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Archive for the ‘#OccupyGaddis’ Category

SOUNDTRACK: BUILT TO SPILL-“Carry the Zero” (1999).

For a time, before the bands each took off, I lumped Built to Spill, Death Cab for Cutie and Modest Mouse into a pile of bands I really liked but wasn’t always sure who was who.  They each have melodic sections, noisy sections and high pitched singers.  (It also turns out that both Modest Mouse and Death Cab for Cutie cite Built to Spill as a big influence).  The big difference between the three is that Built to Spill’s Doug Martsch is a guitar god—he does amazing solos which is why his songs are so long (their Live album features a 20 minute version of Neil Young’s “Cortez the Killer.”

I have no real idea what this song is about, but I love it.  It’s catchy and fun with a great melody.  And, in this case it kind of ties in to JR, because JR is all about making money but his basic math is shaky.  In the same way, carrying the zero won’t do anything in basic math.  Although “you have become a fraction of the sum” is a nice refrain.

This was the song and album that introduced me to Built to Spill and I love it.  Great 90s alt rock.

[READ: Week of June 25, 2012] JR Week 2

And since there are no paragraph breaks, week two picks up mid-flow.  However, this proved to be a good breaking point because almost the entire read for this week is about Mrs Joubert and her class on their field trip to the New York Stock Exchange.  And Edward Bast is steamrollered into doing (and paying for) everything.   Gaddis’ style completely allows for the miscommunication and ease with which Bast is overtaken by Joubert and Gibbs.  While it certainly calls into question Bast’s ability to stand up for himself, it also shows how easily one can be pushed into doing things (although in real life I suspect you’d just say “wait a minute, I can’t,” at some point).  It’s still very funny and the action moves along so quickly that it works perfectly with the flow.

The scene begins with Mrs Joubert herding the kids onto a car and then talking to Mr Bast.  He apologizes for what happened yesterday,  Of course, he is talking about his disastrous TV meltdown but she thinks he means the loss of the bag of money and its turning up 3 pennies short.  Through a series of unsubtle hints from Mrs Joubert, Mr Bast winds up joining their trip to the city.  He had business to conduct in Manhattan so he was going in anyway, but now he’s roped in with the kids.  There’s a lot of sexual tension on this trip–the boys are watching women bend over and Mr Bast keeps pressing his body again “her unyielding thigh.”

Then we get our first really big scene with JR.  In this scene he and a friend (unnamed as far as I can tell) are going through all of their free mail publications and doing trades.  Everything the boys try to trade is a load of crap (a word count on “crap” would be very high indeed). So the kids start looking through their brochures: K’ung-p’a, piano lessons, rare coins, scientific method builds powerful muscles,government surplus (a Tank that turns out to be an airplane gas tank (ha)), How to Make Big Profits Overseas, selling shoes, etc.  There’s some very funny back and forth as smart-assed kids will do (he really has young kids’ dialogue down very well), like :What are you gonna do where it says “married” or what are you gonna do when it says shoe size and you put yours? (more…)

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The edition I’m using.

SOUNDTRACK: RICHARD WAGNER-“Ride of the Valkyries” (1856).

Possibly the most famous piece of music from any opera (known for a billion reasons other than the opera itself).  This song was introduced to be by Bugs Bunny.  And then cemented in my consciousness in Apocalypse Now.

It’s really impossible for me to listen to it without seeing helicopters dropping napalm.

I’ve never seen it performed before.  Most of us think of it as an instrumental, but there are vocals, and they add a lot to the performance.  I also didn’t realize that the whole first minutes is a prelude to the third Act–with a darkened stage.  I just watched this version by the Danish Royal Opera in which the setting is updated.  The Stage is amazing and it’s a pretty powerful image, that won’t leave me head too soon.  And of course, the women sound phenomenal.

Smells like victory to me.

[READ: Week of June 19, 2012] JR Week 1

And so begins the saga of JR.  A little of my background:

I read JR about a decade ago.  I recall the structure and some of what happens, but not enough to actually remember anything ahead of time, plotwise.

Usually for these weekly group reads, I post fairly detailed recaps of the book.  And usually I do that because there’s so much going on in a large book, that it’s one way for me to keep track.  JR is going to be a little different.  If you’ve gotten this far in the book, you’ll notice that there’s not a lot of plot going on.  There’s a few scenes with lots of dialogue and maybe something comes of it, maybe not.  So, I’m certainly not going to try to recap everything that happens in the dialogue, nor am I even going to try to figure out who said what or even who is in every conversation–I’m not even sure that’s possible.  But I am going to talk about each scene a bit and see if I can pick out anything that seems important.

The book strikes me as being like an unedited film.  Or like a Picasso–Gaddis wants to show you everything, and let you pick out the important bits.  And so the book feels like a boom mike has been inserted into a room or scene.  We’re not really sure who everyone is, or even who is talking at a given moment.  But we hear everything that’s said. And then the boom mike pulls out and the camera pans somewhere else and the boom mike goes down and we hear some more.  It’s not always clear even that a scene has shifted–although usually a dense paragraph of prose indicates a shift in scene.

As far as characters, it’s not clear if anyone mentioned early on is going to stay with us through the book.  It’s clear that JR will be here (although his first real scene is right after my spoiler line for this week).  There’s also the Bast family who will no doubt play some ind of important role.  Then there’s a lot of teachers as well. (more…)

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SOUNDTRACK: FEIST-“Femme Fatale” (2011).

The funny thing about The Velvet Underground is that it seems like it would be very hard to fail at covering them.  Their songs are pretty open to interpretation.  But, it’s even more true if you wanted to do it pretty straight.  I mean, while Lou Reeds voice is unique, Nico’s isn’t really.  It’s slow and languorous, sexy and distant.  I would never have thought to describe Feist that way and yet she fits into the Nico mold very nicely.

This cover comes from the Velvet Underground Revisited show from 2011, with a band comprised of members of Radiohead, Air and Supergrass.  Feist did vocals for this one.  It’s not an earth-shattering cover.  In fact it’s pretty spot on.  Maybe everyone who hears this will start a band too.

You can hear it here.

[PLANNED: Summer 2012] #OccupyGaddis

I had my books all planned out for the summer.  A series of smaller books to get through before trying to tackle any really big books that are on my shelf (and there are plenty).

And then came #OccupyGaddis.

William Gaddis is an author, like Thomas Pynchon, who writes large, unwieldy novels which are something of a bedrock for contemporary American fiction–like The Velvet Underground–not many people have read him, but those who have all went on to write wonderful books.  And he forms a kind of continuum of (among many many others) Joyce>Gaddis>Pynchon>Wallace which means that I ought to be reading him.

I read JR about a decade ago.  I remember a few things about it–basic plot details and the fact that you never know exactly who is speaking.  I wasn’t keeping this blog then, so I didn’t exactly take notes on it or anything.  It’s kind of a blur.

So Lee Konstantinou is running #Occupy Gaddis this summer.  It is meant  to be an Infinite Summer type-deal.  Unlike Infinite Summer which was weekly, he’s planning on posting every two weeks.  I’ll try to do my weekly post (work permitting), by picking a midpoint as a Spoiler Line.  Since my recollection is that JR is like one large block of text with no breaks anywhere, my spoiler line will be pretty arbitrary.   But here’s his:

June 29: pp. 150

July 15: pp. 300

July 31: pp. 460

August 15: pp. 610

August 26: done!

(more…)

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