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Archive for the ‘Set in New Jersey!’ Category

[ATTENDED: April 20, 2012] MOMIX Remix

One of Sarah’s surprises for her birthday was that after an evening of fine dining at The Frog and the Peach, I had gotten us tickets to Momix.  This was a total surprise because neither one of us had ever heard of Momix.  I wanted to so something fun for us, and this show was being performed on her birthday weekend.  The write-up at the State Theatre made Momix seem weird, interesting and very cool.  So, even though we’d never heard of them, it seemed worth the risk.

A rose waited for us at our seats (A date night package for us).  The curtain went up and the music started and we were blown away from that moment on.

We decided the best description of Momix is as kind of dancey version of the Peking Acrobats (they do show up a lot in my posts).  I’ve never really seen modern dance on any grand scale, so I hesitate to call this modern dance, but what else can it be?  The music (none of it original) was primarily world/ambient (Dead Can Dance was a band I recognized).   And the men and women of the troupe performed nontraditional dances to it.

Okay, but what’s this about acrobats?

Well, the dances were more about showcasing the body–in its beauty, in its strength and in its grace.  And it was amazing to watch. Our favorite piece, called “Tuu,” featured a man and a woman.  She began the dance wrapped around his neck (by her knee?!) and proceeded to uncurl herself into amazing positions, all while he himself balanced and did wonderfully graceful moves.  And here’s the difference between a dancer and an acrobats–these dancers never wavered, never wiggled, never seemed for a second that they were uncomfortable–they were beyond graceful.  So at one point when he did a hand stand and she id a handstand on his back, it was fluid and amazing.  I mean, look at that picture. (more…)

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[ATTENDED: April 11, 2012] David Sedaris

I have enjoyed David Sedaris for a number of years now.  When our friend Melissa went to see him a few years ago, she said he was hilarious.  I’ve heard several readings done by him and had to agree with her–he’s very funny live.

I find that he’s much funnier when I hear him read his stuff than when I read it myself.  Indeed, when I read his stories I try to imagine it in his voice, just so it will be funnier.  Turns out he does a much better David Sedaris than I do.  Each of the stories was very funny (tear-inducingly funny) and very typically Sedaris.

This show was him on stage reading from a number of his pieces and from his diary.  I didn’t know the first piece, called “Understanding Owls,” which was about Owls and taxidermy.  It was also about trying to find the perfect Valentine’s Day gift for his boyfriend of 20 years (wow!), Hugh.  He wanted to buy a stuffed owl because of a long running joke about all of the owl tchotchkes in their house.  The setup alone was hilarious and the sequence in the taxidermist was very funny and rather uncomfortable. (more…)

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SOUNDTRACK: GARFUNKEL & OATES-“Fuck You” (2009).

My coworker sent me a link to this Garfunkel & Oates song.  Garfunkel and Oates is a comedy folk team comprised of Kate Micucci and Riki Lindhome.  This song was featured on Scrubs (seriously) because Micucci played “Gooch,” creepy Ted’s girlfriend on the show.

The song is kind of sweet and funny, but also rather dirty (just like Scrubs).

This version is under two minutes, but there’s a new version (complete with kazoo solo) on their website.  The new version plays up the confusion of the kiss you/fuck you chorus a little more with some very funny lines.  You can also see a bunch of their other funny, catch, dirty songs like: “Gay Boyfriend,” “Sex with Ducks” and “This Party Took a Turn for the Douche.”

So cute!

[READ: April 20, 2012] “Miss Lora”

Junot Díaz is back with another short story–I smell a collection coming out soon.

This one is about Yunior and his brother who died of cancer (as most of his stories are).  But in this one, his brother is more of a presence than an actual character.

For this story is all about Yunior and his lengthy affair with Miss Lora.  Miss Lora was a neighborhood older woman–not too old, but certainly older than the kids.  She was super skinny–totally flat in front and back–but she was very muscular.  She liked showing off her gymnasts’ body in a bikini.  The women (like Yunior’s mom) didn’t think much of her in town, but she didn’t seem to care.

And, although she wasn’t all that much to look at, Yunior developed a bit of a crush on her.  And then one day he realized it was mutual.  (more…)

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[ATTENDED: April 1, 2012] The Gizmo Guys

Our friends were going to see the Gizmo Guys, so we bought (surprisingly cheap) tickets and went to the same show as them.  I was under the impression that the Gizmo Guys were kind of science-tellers–doing “magic” with sciencey things.  Well, that was utterly wrong.

The Gizmo Guys are jugglers.  That’s it.  Well, they are comedians AND jugglers and they are very funny and very talented.    But there’s no science and, I have to say, very few gizmos.

The show opened with some jokes.  But these were jokes from the kids in the audience.  And our brave friend’s 7 year-old went on stage and told a joke! (while Clark cowered so he wouldn’t be chosen).  The joke section was cute and served as a nice warmup. (more…)

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[ATTENDED: March 15, 2012] The Big Apple Circus

When I was a kid, we went to the Ringling Bros. Circus a few times. (I still have the program).  I had never been to the Big Apple Circus.  When we saw that it was in Bridgewater a few years ago we went (Tabitha was a baby and fell asleep after the intermission).  The year after that, the kids both enjoyed the show.  We missed last year due to a scheduling conflict.

When we heard that this was going to be grandma’s last year of the show, we decided we had to go.  For those of you unfamiliar with the Big Apple Circus, the one constant every year is “Grandma:” an old clown lady who meanders into the ring, causes mischief and is generally very funny.  Grandma, played by Barry Lubin, is leaving the show because “Mr. Lubin will spirit Grandma away to Sweden, where he moved last January to live with his partner, Ann Hageus” (NY Times).

I assumed there would be a huge send off to Grandma, but it was a surprisingly low-key show for her.  She had some great bits and was very entertaining (as always) but there was no major farewell.  Oh well.

The big surprise for our show was that Dr Oz was the surprise host.  And he handed out really stinky paper rulers (I can’t get over how badly they smelled) so that we could all measure our waists to see if we were fat or not.  Okay, first of all most of us don’t need to measure to see if we’re fat.  Second, this is a circus–not a single foodstuff out there is good for you.  Was I really going to measure my waist while holding my kids’ cotton candy.  No, I was just going to feel like a fat schlub.  Yaay!  Fun for the whole family.

My biggest victory of the night was when Dr Oz came into the crowd and his publicist asked if I (we) wanted to meet him and I was able to curtly say “No” and watch her look of surprise.  I have better things to do than to meet a TV doctor, thank you very much.

Like watch a circus. (more…)

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[ATTENDED: February 24, 2012] The Peking Acrobats

Raritan Valley Community College continues to impress me with their wonderful selection of performances.  And this was another amazing one.  It had me literally slack jawed.

The Peking Acrobats (let’s start simple) are acrobats from Peking, China.

As the show opened, there were ropes hanging from the ceiling (not secured to the ground).  And then several men came out and climbed the ropes.  Which would be no big deal, except that they climbed them like monkeys do–or more literally as if they were walking up the rope while holding on to the rope like a grappling hook line.  From there they proceeded to leap back and forth between the ropes, winding themselves up and then rapidly spinning down until they almost hit the floor.  Nothing I write will convey how amazing it was to watch.

And the best part about it was that that was, when all was said and done, perhaps the least interesting part of the show. (more…)

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[ATTENDED: February, 20, 2012] Dan Zanes at State Theatre

President’s Day was Family Day in New Brunswick.  And despite the bitter cold, we had a nice time walking around, seeing the Philadelphia Zoo exhibit and, most of all, seeing Dan Zanes.

We have loved Dan Zanes since we were first introduced to him (like everyone else–as soon as we had kids).  I knew that Zanes was in the Del Fuegos, although (even though I lived in Boston for many years) I’d never heard them.  I have since listened to them but found them to be lacking, especially compared to Dan Zanes’ solo stuff.

So Dan Zanes has been releasing children’s albums for a number of years, now.  He has access to some pretty high-profile guests (his album Night Time features Aimee Mann, John Doe, Lou Reed and Dar Williams).  But even without the high-profile guests, the records are fun, warm and very inviting. (more…)

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[ATTENDED: February 18, 2012] Harlem Globetrotters

When I was a kid, The Harlem Globetrotters were the coolest thing ever.  I played basketball in grammar school, but I was pretty bad (short with no vertical leap), so seeing guys who were amazing ans also silly at basketball was wonderful to me.  I whistled “Sweet Georgia Brown” a million times.  I showed off my amazing “trick” shots at friends’ houses and during gym.  I tried to bounce basketballs off of everything.  Of course, I never did learn a lay up, but that’s beside the point.

And the Globetrotter commercials were on TV seemingly all the time.  Like this one:

How cool, to slide across the floor, roll a ball down your back and make crazy baskets.

Of course, I think I remember the Globetrotters more from this show, which featured the voices of the all-time greats: George “Meadowlark” Lemon, Freddie “Curly” Neal, Hubert “Geese” Ausbie, J.C. “Gip” Gipson, Bobby Joe Mason, and Pablo Robertson (okay, these last three I don’t remember).

Twenty-two episodes were made in all, and I’m pretty sure I saw all of them (the old lady and the dog never made much sense but that’s okay too).

Suffice it to say, the Globetrotters left an indelible stamp on my world.  But I never saw them live.  So, imagine my delight when a few weeks ago, I won a contest for four free tickets to see the Globetrotters!  I was pretty psyched. (more…)

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[ATTENDED: February 17, 2012] Richard Thompson at the McCarter Theater

I have seen Richard Thompson live many times.  By my last count I think it must be five or six.  I’ve seen him solo and with others, I’ve seen him at Festivals and small venues.  And he never disappoints. RT makes an annual (or nearly annual) pilgrimage to Princeton’s McCarter Theater and the crowd is devout.  The last time Sarah and I saw him was on his 1,000 Years of Popular Music tour (a wonderful extravaganza) with olde instruments and two backing players.  But every show is different and you never know which incarnation  you never know which RT you’re going to get.

This tour was just RT and his guitar and our show proved to be a (mostly) request show.  Whether it was meant to be a request show is unclear (he just did three all request nights in NYC).  For tonight’s show, he definitely had songs in mind but the crowd politely asked for other songs and he accommodated (he doesn’t always).

Sarah and I laughed at the demographic of the audience (a lot of gray-haired ponytails here, Sarah noted–and that was just the men).  And yet next to us were a group of young rocker kids, so we were neither oldest, younger, coolest or squarest.  But none of that mattered because RT bridges all groups.  It was just he and his acoustic guitar, and he played slow ballads, serious rockers, funny songs and a few classics.

I didn’t know the first couple of songs (which surprised me) but it’s possible they were brand new, because why would he start what proved to be a greatest hits set with a bunch of obscure songs?  Well, he’s a conundrum.  Maybe anyone who was there can fill me in on the setlist.

After the first song the requests came.  RT explained that he had hoped to do some songs that he wanted to play and he hoped that those songs would be ones that we wanted to hear.  So obliging!  When the crowd convinced him to play Britney Spears’ “Oops I did it Again” (a song he played in his 1000 Years retrospective) we knew it was going to be a great show.

And it was.  (more…)

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SOUNDTRACK: ULVER-Teachings In Silence (2002).

This EP is a collection of Ulver’s two previous limited edition EPs: Silence Teaches You How to Sing and Silencing the Singing.  It was originally released as a limited edition of 1000 copies, but has since been given wide release.  The two EPs that it replaced were officially retired (after print runs of 2000 and 3000 respectively).

“Silence Teaches You How to Sing” seems like perhaps Ulver has pulled a fast one.  The song starts with static…waves of static.  And you think, what, 24 minutes of THIS?  But after about four minutes, some quiet guitars layer through the static.  By 5 minutes a melody emerges, rather Twin Peaks theme-like.  Static resumes and then another wave of music bursts through and then, around 11 minutes, distant voices can be heard.  As the track nears the end you can hear a distant choir.  And by the end you’re listening so intently that you hear all kinds of things.

That was the only track on the first EP.  The second EP had three shorter tracks.  They are in a similar style to Silence, although there is more music.  “Darling Didn’t We Kill You” has a somber guitar melody and distant choral voices or a buzzing drone.

“Speak Dead Speaker” is more static (it’s easy to see why these two EPs were bundled together).  There’s more Twin Peaks style washes over the static.  I keep picturing the Pacific Northwest.  The last two minutes are a surprise cello version of the themes from the first 7 minutes.  It’s lovely and sorrowful.

The final track is a beautiful melody that repeats itself more and more quietly (with a wonderful loud funeral bell keeping time).  It repeats its cycle three times before ending.

Ulver continues to confound listeners.  Neither one of these EPs is really essential, but they are both interesting and really create a mood.

[READ: November 3, 2011] “Nilda”

This is the final uncollected story (according to Wikipedia anyhow) by Junot Díaz that I was able to access online.  There are two more stories “Invierno” (Glimmer Train 1998) and “Flaca” (Story, Autumn 1999) that I can’t seem to access online.  The rest of the listed short stories appear in Drown

This story is about longing and making the wrong choices.  Having read a bunch of Junot Díaz stories lately, this feels very much like a story he would write (I probably should have read Drown before I read these stories, but when I get to it, I’ll be able to confirm my suspicions).

In this story, Yunior, who is evidently the constant narrator in his earlier works (and in Oscar Wao) knows Nilda from school.  She was a friend of his–a kind of teasable friend–until puberty hit and her chest was to die for.  Unfortunately for Yunior, they were already friends, and she was off with other boys.

Indeed, Nilda was trouble more or less from the start–“brown trash,” he calls her.  Her mother was an alcoholic and Nilda was defiant.  She even spent time in a group home.  But she was nice and easy to talk to.  Dammit, why did she have to start dating Yunior’s brother Rafa? (more…)

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