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Archive for the ‘Set in New Jersey!’ Category

[ATTENDED: May 21, 2016] An Evening with Todd Rundgren

2016-05-21 22.05.52I was astonished to learn that I’ve gone most of my life not knowing that Todd Rundgren wrote “Hello, It’s Me” and “Bang the Drum All Day.”

How did I not know this?

Indeed it turns out I didn’t know much about Rundgren.  I knew he was in the band Utopia and that they played weird prog rock.  And I also thought he was kind of a control freak.  But I didn’t realize he had those huge hits (which might explain how he makes so many weird albums–and he has a lot of weird albums).

I don’t even know what made me get a ticket of this show.  I had recently been hearing a bit about him. I had looked him up on line or some reason (that’s how I knew he wrote those songs) and I recognized the photo to the right, an iconic photo from Something/Anything (which was used as the backdrop for the show).  When I saw that he was playing at McCarter, I decided it was time to check him out.  Now, I was going to see a show the night before and normally I don’t like to do two nights in a row, but since this show was so close by (and I knew I’d be home by eleven) I decided to go.  And I had a great time.

The blurb for this show started: “The classic rocker Todd Rundgren may be 67, but he shows no signs of slowing down.”  And that’s very true.

I managed to score a seat in Row J, which was so close to the man I could see him sweat (ew).  The only problem was the very tall man sitting in front of me (I should have asked him to switch seats with his tiny wife).

While I was waiting for the show to start, a woman sat down next to me with her husband and some friends.  She was super friendly (and a bit drunk) and we started talking.  She asked how big a fan I was of Todd.  And I had to admit that this was my first show.  She told me that she first saw Todd when she was 16 (or 19 who can remember) and has seen him every tour since then (she’s in her 50s).  She said he tours constantly and she will see him twice a year sometimes.

Normally I’m not much of a talker during a show, but I enjoyed having her next to me to occasionally guide me through what I was hearing.  Unlike the louts at the end of the row who were talking really loudly and making jokes throughout the show (and getting up to go to the bar every couple of songs).  They were big fans I could tell (they knew every song), but such disrespect I’ve never seen.

The lady (whose name I never got) told me that Todd makes a new playlist for each show and decides what he’s going to play an hour before he goes on.  That was pretty cool.  She told me a few other things that were interesting about him (he has a house that he built in Hawaii but he never goes there because he is always touring).  And that, amazingly, she’d never actually met him after all these years.

And then the lights dimmed and the band came out.  Followed by Todd.  And the crowd went berserk!  It was especially amusing because it was practically like a  Tom Jones show, with women throwing themselves at him (my seatmate remained remarkably composed).  These women (mostly) stood and applauded after each song, waved their arms and were so utterly into it, I was amazed. (more…)

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[ATTENDED: February 27, 2016] The Wizard of Oz

wozBack in February, Tabitha and I went to the Montgomery High School’s production of The Little Mermaid.  I was pretty sure they did two performances a year, so I was surprised to see them advertising The Wizard of Oz already.

This turned out to be not the high school actors but a group of semi- and non-professional adults.  Best of all, the entire cast was made up of teachers and faculty from the Montgomery School System.

All four of us were going to go, but Clark had a sleepover the night before, which meant no sleeping, so he crashed while we went to the play.

This production was for something called Music from the Heart.  As the blurb noted:

The Montgomery Township Education Association and Montgomery High School Band Parents Association present the musical The Wizard of Oz for the fifteenth production of Music from the Heart! The fully volunteer cast and crew are assembled from an eager group of district teachers, support staff, administrators, and students. Proceeds from the production fund the graduating senior class scholarships awarded by both the MTEA and MHS Band Parents Association.

I’m all for helping out band and education associations, and since their Theater is amazing, I figured it would be a good show.

And boy was it. (more…)

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[ATTENDED: March 24, 2016] Peter Pan

peterEvery year, the fifth grade in our town puts on a play.  C. volunteered to be in the stage crew, so of course we went to see the production.

It’s funny going to see a play to watch your son who is meant to be invisible in the play.  Fortunately, there was enough light between scenes so I could see him moving furniture and carrying bongos.  He even got to held the rope to make the pirate ship at the end.

A few weeks ago, T. and I went to see a high school production.  I was curious to see how good the quality would be in fifth grade.  And I was delighted by how good the show was and how well the creators used their lack of production values to their advantage.

The high school show had been amazing–they had an orchestra pit, the had kids on wires–I was really amazed.  This production was much more bare bones.  The play was performed in the combination gym, cafeteria, auditorium–so there was no wire work, no orchestra pit, no orchestra, in fact.  Just kids who worked hard.

And the way they made the kids fly was awesome.

(more…)

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[ATTENDED: March 13, 2016] Avi Avital

aviA few months ago I wrote about Avi Avtal’s Tiny Desk concert.  I had never heard of him, but his mandolin playing was amazing.  And then about three days later I saw that he was going to be playing in Princeton.  Well, I immediately got tickets.

And today we saw him and he was even more amazing in person.

In the Tiny Desk show, he played solo.  But in this show (and tour) he played with two people accompanying him: Ksenija Sidorova on accordion and Itamar Doari on percussion.

The only complaint I had about the show was that there was no progamme, so I had to look up everything online to know what we had just seen.  Fortunately I was able to find a setlist, because I never would have remembered what he told us.

Anyhow, in this show, titled Between Worlds Avital and company explore the borders between folk and classical music.  What that means is that they play music from classical composers, but also some very traditional folks songs from around the world.

Mandolin doesn’t seem like the instrument of choice for classical music, but Avital, who has been playing since he was little is amazing at the instrument–playing incredibly fast and clear and managing all of those Bach notes like nobody’s business. (more…)

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mermaid[ATTENDED: February 27, 2016] The Little Mermaid

I pass by the Montgomery High School every day on my way to work.  And for years I have seen them put signs out about upcoming plays.  I’ve always been impressed by their selection of works, but I’ve never considered stopping in to see one.  I guess it seemed weird to go to a high school performance at a school where my kids don’t go (and won’t go).

And yet, why should that be?  It’s a fun way to spend some time watching talented actors doing a good show, right?  With Clark doing stage crew for his upcoming fifth grade play and Tabby really enjoying performing in the house, I thought that perhaps it would be fun for everyone.

Well, it turned out that neither Clark nor Sarah could go, so I took Tabby.  And we had a wonderful time!

Tabby was thrilled by the show and I enjoyed it very much (and was shocked to realize how much I did not know the music for this story–I guess we’ve watched other Disney movies a lot more than this one). (more…)

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[ATTENDED: February 9, 2016] Richard Thompson at the McCarter Theatre

2016-02-09 19.19.51This was my fourth time seeing Richard Thompson at McCarter Theatre (he says it was his 492nd time playing there).  And this time, I got my tickets early and scored ROW G!  Right in the center!

2016-02-09 19.24.13So there was the man just six rows away.  And I got to watch every amazing solos and chord changes and capo placements and tuning (that’s why I can’t play his songs) and everything else he could do with that one guitar.

For indeed, that’s what it was, just him and his acoustic guitar.  Standing in front of us for 2 hours and blowing us away.  When I bought the tickets, he was touring with a trio (last summer), so I assumed that this show would be the trio show.  But nope, it was just him.

And, more amazingly, he played with no opening act!  The night before he was at the Sellersville Theater (which sold out before I found out and although they called me about the waiting list, it was about 2 hours before show time, so there’s no way I could have gone) and had an opening act.  And the next show after this one he had a different opening act.  But we got just Richard (and we were home by 10, which is pretty awesome for us old people). (more…)

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[ATTENDED: February 6, 2016] Cashore Marionettes

cashoreSarah and Clark were both out on Saturday night, so I thought it might be fun to take Tabitha out to a marionette show at RVCC.

We had gotten the promotional material for it (there’s lots of puppets this season) and it seemed like a fun thing to do.

We got there early (it was general admission seating, and got in the second row).  And it was wonderful.  I was only sad for the puppeteer that it wasn’t more crowded (my constant complaint about RVCC shows–why aren’t more people going to them???).

2016-02-06 19.43.10Joseph Cashore is the creator and operator of all of the marionettes.  And while most of us think of marionettes as the puppet on the string and that giant T crossbar, Cashore has taken this art to levels that far exceed anything you can imagine.  I mean, check out thephoto on the left from the show we saw.  Look at that contraption!

cash3The puppets are puppet-sized and Cashore stands behind them–he doesn’t try to hide himself.  And he doesn’t need to. The puppets are so life-like (jointed in countless places) that you are totally sucked into their story.  Except for the few times when you have to watch his hands and wonder how that all works.  What kinds of things is he doing with those handmade (and decidedly NOT T-shaped crossbar) handles–some of which (like the elephant) have 42 strings on them! (more…)

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[ATTENDED: January 30, 2016] Indigo Girls

2016-01-30 22.57.42When I was a radio DJ in college, I received a promo disc by a band called the Indigo Girls, which I listened to because Michael Stipe sang on one of the songs.  I really enjoyed the sampler.  The Girls’ harmonies were outstanding and the lyrics were clever and funny and very very smart.

And I’ve enjoyed them intermittently for twenty some years.  I even saw them at Newport Folk Festival back in 1998 when they put on a fantastic show.

Sarah has been a fan of the band for a long time as well.  She saw them at an even more unusual venue–at the American Library Association Convention in 2002.

Neither one of us had seen them in a “proper” venue and thought it would be cool to see them in this small theater in Montclair.

And man, did they sound fantastic.  Their first album came on in 1989 and their voices sound exactly the same.  Emily can hit the high notes and Amy still has that great gravelly sound (despite claiming to be ill and on steroids to get her voice to actually work–I never would have guessed).  And their harmonies are still perfect together. (more…)

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[ATTENDED: January 30, 2016] Jill Hennessy

2016-01-30 20.26.55Jill Hennessy is an actress who was on Law & Order  from 1993-1996 and then starred on Crossing Jordan.  She is one of the reasons I watched L&O for the couple seasons that I did.  I pretty much stopped once she left, although I never watched Jordan).

I genuinely didn’t think that this was the same Jill Hennessy.  It’s been twenty years and all, but she looks so different (ans still so young) and the name didn’t seem that uncommon.  But nope.  It’s her.  She started playing music a long time ago.  She was busking in the subway in New York before getting a big Broadway gig.  And in fact, she appeared with the Indigo Girls in a Mountain Stage concert back in 2009 (it’s on NPR here).  Hennessy’s voice suits the Indigo Girls very well, she even sounds a bit like Amy Ray if you don’t think too hard about it.

clairehennesyyBefore the concert, I looked her up online and saw her bio–she’s from Edmonton, Alberta–and has been acting for ages.  She was even a candidate to be Scully on The X-Files.

Then I found a few songs and really liked what I heard–she’s sorta country but more in line with the style of the Indigo Girls.  So I was looking forward to hearing her.

We may have missed a song or two, I can’t find setlists online anywhere, but she played a fairly long and solid set.  (more…)

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sept2015SOUNDTRACK: RIVER WHYLESS-Tiny Desk Concert #502 (January 19, 2016).

whylessRiver Whyless is an interesting band, at least during this Tiny Desk Concert.  They have several singers, different instruments and a whole bunch of interesting percussion on hand–including a typewriter!

The band has one EP out, from which the first song “Life Crisis” comes.  The female singer (none of the players’ names are given) says that this was their tiny desk submission.

On this song the male singer (actually everyone sings) plays typewriter and presents his typed document at the end of the show–although the audience never gets to see it–I imagine it’s gibberish, but it would be amazing if it wasn’t).  The female singer plays a violin solo in the middle of the song (which was unexpected since she doesn’t have it as the song opens).

Under the typewriter is a pump for a harmonium which has an accidental vibrato on it.  Shes says that one day it started doing that and they love it and hope it never fixes itself.

The other two songs are new–not on their EP from last year.  “Sailing Away” starts with violin and harmonium.  There’s also a guitarist who sings leads and a percussionist (who has all manner of gadgets and drums and mallets around him).  The harmonium player/typist also plays a melody on the toy piano.  All of these items may seem like novelties or goofs, but their songs are quite lovely and these little accents just add to the overall feel.

“Baby Brother” opens with a buzzy acoustic guitar and a whole landscape of percussion.  And this time the harmonium player switches to guitar while he sings lead (everyone sings lovely harmonies by the way).

I love everything about this band…except their songs.  All three songs are quite nice, and while I’m listening to them I certainly enjoy them, but they are really not that memorable.  There’s no hooks in them.  Despite the fact that all of their accouterments are not really gimmicks, those are the things I will remember most about River Whyless.

[READ: January 18, 2016] “Learning to Fly Part 4”

This is the final part of the 4 part essay.  A series like this is bound to be anticlimactic because presumably if his solo didn’t go well, he’d be dead.  And if he didn’t do the solo, there likely wouldn’t be a part 4 (unless he talked about chickening out instead).

But Ferris takes an interesting tact for this end section.

He opens the essay by explaining that he was commissioned by Popular Mechanics to write this essay.  This makes sense but is something  hadn’t thought about–they asked him to do it.

He says that he was full of anxiety the entire time–which we knew he would be.  He was terrified to fly–a wobbly commercial airplane takeoff would totally freak him out.  Plus, being a writer, he had an overactive imagination. (more…)

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