, a rather successful band.  They have been around since 1979!  Their first big family friendly record came out in 1991.  Amazingly, given their longevity, they are not opposed to playing small venues.  Two years ago, they played my son’s elementary school.  Which was a hoot.

They came back through the area again and this time they played RVCC.  I’ve said before that RVCC gets some pretty major acts, but I’m not sure exactly what went on with this show.  They played at 1PM and 3:30PM and rather than perform to the audience in the normal theater seats, they let the (much smaller) audience sit on stage with them.

They erected a small stage–big enough for  the two of them and their minimal gear.  The audience chairs were arranged around them in three section and my family got front row seats, approximately ten feet from the mini stage.  It was wonderful.   Since it was the day after T.’s birthday  when Keith asked if it was anyone’s birthday  T. was right up front to get singled out (they said it was okay that her birthday was yesterday).

They played about a dozen songs.  And in between songs, their banter was wonderful.  They told jokes (Keith juggles), they did left brain/right brain challenges (draw a square with one hand and a triangle with other) and they explained to the kids about the instruments they use (they also do musical instruction at schools).   (more…)

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[ATTENDED: October 13, 2012] Spencers: Theatre of Illusion

This past summer, we purchased some subscriptions to many performances coming up at Raritan Valley Community College   Last year I was impressed by the quality of the performances our little community college attracted, and again, this year, the stars are coming out!

We started off our series with this show, a family entertainment (although honestly going until 9 was a little long for T.  It did say that it was recommended for slightly older kids, although this wasn’t so much content as the pacing and lateness of the show).

The Spencers have a fascinating back story (told in the programme and during the show).  Kevin Spencer always wanted to be a magician.  Doug Hennig was a huge inspiration.  At some point in his career he was in a car accident and it changed the nature of his show (although we never learn what the act used to be like). (more…)

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[ATTENDED: October 3, 2012] Vanya and Sonia and Masha and Spike

Berlind Theater is on the back side of the McCarter Theater on Princeton University’s campus.  I’ve seen a number of shows at McCarter, but none at Berlind.  Berlind proved to be an even smaller and more intimate venue than the gorgeous McCarter.

What better place to see Sigourney Weaver and David Hyde Pierce in starring roles?  Especially when I managed to get $20 seats that were in row K.  That’s right, Row K, as in 11 rows from the stage.  All for $20 and free parking…suck it, Broadway!

Sorry, that was very unclassy.  Let me start again.

Christopher Durang wrote the play Vanya and Sonia and Masha and Spike as a kind of loving nod to Chekov’s Uncle Vanya.  The booklet that came with the play is very funny in which Durang interviews himself and gets most of the details wrong (he keeps calling it a parody of Uncle Vanya, which he explicitly states it is not).

The play is set in Bucks County, PA (just a hop skip and a jump from Princeton).  David Hyde Pierce played Vanya, an older man who lives with his sister Sonia.  Sonia, who is played by Kristine Nielsen, was adopted as a little girl.  Their parents loved Chekov and named them after the characters in Uncle Vanya.  And when thy became infirm, Vanya and Sonia stayed in their childhood home to take care of their ailing parents.  Now Vanya and Sonia are much older, unemployed and curmudgeonly.  She and Vanya have a hostile, co-dependent relationship.   (more…)

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[ATTENDED: September 18, 2012] Kiss

Kiss has never really been cool.  Even in fourth grade when they were cool, it wasn’t cool to like them.  They have been really uncool on and off from time to time and that seems to make their fans even more die-hard.  I’m not die-hard–I’ll not be spending $4,000 on a Kiss book–but I will buy their records and see them once in a while.

The last time I saw them was 12 years ago (July 2000) for their Farewell Tour (the irony is not lost, no).  That was a fun show, seeing the original line up in make up.  And they played most of their hits (even ones I didn’t like so much).  The set list from 2000 is at the bottom, for comparison to the new set list.

This tour was odd for this reason–they have a new album coming out.  And yet its arrival date is just after the last day of the tour.  Who ever heard of ending a tour before the album comes out?  Also, they just reissued Destroyer in a new recording, but it wasn’t even mentioned.  And they didn’t do any extra songs from it.  Weird.  The Kiss machine will not deviate from its plan.

So, there’s no Peter or Ace anymore.  Eric Singer looks enough like Peter in the makeup and he sounded great in Black Diamond (thankfully t here was no “Beth.”  But you can really see a difference between Ace and Tommy Thayer.  Regardless, Tommy sounds an awful lot like Ace when he sings and, since he’s a pro, he can handle all guitar duties.   There is something a little odd in him doing all of the same things that Ace used to do–shouldn’t they update the tricks a little bit?–but it’s always fun to see the guitar shoot off roman candles. (more…)

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[ATTENDED: September 18, 2012] Mötley Crüe

Back in 1998, I saw Aerosmith and Monster Magnet play a set at Montage Mountain in Scranton, PA.  It was my first time seeing Aerosmith and I was a little bummed that Stephen Tyler had broken his leg.  He was amazingly limber and nimble for a guy in a leg cast, but I’m sure he could have done a lot more if he was unhampered by injury.

Fourteen years later, I’m back on Montage Mountain to see Kiss and Mötley Crüe.  And just a few days before this show Vince Neil broke his foot.  While he’s not quite the acrobatic showman as Stephen Tyler, he was definitely hampered amidst the excitement of their stage show.  It didn’t affect his voice though.

I liked Mötley Crüe’s first two albums quite a lot.  I liked Theater of Pain a lot less–even if “Home Sweet Home” was the biggest song in the world at the time.  What is it about a piano ballad that drives hard rocker people crazy?

Since then the Crüe have released some 5 albums and have had a half-dozen or so hits (some pretty massive).  Of course, I never liked the glammier or even the more “rock n roll” sound of their later albums.  I had pretty much given up on them altogether.  So I didn’t really care much that they were opening for Kiss at this show.

But I will say this–Mötley Crüe put on one hell of a spectacle.  And that’s what some concerts are all about.  There were scantily clad women swinging on ropes and walking on stilts and bringing guitars to the band and dancing abstractly (that’s got to be a very hard job–pretending to dancing rhythmically and sexily to Motley Crue for an entire song).  [If you object to the exploitation of women, this is not the show for you–I sure hope they are well compensated].  There were guys with firehoses shooting the audience (which I assume was a wet T-shirt extravaganza), there were bottles of champagne poured onto the crowd, there was fire and more fire and more and more fire.  And there was Tommy Lee’s drumset–more on that. (more…)

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[ATTENDED: May 18, 2012] Ringling Bros. and Barnum & Bailey Circus

The last time I saw Ringling Bros. and Barnum & Bailey Circus was in the mid 70s.  My parents took me two years in a row (and I still have the program books somewhere to prove it).  I didn’t realize that the circus was still around, to be honest.  I knew about all of the other circuses, but RB&B&B (what an awkward name) seemed like maybe it just went away.  Well, that is not the case—apparently once you have kids who are old enough to enjoy it, the circus comes to your town.

Or more specifically, to Trenton.  We thought about going to the show back in March when it was in East Rutherford and Newark but that seemed too far (and pricey).  When it came to Trenton (which was actually further than we anticipated) and I could get tickets for $15/ea, that was all I needed to hear.

If anything was worth $15 it was this circus.  Indeed, the joy we got out of it was worth much more than $15.

If you’ve been following along here, you know we’ve been to a number of circus-type shows over the last few months, so we are jaded circus-goers at this point.  But this show was called Dragons, and that’s hard to pass up, especially if you have a soon to be 7-year-old boy (and you used to play D&D).  When as the show opened and several performers came out with dragons attached to the front of Segways, I knew this was going to be fun.  And that it wasn’t the circus from 1977.

And yet, it kind of was.  Because once the circus proper started, it had all of the elements of circuses of yore:  elephants, tigers, trapeze artists, springboard jumpers, hoops of fire and more.

The theatricality was quite spectacular both old school (the ringmaster and clowns) and new school (remote controlled (I guess) platforms and floating screens to project pictures).  And, yes it was all about Dragons–the ringmaster sang a long over the top song about being a dragon (I think–the sound was really quite poor).  And they explained the four qualities of being a dragon (or maybe the four qualities you needed for the dragon to come out?  That’s what seemed to happen anyhow).  Each of the four qualities (Courage, Strength, Wisdom, Heart) was represented by a color and, tenuously, by the performers in a certain section.

And I cannot keep straight who exemplified which quality so, as my memory allows, here’s what we saw. (more…)

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[ATTENDED May 19, 2012] Out of This World

My four-year old daughter T. was in her first recital last night.  Of all of the shows that our family has attended over the last few months, none has been as full of emotional highs and lows, laughter, shock and cuteness as this one.

None.

Not bad for two minutes of a song called “Disco Galaxy.”

I have no intention of critiquing any performances on the stage tonight.  Every girl and boy tried his or her best and they all did better than I could do.  However, since this is my first amateur performance that I’ve seen as an adult, I want to make some general observations about on-stage performance.

TV shows and movies about performance always talk about basic rules for being on stage: SMILE SMILE SMILE!  Smiling on stage and exaggerating your movements and crazy makeup are all essential.  It actually gets a bit tedious (as I’m sure it does for the performers).

So based on TV and my recent live experiences I’ve taken some notes: (more…)

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[ATTENDED: April 20, 2012] MOMIX Remix

One of Sarah’s surprises for her birthday was that after an evening of fine dining at The Frog and the Peach, I had gotten us tickets to Momix.  This was a total surprise because neither one of us had ever heard of Momix.  I wanted to so something fun for us, and this show was being performed on her birthday weekend.  The write-up at the State Theatre made Momix seem weird, interesting and very cool.  So, even though we’d never heard of them, it seemed worth the risk.

A rose waited for us at our seats (A date night package for us).  The curtain went up and the music started and we were blown away from that moment on.

We decided the best description of Momix is as kind of dancey version of the Peking Acrobats (they do show up a lot in my posts).  I’ve never really seen modern dance on any grand scale, so I hesitate to call this modern dance, but what else can it be?  The music (none of it original) was primarily world/ambient (Dead Can Dance was a band I recognized).   And the men and women of the troupe performed nontraditional dances to it.

Okay, but what’s this about acrobats?

Well, the dances were more about showcasing the body–in its beauty, in its strength and in its grace.  And it was amazing to watch. Our favorite piece, called “Tuu,” featured a man and a woman.  She began the dance wrapped around his neck (by her knee?!) and proceeded to uncurl herself into amazing positions, all while he himself balanced and did wonderfully graceful moves.  And here’s the difference between a dancer and an acrobats–these dancers never wavered, never wiggled, never seemed for a second that they were uncomfortable–they were beyond graceful.  So at one point when he did a hand stand and she id a handstand on his back, it was fluid and amazing.  I mean, look at that picture. (more…)

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