SOUNDTRACK: SWANS-“My Birth” (2010).
I was a mild fan of the Swans in college ( I loved Children of God) and then post-college, my friend Lar got me obsessed with finding their obscure releases (turns out I have a bunch of LPs that are “valuable.” Who knew?) Anyhow, after they broke up I lost touch with Michael Gira’s projects (although Lar got me a cool autograph when Gira last played Dublin).
But Swans are back as heard on NPR. (NPR? Yes, NPR). They have a new album out, but I’ve only heard this track so far.
Swans are loud and abrasive. Their early stuff is slow and ponderous, nearly glacial–some of the darkest music going that’s not speed metal. But after a ten plus year hiatus, and all kinds of new musical advancements what will Swans sound like?
“My Birth” is still a bruising song. It’s loud and heavy but still slow-paced (although much faster than their early stuff). The drums and bass are loud. Gira’s vocals are much faster than his almost comically slow deep voice, and now he’s sort of yelling from a distance.
The big difference is that the song sounds contemporary. Even though it is very Swans-y, it sounds like it has tricks from the last decade (no, not autotune), just a solid juxtaposition of instruments and a very cool/creepy electronic sounding tinkling that runs through the background of the chorus (is it a chorus?).
It sounds more commercial than things they’ve done and yet in no way is it a commercial song. It abuses the listener and we are thankful for it. Welcome back, then.
[READ: September 26, 2010] “The Matter with Morris”
This was one of the longer pieces of fiction I’ve seen in The Walrus. And it was very satisfying.
As the story begins, we learn that Morris is a columnist and that he writes a weekly piece which is taken primarily from his life. His family hasn’t been all that pleased about what he writes, but he does his best at hiding the details. (He initially used material from his wife’s analysis business, but he found raiding his own family life to be more satisfying).
And then his life encounters a real tragedy. He can’t process the problem, and it shows up in his column. Instead of being quaintly funny, it becomes existentially intense. Instead of being in first person, it becomes second person (and makes the readers uncomfortable). (more…)



SOUNDTRACK: THE GUTHRIES-“Coax Me” (2009).
I don’t know
SOUNDTRACK: THE WARPED 45’s-“It Takes a Toll” (2010)
The Warped 45’s were being interviewed when I turned on
SOUNDTRACK: ROB SZABO-“If I Could Do It All Again” (2003).
SOUNDTRACK: HURON-“Corktown” (2010)
Huron
SOUNDTRACK: GALAXIE 500-“Big Bang” (2006).
When I saw this band come up on
And so I was prepared to hate this band on principle. But then I heard the song. It’s noisy, crazy, brash and ballsy. It’s not exactly punk, it’s sort of a garage band with sound effects (in many places it sounds like the more raucous Sloan songs).
SOUNDTRACK: THE SLEW “100%” (2009).
The Slew
SOUNDTRACK: YOUNG RIVAL-“Got What You Need” (2009).
I was only able to hear this song once. It’s surprisingly on available on the
SOUNDTRACK: TEENAGE HEAD-“Picture My Face” (1979).
Teenage Head is a punk band in the vein of The Ramones. If I were younger I probably would have enjoyed this song more. Not because it’s a punk song (and I’m old) but because it’s so derivative of just about every Ramones-inspired punk song I can think of.