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Archive for the ‘House of Independents’ Category

[ATTENDED: September 22, 2025] Pool Kids

This was my third time seeing Pool Kids.  I really like their mix of punky alt rock and really cool guitar shredding (so much finger tapping).  I saw them headline at a small place in Philly and they blew the roof off (with singer Christine Goodwyne crowd surfing at the end).

Since I last saw them the put out a new album.  And they played 8 (of 11) songs from it.  They opened with a new song and then immediately jumped back to their previous album

The opening riff to That’s Physic Baby is a mastercalss in cool guitar riffage–sounding like an old school metal intro.  Both Goodwyne and second guitarist Andy Anaya shred impressively with lots of fingertapping.  Anaya seems to add a few extra flourishes while Goodwyne gets back to singing.  The end is a dramatic moment where the chorus telling you what I, telling you what I need, is repeated but at the end the song drops off and she screams (and we all scream along) NEED!

Vocalist/guitarist Christine Goodwyne was fun with a powerful voice that held high notes and also screamed with rage.  She and second guitarist played some great harmony solos together too.

A group chat with goddamn 21 people I wish I was joking but I’m not.

They played one song from their debut (the wonderfully named $5 Subtweet) which has a total progressive rock vibe with a fast riff opening and some complicated intertwining moments.

The new album has a lot more going on–synths, quieter moments, even an AutoTune on the first song).  But there’s still plenty of Pool Kids sound–loud vocals and gorgeous guitar work on Last Word.  But they moved back to another of my favorite songs of their “I Hope You’re Right” with the chorus “You wanna start a fight” which is super fun to sing along to.

I also need to mention bassist Nicolette Alvarez who plays some amazingly complicated parts and adds a lot of backing vocals (which I don’t think she did on the previous album).  Drummer Caden Clinton makes a lot of noise on a fairly small drum kit.  He plays interesting rhythms and different parts of the kit to bring a really full (and dare I say kind of proggy component) to the songs.

After playing most of their bigger songs, they played three new songs.  Sorry Not Sorry is a slower song (where Alvarez’ backing vocals really shone).  Easier Said Than Done is also slower (with soft backing vocals from Anaya).  These songs are all a bit more conventional. but they retain a lot of makes Pool Kids interesting.

Then we were encouraged to sing along to the next song because we all knew it.  Conscious Uncoupling is the first song I heard by them and I loved everything about it–the soft to loud vocals, the cool guitar sounds and the big explosive chorus.

For one of the ending songs, Goodwyne put down her guitar and jumped into the crowd.  The guy next to me had been singing along all night and she ran up to him and they sang a line together.  Later from on the stage she called him over to shout a line with her and he was clearly thrilled.  There wasn’t a large crowd–I felt bad for them, although it was a Monday night–and there was even a small “pit” available because I was standing a little back from the people up front (the sound isn’t very good when you’re right on the stage).  She bounced around and then some short person slammed into her really hard.  She bounced off and seemed game for more.  So they bounced off each other a few more times and then she climbed back on stage.

They ended and it was still about 9:45 (I assuming 10PM curfew).  On their other nights they had been adding an encore and when they left the stage they put their guitars down on the stage in the “we’ll be right back” gesture.  But then the house music came on and it seemed like they weren’t coming back.  But the crowd started a “one more song” chant (again, what happened to encore), and after a few minutes, they came back.  Goodwyne apologized to the sound guy saying they weren’t planning on coming back out.  It may be the first genuinely earned encore I’ve ever been a part of.

They played Swallow, a great song with lots of finger tapping guitar–it’s really fun when Goodwyne and Ayana face each other in a little guitar battle.  It was a great and cathartic end to the show and they were done by 10!

The show was great and I was in for a surprise at the end of the show.  As I was heading up the stairs, two young women were walking down and said my name.  I looked up confused until they revealed that they were the daughters of one of my college friends.  I hadn’t seen them in about five or six years and I don’t know how they recognized me (something about knowing I liked this band and they asked their parents what I looked like to see if I was there).

Turns out they are huge fans of the band and drove 3 hours to see them!  They may also drive down to Philly on Thursday to see them again.  It was great to see them and I immediately texted their mom–it had been too long–and we caught up.

 

House of Independents 2025 Ukie Club 2023 Rooftop 2023 (open for PUP)
Tinted Windows € Swallow Swallow ¶
Arm’s Length That’s Physics, Baby That’s Physics, Baby ¶
That’s Physics, Baby Erso ⊗ $5 Subtweet ⊗
$5 Subtweet $5 Subtweet Arm’s Length ¶
Which is Worse? € Further ¶ I Hope You’re Right ¶
Last Word € Comes in Waves ¶ Conscious Uncoupling ¶
I Hope You’re Right I Hope You’re Right Talk Too Much ¶
Sorry Not Sorry € Pathetic ¶
Bad Bruise € Arm’s Length
Easier Said Than Done € Conscious Uncoupling
Conscious Uncoupling Talk Too Much
Leona Street € encore
Talk Too Much Borerline ⊗
Exit Plan €
encore
Swallow

€ Easier Said Than Done (2025)
¶ Pool Kids (2022)
⊗ Music to Practice Safe Sex To (2018)

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[ATTENDED: September 22, 2025] Truth Club

I saw Truth Club open for Indigo de Souza last year and I really liked their set a lot.

It was pretty obvious that there was a curfew in place because the bands changed pretty quickly (they were using the same drum set so that helped).  Truth Club came out and opened with a song from their debut album.

Unlike Pony, they played many of the same songs (the don’t have a new album yet, but they do have a bunch of new songs).

I definitely enjoy their second album more than their debut–there’s a lot more dynamics going on.  77x starts slow but in an interesting, lurching way.

And here’s what I loved about them last time and this time.  Singer Travis Harrington plays guitar as well and he plays the basic chord structure.  But in these first few songs, guitarist Yvonne Chazal made some really interesting sounds.  They played lots of high chords and single notes.  They bent the notes and made really interesting textures.  It wasn’t always clear what sounds were coming out, but it made the whole thing feel bigger.

After a couple of songs Yvonne switched instruments with bassist Kam Vann.  If I had to guess I’d say that Kam might be the full time lead guitarist because he was pushing the sounds further than Yvonne did.  He played loud hard chords, but also played some solos and added extra sounds.

And really it’s the song creations from Truth Club that I like so much.  There’s a lot of loud/quiet shifts, but there’s also odd time signatures (for one of the songs Travis counted in to 6).  (more…)

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[ATTENDED: September 22, 2025] Pony

I saw Pony open for Fucked Up about 3 years ago.  I didn’t know them before the show, but I really enjoyed them.  Pop punk energy (like Beach Bunny but a little rougher around the edges).  I was pretty psyched about this lineup.  Three bands I knew and liked.  So I wanted to make sure I arrived early enough for Pony.

The show said 7:30, I strolled in around 7:15 and they were already on!  And apparently had been since 7.  So I only got to see a few songs, but it was enough to know that they still kick butt and I would happily see them again.

Interestingly, their recorded output is far more poppy than their on stage performance.

Pony is from Toronto and is fronted by Sam Bielanski who plays guitar and sings.  She is also a voice actress and voiced Jazz in My Little Pony: Tell Your Tale (hence the band name).  I can’t find a ton of information about the band, but I’m guessing that Matty Morand is an important part of the band.  He played (really cool) guitars at this show.

I don’t know if she played guitar for this set as she wasn’t when I came in and didn’t pick one up.  But her intensity is amazing.  And, she was super nice after the show.

The setlist was almost entirely different from the previous show as they have released two albums since then.  I really would have enjoyed seeing more of this set.

 

2025 [Pool Kids] 2022 [Fucked Up]
Superglue § WebMD ™
Peach ∇ Couch ™
Freezer ¼ Furniture ™
Sucker Punch ∇ Très Jolie ∇
Sick ∇ Sometime Later ™
Middle of Summer § My Room ™
Every Little Crumb ¼ Did It Again ∇
Très Jolie Chokecherry ™

§ single (2025)
¼ single (2024)
∇ Velveteen (2023)
™ TV Baby (2021)

 

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[ATTENDED: January 26, 2024] Pinkshift /Jhariah / Foxteeth

I was really excited for this show.  It had been postponed from November (when I didn’t have a ticket) to the New Year.

Originally it was supposed to be at House of Independents, but the reason the first show was postponed was because of flooding.  The flooding was so bad that HoI had to close its doors and is now out of business.

So it was moved to Asbury Lanes, which is a great small club.

I arrived with just a few minutes to spare and soon enough Fox Teeth came out. Originally the opening band was Pollyanna, who I really like.  I was bummed that they weren’t going to be playing, but Fox Teeth more than exceeded expectations. (more…)

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[POSTPONED: October 12, 2023] Pinkshift / Jhariah / Pollyanna [moved to January 26, 2024, to Asbury Lanes]

I found out about this show too late.  By the time I realized it was happening I already had plans.  But as it happens, this show was postponed because of flooding.  It’s been rescheduled to January 26, which is pretty great for me, because this show looks amazing.

I have seen Pinkshift three times and they are amazing.  They get better with each show, but I have yet to see them headline.  So I would have really liked to get to this show.

Jhariah plays musical theater.  But on the heavy end, like when My Chemical Romance goes theatrical.  He throws in all kinds of cool and interesting sounds.  This is wacky and fun and he clearly relishes the theatricality.  I would love to see him live.

Pollyanna are from New Jersey and they absolutely rock: Lead singer and guitarist Jill Beckett, drummer Daniel McCool, bassist Brandon Bolton, and guitarist Jack Rose.  They mix

power-pop, loud rock, bubble grunge, and punk influences.  Their name directly derives from the dictionary definition, “to be unreasonably or illogically optimistic” – perfectly describing front-person Jill Beckett’s ‘stuck in 2017’ incredibly optimistic attitude. After meeting in the first grade, Dan and Jill started the band at just 13 years old, eager to create and play music that would reach audiences beyond the confines of Jill’s open garage doors. Brandon made them a trio in early 2019, bringing 90’s femme punk influence to the group. At the start of 2021, Jack completed the bands’ lineup, adding his elemental stabby guitars and love for shoegaze and metal into the mix. After completing almost 5 tours around the east coast and the midwest, Pollyanna has won over a following in the New Jersey music scene along with cities in the tri-state and beyond. They plan on growing as far as possible and leaving a unique mark in the music industry.

Their album Slime is great–snotty and brash with great sounds and Beckett’s excellent vocals.  So, yes, I hope to see them some time.

Sorry about the flooding (it was really terrible), but I’m glad I get to see the show next year.

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[POSTPONED: March 31, 2022] Andy Shauf / Helena Deland [rescheduled from May 1 2020, December 17, 2020 and September 12, 2021]

This show was postponed several times but when it finally rolled around I had two other shows earlier in the week, one of which was in New York City which turned out to be an absurdly late evening.  So I had to take a pass on Andy.  Who I’m not 100% sure I really want to see anyway.

Faye Webster was supposed to open for this show, but she has been replaced by Helena Deland.

Deland is a Canadian singer-songwriter with several EPs out. Her inspirations are Jessica Pratt, Joni Mitchell, and Sea Oleena.   Her music is quiet and gentle and her voice is high and soft.  Its quite lovely and was a good pairing.  I preferred her song “Someone New” which is a little more upbeat.

~~~~~~

This show appeared and then disappeared.  In May, Andy’s own website it was still an active date until you clicked on it and the ticket sales said March 2022.

Maybe in 2022 Andy will come back around.  He was supposed to play a show in NJ as well, but there was none listed in May.  We’ll see.

Postponing shows until December seemed like a safe bet.  My calendar was pretty free and I was hoping to see shows by now.  I’m not sure if I’d rather have gone to Philly or Asbury Park, though.  Well, next year will held me decide, I’m sure.

~~~~~

Andy Shauf is a Canadian singer songwriter.  He sings quiet, introspective songs.  He was playing at Union Transfer at the beginning of May and then in New Jersey in the middle of May.

I was introduced to his music from a Tiny Desk Concert in which he never really moves.  He has very long hair which also never moves.  His songs are really very pretty and well constructed.

It’s his voice that I find utterly fascinating.  He enunciates in such an unusual way.  The way he emphasizes certain vowels defies his Saskatchewan upbringing.  He sings not unlike Margaret Glaspy and other newer singers who stress their vowels in an unusual to me way.

I really enjoyed his Tiny Desk and I enjoyed reading about the album The Party which sounds like the worst party ever.

Since then he has cut all of his hair and looks totally different–I wasn’t even sure it was the same guy.

Faye Webster is a singer from Georgia who actually has a similar singing style to Andy, which is fascinating.  She sings low key torchy ballads and would be a perfect opening act for him.  I’m going to have to listen to a bit more from her.

He’s the kind of musician that I would think about going to but probably wouldn’t, and then I’d wish I had.  Well, now I have two more chances.

His initial itinerary fascinated me:

Boston, Brooklyn, Philly, D.C., North Carolina, Atlanta, New Orleans, Alabama, Indiana, Pittsburgh, New Jersey, upstate New York.

The rescheduled shows keep the same basic set up except that now Philly is the day before NJ–I wonder what changed that plan.

shuaf

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[ATTENDED: November 10, 2021] Anti-Flag [postponed from March 17, 2020] 

I was pretty happy when my son asked if we could go see Anti-Flag.  I had heard him playing some of their songs and quite liked them.

Then I looked them up.  How could i have never heard of this band?  A politically charged punk band that has been making music and waves for over 25 years and I didn’t know them.  How was that possible?

The band came out on stage to a recording of “Blitzkieg Bop” and they were everything I wanted.

Anti-Flag has been around since the 1980s and had a few line up changes.  But things have been stable since 1999 when Chris #2 joined the band on bass and lead vocals.  He joined Justin Sane on lead vocals and lead guitar and Chris Headon rhythm guitar along with Pat Thetic on drums.

They are full of energy, or righteous anger and love and compassion for everyone present.

We were right in front of Chris #2 and it was incredible to watch him jump all over the place.  Way up in the air and at one point off the stack of amps.  His energy was incredible.

Justin Sane was a great front person–calmly telling us what was on his mind and then ripping guitar parts like crazy.

They played songs from throughout their career, occasionally dipping back in to their latest album 20/20 Vision with audio snippets introducing the songs.  The album is great although hearing trump’s voice again (even if it was used to mock him) was rather unpleasant.

The highlight for me though was looking over and seeing my son in a circle dance getting pushed around an having a great time. I can see him really moshing it up in a few years.  He did not crowd surf, although some people did (it was kind of a small club for that).

The band is obviously very political and they had brochures and activists there for all manner of causes.  They also had someone come out and say a few words about Punk Rock Saves Lives, an amazing organization whose mission statement is

to start focusing on Health Concerns, Equal Rights, Human Rights, and more. One of the keystones of the music community, especially Punk rock, is the ethos of taking care of one another. By championing this ethos through various campaigns hand-chosen by the artists, we can elevate their messages of hope, activism, and change to effect positive change and drive awareness.

Then as the show was nearing the end, Chris #2 had us do one of the coolest things I’ve done at a concert.  He had everyone–don’t give me any macho posturing bullshit, put their arms around the person next to them like a giant line of a group hug.  This was to tell everyone there that we are all on the same side, that the person next to us is our brother or sister.  It was a very moving moment for me.

And then, when we were all sweaty and gross from dancing and pushing each other around, we sang along to “Die for the Government.”

My only regret from this show is that I haven’t seen them like ten times already. Because I am ready to see them again.

  1. Blitzkrieg Bop (Ramones) [tape intro]
  2. Hate Conquers All
  3. The Press Corpse ß
  4. Racists Æ
  5. Drink Drank Punk Ψ
  6. You Can Kill the Protester, But You Can’t Kill the Protest
  7. Trouble Follows Me Æ
  8. Bring Out Your Dead
  9. Disease Intro [tape intro]
  10. The Disease
  11. Hymn for the Dead ß
  12. The Criminals Æ
  13. Turncoat
  14. Broken Bones
  15. 1 Trillion Dollar$ ß
  16. Fuck Police Brutality Ψ
  17. Christian Intro [tape intro]
  18. Christian Nationalist
  19. This Is the End (For You My Friend) ß
  20. American Attraction Æ
  21. Brandenburg Gate §
  22. Die for the Government Ψ

Ψ Die for the Government (1996)
⇓ Underground Network (2001)
⊗ The Terror State (2003)
ß For Blood and Empire (2006)√ The General Strike (2012)
§ American Spring (2015)
Æ American Fall (2017)
‰ 20/20 Vision (2020)

 

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[ATTENDED: November 10, 2021] Bad Cop/Bad Cop [postponed from March 17, 2020] was originally scheduled to be Grade 2

Initially Grade 2 was scheduled to be on this tour, but they were replaced by Bad Cop/Bad Cop, who turned out to be amazing.

It was pretty fascinating having this band directly follow Doll Skin because the women in this band could easily have been Doll Skin’s moms (there were no men in Bad Cop/Bad Cop, but if there were they could have been Doll Skin’s dads, too).

I actually don’t know how old most of the women were on stage because damn, they rocked hard whatever their age, I only guess they are older since they sang songs about Breast Cancer and Detox.

Bad Cop/Bad Cop actually has three lead singers: guitarists Stacey Dee and Jennie Cotterill and bassist Linh Le alternated through the set.

We were right in front of Le and she was one of the most intense bassists I’ve ever seen–great poses, daring you to look her in the eye or daring you to look away.  I found out later that Le is the creator of the amazing series bassists against racists.

Drummer Myra Gallarza was great too, keeping the beat to these fast and furious songs.

I loved everything about Bad Cop/Bad Cop and I’m delighted to have seen them live.

  1. Retrograde ϖ
  2. Pursuit of Liberty ®
  3. Rodeo
  4. Breastless ®
  5. Perpetual Motion Machine ®
  6. I’m Done ϖ
  7. Simple Girl ®
  8. Take My Call ®
  9. Broken ϖ
  10. Amputations ϖ 
  11. Certain Kind Of Monster ®
  12. Womanarchist ϖ
  13. Wild Me ϖ

⊗ Boss Lady EP (2014)
ϖ Warriors (2017)
® The Ride (2020)

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[ATTENDED: November 10, 2021] Doll Skin [postponed from March 17, 2020]

I was really looking forward to this show because I was taking my son and his friend to their first punk show.  My son had been to a couple of other shows, but nothing where there was going to be as much call for a pit (the other shows were usually too crowded for a pit).

We arrived very early (even though I thought we were late).  Doll Skin didn’t go one for twenty minutes after stated time.  Which was fine because there was a ton of merch and political organization fliers in the back of the room to look at.

Then Doll Skin came on stage and there was a good chance that the band was younger than my son.  That’s actually not true, although when Doll Skin started, lead singer Sydney Dolezal was seventeen.  They are currently 20 or 21.

Meghan Herring and Tay (hired bass player) had COVID so they had Cameron Gile on bass, their driver Dustin Elias-Odgers on bass and multi instrumentalist Torri Ross on drums.

The band was amazing.  Syd was a dynamite singer–a great performer, an excellent voice and a lot of fun.  Their lead guitarist, who I think was Alex Snowden, was incredible–phenomenal riffs and a great sound.  And the substituting players were fantastic.  I don’t know how often they played the songs before, but they were tight as anything.

I really enjoyed their set.  And after the show Syd chatted with us and signed my son’s poster, so that was pretty cool too.

  1. Don’t Cross My Path
  2. Love Is Dead and We Killed Her
  3. Control Freak
  4. Mark My Words
  5. Daughter
  6. Eat Shit Ξ
  7. Puncha Nazi

Ξ Eat Shit [single] (2021)
♦ Control Freak [single] (2021)
⊗ Love Is Dead and We Killed Her (2019)
♥ Manic Pixie Dream Girl (2017)

 

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[POSTPONED: September 12, 2021] Andy Shauf / Faye Webster [rescheduled from May 1 and December 17, 2020; moved to March 31, 2022]

indexThis show appeared and then disappeared.  In May, Andy’s own website it was still an active date until you clicked on it and the ticket sales said March 2022.

Maybe in 2022 Andy will come back around.  He was supposed to play a show in NJ as well, but there was none listed in May.  We’ll see.

Postponing shows until December seemed like a safe bet.  My calendar was pretty free and I was hoping to see shows by now.  I’m not sure if I’d rather have gone to Philly or Asbury Park, though.  Well, next year will held me decide, I’m sure.

Andy Shauf is a Canadian singer songwriter.  He sings quiet, introspective songs.  He was playing at Union Transfer at the beginning of Mat and then in New Jersey in the middle of May.

I was introduced to his music from a Tiny Desk Concert in which he never really moves.  He has very long hair which also never moves.  His songs are really very pretty and well constructed.

It’s his voice that I find utterly fascinating.  He enunciates in such an unusual way.  The way he emphasizes certain vowels defies his Saskatchewan upbringing.  He sings not unlike Margaret Glaspy and other newer sings who stress their vowels in an unusual to me way.

I really enjoyed his Tiny Desk and I enjoyed reading about the album The Party which sounds like the worst party ever.

Since then he has cut all of his hair and looks totally different–I wasn’t even sure it was the same guy.

Faye Webster is a singer from Georgia who actually has a similar singing style to Andy, which is fascinating.  She sings low key torchy ballads and would be a perfect opening act for him.  I’m going to have to listen to a bit more from her.

He’s the kind of musician that I would think about going to but probably wouldn’t, and then I’d wish I had.  Well, now I have two more chances.

His initial itinerary fascinated me:

Boston, Brooklyn, Philly, D.C., North Carolina, Atlanta, New Orleans, Alabama, Indiana, Pittsburgh, New Jersey, upstate New York.

The rescheduled shows keep the same basic set up except that now Philly is the day before NJ–I wonder what changed that plan.

shuaf

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