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Archive for the ‘Venues’ Category

[ATTENDED: January 16, 2025] Skullpresser

Skullpresser was a later addition to this show.  For the longest time it was TBA.  When they were listed I had to look them up and was pretty surprised to see that they are a Philly supergroup of sorts with each of the members in other bands.  The one I knew the best was Colins “Bear” Regisford from Mannequin Pussy on bass.  Another famous name is The Wonder Years‘ Mike Kennedy on drums (I know they are quite big but I actually don’t know them at all).  I’d never heard of the other two bands involved.  One Dead Three Wounded‘s Sam Tropio is on guitar and Burdens is represented by Jared Birdseye on lead vocals and Dan Zimmerman on guitar.

I had also never been to Foto Club before and I’ll say that it might be my favorite small club in Philly!  The venue is cool and weird (a private club–whatever that means) with free pool tables and the venue upstairs.  It holds about 200 people and the floor is lit by LED lights.

When Skullpresser started, Jared Birdseye was on the floor with us.

They were tight and heavy (kind of a metal/hardcore blend). I couldn’t understand too many of the words, but the titles made the meaning obvious. (more…)

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[DID NOT ATTEND: January 14, 16 & 17, 2025] Geordie Greep / NNAMDÏ

Geordie Greep is one of the vocalists in Black Midi.  He’s a fascinating dude with a fascinating voice.  When I saw that he was doing a solo tour, I was really intrigued.

But when I went to the Johnny Brenda’s site, both night were long sold out.

Sometime later he added another date, but this one was at the Church, so I knew I wouldn’t be going to the show.

I’m not too heartbroken about it, but it would have been interesting to be sure

i saw NNAMDÏ open for Wilco four years ago and I loved their set.  I wrote

I felt like he was digging into prog-rock territory and yet I guess it would be more accurately labelled as jazz with rapid time changes, incredibly fast parts and wicked jamming.   And yet the roots of most of his songs were a kind of pop/R&B vibe.

This is a solid double bill, with three shows I couldn’t make.

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[DID NOT ATTEND: January 4, 2025] Stinking Lizaveta / Darsombra / Eye Flys

For reasons I don’t entirely remember, I’ve added Stinking Lizaveta to the list of bands that I’d like to see.

I think what inspired me to check them out is that they are an instrumental band who play complex music.

And this is the third or fourth time that I am not seeing them.  The main reason for this is because I rather enjoyed not going to shows for a while.  And I didn’t want my first show of the year to be a band that I didn’t really know all that much about.

But I would like to see them some day.

(more…)

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[DID NOT ATTEND: December 28-31, 2024] Phish

Last year I took my family to Phish on New Year’s Eve and we had a great time.  The show was fun and being in New York City after midnight was a hoot.

I have gone to at least one show of their New Year’s run for the past few years, but this year I just didn’t feel like it.

Getting to the City is a pain and I was looking forward to relaxing and having no late nights for a while.

So, even though there’s probably going to be an amazing New Year’s spectacle planned, after seeing Gamehendge last year (my 17th Phish show), I ‘m taking some time off.

 

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[ATTENDED: December 14, 2024] Strand of Oaks [Winter Classic X]

I’ve seen Strand of Oaks five times now.  Three of these were Winter Classics.  I kind of assumed that I’d go to all of the Winter Classics (but I knew I wouldn’t make all of them).  However, I’m surprised that I haven’t seen one since Winter Classic V.

After a really fun opening set from Pat Finnerty and what was basically the rest of the Strand of Oaks band, they all came back, this time with Tim Showalter–and he received a very warm welcome.  I’m not sure how full the event was–the previous years he’s played two sold out nights at Johnny Brenda’s, but Union Transfer is much larger.

But the crowd was really into it, especially the guy a few people down from me who was jumping and pogoing through every song.

I can’t believe that it’s been five years since I last saw a Strand of Oaks show.  I really enjoyed his 2021 album In Heaven, but I didn’t enjoy the latest album Miracle Focus quite as much.  I didn’t really think this show would focus on that album–the Winter Classic is meant to be a fun night for Tim and the fans, and not a typical tour show).  But I was actually surprised how little he played from it, especially since his keyboard player was up front (and I felt a little too quiet).

Instead, he played six songs from In Heaven.  I was pretty pleased with the song selection, although there are a lot of older songs that I would have loved to hear too.

In between the In Heaven songs, he played Party at Monster Lake and Fantasy Wranglers from the new album and a great powerful version of Ruby.  At the end of Ruby he asked us if we’d mind if his friend Pat Finnerty played a fucking guitar solo and Pat did.  I had figured out that Pat was a remarkably talented musician from his improv set and from the solos he’d been playing, but for this solo, he played a really great solo that wasn’t obnoxiously showoffy or fancy, it was just grooving and rocking and the band was fully behind him. (more…)

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[DID NOT ATTEND: December 15 & 16, 2024] Baroness

Three years ago, Baroness played three nights at Kung Fu Necktie.  I was able to get to one of the shows and it’s the only time I’ve seen them play.  This year, they announced that they were going to play all of their Red and Blue albums at Kung Fu Necktie.  The first show was announced, but I already had tickets to Strand of Oaks that night.

(Incidentally, it’s because of Strand of Oaks that I know Baroness at all)

Back in 2017 I saw Strand of Oaks play Union Transfer.  Toward the end of the set Tim Showalter called John Baizley on stage.  I didn’t know who he was but I was taken by his look (bald with a big beard) and his terrific voice (and guitar playing).  Turns out he’s the main force behind Baroness (he draws/paints all of the cover art, too).  I got into Baroness and wanted to see them live.

So I stuck with Strand of Oaks and them moments later they announced a SECOND show the following night.  And that night happened to be the night of our big cookie party, which meant that there was no way I was going to go.

I hoped hoped hoped that they’d announce a third night (like last time).  I even asked them on their IG account of they could add a third night (like last time) but it never happened.

This is something like the fifth time that I have NOT seen them for one reason or another.  I do hope to see them in a full sized venue some day.  We’ll see.

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[ATTENDED: December 13, 2024] Karina Rykman 

Last year, my wife and I saw Karina Rykman twice.  First as an opening act and then for our final show of 2023, as a headliner.

The show was great–loud and dancing and fun and everything you’d want in a jamband adjacent musician who totally kicks ass.

When she announced another Philly show this year (my second to last show of the year, but my wife’s final show of the year once again), I snatched up tickets immediately.

Karina is such a joy to see live.  Her band rocks and her choice of songs (both her own and covers) are designed for maximum fun (and chops).  And of course, she has a perpetual smile on her face–no one enjoys playing music as much as she does. (more…)

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[ATTENDED: December 14, 2024] Pat Finnerty

Pat Finnerty opened for Strand of Oaks for the last three Winter Classics. And these three are the ones that I missed.

And now that I’ve seen him I’m even more bummed that I missed those three shows.  Because he was funny and he and his band were super talented.

Pat told us that he and his band (which was all of Strand of Oaks and his cousin Mike) were there to warm up Strand of Oaks and that this show was going to be all covers.

The house music was ZZ Top’s Legs and he said that they had to play the whole song if they had started it.  He won me over immediately by saying imagine going to your bandmates and saying hey, I’ve got a new song, it’s called Legs.  Band: What’s it about?

He then asked the keyboard player to learn the keyboard part so they could play Legs at the end of the set.

He also told us that he had cash and would give cash to anyone who earned it.  Last time, he saw some woman really dancing when he played a blues riff, she got $4.  At our show, a guy received $2. (more…)

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[ATTENDED: December 12, 2024] Kathleen Edwards

Back in 2019 I assumed that the concert in NYC was the only chance I’d get to see Kathleen Edwards.  And now this is my fourth show.

Each time has had a different lineup, so even though the setlists are similar, the shows are very different.

The first time it was a five piece with two guitars (and a keyboard), bass and drums.  The second time it was drums, bass, pedal steel guitar and violin/keyboard.  So no lead guitar (all leads were on the pedal steel).  For this third show there was no bass or drums.  So, we had the same two “new” members from the show just a month earlier: Aaron Goldstein on pedal steel and Kinley Dowling who played keys and violin.  And we were once again joined by Colin Cripps (her ex-husband).  He played with her back in the old days and also when I saw her in NYC, but not a month earlier.

Tonight’s show was a trio with Gord Tough on guitar and Thom Hammerton on keys.   It was also my first time at Roy’s Hall and the sound was fantastic (even Kathleen acknowledged how good it was).

There was no bass guitar but the low end was really deep from the keys, which was great.  And even though I’ve been really loving drummers lately, this show didn’t need one.

Kathleen has released some covers lately (it seems like a covers album is coming out but she mentioned a new release in the new year instead).  So she played John Prine’s Hello in There (a song she said made her cry when she heard it in her coffee shop) and Tom Petty’s Crawling Back to You.

Otherwise, she played most of the same songs, but the ordering was different.  Indeed, Simple Math which opened the last two shows I saw wasn’t included.

I was thrilled that she played Chameleon/Comedian a song from Voyageur, my favorite album of hers, as I hadn’t seen her play it before.  Indeed, this show had the most songs I hadn’t seen her play since the first time. (more…)

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[ATTENDED: December 13, 2024] Muscle Tough

I had never heard of Muscle Tough and I admit I was a little concerned about a band with this name.  I mean, were they jock rock?

When we arrived, they had their name and two cutouts of muscular arms flanking the stage (pretty funny).

And it turns out I should have trusted Karina, because Muscle Tough were amazing.  They play rocking jamming instrumentals that are proggy and jazzy and show off the incredible chops of all three musicians, Ross Bellenoit (guitar), Jonathan Colman (bass) and Joe Baldacci (drums).

They have a pretty fascinating backstory.  Bellenoit was in a couple of different bands, but he wanted to start a band just for jamming and goofing around.  And Muscle Tough has been around longer and has had more success than any of his other more “Serious” projects.

Bellenoit is a phenomenal guitarist–he plays tasteful solos but also shreds like a fiend.  He also had a massive arrive of effects so he can create just about any sound.  Colman is an amazing bassist, playing really fast riffs and imrovs with ease. (more…)

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