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Archive for the ‘Tiny Desk Concert’ Category

peasSOUNDTRACK: VILLAGERS-Tiny Desk Concert #69 (July 19, 2010).

villagersVillagers is the work of Conor O’Brien. On their debut album he played all the instruments and created the cover art.  Live, he has a full band, but in this Tiny Desk show it’s just him and his guitar.

He looks incredibly young (that haircut), but when he sings, he sounds sophisticated and mature.  And his guitar playing is equally sophisticated (with some really interesting chords on the high notes of his strings).

His playing is crisp and clean and his voice is really lovely.  He doesn’t do anything fancy, he just sings and plays, but he has a lot of power and honesty in what he does.

And lyrically, he is quite clever.  He surpasses many singer-songwriters.

His three songs “Ship of Promises,” “Becoming a Jackal” and “Twenty Seven Strangers” are all on his debut album Becoming a Jackal.  He hits an amazing series of high notes in “Ship of Promises,” and the way the song takes some unexpected (albeit brief) pauses is quite dramatic.

I like the way he slowly and confidently states the title “Becoming a Jackal.”  This song is a bt faster and more dramatic, especially the quiet ending.

“Twenty Seven Strangers” is a story song about taking the bus.  It is an unexpected perspective and quite an interesting look at a mundane event.

[READ: August 2, 2015] Peas & Queues

I was disappointed with the previous etiquette book, which was supposed to be funny and I think wasn’t all that serious.  But this one, which is indeed serious, was also really funny, and was a real delight to read.

According to her bio on the book, Sandi Toksvig is “a well-known broadcaster for both television and radio.”  But I’d never heard of her.  It seems that she is big in Britain, but I believe is unknown here.  Nevertheless she has written over twenty books, including fiction, non-fiction and children’s.  So maybe I’m just out of touch.

Anyhow, I grabbed this book because it sounded interesting (and I liked the jokey spelling of the title).

Toksvig explains in her introduction that in 1520 when Erasmus wrote his book on manners it was dedicated to an 11 year old boy (a son of a prince).  This book is dedicated to “a delightful child in my life” called Mary who is currently 8.  But it is not a book for children, it is meant for Mary as she grows up.  And you can tell right from the start that Sandi is pretty funny as she says “I hope it will prove useful to anyone not planning to live as a hermit.  [Unlike Erasmus] I have made it easier for her (and you) by not using Latin (very much).”

And then Toksvig explores good manners from birth through death.  She even starts with “Why do we need good manners” (a question my kids currently ask).  The first thing to say is that basic manners apply no matter where you are or what you are doing.  They are even a good idea when no one is watching.  Having a code of behaviour will help you know how to react to the unexpected.

But it’s also important to know that rules about manners are not laws or rules, they are suggestions–propositions for behaviour to help grease the wheel of the great social machine. (more…)

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mannersmillionSOUNDTRACK: THE MYNABIRDS-Tiny Desk Concert #64 (June 21, 2010).

mynabrodI wish I liked The Mynabirds a bit more than I do, especially after hearing the origin story of the band’s name.  Laura Burhenn says she wanted to create a band that was sort of like Neil Young playing Motown.  She toyed with the name Myna and came up with The Mynabirds and then found out that in the 1960s Neil Young and Rick James had made music together for Motown under the name The Mynah Birds.  Cool.

Burnhenn has a sultry kind of voice, which is nice.  But I don’t really like Motown, so the “ooh la la” in the verses and the whole sound of the chorus of “Numbers Don’t Lie” is not my thing.

I prefer the second song “Let the Record Go” which is a bit faster and more rocking (and I like the oh’s at the end of each verse much more).  The final song is by request from Bob.  It’s the lead off track from the album “What We Gained in the Fire.”  It’s a slow broody opener with interesting lyrics.  It has a R&B feel and is a fine song.

It’s possible that I am confusing them with someone else, but I thought the band was more folky, so this was a little disappointing to me (although they are clearly very good).

[READ: June 19, 2015] Manners for Millionaires

I saw this book at work and thought it sounded really funny.  A 1900 British book about millionaires?  With that obvious pseudonym?

The opening prefatory note says that “the coloured plates specially prepared for this volume had at the last moment to be omitted owing to the unfortunate indisposition of the Academician employed, but rather than disappoint the Public we have inserted instead a few specimen woodcuts from a forthcoming treatise on British Fishes.”

Great, so, silly, nonsensical fun, right?

Well, the problem for me with this book is that it supposes you know a lot about wealth and the aristocracy of England circa 1900.  Gah.  I’m not even exactly sure who the intended audience was for this book. (more…)

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rhymesSOUNDTRACK: JIMMY CLIFF-Tiny Desk Concert #68 (July 12, 2010).

cliffJimmy Cliff is a treasure in reggae music.  Although I recently leaned that despite his Jamaican heritage and reggae connections, he actually does more than reggae music.  As in this Tiny Desk where Cliff (wearing some amazing glasses) sings and plays acoustic guitar in a more folk-like style.

he plays three songs–two are from the 70s and one in brand new.

“Sitting in Limbo” is classic song that sounds more like a folk song than a reggae song (although the original didn’t sound all that reggae, actually).

“I Got to Move On” is a new song about the present (the present is a gift, that’s why it’s called present).  The simple structure and Cliff’s vocal tone reminds me a bit of “Over the Rainbow” by Israel Kamakawiwo’ole

“You Can Get It If You Really Want” is another Cliff classic, instantly recognizable, but somehow sounding more profound with Cliff’s older voice singing it.

I can’t say that I listen to a lot of Jimmy Cliff, but this was a nice sampler of his positive vibe.

[READ: August 31, 2015] Wartime Nursery Rhymes

I love getting these unexpected reprints.  This is a collection of nursery rhymes that were created in 1918.  I don’t know who Nina MacDonald was (there is a foreword, but it doesn’t give any context), but I gather that she is the author of all of these pieces.

And so MacDonald has taken familiar (and unfamiliar to me, although perhaps they were common in England before the first world war?) nursery rhymes and songs and modified them for patriotic use–presumably among children.

There are renditions of all manner of nursery rhymes: “O Dear, What Can the Matter Be?” “Simple Simon”

Or this one of “Little Miss Muffet” (more…)

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madlangSOUNDTRACK: TARRUS RILEY-Tiny Desk Concert #59 (May 11, 2010).

tarrusTarrus Riley is a reggae singer with a delicate voice.  His accompanists are a guitarist and a sax player (on a cheesey sounding alto sax–although somehow it works).  And while the music is still quite reggae in style, it doesn’t sound too much like reggae–perhaps the light guitar strumming removes the backbeat?

So these three songs feel a bit more like pop.

“It Will Come (A Musician’s Life Story)” is a funny, but serious song from a woman to her musician boyfriend.  She has lots of complaints “Why don’t you get a job” “do you mind telling your plans to the landlord?” and he tries to explain how music is his work,

“Lion’s Paw” is not so much about the strength of his belief in Jah as it is about the strength of Jah’s belief in him.  He seems very happy and joyful during the song (sometimes drifting away from the mic while dancing).

“She’s Royal” is a pro-women song.  It’s the most pop sounding of the three.

I’m not a huge fan of reggae, but this is a good collection of sweet, positive songs.

[READ: August 30, 2015] The Mad World of Sign Language

This is a goofy collection of bad English on signs across the world.  It turns out that this is the fourth collection of said signs all generated by readers of the British newspaper The Telegraph.

This book is set up geographically.  They begin in The Americas, then on to UK & Ireland, The Mediterranean, Africa, Middle East, India, China, and end in South East Asia and Australasia.

Now I love this kind of thing, but there were a lot of pictures in this book that were mildly amusing at best.  (Could the fourth collection mean diminishing returns?).  Since this is a UK book there is a lot of mirth at British slang which other countries wouldn’t know anything about–which is kind of unfair, right?).  Anyhow, the signs are funny in a very limited way. (more…)

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yolenSOUNDTRACK: BETTY LaVETTE-Tiny Desk Concert #61 (May 21, 2010).

bettyAnother peculiar Tiny Desk is this one from Betty LaVette.  It’s only peculiar because, for licensing reasons, they can only show one of the three songs she sang.

I don’t know much about LaVette, but I immediately loved her voice–rough and sultry and amazingly powerful.  The only song here is her take on “It Don’t Come Easy,” and it’s really great.

With only her voice and guitarist Alan Hill accompanying her, she manages to bring amazing depth to this song.

The other two songs were: “Don’t Let the Sun Go Down on Me,” and “Nights in White Satin.”  While I’m not that interested in “Sun,” I would love to hear her take on “Nights.”

The notes say that at this time they don’t have the rights to play the songs.  It has been five years, and I imagine they are not really pursuing those rights any longer.

[READ: July 28, 2015] Curses! Foiled Again

Since I recently posted the Foiled review I had to run out and get the sequel (also on First Second books)

After a quick “Previously,” we get reintroduced to Aliera’s weapon and its glowing gem and we learn that Avery is beautiful on the outside but an actual troll within.   As with the previous book, the panels are all gray scale until she runs into the mystical beasties.

The problem with this book is that Aliera is mad at Avery for secretly being a troll (fair enough), but there is nothing he can do to get her to listen to him.  So it is actually rather tedious that for the whole book he keeps trying to tell her things but she refuses to listen. (more…)

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chloeSOUNDTRACK: ROGER McGUINN with THE ROCK BOTTOM REMAINDERS-Tiny Desk Concert #62 (June 1, 2010).

mcguinn There are many unusual Tiny Desk Concerts, but this may be the strangest.  Ostensibly, the show is from The Rock Bottom Remainders, an informal and revolving assortment of good-natured authors who masquerade as a rock band for charity.  In this incarnation, they are Dave Barry, Ridley Pearson, Scott Turow, Amy Tan, Roy Blount Jr., Kathy Kamen Goldmark and Sam Barry, none of whom brought any instruments.  But leading them is Roger McGuinn, who brought his guitar and the chords to two songs.

The authors (mostly Dave Barry) are funny and self-deprecating, “We’re gonna attempt a song involving actual singing now,”

So McGuinn leads them in a rendition of “Sloop John B.” which they and the audience sing in a fun, campfire sorta way.  On the second song “May The Road Rise To Meet You” the backing singers mostly just sit and watch McGuinn.  And McGuinn seems fine with that.

He of course has a lovely voice.  And at the end, he does  neat little guitar solo.  And they all applaud.

[READ: July 29, 2015] Chloë Sevigny

I saw this book at work and decided to flip through it.  It has an introduction by Kim Gordon and an Afterword by Natasha Lyonne, so that seemed interesting enough.  The rest of the book is photos of Sevigny.  And nothing else.  Although Gordon says that “this book allows us a peek into her teenage bedroom and evokes the visceral thrill of getting dressed.”

I don’t really have an opinion of Sevigny.  Although I noticed that she tends to appear in things that I like–she’s like the cool guest star that appears on fun shows (like Portlandia).  But I don’t really know anything about her.

And I still don’t. (more…)

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mercurySOUNDTRACK: MOBY & KELLI SCARR-Tiny Desk Concert #58 (May 4, 2010).

moby This is the first of a few Tiny Desk Concerts that break with the format we’ve come to know.

For unclear reasons, there is a video for only one song from this show.  Although there is a full audio feed in which you can hear all of the songs that Moby and Kelli play.  This video is also filmed at night, which is quite different from their usual mid-morning showcase.  It is very dark outside and in the studio, which is also unusual.

The song that they play is “Gone to Sleep,” a song they created for Project Song.  The premise behind Project Song is to write, record and complete a song in 48 hours.  As inspiration, they used the word Sunday and a picture of a man in the woods with clouds for a head (Moby describes him as a pedophile from another dimension).

It’s quite a good song with a really catchy, very Moby chorus.  And the dark video is interesting to watch.

There’s audio where you can learn a bit more about Project Song and how they created their song.  But there’s also audio from the rest of their set, which features covers and Moby originals all done on acoustic guitar.

They play a fun, surprisingly light version of “Ring of Fire” (with audience participation on “trumpet solo”).  Then the do Moby’s “Pale Horses” which is quite nice in this stripped down version.  Their next cover is “Take a Walk on the Wild Side.”  They do an interesting take–it’s almost upbeat and folky, which is unusual.  He switches from “and the colored girls say” to “and everybody here says.”  He also tells a funny story about campaigning for John Kerry and playing that song and seeing Kerry’s wife act horrified and maybe a little turned on by the lyrics.

The final song is CSN&Y’s “Helpless.”  It’s a pretty, very different version from the original.  It’s a good set, especially for those who think of Moby as a more dancey artist.

[READ: June 21, 2015] Mercury

I really enjoyed this book by Hope Larson, one of my consistently favorite graphic novelists.

And this book may be one of her best.  The book drifts back and forth between two timelines in Nova Scotia.  The older timeline is 1859.  We meet the Fraser family living in a house on French hill.  They have just had a visitor, Asa Curry and he seems taken with their daughter Josey.

The modern timeline is set 150 years in the future.  The Fraser family until recently still lived on the property at French Hill.  A few years ago it burnt down and the survivors had to move.

The 1859 story has a black border while the contemporary story has a white one, it a subtle but very cool way of distinguishing the timelines. (more…)

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sticiceSOUNDTRACK: NEIL INNES-Tiny Desk Concert #127 (May 11, 2011).

innesNeil Innes is one of the musical voices of Monty Python and The Rutles.  He is also the creator of The Bonzo Dog Doo-Dah Band.  I was delighted to see that he did a Tiny Desk concert.

In addition to creating clever songs, he is big into wordplay.  So, he has some great statements before starting:

“Good afternoon, ladies and gentlemen here and viewer.”

“It’s wonderful to be.”

“You know, not so long ago and its been very lucky for me.”

He plays his perhaps most well-known song, “I’m the Urban Spaceman” on guitar.  It is wonderfully surreal (at the end he describes it as a medley of hit).

For “Democracy” he play a tiny ukulele.  This song is not funny (well a little).  It is political, straightforward and pointed.

For the final song, he play The Rutles’ “I Must Be In Love” (with appropriate accent).  He tries to get everyone to sing the really high Ooooh note and then gives up.

And then he’s gone.  It’s delightful.

[READ: August 10 2015] Stick Dog Dreams of Ice Cream

By this point (the fourth book) the Stick Dog series has gotten a little predictable.  I mean, basically the dogs want to get food right?  But Watson still manages to keep the stories funny.  I see that for this book the illustrations are “by Ethan Long based on original sketches by Tom Watson”  I have a hard time believing that Watson was too busy to draw these very simple figures, but whatever.

I also find it hard to believe that these dogs have never tasted ice cream before–surely they have scavenged a wrapper somewhere.  But best not to think too carefully, right?

because it is summer time and it is very hot.  The dogs are all looking for something to cool them off.  They go out in search of a nice cool water source.

But the best parts of the story are when the dogs get distracted.  On the way for water, Poo-Poo smells something.  They hope it is hot dogs or pizza, but it is…a squirrel.  Stick Dog is afraid of this because Poo-Poo will be not let the squirrel go.  But Stick Dog convinces him to leave it.  And they are off. (more…)

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zweigSOUNDTRACK: TERENCE BLANCHARD FEAT. THE E-COLLECTIVE-Tiny Desk Concert #460 (August 5, 2014).

blnachAfter a few quiet Tiny Desk Concerts, it was fun to get something big and bouncy.  I don’t know Blanchard, but I really enjoyed his band set up.  Blanchard plays trumpet, and with the E-Collective, he’s got a guitarist, bassist, pianist and drummer.

In the first song “Soldiers”, I was sort of amused because when Charles Altura (a guitarist he met online) plays his 2 minute guitar solo, Blanchard isn’t doing anything.  It was  funny way to start the concert with the main guy doing nothing.  But Altura has a great sound–jazzy and interesting with a flair not unlike Frank Zappa.  It continues with a lengthy solo from Blanchard.  I like the jagged edges of this song–the funky bass and the angular rhythms.  It’s about 8 minutes long and it’s fun to watch Blanchard just digging the music when he’s not actually playing.

“Confident Selflessness” begins with a cool drum setup by Englishman Chris Bailey.  Over the great beat, Donald Ramsey, (Blanchard’s high-school classmate) lays down a great funky bass line.  And then it’s a wild solo from pianist Fabian Almazan.  I love the way the song switches back to that angular/funky sound during the refrains.  Blanchard seems to be playing the trumpet with some kind of effect on it during the first part–or he’s playing very quietly.  But later, he gets a good solo in.  Bailey also plays some wild drums fills while the rest of the band repeats the staccato motif.  This song is also about 8 minutes long.

He introduces the final song, “Breathless” by saying that there is typically a spoken word section, but he’s not going to do that.  The title references the police brutality and the dying words “I Can’t Breathe.”  This song is much more mellow, with a lengthy piano solo.  There’s a soaring, uplifting trumpet solo in the middle of the song (which is about 10 minutes long in total).  It’s a really pretty song, although I do prefer the more lively bouncy tracks.

As I was saying after the last two, quieter Tiny Desks, it’s fun to hear the audience whoop it up so much.  And Blanchard even plays a jokey riff at the end.

[READ: May 15, 2015] The Last Days of Stefan Zweig

This is one of those interesting books that I find at work whose pedigree takes some time to unravel.  This is a graphic novel.  It is based on the novel by Laurent Seksik called  “Les Dernier Jours de Stefan Zweig” (2010) which was released in English as “The Last Days.”  This graphic novel was illustrated by Guillaume Sorel and translated by Joel Anderson.

I didn’t know who Stefan Zweig was when I read this book (more shame on me, i suppose).  Zweig was an Austrian novelist, playwright, journalist and biographer.  According to Wikipedia, in the 1920s and 1930s he was one of the most popular writers in the world.

When Hitler came to power, Zweig left Austria for London (where he was considered an enemy because he was German). He was Jewish, although in an interview he said “My mother and father were Jewish only through accident of birth.”  Yet he did not renounce his Jewish faith and wrote repeatedly on Jews and Jewish themes.

He traveled with his second wife Lotte to Petrópolis, a German-colonized mountain town 68 kilometers north of Rio de Janeiro known for historical reasons as Brazil’s Imperial city.  And this is where the story actually begins. (more…)

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austenSOUNDTRACK: SOAK-Tiny Desk Concert #459 (August 3, 2015).

soakSoak is Bridie Monds-Watson.  I hate to mention this, because it’s not the focus, but it is impressive that she’s only 19.  And her voice is really lovely.

I recently bought her album Before We Forgot How To Dream, and it’s really good.  The arrangements are complex and thoughtful.  And the album is beautifully orchestrated.  So this stripped down performance shows that she’s not all about production.

Her voice is pretty heavily accented and is almost a mumble, but not quite–it’s the kind of quiet voice that makes you lean in to hear.

The opening track, “Sea Creatures” (an amazing single) sounds pretty with just the acoustic guitar (I prefer the album version, but this is a really neat rendition).  For “B a noBody” and “Wait” she switches to an electric guitar.  It’s got a cool echo effect on it, but it is still quiet and hushed.

She says that she’s nervous playing at the Tiny Desk, but that looking around at all the CDs and poster it “feels like my bedroom.”  This is another delightfully intimate performance behind the Tiny Desk.

Bob Boilen did an interview with her a few weeks ago and she really won me over with her musical knowledge and sense of humor.

[READ: June 4, 2015] Jane Austen

This book also comes from the series called Life Portraits.

This is a very brief (128 pages, but mostly one sentence per page) biography of Jane Austen.  But the real “selling” points of the book are the beautiful illustrations/paintings by Nina Cosford.  They are lovely watercolors which do a great job illustrating whatever detail is listed on the page.

We get basic birth details–born Jane Austen on 16th December 1775.  She grew up on a farm with six brothers and one sister.  There’s even an illustrated family tree.

Her parents turned their farm into a boarding school so she knew lots of children.  But it was her cousin Eliza, a fantastic woman married to a European Count who spoke French and wore continental fashions who became Jane’s lifelong friend.  With Eliza around, all the girls  talked about marriage and money.  (more…)

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