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Archive for the ‘Tiny Desk Concert’ Category

Emmanuel Guibert–How the World Was: A California Childhood (2010) [translation 2014]

Posted in #10yearsof01, Alan Cope, Emmanuel Guibert, First Second :01, Funny (ha ha), Graphic Novel, History, Jackson Browne, Kathryn Pulver, Nico, Nostalgia, Religion, Sex, The Velvet Underground, Tiny Desk Concert on August 24, 2016| Leave a Comment »

guibertSOUNDTRACK: JACKSON BROWNE-Tiny Desk Concert #394 (October 6, 2014).

jbI don’t really think much of Jackson Browne.  He’s always been a staple of classic rock radio, but I never especially sought him out. His voice is unique and recognizable although if pressed I can’t think of the names of any of his songs (but I’d know them immediately if I heard them).

Bob Boilen talked with Browne in his book and that’s where I learned that Browne dated Nico from The Velvet Underground fame and even wrote songs for her.  I also learned that he is quite the activist.  And that he plays a lot in California with various performers (the blurb says “he’s largely free of obligations”–that’s a nice phrasing).

He plays three songs here.  I assume they’re all new as I don’t recognize them.  And they all sound very much like Jackson Browne.  He voice is largely the same although it does crack and break a few times (could that be the setting or the time of day or does he just accept that he’s getting older?).

It’s also interesting that Browne plays the rhythm guitar for most of the songs–allowing Val McCallum to play the lead guitar and Greg Leisz to play “all manner of stringed things” (including the slide guitar solos).

The three songs are “Call It A Loan,” “The Barricades Of Heaven” and “Long Way Around.”  I’m surprised at just how long these three songs are (the whole set comes in around 20 minutes).

Before “Long Way Around” (which is quite political), he says that they’re “Lucky to play for such an informed group.”  Bob says they stopped the news–there’s no news being made–so that Browne could play.

Some of the lines in “Long Way Around” are: “It’s hard to say which did more ill, Citizen United or the gulf oil spill” and “It’s never been that hard to buy a gun, now they’ll sell a Glock 19 to just about anyone.”

The songs are nicely accentuated by the backing vocals of Jeff Young who also plays keyboards for them but which they couldn’t bring.

This is a delightful, mellow (and thoughtful) set of music (with a huge crowd watching).  And there’s a funny moment at the end where someone triggers a James Brown doll and Browne does a pretty good “hit me!”

[READ: March 2, 2016] How the World Was

I was intrigued to read this book by Emmanuel Guibert because I’ve really enjoyed his work lately.  But how was I to know that How the World Was is a prequel of sorts to Alan’s War?  It was also translated by Kathryn Pulver.

This book is a”loving, immersive portrait of Alan Cope.”  Cope was born in 1925 when California was still the frontier and life was simpler and harsher.  And Guibert felt that it was a gift for Cope “in the last moments of his life” (unlike in Alan’s War there’s no word on whether Cope saw this book).

So this book is indeed all about Cope’s childhood.  And while he did have some pretty interesting things happen to him, his childhood was in no way extraordinary.   This is just a simple portrait of growing up in Californians in the 1920 s and 1930s as seen from one man’s eyes. (more…)

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Jordan Mechner, LeUyen Pham & Alex Puvilland–Solomon’s Thieves (2010)

Posted in #10yearsof01, Alex Puvilland, Death, Drinking, First Second :01, Graphic Novel, Jordan Mechner, LeUyen Pham, Religion, Romance, Ryan Keberle & Catharsis, Sufjan Stevens, Threats, Tiny Desk Concert, Trombone Shorty, Violence, Yuck! on August 23, 2016| Leave a Comment »

solomonSOUNDTRACK: RYAN KEBERLE & CATHARSIS-Tiny Desk Concert #393 (October 4, 2014).

keberleWhen Trombone Shorty played the Tiny Desk I said that I was surprised to see that the leader of the band was a trombone player.  Well, perhaps it’s not that unusual as Ryan Keberle is a trombonist as well.  But unlike many recent jazz performers, Keberle & Catharsis aren’t showing off. As the blurb puts it, “he’s not after any high-concept framing. He’s just targeting the sweet spot where a nifty arrangement meets a solid groove.”

This band plays pretty traditional jazz (complete with upright bass solos and everything). Although, interestingly, their first song is a cover of  Sufjan Stevens song (turns out that Keberle toured with Stevens).  “Sister” is my favorite of their three songs.  I really enjoyed when the full band kicked in after the intro riff from Keberle.  The band has a vocalist, Camila Meza, who mainly does wordless vocal sounds.  As the song nears its end she does sing lead vocals, and it’s quite pleasant.

Her vocals work pretty well for this song, but I didn’t like it is much later.  That could be because “Sister” is a catchy pop song, where the other songs are jazzy.  And I find her singing style to be a little lite-Fm for my tastes.

“Gallop” is a bit faster than the first song.  It moves along at a nice clip and then stops for a bass and drum solo–very very jazzy.  There’s a trumpet solo in the middle of song too (no trombone solos which is interesting, I guess).  The other guys in the band are Michael Rodriguez on trumpet, Jorge Roeder on bass and Eric Doob on drums.

“Zone” opens with two contradicting three note riffs on both trombone and trumpet which is pretty cool.  Then the song settles down to just bass drums and voice and Keberle playing the melodica (beloved instrument of Tiny Desk Concerts) which works but sounds odd in the mix.  It seems like the song is going to end as the music fades to just bass, but it soon picks up again with anew trumpet solo.

I don’t love mellow jazz like this, but these players are excellent.

[READ: April 13, 2016] Solomon’s Thieves

I had this book on hold for quite some time.  When it finally came in, I thought, hey this art looks familiar.  And then hey, this book is about the Templar knights, what a strange thing that First Second would have two book about the Templar Knights.   And then as I flipped through it I realized the author and artists were the same.  And for a split second I though, they wrote two books about the Templar Knights?

And then it came to me that the first part of Templar was called “Solomon’s Thieves.”  And that this is indeed the First Part published long before Templar actually came out in full.

So even thought I had read the whole of Templar not too long ago, I decided to read this as well   As far as I can tell it is exactly the same as the first part of Templar.  Although it’s possible that there are some minor changes, I wasn’t sure if things that I didn’t remember were just because I can’t remember everything, you know?

Perhaps because I had read the full book not too long ago, I really enjoyed this run though again.  Since everything looked familiar, it was fun to pick up on things I missed the first time, and to see how things made a little more sense once I could tell who everyone was and what their roles were (there is something to be said for re-reading).

I’m including what I wrote about the first part of Templar here because it’s the same, but if you want more about the whole book or background about the Templar Knights check out the full post.

As the story opens we see Martin, a Knight, looking longingly at a woman, Isabelle.  We learn that he had been “dating” her (or whatever they called it back then) and then one day he found out that she left to be married to the brother of King Philip.  So he joined the Knights.  As they march through the city, we see that they are drunkards and carousers.  They get in all manner of trouble.  And one evening they were heading back to Paris when suddenly the above dictum was established–all Knights were to be arrested.  And Martin is one of them.

But through some excellent machinations (and good fighting) he escapes.  And he soon joins together with a very unlikely band of merry men, including Brother Dominic (a real priest with the tonsure and everything) and Brother Bernard, a loutish drunken man who is not above thieving from people.  Martin is offended at the thought of working with him, and they wind up at odds with each other from the start.  Before the end of the first book, we see that they have a letter revealing where all of the Templar gold and jewels are hidden.

There’s a great bit of accounting work done in which the bookkeeper shows on his ledger that rooms were empty when in fact it appears that the gold was taken out on hay carts.  The bookkeeper, even under torture, swears he knows nothing of the fortune’s whereabouts.

Mechner tells a really exciting story with humor and sadness.  The fact that it’s linked to history is just a bonus.  Another winner for First Second and their #1oyearsof01 anniversary.

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Glenn Eichler & Nick Bertozzi–Stuffed! (2009)

Posted in #10yearsof01, Bio Ritmo, First Second :01, Fraud, Funny (ha ha), Glenn Eichler, Graphic Novel, Nick Bertozzi, Oddities, Puerto Rico, Racism, Set in New Jersey!, The Colbert Report, The Daily Show, Tiny Desk Concert on August 22, 2016| Leave a Comment »

stuffedSOUNDTRACK: BIO RITMO-Tiny Desk Concert #392 (September 29, 2014).

bioritBio Ritmo is a nine-piece band that has played salsa music for 23 years (as of 2014).  The back beat and rhythm is pure salsa–there’s a drummer (who has that classic salsa drum sound) and two bongo players.  There’s shakers and scrapers and timbales and congas and a cowbell.

The four horns players (two trumpets, sax and trombone) punctuate all o the right notes to get you moving along.

The first song is “La Via.”  The main driving force seems to be the keyboard, which was unexpected–it adds a kind of Latin jazz feel to the proceedings.  I love the way the keyboards shift from a Latin feel to a more groovy 70s feel before the vocals start.  There’s a cool break in the middle of the song when it stops and we get a few pounding notes before the song resumes.  Classic salsa.

“Picaresca”has fun dancey rhythm and a lengthy trumpet solo, giving it another interesting salsa/jazz feel.  The keyboard solo sounds a little cheesey here–like they need better sounds on that program, but it’s the drums “solo” in the middle that makes this song so much fun.  It’s a great instrumental.

“Perdido” goes through many different genres.  He explains that it begins like a Puerto Rican dance from the 1800s and then goes “into other stuff.”  The opening does indeed sound like an old song and after a few verses it morphs into modern salsa once again.

I really enjoyed this set a lot.  Most salsa music sounds the same to me, but I really like it when I hear it. On the downside, this is the first Tiny Desk Concert where I felt like the band wasn’t mic’d effectively.  The vocals are really quiet (almost inaudible at times), and when the trombonist does a solo it’s also a little too quiet.  But the main focus is the percussion and that’s plenty loud!

[READ: May 10, 2016] Stuffed

I have had to interlibrary loan a lot of the rest of the First Second books because my library system doesn’t have them.  Usually if a library doesn’t have an older book it’s because not many people read it any more so they got rid of it.  That doesn’t necessarily mean the book is bad, but it doesn’t  give you a ton of confidence about it.  But this book defied every expectation and wound up being outstanding!

I assumed this title would be a cautionary tale about someone eating too much.  I had no idea what I was actually in for!

As the book opens, we meet Tim. He works for a benefits department of an insurance company (it sounds awful).  He gets a call that his father is dying.  He rushes to the hospital just in time  to see his father insult him once more before breathing his last.  His father’s estate is to be split between himself and his half-brother, Ollie.  No one has seen Ollie in ages.  When they do track him down, he is now known as “Free Spirit.” (more…)

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Faith Erin Hicks–The Nameless City (2016)

Posted in #10yearsof01, Adventure, Faith Erin Hicks, Fantasy, First Second :01, Funny (ha ha), Graphic Novel, Mavis Staples, Supernatural, Tiny Desk Concert, Trilogy, Tweedy, Unfinished series, War, Wilco, YA Books on August 21, 2016| Leave a Comment »

nameless SOUNDTRACK: TWEEDY-Tiny Desk Concert #391 (September 22, 2014).

tweedyI’ve recently become a major fan of Wilco and Jeff Tweedy’s songwriting.  This band is Jeff Tweedy and his son Spencer (on drums).  They usually perform with a full band, but here it’s just father and son.

The songs sound very much like Wilco (Tweedy’s voice is unmistakable), but there is a different, almost patient feel to these songs that makes them seem not-Wilco.  Spencer’s drumming is not flashy (that wouldn’t work here anyway), but it is right on the beat with occasional flourishes.

“Wait for Love” is a sweet ballad.  “New Moon” is a bit more upbeat.  There are 20 songs on the record.  After the second song, Jeff says he doesn’t know how many songs they’re supposed.  Bob says they’re supposed to play til 6″ (it appears to be early afternoon).

Jeff says they can stay till six, There’s nothing happening in the world, right? Bob states, “There is no news today.”  Jeff smiles and says that later “Spencer and I are going to reveal our strategy for ISIS, so it’s a good thing you’re here.”

“Low Key” is more rocking with some cool chord change progressions in the middle (ans a little drums-only section).

Before the final song, he says he wrote it for Mavis Staples (She didn’t sing it when I saw her…bummer).  He says that “Spencer didn’t play on that record… but we know how to play it together.”  He pauses and says, “We know how to play all of our songs together.”  Pause  “I’m such a good front man” (to much applause from everyone).

Jeff laughs and says that Spencer is gonna get a microphone and “you’ll have to talk to people.”

“You’re Not Alone” is a bit more complex and powerful than the others and that repeated refrain of “open up this is a raid” is really great.

The Wilco Tiny Desk Concerts have been raucous and fun.  This one is much more low-key and shows off a different side of Tweedy.

There’s a sweet moment at the end of the set where Spencer give his dad a hug.

[READ: April 20, 2016] The Nameless City

Faith Erin Hicks has been consistently excellent with her graphic novels.  I was pretty excited to see that she had a new book coming out.  And I was even more excited to go to the library and see that Sarah had requested it already.

I dove right in to this story.

It begins with some unnamed people riding down the River of Lives and going into a city.  They ask several different people what the name of the city is and they get several different titles.  They determine that this is the nameless city.

It turns out that every civilization that has conquered the city (which happens every thirty years or so) renames the city.  And, depending on which invaders you like best, that would be the name you would choose to call the place.  We later learn that most of the conquerors only conquer the main walled city proper and that the houses and markets on the other side of the wall pretty much just go with the flow.  The people who live outside hate everyone who is in charge and just try to keep their heads down to survive. (more…)

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Grady Klein–The Lost Colony: Book No. 3 Last Rights (2008)

Posted in #10yearsof01, Drugs, First Second :01, Grady Klein, Graphic Novel, Huh?, Luluc, Nico, Racism, Religion, Slavery, Tiny Desk Concert, Unfinished series, Violence on August 20, 2016| Leave a Comment »

colony3SOUNDTRACK: LULUC-Tiny Desk Concert #390 (September 15, 2014).

luklucBob Boilen has loved Luluc for a while.  I never really appreciated them as much as I do on this Tiny Desk Concert.  The duo is from Australia (and now Brooklyn), and I’d always felt that their songs were nice but nothing special.  But you can really hear what’s going on in them.  Zoë Randell’s voice sounds like a revitalized Nico and Steve Hassett’s accompaniments are really interesting.

“Small Window” starts with Zoë strumming a small acoustic guitar and singing.  Steve accompanies on electric guitar.  It’s a pretty song with a nice melody. And his solos accentuate the song.  But when the song shifts gears to the “crystal waters” section and an unexpected chord change it becomes much more than a simple folk song.

For the second song “Without A Face,” Steve switches to bass.  When Zoë talks, her speaking voice is gentle and somewhat high-pitched so when she begins singing she sounds even more shockingly like Nico.  And the bass is wonderful on this song.  He throws in a lot of little fills that really add a lot to the verses.  And the “oh oh” section in the middle is wonderful with some great harmonies from each of them.

Zoë says they used to play with just two guitars and mics and they have added a lot more gear lately, but that they’ve they’ve stripped down for this show.  For “Reverie On Norfolk Street” he plays electric guitar (cooly vibrato’d) and his gentle backing vocals on this song are a nice almost bass addition to the song.  There’s even a guitar solo which after the song he says is “the quietest guitar solo in existence.”

Luluc really surprised me with this session and I may have to give their studio tracks another listen.

[READ: July 23, 2016] The Lost Colony 3

Book 3 ramps up the excitement quite a bit,  and also a had a lot of flashbacks that fill in some story lines.

Like the other two, it also begins with someone lost saying “Dear God where the %$!* am I?”  But this time he is a beautiful hunk of a man with gorgeous blond locks.  He is Buck Swagger and he is transported to the island on the ferry because of a letter from Olympia Snodgrass (the Mayor’s wife and Birdy’s mom).
(more…)

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Grady Klein–The Lost Colony: Book No. 2 The Red Menace (2007)

Posted in #10yearsof01, Drugs, First Second :01, Grady Klein, Graphic Novel, Huh?, Jessica Lea Mayfield, Justin Townes Earle, Racism, Religion, Slavery, Steve Earle, Tiny Desk Concert, Townes Van Zandt, Trampled By Turtles, Unfinished series, Violence on August 19, 2016| Leave a Comment »

colony2SOUNDTRACK: JUSTIN TOWNES EARLE-Tiny Desk Concert #389 (September 8, 2014).

 jteI had an idea that Justin Townes Earle was a country singer.  Although I’m sure I’m conflating him with Steve Earle (his father) and Townes Van Zant (whom he’s named after).  But I realized I’d never heard him.  He’s more of a folk singer and he’s very charming.  He implies that he flew from Nashville just to play the show (“a quick trip just for y’all”) which gets an awww from the crowd) and like Trampled by Turtles and Jessica Lea Mayfield, he’s heading back home right after he’s done.  He also had his guitar maker send his guitar to him in DC so he didn’t have to travel with it.

He has an interesting percussive strumming style (he doesn’t use a pick) and he sings about love and loss.  The first song, “Burning Pictures” has a great line about how he doubts you even remember your love’s name since it’s another girl in the picture frame.

“When The One You Love Loses Faith In You” is a bit more bluesy sounding.  He picks some melodic notes between full-fingered strums.

Amazingly, he seems like he might quit after just two songs.  Bob asks him to do one more–doesn’t have to be new–it can be one he loves.  His favorite so that he ever wrote was “White Gardenias” (for Billie Holiday).  He says it feels like he’s about to miss the beat as he’s starts singing–which scares the shit out of a rhythm section.

Before beginning, while tuning, he says he has to learn a lot of his old songs for the upcoming tour.  Bob asks if he listens to the records, and he laughs and says he Googles the songs, which is just so ridiculous.  Bob asks if he illegally downloads them but he says no he just streams them.

“White Gardenias” is a lovely song with beautiful lyrics although I don’t really get that Billie Holiday vibe from it.

[READ: July 22, 2016] The Lost Colony 2

The inside cover of book 2 gives a little summary of book 1 (which is helpful). It also give s little recap of all of the main characters (which all series should do, frankly).

I loved that book 2 also starts with someone asking “where the %#!* are we,” it’s a man and a very large woman.  They also convinced Fud’na (the screeching violin playing guardian of the ferry) to ferry them to the island.  The large woman reveals that she is wearing a  stars and stripes dress which is very tacky.  But more importantly, she is a singer herself (almost as bad as Fud’na perhaps).

As the bok opens, Louis the slave boy is being set upon by the rocks bugs (although we dont know why).  He is recused by Jo’Pa an Indian who lives on the island (it is rumored that he used to be a real savage Injun).  And there’s Birdy, she is dressed as Squinto, compete with feather and bow and arrow.

Then we meet the Snodgrass family and Birdy’s heretofore unmentioned Gramdy, a cantankerous old man (who is her mother’s father). Turns out that Grandy hates the Injuns and is very mad that Birdy is dressed like one. “We’re at war with the Indian, dont you know they’re evil.” (more…)

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Grady Klein–The Lost Colony: Book No. 1 The Snodgrass Conspiracy (2006)

Posted in #10yearsof01, Drugs, First Second :01, Grady Klein, Graphic Novel, Huh?, Jessica Lea Mayfield, Racism, Religion, Slavery, Tiny Desk Concert, Trampled By Turtles, Unfinished series, Violence on August 18, 2016| Leave a Comment »

colonySOUNDTRACK: JESSICA LEA MAYFIELD-Tiny Desk Concert #388 (September 6, 2014).

jlmI had an idea about who Jessica Lea Mayfield was.  I thought she was sort of a folkie/country singer who I had heard of but had no real exposure to.  So I was quite surprised to see this performer with pink hair, short shorts, no eyebrows and a ton of pink glitter under her eyes.

Turns out that her earlier records are kind of folkie but that for her 2014 album she was inspired by her grunge roots to make a noisy album.  This Tiny Desk concert has her playing three guitars–one for each song.  Each guitar is covered with glitter and one has stickers all over it.  For “Standing in the Dark” she plays her pink glitter 12 string guitar with lots of reverb.  It’s a fairly upbeat song.  The melody is simple and she sounds happy while singing it (this is notable).  The middle section has a solo which sounds really alien by itself (that 12 string with vibrato), but which works really well for the song.

She says she brought all of her guitars because she wanted to show them off.  Her speaking voice is cute and adorable.  And she seems almost childlike asking if “you have any cats” are you allowed to bring them to work.  Bob says that bands have brought their dogs and she says she wishes she’d brought hers.

“Party Drugs” is a slow song with more echo on the guitar.  It’s a slower , darker song “party drugs just make my head sing…  I won’t die in this hotel room, I’ll be here when you return.”  It ends with a dark chord and mildly distorted whammy bar and is rather creepy.

The final guitar is a hollow bodies white guitar.  The stickers on the knobs are ponies.  She says the direction of the ponies tells her how the knobs should go.  There’s a pony, an alien cat and a unicorn “system I got going on.”

“Seein* Starz” is slow chords (with more echo).  Her twangy accent peeks its way in a few times in this song.  I like the way the picking notes are vibrated enough to sound unpredictable.

There’s something really captivating and almost vulnerable (but not really) about her performance.   She says she could stay here and do this all day and show you how loud it usually is.   Bob mentions something about six hours implying that she traveled six hours just to play for them (like Trampled by Turtles did the previous show).

[READ: July 22, 2016] The Lost Colony 1

I read this book last year.  But since I wanted to  read the other two books in the series, I wanted to re-read this before moving on to Books 2 and 3.

My recollection is that I didn’t really like the first book all that much, so I wasn’t prepared to enjoy it this time around either.

But, as it turns out, I really did enjoy it (and I’m not reading wheat I wrote the first time, just to see how this reading compares).  I think perhaps I didn’t really know what I was getting into the first time.  And now with hindsight, and understanding how and when some of the things are supernatural, it made more sense. (more…)

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Jack Vance (adapted by Humayoun Ibrahim)–The Moon Moth (1961–adaptation 2012)

Posted in #10yearsof01, Carlo Rotella, Etiquette, First Second :01, Fraud, Funny (strange), Graphic Novel, Huh?, Humayoun Ibrahim, Jack Vance, Sci-fi, Surreal, Tiny Desk Concert, Trampled By Turtles, Violence on August 17, 2016| Leave a Comment »

moonmoth SOUNDTRACK: TRAMPLED BY TURTLES-Tiny Desk Concert #387 (September 3, 2014).

trampleI love the name Trampled by Turtles and it conjures up something very specific in my head.  And a bluegrass folk band is not it.

Although their first song on this set, the super fast “Come Back Home” does rather convey what their name does.  Bluegrass can be fast (often is, in fact) but, man, this song scorches and the violin solos that flow through the song are totally intense.

So I was a little bummed that the next two songs are really mellow ballads.  For “Winners” the band’s harmonies are spot on and I do like the sliding bass line.  In fact all of the instrumentation (mandolin, violin, guitars, bass) is really nice.  And I think if this didn’t follow that first song, I might like it more.  Perhaps they should have ended the set with “Come Back Home.”

Before beginning “Lucy,” they ask if they are doing one more.  Bob says yes unless they want to stay longer.  The singer asks if they’ve got beer and Bob says they can work something out.  The band is not ready to head back to New York yet–they came from New York just to play the Tiny Desk (which elicit’ awww’s from the audience).

“Lucy” opens with some cool staccato strumming.  It too is a pretty song that makes great use of all of their instruments9espeicoally the mandolin).

I have recently begun to enjoy bluegrass a lot more and I could see Trampled by Turtles being a gateway into more bluegrass.  But I need more fast songs like the first one.

[READ: May 10, 2016] The Moon Moth

This First Second graphic novel opens with a lengthy essay called “The Genre Artist” by Carlo Rotella.  In this essay Rotella sings the praises of unheralded genre master Jack Vance (whom I’ve never heard of–which is the point of the essay).  Rotella says that Vance has been described by his peers as “the greatest living writer of science fiction and fantasy.”  He has been writing for six decades and has won many awards.  But this success has mostly kept him in the genre ghetto.  Other writers have suggested that if he was born South of the border he’d be up for a Nobel prize [which is a strange thing to say, in my opinion].

The essay talks about how so many other writers love Vance (and the list of writers who contributed to a tribute volume is impressive). So after all of this hagiography, I expected to be blown away by this story.  And I wasn’t.  Although that might have been because of the illustrations.  The illustrations aren’t bad–they’re not my style, but they’re not bad.  However, the story is fairly complex, or shall I say it may not lend itself to visuals because so much of the beginning is about sound.

Although while I was confused by the beginning of the story (and maybe I’d have been confused if I read it too), by the end, Vance totally sold me on what was happening. (more…)

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Leland Myrick–Missouri Boy (2006)

Posted in #10yearsof01, Drugs, First Second :01, Graphic Novel, Leland Myrick, Nostalgia, Romance, Sturgill Simpson, Tiny Desk Concert on August 16, 2016| Leave a Comment »

missouriSOUNDTRACK: STURGILL SIMPSON-Tiny Desk Concert #386 (August 30, 2014).

sturgSturgill Simpson is a (relatively) new country singer that everyone seems to want me to like.  I like some of the musical aspects of his new album, but his voice is just too twangy for me. So even if he’s singing about drugs or whatever, it all just sounds country to me.

Simpson is a funny guy though, he says that “Turtles All the Way Down” is a song that everyone is talking about bit no one gets what it is about.  “It’s about drugs.  And other stiff.”  When the song is over he says he was siting on a porch and a friend said,  “Hey man, you ever heard of DMT?” He said “Nope.”  I hadn’t either but evidently that was the inspiration for that song.

“Time After All” is a pretty song with some wicked guitar playing.

“Life of Sin” is a fast song with what I consider a pretty typical country music riff.  Simpson also has a big powerful voice which he uses to good effect here.

He introduces “Water in a Well” by saying he’s gonna do one for the ladies “I’m just bullshitting, they’re all for the ladies.”  It is a nice ballad that goes on pretty long.

I’d like to enjoy Simpson more as he has been experimenting with interesting ideas, but really, I just can’t get past his voice.

[READ: June 5, 2016] Missouri Boy

I genuinely had no idea what this graphic novel would be about.  I was vaguely familiar with Myrick’s work but wouldn’t have been able to pick it our. Although after reading this I see that his artistic style is quite distinct and his drawings of himself and his father from back in the 1980s are really affecting and powerful.

The overall story of this book is quite simple (and brief) and is done in short episodes.

It begins with the narrator’s birth in 1961.  On the day that he and his twin were born, his grandmother died. (more…)

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T. Coraghessan Boyle–“Thirteen Hundred Rats” (New Yorker, July 7 & 14, 2008)

Posted in Chris Thile, Marriage (Happy), New Yorker, Nickel Creek, Rats, Sara Watkins, Snakes, T. Coraghessan Boyle, T.C. Boyle, Tiny Desk Concert, Yuck! on August 13, 2016| Leave a Comment »

july7 SOUNDTRACK: NICKEL CREEK-Tiny Desk Concert #385 (August 26, 2014).

nickelI have listened to this Tiny Desk Concert so many times I can’t believe I never posted about it. This was my first exposure to Chris Thile, and in the two years since I watched this I have become a huge fan of his (and of singer Sara Watkins).

“Destination” was probably my favorite song from 2014 and is still amazingly catchy.  Nickel Creek’s harmonies are superb-lead by Sara and accompaniment by the other three, this song speeds along at a great clip with all kinds of fun instrumentation.

In addition to Thile on mandolin and Sara on violin, there’s Sean Watkins on guitar and Mark Schatz on upright bass.

I liked the way the players shifted positions to let Chris sing lead on “Rest of My Life.”  He introduced this song by saying, “this is the first day that I will be singing with my new braces.  I am 12 years old.”  With his new singing impediment he says this song is “Sung not as a its hungover protagonist but by its be-brace-ed protagonist.”   The melody is done on guitar and upright bass with Thile’s mandolin playing most of the higher notes and occasional grace notes from Watkins’ violin.  There’s also a delightful “lullaby” sounding  section in the middle.

“21s of May” is sung by Sean.  He introduces this jaunty song with “Remember when the rapture almost happened three years ago?”  May 21st was supposed to be judgement day so he thought he should write one more song and so he did.  He plays a great lead guitar melody on this song with great harmonies.

At the end of the song Thile bangs the gong and then asks if they want one more short song.  Then he admits that its longer than the other three.  It’s an instrumental song called “Elephant in the Corn.”  When the crowd cheers, Sean says it’s “Huge in Washington DC.”

I love that Chris and Sean get some fast solo and then Sara take as really slow violin leads that leads to a cool bass slide.  The song picks up again with Thile playing some amazingly fast mandolin licks.  And just when you think it’s all over, there’s a coda tacked on as well–and not just a “this is the end coda” either.

Nickel Creek has been around forever, and I’m only bummed that it took me until 2014 to actually hear them.

[READ: February 26, 2016] “Thirteen Hundred Rats”

Somehow I didn’t expect the title of this story to be taken literally.  And yet, it most certainly was.

I really enjoyed the way this story was constructed.  It is told by a man who is somewhat proud of himself.  He talks about the small village that they live in–a small village of 50 or so houses created by industrialist B.P. Newhouse (who hoped it would be a model of utopian living).  The narrator and his wife live there although they tend to travel the world now that they are older.

He tells the story of a village resident named Gerard.  He and Gerard had been friends and had congratulated themselves on not having any children.  Gerard’s wife had recently died and Gerard took it hard.  He wasn’t eating, wasn’t going out.  And people began to worry about him.

Villagers suggested that he should get a pet.  Even the narrator’s wife suggested it.  So the narrator trudged down to Gerard’s house, with his two dogs in tow to talk to Gerard. (more…)

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