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Archive for the ‘WXPN 88.5 FM–Philadelphia, PA’ Category

1981 SOUNDTRACK: SON LITTLE-Tiny Desk Concert #496 (December 18, 2015).

sonlittleI know of Son Little, although only vaguely.  WXPN has played his song “The River” quite a lot, although I don’t think I’ve heard anything else.

For this Tiny Desk Concert, he’s really stripped down–just his acoustic guitar, a percussionist (Jabari Exum playing a djembe with accoutrements) and a backing vocalist, his sister Megan Livingston.  His playing is even pretty stripped down–his chords are minimal, almost more like accents for most of the songs (although he does play louder from time to time).

As such, this really celebrates his voice which is strong and almost gospel-like.

He plays three songs. “Lay Down,” is a quiet soulful song with perfectly spare accompaniment.  When it ends, everyone seems adorably shy with Little saying, “just mildly awkward enough.”

“Your Love Will Blow Me Away When My Heart Aches” is a bit bigger–Little sings a bit louder and plays louder chords, but it is still quite minimal.

He ends with “The River” which is certainly stripped down from the radio version.  It opens with some claps and he encourages everyone to clap along although “If you’re like clap challenged then maybe… don’t–you know who you are.”  The song has that bluesy rock feel even in this understated form.  And while I like the original better, this is a great version–that quiet clapping and percussion is really nice.

[READ: July 26, 2016] The Complete Peanuts 1981-1982

So far the 1980s see Schulz settling into a few consistent themes in his strips–regular motifs that he mines over and over again.  Although it’s interesting to see how they have morphed over the decades.

Patty is constantly falling asleep in school (and getting D minuses), Snoopy continues to write funny/bad jokes and gets rejection letters about his books (this is usually pretty funny but it’s also surprising as Snoopy is usually the “successful” one); Snoopy also plays a lawyer a lot in these strips.

1981 begins where 1980 left off with Patty loving the story of Hans Brinker.  1981 also has a lengthy section about Valentines Day (a subject that gets more emphasis in some years than others), although this year Sally is the major protagonist (and her Sweet Babboo her object).  1982 also has a Valentine’s Day with Sally–she gets her hand stuck in the Valentine’s Day cards box.

Schulz used to do bible instruction which is why he quotes it so much.  And he occasionally peppers his strips with religious commentary.  There’s a joke about school prayer–Patty has to go up to the board and when her teacher falls ill she shouts “school prayer works, Marcie.”  There’s an amusing joke that Snoopy used to teach Sunday School at the Daisy Hill Puppy Farm.

Although the running jokes are funny, I love when he gets a new idea.  Like the a fun twist on the dog ate my homework joke when Snoopy as the WWI pilot steals Sally’s homework claiming it is the enemy’s secret papers and he eats them.

Sometimes Schulz gives a one-off joke that’s just silly and funny like when Woodstock “poofs” a dandelion and it “poofs” him back. (more…)

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[ATTENDED: July 22-24, 2016] XPN Fest

2016-07-24 15.34.58Even though I go to a lot of shows, I don’t really love Festivals.  I actually enjoy concerts too much to enjoy Festivals.  Which sounds dumb, but I’d rather see a band I like on their own play for a full set than for 30 minutes with a bunch of people who don’t really want to see them.

I’ve been to a few festivals over the years, and I have thought about going to other ones, but since I typically don’t want to spend a few days in the sun (and a few hundred dollars), I don’t go.

But the past two years we have seen some great headlining acts at XPN Fest.  And we thought it would be fun to go for the day, bring the kids and just have a fun day outside with music and vendors.  We bought tickets before the lineup was even announced.

WXPN members get half-priced tickets (which is cheaper than some of the regular shows I’ve been to) and kids’ tickets are $15 for the three days.  Perfect.

In the past, I have loved most of the headliners, but this year I didn’t really like any of them. The three day pass includes lawn seats to the headliners, but we wound up not using them at all. (more…)

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[ATTENDED: July 24, 2016] David Wax Museum

2016-07-24 15.58.23 David Wax Museum was supposed to play on Saturday.  Then it rained.  Really really hard.  For us, as we waited it out under a tent, the momentum was gone.  The kids were wiped out.  They kicked everyone out of the park because of thunder and lightning.  So even when the sun came back out, we decided to go home.

Well, it turned out that David Wax’s show was cancelled, but they were able to stick around until Sunday and the organizers squeezed them in and we got to see them anyhow!

I knew of David Wax Museum from a Tiny Desk and a Newport Folk performance broadcast on NPR a few years ago.  They played really fun, upbeat music (and used a donkey jaw bone as an instrument) and I was really psyched to see them.

Their set started literally just as The Districts finished up, so we had to hustle over.  And we caught them for the middle of their first song “Yes Maria,” a song I know pretty well and a wonderfully upbeat number.

2016-07-24 15.42.42And then they continued to have one of the most fun sets of the weekend.  Their songs have a Mexican flavor (co-lead singer Suz Slezak was wearing a  (very hot looking) poncho foe the set while Wax was wearing a very sharp looking pseudo-mariachi suit.

They talked to the audience a lot. They said they had driven to the show on Friday night from North Dakota (can that be right?).  Since it was the final night of their tour, they were actually kind of happy that the previous night was cancelled and rescheduled.  They only had to drive from the hotel nearby.  Suz said that it was the first show that they were really well rested for.

Their set included a bunch of sing-alongs, big clapping sections and lots of lyrics in Spanish.

Wax primarily plays the jarana, a Mexican instrument similar to a tiny guitar.  Slezak plays keyboards and fiddle as well as singing along.  And she’s the one who plays the quijada, a percussion instrument made from a donkey’s jawbone.  And yes it was great to see it in action.

Sarah told me after the show that it was her favorite set of the weekend.  I was pretty excited to get their latest album and then, to our surprise they cam over to the merch booth (instead of the meet and greet tent) and signed out disc.  I chatted with them a few minutes, and they were super nice.  Suz showed Tabby her necklace which has one of the teeth from the jawbone.  And their adorable daughter was there too.  She’s 2 and it was the first show of theirs that she got to watch (although I think mostly she was just hot).

I’m so glad that they were able to play and, as with The Districts, I’d love to see them in a smaller venue where they get a longer set.

See some colorful photos and stream their set here.

Setlist:

Yes, Maria, Yes

Dark Night of the Heart

Forgiveness

Harder Before It Gets Easier

Blood Jump

Chuchumbe

Don’t Lose Heart

Born With A Broken Heart

Colas

Guesthouse

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[ATTENDED: July 24, 2016] The Districts

2016-07-24 14.47.59 Despite the heat of Saturday, we were prepared to go back to the Fest on Sunday–with plans to pop into the Aquarium before the show.  I had wanted to see three artists on Sunday, but we only managed two.

I knew The Districts from WXPN , and I’d heard that their shows were a lot of fun.  And that was spot on.

This was the only show we watched at the River Front stage–the larger of the two.  Rather than fight the sun, we hung out on the periphery in the shade and, while we weren’t all that close, we could see the band fine and the sound was outstanding–it was actually a little better off to the side then in the front where it was  little ear-piercing.

Unlike the other bands we saw, The Districts were there to rock out and rock out they did. (more…)

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2016-07-23 13.16.33[ATTENDED: July 23, 2016] Esmé Patterson

I had originally intended to see five bands on Saturday of the Festival.  Because of a number of unexpected hiccups, I wound up seeing only two.  (More about the hiccups on Monday).

Of the five bands, I definitely had a couple that I wanted to see more than others.  And Esmé Patterson was one of them.  I knew her from All Songs Considered, and although I’d only heard one song, I really liked it and was excited to see her rock out.

We arrived in time for her set, put out our gear, and had a great time.

Esmé has a fun stage presence (and is really kind–she was worried about us all burning in the hot sun), she sings wonderfully and her backing band was totally solid. (more…)

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[ATTENDED: July 23, 2016] Darlingside

2016-07-23 14.21.10 Although I had wanted to see five bands on this day, my main focus was Darlingside, a band who sings beautiful songs with wonderful harmonies.

Because we had the kids with us and they were feeling a little wilty from the heat, we spent some of their set walking around looking for shade.  This was less than optimal in terms of enjoying the set, but since the sound was really good, there was no denying how great they were.  Their harmonies were right on and even in a big opened air setting, they still sounded amazing.

What I didn’t expect was how funny and lighthearted they were.  (more…)

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[ATTENDED: June 28, 2015] King’s X

2015-06-28 20.57.00This was a special concert for many reasons.  The first was that it was a chance to see my college friend Sean for the first time in probably 20 years.  We’d chatted online, but this is the first time we actually got together–thanks King’s X!

The second reason is because it was my first concert at the Sellersville Theater, a venue I’ve heard a lot about on XPN, but never been to.  When I walked into the venue I genuinely thought it was an optical illusion.  It’s an old movie theater, with about 300 seats.  Talk about intimate!  King’s X and dUg Pinnick (with Corey Glover of Living Colour) frequent the place, and I can see why.  The fans are right there and they (we) are all into it.

So hanging out with Sean and with great seats, I was totally in the mood for a great show. And King’s X delivered. (more…)

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julySOUNDTRACK: CHADWICK STOKES-Tiny Desk Concert #432 (April 13, 2015).

chadI had recently been hearing about Chadwick Stokes on WXPN.  But I didn’t really know anything about him.  I just looked him up and found that he has been making music for almost twenty years, with the bands Dispatch and State Radio (under the name Chad Urmston) and now as a solo artist.  He apparently is a big time activist as well, and his accolades ring high.

The three songs he plays her are wonderful.  He has a great voice that reminds me in some ways of Cat Stevens (even though Stokes is from Boston and certainly rocks harder than the Cat).  Although he even mentions Stevens in the third song.

I love the way the first song, “Pine Needle Tea” starts out slowly (with Stokes on the guitar) and a delicate xylophone playing along.  Then half way through, both accompanists start playing floor toms–one with stuff on it to deaden the sound and one (Will’s) with no deadening to really pound away.

I love the faster parts in the second song “Horse Comanche” and also how in the slower parts both guys sing lovely high harmonies.  It makes me laugh that the fellow who plays the melodica solo stands almost ramrod still while waiting for his time.  (He is actually Stoke’s brother, Will).  I have grown to really enjoy the melodica lately.  I love how the end of the song has the repeated refrain with great harmonies and the melodica all playing together.

Chad jokes after the song that “Comanche” has a dropped D E string and he always forgets to retune it live (and his brother says he forgets to remind him to re tune it) so half way through the next song “it goes Wah.”

The final song is called “I Want You Like a Seatbelt” which gets a laugh.  It is a funny title but it proves to be a great simile.  I love the vocal melody of this song.  And when it really gets going it is infectious.  It’s just way too short.

I need to dig into his back catalog.  And here’s a link to this great Tiny Desk.

[READ: April 10, 2015] “Democracy in Batumi”

Sometimes an excerpt from a novel (Waiting for the Electricity) piques my interest. In this case, however, it really didn’t.

In this excerpt, Slims Achmed Makasvili is from Batumi on the Black Sea.  He is writing to Hillary Clinton (we’re not told why to her specifically).  He says that Batumi is not very well-known.  The local dictator is tearing down old buildings, but Slims wants Clinton to know that Batumi is a natural port for petroleum deliveries.  He says that there are great business opportunities available for America here. Then he asks if she knows the movie Jesus Christ Superstar.

The next letter (they are undated so it is unclear how far apart they were written) talks about how Clinton’s version of democracy and his are quite different.  The Batumi Center for Democracy has expanded and even has an air conditioning unit. (more…)

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whatifSOUNDTRACK: SON LITTLE-“The River” (2014).

sonlittleI don’t like the blues.  I find it dull and repetitive.  I also don’t really like singers who are described as “soulful.”  And yet here is Son Little with a soulful blues stomper that I really like a lot.  WXPN has been playing this song pretty often, and I like it more with each play.

It’s a fairly simple set up with handclapping and a two note guitar riff.  Even Son Little’s voice doesn’t seem all that special at first.  But there’s some way that all of the elements combine that makes it so much more than the sum of its parts.

And with each verse, more elements are added, a synth sound, some guitar lines, even some bass riffs, building the song’s intensity.

But it’s that chorus–so catchy and ominous at the same time with interesting harmonies that just sound like he is echoing himself.  I really can’t get enough of it.

[READ: January 31, 2015] What if?

This book was just entirely too much fun.  Well, actually I thought it would be a bit more fun, but Munroe is so scientific that at times (when he got really factually scientific) I just felt dumb.  Which lessens the fun.  In fact, the first couple of pieces are really heavily sciencey, unlike some of the later ones which are really funny.

But what am I talking about?  This book is a collection of the “what if’ section of the website xkcd. There’s no real guidelines on the site for what kind of question you can ask, and many of them are quite strange (and often hilarious). They are hypothetical (what if?) questions and, depending on the arcane rules that Munroe follows he will answer them to the best of his scientific scrutiny.  And he will take the questions very very seriously–no matter how stupid your question may seem, he will try to answer it scientifically.  It’s fun!

But it’s also serious, and seriously scientific–Munroe is a former NASA roboticist.

So the first one “What would happen if the Earth and all terrestrial objects suddenly stopped spinning, but the atmosphere retained its velocity” almost seems to be put in the front to scare off those who might not want to be too scientific.  And the second question comes more down to Earth (but also destroys the Earth): “What would happen if you tried to hit a baseball pitched at 90 percent the speed of light?” (more…)

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harpjuneSOUNDTRACK: KING TUFF-“Black Moon Spell” and “Eyes of the Muse” (2014).

tuffI first heard King Tuff on WXPN.  A few weeks later I heard two of his songs on NPR Music.  I’m including both of these because they’re from the same album and yet they are so very different.

“Black Moon Spell” has a stupid, great, heavy riff–it’s all distortion and garage rock.  And when the first verse starts, Tuff’s voice sounds very 60’s–whispered and trippy.  It’s a great contrast to the rocking riff that repeats in the chorus.  The second verse and the chorus sound pretty much the same, but they are so catchy it’s hard not to rock out to it all.  There’s a cool guitar solo and, perhaps most unexpected, female backing vocals as the chorus repeats in the outro.

It has a real classic rock sensibility but with modern elements.

“Eyes of the Muse” is also full of classic rock sensibilities but in a very different way.  This song is anything but heavy–it has jangly chords, and a pretty guitar riff.  The vocals are also higher pitched with a very sixties folky style.  And when the Boston-style guitars burst forth about half way through, you’d swear you’d heard it all before, and yet it is still different enough to be really enjoyable.

Ty Segall plays drums of “Black Moon Spell” and I can compare this record to him or to Mikal Cronin–simple familiar elements done in a novel and exciting way.  I’d definitely like to hear more from this record.

[READ: November 17, 2014] “The Second Doctor Service”

I didn’t think I’d read anything by Mason before, but I had.  I didn’t really like his previous story in Harper’s,(which was sort of a parody of Herodotus).  This one was written in an old style as well (although not a parody this time–if indeed the first one was supposed to be one).

Anyhow, this one opens like an old story (with county names given in this format: K— and S—).  At first I thought we didn’t really need a story pretending to be old like this, but Mason really mastered the style.  Not to mention a story with this content works much better as an old one (before “modern” science).

Essentially, the author is writing a letter to the Journal, in response to Dr Slayer’s study “On the So-called Cumberland Were-wolf.”  He has not encountered a were-wolf but he hopes that anyone reading the Journal might be familiar with his own unusual plight.  (more…)

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