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Archive for the ‘Franklin Music Hall’ Category

[ATTENDED: October 7, 2022] Fievel is Glaque

Deradoorian was supposed to open this tour with Stereolab.  I hadn’t heard of them, although I have just learned that they are the creation of Angel Deradoorian who was part of Dirty Projectors.  She had to drop off the tour for (unstated) personal reasons.

Her loss is a boon for Fievel is Glaque.

Fievel is Glaque is the duo of American keyboardist Zach Phillips and Belgian singer Ma Clément.  For the show they were a five piece–with guitar, drums and saxophone/flute.

They played a weird jazzy alt rock.  The songs were mostly just over a minute long.  And Clément sang in a French-inflected English that was really quite lovely.  They were practically like the anti-Stereolab.  Like if Stereolab had a younger, brattier cousin.

The audience around me was awful.  Five college girls who were talking loudly, dancing wildly, trying to pick up guys and talking to the band.  I really should have moved.  But I was pretty close.  Poor decision on my part as they annoyed me the whole night.

Nevertheless, I enjoyed this strange band with the strange name.  Zach told Post Trash:

Our first saxophonist, Eléonore Kenis, spoke the name in all sincerity in the volleyball court of Parc de Forest in 2018. We badly wanted to change it. Fievel is the mouse of cartoon fame (though neither of us have seen those movies) and “glauque” (rhymes with “oak”) is a French word notable for describing both a pale, bluish green and meaning creepy/sleazy/sordid/sinister. My own post-hoc rationalized interpretation goes something like this: gentrification functionally targets run-down, destitute, “glauque” areas; Fievel is an off-brand, “social realist” Mickey Mouse; accordingly, the name means something like “gentrify Mickey Mouse.” We deeply wish we had a different name but are committed to making this one retrospectively cool.

By the end of their set, I was really digging their weird music.  A little too much saxophone for me, but their guitarist was really good (as the drunken college girls kept shouting at him).  Although when I listened to their studio recordings I didn’t enjoy them quite as much–sounding even more like Stereolab minus the krautrock and adding lite jazz.

Great opening band though.  Worth arriving early for.

And here’s a video of the whole show that my new favorite YouTube person Markit Aneight

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[DID NOT ATTEND: September 6, 2022] Arlo Parks / Del Water Gap

I was really bummed when I missed Arlo Parks at The Foundry (a very tiny venue).  But I was really surprised to see that her next Philly show, barely a year later, would be at Franklin Music Hall, one of the larger venues in Philly.

Arlo Parks was supposed to open for or co-headline with Clairo at the Fillmore on February 26 2022, but the show was cancelled and when Clairo came back around in July, she had a different opener (my daughter and I went to that show).

So I was looking forward to seeing Arlo (enough that I did not get Neko Case tickets, because I already had them for Arlo).  But as the show approached, I was feeling less excited about the prospect.  I listened to her album and liked it, but didn’t know if I wanted to go all the way there for it.  The Foundry show would have been fun and intimate, but I couldn’t quite picture her in the much bigger FMH.  So I decided to stay home.

Del Water Gap is a great pseudonym.  Samuel Holden Jaffe is Del Water Gap and has been making music for over ten years.  I can’t believe I haven’t heard of him sooner (with a name like that).

His music has a catchy and poppy indie sound.  His voice reminds me a bit of Andy Shauf.  The music is pleasant enough that I could see him being used in an indie film.

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[ATTENDED: July 24, 2022] Mitski [rescheduled from March 25, 2022]

I saw Mitski back in 2018.  She sold out Union Transfer and while I enjoyed the show very much, I remember being disappointed that I was so far back and behind so many tall people that I couldn’t really see her performance all that well.

In that time, Mitski has taken off even more with the young people.  Both of my kids love her (as does a large section of the youth).  When this tour was announced, there was no question that I would get four tickets for my two kids and one of their friends.

I figured it wouldn’t be that hard, since she was playing at a pretty huge venue.  But the presale sold out in like 5 seconds.  And the main day sale also sold out in like 5 seconds.  The bots were all over this tour.  It was so obnoxious.

My kids really wanted to see her but there was no way I was spending a ton of money on her, so we were SOL.

Then a few days before the show was to happen, it was postponed because of COVID.  It’s not often that we are happy that things are postponed, but this one worked out very well for us., because a rescheduled date meant a possibility of new tickets being made available.  I put my name on the waiting list.  But didn’t really have much hope. (more…)

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[ATTENDED: July 24, 2022] The Weather Station [rescheduled from March 25, 2022]

Back in March, Mitski was forced to postpone a few shows, including Philadelphia, because of a COVID case in her touring party.  She rescheduled her shows in the summer.

Unbelievably, I was able to get tickets for this show and I was a hero to my kids.

We arrived early and the line to get in was around the block and half way down the street.  But it was warm and pleasant and the mood was good on line, so we didn’t mind the wait all that much.

We finally got into the building a few minutes before 8PM.

Everyone wanted merch.  It’s Mitski, after all!  Since I had seen her a few years ago, I offered to wait on line while they all found a spot as far up as they could get (which wasn’t very far).  My son and his friend went off to the left, but my daughter hung out with me. (more…)

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[POSTPONED: July 13, 2022] Bikini Kill / Brontez Purnell [rescheduled from November 22, 2020 and October 2, 2021; moved to April 7, 2023]

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About a week before this show was supposed to happen we got another update that the show was postponed yet again.

I like to note that I bought ticket to this show on November 10, 2019.

The reunited riot grrrl stars were originally set to play a host of North American shows across June and July this year, but had to postpone them due to a positive COVID case in their touring party.

Original support act Alice Bag is long gone replaced by Brontez Purnell who is still slotted to support next year.

Brontez Purnell is an American writer, musician, dancer, and director based out of Oakland, California. He is the author of several books, including Since I Laid My Burden Down, and the zine Fag School; frontman for the punk band The Younger Lovers; and founder of the Brontez Purnell Dance Company.

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(more…)

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[DID NOT ATTEND: June 22, 2022] Midnight Oil / Liz Stringer

When I was in college I was a DJ for a few years.  My freshman year, I loved “Beds Are Burning” and played the song on my show all the time.

I enjoyed the rest of the album, but really don’t know much else by them.

When this tour–their final tour–was announced, I dithered about whether to get tickets.  I assumed it wouldn’t sell out (it didn’t).  I don’t love Franklin Music Hall, so that was a strike against it.  A friend of mine said they were great live (she went to the NYC show and said it was great)./

But ultimately, I decided not to go (or buy a ticket).

And I’m okay with that.

Liz Stringer is an Australian singer who is beloved by many Australian musicians.  She has a devoted cult following.  but it never translates into mega sales.  I’m a little surprised by this because her music is pretty straightforward with an alt-country feel that could appeal pretty broadly here.

I guess I’m not that upset that I missed her though.

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[DID NOT ATTEND: June 17, 2022] Belle and Sebastian / Los Bitchos

This was a terrible week for concerts for my wife and I.

After missing out on Sigur Ros because of an awards ceremony at my daughter’s school, this evening was scheduled for her graduation as well.

Obviously, those events are very important and there was no question which we would go to.  It’s just maddening that these dates were announced so late that we had already gotten tickets to both events long before the conflict came up.

Oh well.

I’m sure we’ll be seeing Belle & Sebastian again.

Los Bitchos is a four piece from London.  The band consists of Serra Petale (guitar), Agustina Ruiz (keytar), Josefine Jonsson (bass), and Nic Crawshaw (drums; percussion).  They predominantly play instrumental music in the style of cumbia from the 70s and 80s.

And they are a lot of fun.  Sounds like a great opening act.

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[DID NOT ATTEND: May 13, 2022] The Menzingers / oso oso / Sincere Engineer

I have seen The Menzingers twice.  The first time I missed most of their set.  The second time I was in a terrible location and the sound was dismal.  I told myself that I really wanted to see one good set with them.

They play Philly all the time, but I think I might just be over seeing them.  I feel like I’ve been shut out of seeing them enough (and I’ve got a bad taste in my mouth from the crowd last time), that maybe I don’t need to see this mythical third show anymore

Especially if Oso Oso is the support band.

I saw them open for The Front Bottoms and said

I’m not sure if I was annoyed by the crowd (SO CROWDED) or what but I found oso oso to be one the most meh band I’ve seen on a long time.  I really felt nothing for them. …

Their music was fine–occasionally catchy but not really memorable and I found that I really didn’t like the lead singer’s voice.  It wasn’t bad or awful, it just didn’t seem to fit the music and I found myself enjoying their instrumental sections a ton more.

Someone near me said that they thought he was so stoned he couldn’t sing right.  He did seem like he was a little off, including his weird between song banter and chants.  But maybe he’s just a weird guy.

I haven’t heard of Sincere Engineer, but listening to her now I’m blown away.  I love her/their stuff.  The band is from Chicago and the blurb says

Deanna Belos has been a fixture in the Chicago punk scene since she was in Junior High, attending shows, singing along, and raising hell in general. But she was more than just a face in the crowd, Deanna was a radiant friend to all, and at some point she picked up a guitar and made a different contribution to the Chicago underground scene: her own music under the name Sincere Engineer. Over the last couple years we’ve encouraged her to keep writing songs and she surprised us all by assembling a great band and recording an impressive album. Her debut, “Rhombithian”, was produced by Matt Jordan (You Blew It!, Dowsing, etc.) and pairs the sounds of Chicago punk and the youthful Midwest “emo revival” movement. No one is more excited about music than Sincere Engineer, and Deanna plans to play a lot of shows and bring her infectious energy to the rest of the planet in support of “Rhombithian”.

She plays grungey emo pop punk stuff.  With a heavy grungey guitar.  But what sets Sincere Engineer apart is Deanna’s voice–a snarl that doesn’t detract from her natural melody.  It’s the perfect voice for these songs.  Plus she has a song called “Corn Dog Sonnet No.7”

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[ATTENDED: April 1, 2022] PUP

It’s kind of funny that the headliner is the only band on this bill that I hadn’t seen before.

I was really excited to see PUP.  I knew some of their songs and t hen slowly I knew and liked even more of them.  After watching their Tony Desk on NPR, I knew they were fun guys who probably put on a great show.

The backdrop was in  the same deliciously surreal style as the poster (which I love).  And then the band came out.

Stefan Babcock played the opening song from the new album (about just learning to play piano and writing a song on it because the label wanted them to) on a keyboard.

And as soon as the song ended, the whole place exploded into a pogoing slamming chaotic fest of fun.  They blasted through one song from each of their albums and everyone sang/screamed the words to all of them.

The light show was simple but really effective, with a bank of lights behind the drums and beams shooting out from time to time. (more…)

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[ATTENDED: May 6, 2022] Sheer Mag

I saw Sheer Mag back in 2017 and enjoyed their set quite a lot.  I had said that

They play a terrific swagger-filled hard rock (comparisons to many riff rock bands of the 70s abound).  And they are fronted by bad-ass singer Tina Halladay whose gritty voice sounds quite a bit like some of high-pitched male singers of the era.

They haven’t really made any new music since 2019, which is kind of a surprise as they were pretty prolific up until then.

This show had them playing a few songs from each of their albums and some of their earlier 7 inch records too.

This being a home town crowd, I thought the band would bring something extra.  It seemed like they were a little cranky or something. (more…)

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