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Archive for the ‘Beacon Theatre’ Category

[DID NOT ATTEND: August 16, 2023] Sigur Rós

Few bands are as amazing live as Sigur Rós.  I never thought I would deliberately not get tickets to a Sigur Rósshow.

When they announced a limited tour of Sigur Rós with Wordless Music Orchestra (a 41 piece orchestra), I wanted to go immediately.  I saw the closest show was New York, which is a pain in the butt.  But it would be worth it.  Then I saw how expensive the tickets were and I couldn’t bring myself to buy them.  I realize that they are paying a 41 piece orchestra, but I just couldn’t do it.

It will either be the most transcendent thing in the universe or it may be too much–Sigur Rós is able to do some amazing things as a three piece after all.

Perhaps they’ll release a video of it.

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[DID NOT ATTEND: October 16, 2022] Muse / Thick

I’ve seen Muse twice and each show was amazing.  I told myself I would make a point of seeing them every time they toured here.

In June of this year they announced a short tour of American theaters, rather than arenas.  It sounded pretty great, but the closest one was The Beacon Theater in New York City and that is just too much of a pain in the ass to get to.  Even for Muse.

I also didn’t like the new album as much as previous ones so I wasn’t that excited to see it without the bombast.

A review of the show makes me happy I didn’t go (the show was only 80 minutes).  Brooklyn Vegan says

At Sunday night’s (10/16) show at Beacon Theatre, the band played six songs off their new album Will of the People, including the seasonally appropriate “You Make Me Feel Like It’s Halloween.”

Their 80-minute set also included “Uprising,” “Psycho,” “Supermassive Black Hole,” “Hysteria,” “Minimum” and more, and they finished with spaghetti western epic “Knights of Cydonia.”

I had no idea that Thick was opening.  I didn’t even learn it until writing this. I might have gone just for the double bill as Thick are pretty awesome.

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[ATTENDED: September 17, 2018] The The

I feel like I have always loved The The.  I’d never say they were my favorite band, but they’ve always been a part of my playlists and lyrics from the songs are constantly running through my head.

From the dancey early stuff off of Infected (the first album I’d heard), to the cool “band” stuff with Johnny Marr on guitar (The The was always and forever shall be the project of Matt Johnson with a rotating cast of others) and finally to the beautiful Dusk, which I couldn’t stop playing all through college.   There were other albums, but these three (and, strangely enough the Hank Williams cover album) were staples for me.

Matt Johnson has this voice, the deep resonating voice, that gets right into my head.  Especially with headphones, especially on the beginning of Dusk.  That album is so pristinely recorded it feels like the guitars are in whatever room you are currently in.

I had the fortune of seeing them in May of 2000, the last time The The played the States (and almost anywhere else).  The setlist below I found online.  They apparently played almost all of the then new album and nearly nothing else.  That seems incomplete (and short).

When he (they) announced that The The had released a new song and were doing some shows in England and Europe, I held out hope that they would come across the pond.  I wondered if they’d play Philly, but they didn’t (and that was probably wise as even the Beacon didn’t sell out).  So I got tickets as soon as I could and scored 11th row.  For yes, I was willing to brave the Lincoln Tunnel and an expensive parking garage to see this show.  And having it only in a few locations made it that much more special. (more…)

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[ATTENDED: September 17, 2018] Xordox

When The The announced that they were touring for the first time in 18 years, I knew I was going to go, even if it meant dragging myself through the $15 Lincoln Tunnel.  (How do people afford that every day?).

I noted the opening acts: Agnes Obel will appear on all dates as a special guest, except the September 16 show at Brooklyn Steel where Elsyian Fields will open and the September 17 gig at the Beacon Theater where XORDOX (aka JG Thirlwell/Foetus), a frequent THE THE collaborator, will open.

I really like Agnes Obel and I put her on my list of people I wanted to see live.  So I was a little bummed that she didn’t play for my show.  But at the same time, Xordox is the creation of the legendary JG Thirwell, whom I have never seen before either.  Thirwell is probably best know for his group Foetus, but is more recently known as the guy who scores the new Archer seasons.  And that’s pretty great.

Every incarnation of Thirwell sounds different from the previous one (with a different pseudonym: Clint Ruin, Frank Want, and Foetus), so who knew what Xordox would sound like.

For this incarnation, Thirwell is Manorexia. (more…)

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[ATTENDED: November 28, 2015] My Morning Jacket

2015-11-28 23.28.16After seeing My Morning Jacket this summer, I was definitely psyched to see them again.  My friend Jay is a fan who had never seen them before.  So we jumped at the chance to see them at the Beacon.  I bought tickets for the fourth of four nights (I would have picked the earlier night had I realized that Strand of Oaks was opening, but that was the night before Thanksgiving, which is not exactly a good going out night for some of us).

We decided to blow off the opener, Craig Finn, but unfortunately because of a delay on the 1 train, we missed the first ten minutes of MMJ as well.  This proved to suck hard because we missed “Victory Dance” and most of “Compound Fracture.”  It sucked even more because the rest of this first set had a very mellow feel to it and Jay and I were looking to rock out.

2015-11-28 21.57.23So this brings me to a pretty weird sensation at a show.  Can you say that you totally enjoyed something but were somehow disappointed at the same time?  And then retroactively realize that what you saw was pretty amazing, but you didn’t realize it in the moment?  Because I think we both felt that way.  The band was in top form, the music sounded great. The audience was totally into it.  And the songs themselves were good, we just wanted different songs.

It turns out that the four nights at the Beacon Theater were designed as a cool package–each night they’d play different songs and dip into some rare tracks.  I had no idea that that’s what they were planning.  I was just psyched to get tickets.  What this meant is that they had played a lot of the big songs earlier in the week (of course, they saved some great ones for our show as well).  So when Jay and I looked at each other after the first set and thought, huh I expected to hear more songs that I knew, well, now we realized why we didn’t.

It turned out to be an awesome show for old time fans who had seen them a lot. (more…)

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