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Archive for the ‘WXPN 88.5 FM–Philadelphia, PA’ Category

tintin americaSOUNDTRACK: THE DIGGITY DUDES-“My Science Project” (2012).

diggityThe Diggity Dudes are getting a lot of airplay on Kids’ Corner on WXPN.  I like them in theory but I don’t really like the style of music they play–it’s a little too generic.  That being said, I do rather like the lyrics of this song.

It’s all about doing, yes, a science project.  “Measure twice or you’ll have a disaster.”  The problem is that the verses are done in a  rap style that’s not very good.  And the rhymes are awful.

I give them credit for writing about cool subjects for kids (like “To the Library” which I would have reviewed but they didn’t have it playing on their site).  But if they weren’t a kid’s band, I wouldn’t like them at all.  Despite that, I imagine they put on a great live show–they seem like they’d be a lot of fun.

[READ: Jauary 10, 2013] Tintin in America

I have known of Tintin for years (Sarah and I even have an inside joke about the boy journalist).  When we went to Brussels, we went to the art museum and saw the history of Hergé’s works (Hergé’s real name is Georges Prosper Remi) and the tons of souvenir Tintin things that are for sale. And yet I’d never read any of his stories.

I saw some in the library and decided to check out volume one.  Interestingly, this volume starts with Tintin in America. While reading it I quickly determined that this was not the first book in the series.  Indeed, America is the third book after Tintin in the Land of the Soviets and Tintin in the Congo (neither of these two are readily available in the US–the first because Hergé later felt it was too crude to redo for collections and the second because the depiction of Africans was deemed offensive).  So, most collections begin with this book (which is only a little odd because he is already well-known and the story seems to start in the middle because he dealt with some of these thugs in book 2).

But on to America. (more…)

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grantladn4SOUNDTRACK: PUBLIC IMAGE LTD-“Poptones” and “Careering” on American Bandstand (1980).

abThe Dick Clark article below alerted me to this bizarre gem–PiL “playing” on American Bandstand.   The article talks about John Lydon ignoring the lip synch, climbing into the audience and generally disregarding the show’s script. The video suggests something sightly less sinister (although maybe for 1980 it was outrageous–do you really cross Dick Clark?).

Dick Clark himself announces the band nicely, and then the crazy off-kilter bass and simple guitar of “Poptones” kick in.   Lydon runs into the bleachers with the kids (most of whom are dressed in New Wave finery not unlike Lydon).  They shriek with glee when he comes nearby (do any of them know who he is?  I have no idea).  When Lydon’s spoken rambling come in a little later you can’t help but wonder what the hell they are doing on AB.

Then, Lydon starts grabbing people from the audience and pushing them towards the stage–something I believe was unheard of on AB.  The fans dance around to the impossible-to-dance-to “Poptones.”  The song ends and Dick asks John if he wants the kids out there for song two.  Yes, song Two!  He does and John faux lip synchs through “Careering,” avoiding cameras at all costs and dancing with the kids–one of the most egalitarian performances I can think of from Lydon.

And listen for Dick asking Jah Wobble his name (reply THE Jah Wobble) and him saying, nice to meet you Wobble.  What a surreal moment–wonder what Dick thought of it.

Enjoy it here:

 

[READ: December 28, 2012] Grantland 4

Grantland continues to impress me with these books (and no, I have not yet visited the website).  My subscription ran out with this issue and I have resubscribed–although I take major issue with the $20 shipping and handling fee.  I even wrote to them to complain and they wrote back saying that the books are heavy.  Which is true, but not $5/bk heavy.  The good news is that they sent me a $10 off coupon so the shipping is only half as painful now.

This issue’s endpages were “hypothetical baseball wheel-guides created by JASON OBERG–they were pretty cool and a fun idea.  They look very retro, but use contemporary batters, pitchers and catchers.  I’d like to see them for real.

Each issue makes me like sports a little bit more, but not enough to actually watch  them.

(more…)

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SOUNDTRACK: MEGAFAUN-Live from the World Cafe, November 9, 2011 (2011).

I loved the Megafaun song “Get Right,” a trippy 8 minute workout.  So I was interested to hear them in this live setting.  There’s a lengthy interview with WXPN’s Michaela Majoun (full of all kinds of details about Bon Iver–whom they used to play with before they broke up and he became Bon Iver–and about, North Carolina and Wisconsin and lutefisk).  And the band plays three songs, too.

“Real Slow” opens with a banjo (and it is real slow).  It has a very Grateful Dead feel to it and beautiful harmonies.  After the freak out of “Get Right” I was quite surprised to hear such a traditional folky song from them.  “Second Friend” is a but more upbeat–bright guitars and more beautiful harmonies.  It’s a simple song.  “State/Meant” has a bit more electric guitar, but it continues in the folkie vein.

I admit I didn’t enjoy this set as much as I expected.  The songs were really nice, but they didn’t really push any envelopes sonically, especially compared to “Get Right.”  But at the same time, what they do, they do very well.

You can hear it here.

[READ: April 23, 2012] “The Investigation”

This is an excerpt from a novel called The Investigation which is coming out in English (translated by John Cullen) in July.

I don’t know what the story is all about because this excerpt is really bizarre and wonderful, but it’s certainly not any indication of what the storyline will be.  However, it is a huge indication (I imagine) of what the story will be like.

The word “Kafkaesque” is thrown around a lot (well, in my house it is anyhow), but this excerpt is really and truly Kafkaesque.  The Investigator wakes up in a tiny hotel room to the sound of a telephone ringing.  He is naked and has no idea how he got there. And the telephone appears to be attached to the ceiling.  He has a confusing conversation on the phone that opens more questions about his situation. (more…)

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SOUNDTRACK: BUBBOON’S TUNES-“The Cheese Song” (2002).

chheseThis song was picked as the number one song on Kids’ Corner for 6 years in a row.

It’s a strange song to have won the hearts of so many listeners.  It’s simple and pleasant enough with a humorous content (gouda, gouda gouda, the cheese that’s never rude-a).

And yes, it is very easy to sing along to (cheese, cheese, cheese, wonderful cheese).  And heck, I love a song about SPAM, so who am I to question this delicious foodstuff.  I’m just kind of baffled as to why this song is so very popular.

Having said that, I don’t want to make it seem that I don’t like the song (the gorgonzola bit is rather amusing).  It’s silly and catchy and fun and I can imagine 7-year-old boys around the world singing it together.   There’s just no accounting for #1 songs.  But it’s better than “I Will Always Love You.”

Hear for yourself at the cool Bubboon’s Tunes website.

[READ: December 1, 2011] Babymouse: Cupcake Tycoon

This may have been my favorite Babymouse yet.  Mostly because it’s all about the library.  But also because it seemed to be simply packed with ideas and jokes.

 It opens with dreams of Babymouse’s fancy estate where she is just about to be served….tater tots from the lunch line?  But soon, Babymouse is off to the library, where we get to meet Mrs Bee the librarian.  Babymouse loves books and she’s excited that she gets to search for a lost book, Indiana Jones style.
Most daydreams just embarrass Babymouse, but this one proves to be a disaster when Babymouse falls off a high shelf and grabs onto a pipe for safety.  The pipe breaks and sends water spilling through the library and into the school (and there’s very little a library hates more than water).
So to raise money to replace the books and fix the damage, the school is going to have a fund-raiser.  And not a lame fund-raiser like everybody does (no popcorn or wrapping paper here), they are going to sell cupcakes!  And even better, the kid who sells the most gets a grand prize! (more…)

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SOUNDTRACK: WILD FLAG-World Cafe, November 10, 2011 (2011).

I’ve been really enjoying Wild Flag’s debut album.  Wild Flag consists of Carrie Brownstein and Janet Weiss of Sleater-Kinney, Rebecca Cole, who I don’t know but who has been in a few different indie bands, and Mary Timony from Helium.

This World Cafe episode is a brief interview (mostly with Carrie, although all four women are present), in which they talk about the origins of the band and what it’s like to play as a foursome. 

There are three songs and the band sounds tight and perfect.  In fact they sound so perfect I almost wondered if they were really playing live (but there’s one keyboard flub that proves that humans are involved).

It’s a great sample of the record, which is all great, and it’s a good chance to get caught up with these rocking women. 

[READ: November 15, 2011] “The First Venom”

This is an excerpt from Marcus’ forthcoming novel, The Flame Alphabet.   I’ve read a number of Marcus’ things in the past and I realized that most of his McSweeney’s pieces I do not like.  Some of the short stories in the New Yorker I have enjoyed, although usually not right away.  So, clearly Marcus and I don’t see eye to eye on fiction.

And that’s the case with this excerpt.  It’s hard for me to say I wouldn’t read a longer piece based just on an excerpt because who knows what else the rest of the book contains (this could be a small fraction of a much different story), but this excerpt absolutely didn’t make me want to read any more.

In the excerpt, a married couple is sickened by their daughter.  Literally.  All of the words that she says and whispers and scribbles wash a sickness over her parents.  They cringe and try to get away but she keeps talking and talking.

At first this seemed like a metaphorical sickness–who hasn’t grown tired of their kid’s incessant chatter, but it soon becomes clear that this is very real. (more…)

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SOUNDTRACK: NADA SURF-Plays Covers on World Cafe (May 13, 2010).

I didn’t even know that Nada Surf had released a covers album (sometimes things slip through the cracks), but when NPR previewed their new song, I learned that they played some covers for World Cafe (not downloadable, sadly) to promote the album. 

So I’m going to be investigating that covers album shortly.  In the meantime, we get this very enjoyable four-song set (three covers and one of their own tracks). 

The band chats with David Dye briefly (about 5 minutes) before busting into the songs (a wonderful explanation of Bill Fox and a mention of reading about him in The Believer).  Their own track is “Whose Authority” one of their many wonderful songs.

The three covers are “Love Goes On” (by the Go-Betweens), “Enjoy the Silence” (by Depeche Mode) and “Electrocution” (by Bill Fox).  I didn’t recognize the first song until the Ba-ba-ba chorus kicked in, although I admit I’m not terribly familiar with it.  Similarly, the final song by Bill Fox is very obscure (as is Fox himself).  Both of these two songs are played with jangly guitars and are poppy and quite enjoyable.

The Depeche Mode song is the one that I already really knew well.  And boy do they make it their own.  They turn it from a somber dirge (catchy but somber) into a more upbeat almost poppy folk song.  It will probably be a polarizing cover (if anyone cares enough about Nada Surf to listen) and while I don’t think it’s as good as the original, it works so well in the context of a Nada Surf show, that it’ hard to argue with it.

Nada Surf is one of the great unsung bands and it’s hard to believe they aren’t more successful.

[READ: October 21, 2011] Mission Street Food

With Lucky Peach, McSweeney’s entered into the world of food publishing.  I was surprised by how much I enjoyed Lucky Peach.  But when I received Mission Street Food, I was no longer in the frame of mind to get excited to read this book, which, as the subtitle says, promises recipes and ideas.  And when I first flipped through it, I got to the recipes pages and said, well, when will I ever read this?

Then one night recently I couldn’t sleep and Mission Street Food was there, so I read the Preface.  And Anthony Myint has a great writing style, a great flair for telling a story and a wonderful story to tell.  Needless  to say, I read almost the whole first section before falling asleep.  And I was excited to tackle the rest of the book.

I hate to sound like I think that McSweeney’s has changed the way food book publishing is done, because that would be unfair.  I don’t read food publishing as a rule.  I can’t even enjoy looking in my wife’s cooking magazines.  Seeing names of foods and recipes for preparing them just doesn’t do anything for me.  But maybe the narrative of those books is more interesting than I give them credit.  Maybe I should sit down with another foodie book and see what it’s all about. (more…)

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SOUNDTRACK: RICHARD THOMPSON World Cafe Live, September 5, 2005 (2005).

World Cafe love Richard Thompson.  And this set from 2005 seems to have RT playing more than they actually air.  I say that in part because I have no idea how the World Cafe shows work.  Do they just play three or four songs?  The sets where they play in the studio between interviews sure makes it seem that way.  But this set is clearly Richard being interviewed after a performance.  So who knows how many songs he played.

5 songs make this download.  Two of them come from his (then) new album Front Parlour Ballads (“Let It Blow” & “The Thames Side”).  There’s one “brand new” song, which doesn’t appear anywhere as far as I can tell called “Hots for the Smarts” which is one of RT’s great funny clever songs (the lyrics are all very smart things).

The final two songs are classics: “Hokey Pokey” (where’d he pull that one out of?) and “1952 Vincent Black Lightning” (which always sounds great).

RT has hundreds of great songs, so it’s impossible to winnow down to a great set (especially one that’s just five songs long) but this set (which is just him solo) sounds really great and is worth hearing for any RT fan.

[READ:April 8, 2011] “Tom Cruise at Lake Vostok”

This is a very short story that I feel is hindered by the title.  Sure, the title is a major grabber, but it’s also a spoiler.

The story is set at the Vostok Station in Antarctica.  Scientists are doing an amazing amount of research in all manner of departments.  The protagonist is there to study Europa, Jupiter’s sixth moon; meanwhile, a Russian scientist is there to study under the ice (she has a cryobot and all kinds of cool things that burrow through the thick layer of ice).

There are many other scientists at the Station, but since it take a full month to reach Vostok by tractor train, many of them have nothing to do but wait for their ride back.  In the meantime, there is gossip about everyone there–especially the protagonist and the Russian woman who seem so antagonistic towards each other that everyone suspects they’re having an affair.

Then she uncovers an artifact that is so amazing she has to talk to someone about it.  So she calls him on his walkie-talkie.  And this is where the spoiler happens. (more…)

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SOUNDTRACK: FUJIYA AND MIYAGI-Live at the 9:30 Club, Washington, DC April 30, 2007 (2007).

I was turned onto Fujiya & Miyagi through a sampler CD from WXPN (the song “Ankle Injuries” was included).  “Ankle Injuries” has such a simple template.  It’s an electronic song, full of washes and beats–nothing too high or low–with the repeated lyrics (sort of whispered) “Fujiya, Miyagi.”  I kind of forget that there are other lyrics, since that “chorus” is repeated some seventy times during the song.  The rest of the lyrics are also whispered (but mixed loud so they are audible) and are sort of weird, rambling nonsense.

It’s slick and catchy and with the simple lyrics, it’s really easy to sing (or whisper) along.  The problem is that pretty much all of their songs (in this live NPR show, anyhow) sound like this.  That’s dismissive and not entirely true, but they all tend to follow this similar template: smooth, catchy keyboard melodies and whispered vocals.

The thing is that it works quite well, and the show is kind of fun.  And yet, it’s also rather repetitive.  This seems to be the kind of show that I need to be in the mood to enjoy.  It also makes me glad I didn’t buy the album.  I think little doses are enough for me.

This concert (available from )

[READ: April 1, 2011] “Where Are the Men”

This is  another story that, once I was about halfway through, I remembered reading the first time.  This one in particular was quite memorable because of the middle section.  But let’s go back to the beginning.

As the story opens, a woman is talking, out loud, to herself.  Her name is Eye-Dora; she’s in a dark basement and sees searchlights flooding into her room.  But she herself is dark: her skin is dark, her house is dark so she feels safe.

She is from Barbados, a single mother (her husband left many years ago and is now dead) with a son who wears a robe and now goes by a muslim name.  Eye-Dora is pissed.  She is pissed at the state of black men in Toronto.   She is pissed that a black man is going through her garbage and leaving it strewn all around.  She is pissed that a black man was killed for wandering down the street claiming to be Jesus.  She is pissed. (more…)

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SOUNDTRACK: THE AMOEBA PEOPLE-“Cosmology, Your Futon and You” (2010).

I found out about The Amoeba People from the Kids Corner Top Ten Songs of 2010 list (this was number one).

The Amoeba People are a fun, weird kids band who write clever, often science-based songs.  This song has a wonderful bass line that opens the song.  There’s suitably weird space sounds (theremin) and a nice choral chorus).

Lyrically it’s a distorted spoken story full of clever word play.  It features a whole lot of facts about outer space (and jokes about futons).   And while you won’t get all the lyrics on the first try, it rewards repeated listens.

You can hear the track here.

[READ: April 16, 2011] Babymouse: Our Hero

This is the second Babymouse book (nope, I’m not reading these in order, which goes against a lot of my neuroses, but I think I can handle it).

As this story opens, Babymouse oversleeps and misses her bus.  And right from the start the fantasy/dream sequence kicks in.  The voices that try to wake her are not her bratty sister, but her adoring fans!  And when she misses the bus, the walk to school is really a trudge through the desert…will she survive???

It’s all quite funny, especially the “voiceover” which she can obviously hear, and with which she argues from time to time. (more…)

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SOUNDTRACK: BROKEN SOCIAL SCENE-World Cafe March 2, 2006 (2006).

Broken Social Scene played at the World Cafe not long after their release of Broken Social Scene (their 3rd album).  This download is primarily an interview between World Cafe’s David Dye and BSS’s Kevin Drew & Brendan Canning, but there’s also three songs that the band played for the session (it’s impossible to know how many songs they played in total, because the songs were recorded prior to the interview–I’m not even sure how many members played live as they were never introduced.)

The songs sound interesting in this recording.  I haven’t listened to the album in a long time, so I don’t recall if these versions sound like the disc; however, these three tracks are fascinating for how quiet they seem to be, despite the fact that there are so many people in the session.  “Something for the Holidays” has at least one violin, a horn section, guitars and several vocalists, and yet it’s rather quiet.  Not mixed quiet mind you, but like everybody is whispering (even the horns).  It makes for an amazingly intimate session.

“Major Label Debut” is a bit more stripped down, but there are clearly a lot of people playing.  The final track, “Ibi Dreams of Pavement” really sounds like a Pavement song in the beginning.  The slightly out of tune violins work perfectly, and whoever is singing has a Stephen Malkmus thing down quite well.

The interview is fascinating (and quite lengthy).  They discuss the origins of the band, how fifteen people can play and tour together and the amazing success that so many of the individuals of the band have had (Feist, Metric etc).  There’s also an explanation about the origin of the title and the sounds of “Ibi Dreams of Pavement.”

It’s a good session and is certainly going to get me to listen to their discs again.

[READ: April 4, 2011] “The Counterpart”

This bizarre story can certainly be called Kafkaesque, if for no other reason than that the narrator, Aleksey, wakes up from a night of drinking to find out that his nose is gone.  Not torn off, not bloody, not broken, just gone.  His face is now flat with two holes for breathing.

This bizarre incident no doubt stems from his childhood hatred of his large Semitic nose (despite his being a Christian) and the years of abuse he received about it.  First he thinks his lover, Tatiana, is somehow responsible.  But when she comes over she is just as surprised as he.  Nevertheless, she is insistent that he must carry on as normal, for he must improve his lot (and thereby hers).

Because Aleksey is not faring so well (nose aside).  He has not been given tenure, his wife and child have left him and he is stuck translating poor Russian works into English.  Tatiana has set up a job interview for him and the interview is today.  But how can he go with no nose? (more…)

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