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Archive for the ‘NPR/PRI/PBS’ Category

goonSOUNDTRACK:BOWERBIRDS-Tiny Desk Concert #35 (November 16, 2009).

bowerThis show was recorded July 7, 2009.  It’s fascinating that it didn’t get posted until four months later.

As the Bowerbirds first started I didn’t think I would like them primarily because of the opening lyrics of “Hooves” “Back to when I was born on a full moon, I nearly split my mama in two.” It just seemed an offputting way to start especially when sung over very simple acoustic guitar.  But after the first verse, the band joins in with some Ahhs, which flesh out the song very nicely.  The accordion and violin fill in where necessary and make this a much more compelling-sounding song.

The second song, “Teeth” opens with a very full sound–I really like it–bowed double bass, violin, accordion and guitar and when the backing vocals complement the lead vocal, it’s really quite beautiful.  “House of Diamonds”  is a folkie song, but the final track “In Our talons” (which comes from their first album) is really dramatic, with a some great vocals, a cool section that slows down the tempo and rousing accordion-driven conclusion.  (There’s something a bout an accordion that when played right can add incredible tension to a song).

You can watch it here.

[READ: February 13, 2014] A Visit from the Good Squad

This book made many best of list at the end of 2010.  I’ve wanted to read it for some time now, so when I saw it remaindered at Barnes & Noble, I grabbed it (yes, the library is cheaper, but I find that sometimes I will read things more quickly if I buy them).

I was expecting to be blown away by the book.  But I wasn’t.  At least not at first.  And the real reason for that was because I read it over too long of a span of time.  There are a lot of intricacies in this book that demand attention.  It’s not a difficult book, but the structure of the book is not linear, and there are connections that are made and lost and resumed.  And if you’re not paying attention, it’s easy to miss them.  I enjoyed it quite a lot and I really liked the way the story filled in parts as it went along (you’ll see why that is significant shortly).  And I loved the way the end tied everything together so nicely.  But I found that I got even more out of it while writing this recap because it helped me to make connections I initially missed.  So definitely read this, but either read it quickly or read it twice in a row.

So this book is set up that every chapter is narrated by or focuses on a different person at a different time in the story’s history.  It’s a fascinating way to tell a story for the obvious reasons, but also because most of the characters are interrelated in some way (which was the clever part).  And other characters arrive and disappear while still keeping continuity in the story.

There are thirteen chapters, which means 13 stories.  Naturally there are more than 13 characters, so this makes for an interesting look at this world.

The first chapter and more or less the thread throughout the stories is Sasha.  In the first chapter, (which is third person but in which Sasha is the protagonist), we see her planning to steal the wallet from a woman in the bathroom stall next to hers.  She is on a date with a man named Alex, who is new to New York and is still kind of wide-eyed about it.  He is amazed when later on he sees that Sasha has a bathtub in her kitchen (which she never uses).  Sasha’s chapter is interspersed with her at the therapist’s office as she talks about her kleptomania and about her life as the assistant for Bennie Salazar–THE Bennie Salazar, record producer extraordinaire who discovered The Conduits. (more…)

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   bridegroo,SOUNDTRACK: K’Naan-Tiny Desk Concert #34 (November 9, 2009).

knaanI really only know K’naan from his song “Wavin’ Flag” which was the World Cup anthem in 2010.  It’s an uplifting anthem which would be schmaltzy except that K’naan is Somali-born, spent his childhood in Mogadishu and lived there until the start of the Somali Civil War in 1991, when his family moved to Canada.  “Wavin’ Flag” was for the people Somalia and their aspirations for freedom.

In this set (the first ever hip-hop Tiny Desk Concert–although there is very little hip-hop in the set), K’naan plays three songs. “Take a Minute” is quite beautiful.  It’s funny to me the rap section kind of spoils the song  but because K’naan is a much better singer than rapper.

“Fatima,” which has a less interesting musical style than the other songs (perhaps it’s better when not in this Tiny Desk format) is startling lyrically.  It’s about childhood friend of his, with the harrowing line–“what did the gunman say before he took you away.”

The final song is “Wavin’ Flag” (which was popular but nowhere near as big a hit as it would be soon enough). The anthemic nature of the song still sounds inspiring in this stripped own format.

I’m not a big fan of this style of music in general–poppy/R&Bish, but K’naan has a great sense of melody and brings a very interesting perspective that makes his style unique.  And most importantly, he has a good, subtle voice.  This is a good introduction to his music.

[READ: January 3, 2014] The Bridegroom was a Dog

In continuing the “small book” idea, I recently subscribed to the New Directions Pearl series.  It is a collection of smallish books–novellas or short stories–in starkly beautiful binding.  This was the second book I received in the series (I haven’t read the first one yet).  Incidentally, this book has a list of the other pearls, and I rather hope they will send me some past Pearls as well, as they are quite a great collection.

This was an interesting selection to me because I actually own this book already (it’s the same translator, Margaret Mitsutani).  Although as it turns out the book I own (which has the same title) is actually three short stories while this one is only the title story. I bought the book in 1998 and never read it (there is a bookmark that suggests I read a few pages, but I didn’t remember a thing).  So I was happy to get reintroduced to the book and to finally read it.

And I intend to read the other two stories in the near future as well.

This is a peculiar story (as the title indicates).  In it a teacher, Mitsuko Kitamura runs the Kitamura School which is described as a cram school–an extracurricular school.  And the students learn some interesting things.  Like “snot paper.”  She suggests that using used tissues is better because they are warm and wet.  And indeed, she goes so far as to say that you should use “snot paper” when wiping your behind because “it feels even better.” (more…)

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 bluffSOUNDTRACK: SONDRE LERCHE-Tiny Desk Concert #33 (November 2, 2009).

lercheSondre Lerche is a Norwegian singer songwriter.  For some reason, without knowing anything about him, I pictured him as someone totally different–perhaps a French woman?  So I was quite surprised to hear him play these great folky songs.

“Hearbeat Radio” is a catchy love song, with a great melody and many chord changes.  I mention this because after the second song, “Good Luck” Bob Boilen also mentions the “handful” of chords in that song.  And there are a lot, which really makes for an interesting melody.  And indeed, Lerche is a very good guitarist, throwing interesting chords all over the place (although in his banter he complains that he puts too many chords in the songs).

Speaking of banter, Lerche is quite funny, introducing the first song by complaining about radio (but not you guys).  And also that a reviewer felt the second song was funny, even thought he thought it was depressing.

The final song, “Easy to Persuade” is a fast-moving, multi-chord song with a fun chorus.  It completes the set very nicely.

I have enjoyed this Tiny Desk Concert many times, and am interested to hear more by him.

[READ: February 13, 2014] Bluffton

I want to call this book Bluffington for some reason, but that’s my fault.  Because Bluffton is the name of the (actual) location where the book is set, so I just need to deal with it.

The subtitle of the book was not readily visible when I read it, so I didn’t know it was about Buster Keaton (sorry for the spoiler).  It quickly became apparent that that’s who it was about though.  But what I really liked about the story was that it wasn’t about Keaton per se, it was about a boy who knew Keaton during the summers and how this enigmatic performer impacted his life.

This story is a delightful graphic novel, drawn in very delicate colors (like the cover).  Set in the summer of 1908, in Muskegon, Michigan, young Henry is pretty excited to learn that a troupe of vaudevillians is coming to stay for the summer in the artists’ colony at Bluffton.  The whole town is aware of them–how could they not be when a zebra and an elephant got off the train with them?  But Henry is more interested in a boy named Buster.  He’s Henry’s age, and although he’s a star of the show, Buster is far more interested in paying baseball.  And Henry is more than happy to do that too. (more…)

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   judySOUNDTRACK: EDWARD SHARPE AND THE MAGNETIC ZEROS-Tiny Desk Concert #32 (October 26, 2009).

I haedve recently begun to really enjoy Edward Sharpe and the Magnetic Zeros (watch those e’s people).  Interestingly, I have gotten into their song “Home” which is actually from 2009 and is included in this Tiny Desk Concert.

There is no Edward Sharpe. Sharpe is the alter ego of singer Alex Ebert.  Ebert and Jade Castrinos form the core of this expansive ensemble.  There are ten people in the band making this the largest (and judging from their appearance, smelliest) Tiny Desk Concert to happen yet.  There are a few guitars, accordion, bongos, drums, keyboards and lots and lots of singing

Everyone seems very happy in the band, especially Castrinos, whose bliss is either delightful or disturbing to watch here.

“Janglin'” opens with the whole lot of them bopping along to the janglin song.  Alex Ebert has a folky, husky voice.  There’s lots of shouted “heys” and a fun, nearly-bass vocal section where they all sing “Mag-ne-tic-zeros.”  “Home” is a wonderful song with a catchy whistle and a fun horn section.  The catchiness of the chorus is undeniable.  And this live version is infectious.  The final song, “40 Day Daydream” is a big rambling piece.  There’s a moment near the end that allows Ebert to sing unaccompanied and you can hear that his voice is quite nice.

I always enjoy seeing performers having fun and it’s clear that these Zeros are doing just that.

[READ: January 3, 2014] Judy Blume and Lena Dunham In Conversation

I considered the idea of writing only about tiny books in February.  (I have a number of tiny books that have come along recently and I thought February would be a good time to read them all).  Of course, it’s already the 11th, so there goes that.  But I can still do some, right?

So this little book (6.5 x 4.5 inches, 77 pages) is the full (and enhanced) interview with Judy Blume and Lena Dunham.  The excerpted version appeared in the January 2014 issue of The Believer.  For this book we have the full interview (I assume) and the authors were given a chance to add comments to the interview afterward.

What we get here is Dunham, more or less a fangirl of Judy Blume, talking to her idol.  But Dunham is not just fawning, she is direct and inquisitive and they seem to hit it off immediately, which makes for a great interview.  Blume talks about her phobias (thunder, loud noises).  And their fear of the blank page.  And we also learn of Blume’s writing and daily routines (which are very different from Dunham’s). (more…)

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  grantland8SOUNDTRACK: RALPH STANLEY-Tiny Desk Concert #31 (October 13, 2009).

ralpRalph Stanley is apparently a living bluegrass legend, although I’ve never heard of him.  He plays a clawhammer banjo (and apparently has for 63 years).

The concert lasted only 6 minutes, but in that time he sang three a capella songs: “Gloryland,” “Turn Back, Turn Back” and “Amazing Grace.”

It’s hard to assess a legend based on this performance.  I’ve no idea how good his voice was back in the day.  He sounds fine here, albeit understandably quite old.  I’d have liked to hear his banjo.

[READ: January 3, 2014] Grantland #8

It is becoming apparent to me that Grantland loves basketball.  Like, a lot more than any other sport.  This issue had a ton of basketball in it.  And, I have to admit I was a little tired of it by the end–there was a lot less pop culture stuff, too.  So, it felt especially basketball heavy.  I realize of course that the time frame covered was the playoffs, but still.

BILL SIMMONS-“Searching for a Superman”
A lengthy article about Dwight Howard, discussing the pros and cons of signing him again.

MARK TITUS-“How Did He Get So Good?”
A look at Paul George and Danny Green doing better than expected in the NCAA playoffs.

CHARLES P. PIERCE-“A Dark Day in Boston
Pierce wonders about Boston after the Boston Marathon bombing–he says the city will come back stronger. (more…)

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CV1_TNY_11_04_13Brunetti.inddSOUNDTRACK: RODRIGO Y GABRIELA-Tiny Desk Concert #30 (October 19, 2009).

Iryg have seen the names of Rodrigo y Gabriela for quite some time, but I never knew what they were about.  I assumed they played world music or something (shame on me).  They are a Mexican couple living in Dublin and they have several albums out.  When the Concert opens, Bob Boilen says that the first time he heard them, he was blown away.

And I was too.

Holy crap.  Rodrigo and Gabriela play nylon string acoustic guitars, and they play them like nobody I have ever heard before.  Gabriela plays a lot of percussive sounds with her strings and the body of her guitar.  And Rodrigo is all over the map–doing heavy metal chords (they play Metallica’s “Orion” on their debut album), and flying solos in addition to flamenco notes and even sound effects.  It is a  stunning display of virtuosity and melody.

My only complaint about this Tiny Desk Concert  is that it is too short!  I need to hear more.

They play two songs in about 12 minutes and each one is amazing.  They dazzle your ears as they play, and watching them do it is even better.

[READ: January 5, 2014] “The Man Who Invented the Calendar”

B.J. Novak wrote for and acted on The Office.  This comic piece is about the man, well, who invented the calendar.

The tone of the piece is contemporary with lots of current phrasing–fun with anachronism.

But it is also a funny idea of him deciding to make the calendar starting January 1st. He says he came up with the idea way back on Day After Day After Very Cloudy Day.  His initial plan: one thousand days a year, divided into twenty-five months, forty days a month.  Easy.

At first, the man is enjoying the compliments he’s getting–a guy who says he’s going to organize his life around it.  And Alice says she doesn’t know if she’s busy, she’ll have to check her calendar (wink).

But of course, complaints start to build.  By January 30, people are sick of January.  So all the months will just have 30 days instead.  Or maybe 31.

Soon enough, Alice is his biggest supporter.  Then things get weird on February 14th.  (more…)

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CV1_TNY_11_04_13Brunetti.inddSOUNDTRACKJOHN VANDERSLICE-Tiny Desk Concert #29 (October 7, 2009).

Ivanderslice only know about John Vanderslice from NPR.  He’s an artist that Bob and Robin have talked about him forever.  They play a song of each of his new albums, so I know quite a few of his tracks from over the years (he has put out ten albums since 2000).  And yet I have never seen his name anywhere else.  I’m fascinated by this, because he must have a following or he wouldn’t still be recording.  Turns out Vanderslice created a recording studio called Tiny Telephone where many big name alternative bands have recorded.  He also recently finished a Kickstarter campaign to create his own label which was hugely successful.

Most of his songs I find are nto that memorable at first.  But after two or three listens, all of their amazing features come out and the songs become wonderful–full of unexpected layers and instrumentation.

The Tiny Desk Concert contains four songs from his then recent album Romanian Names.  his band consists of two acoustic guitars, a bass guitar, a flute and saxophone (often playing in a way that sounds very un-sax-like) and a drummer who is playing a Surdo drum–the kind usually used in parades.  It is a deep resonating drum (especially when he gives it a good loud whack).

The four songs are diverse (within the confines of the band, of course) and passionate.  Vanderslice’s voice is pleasant, but it’s the way he uses it around the melodies (and especially the big minor chords that really sets his stuff apart) that makes these songs sound great.  Like the way the “still wide-eyed, you” section builds in “Romanian Names.”  The saxophone playing what sounds like a guitar solo is very very cool in the second song, “Forest Knolls.”  “Too Much Time” is a more upbeat song (it’s neat to see the cool percussion he gets out of one drum).  The final song “Sunken Union Boat” makes good use of the flute.  It’s a great set and makes me think that Romanian Names would be a good place to start with his studio albums.

[READ: January 5, 2014] “Fed”

Antrim’s story is a personal reflection.  He talks about the breakdown he had a couple of years ago.  He also talks about suicide (see, food stories always seem to be about something else).

The doctors were worried about him when he left for home–being older and by himself seemed like a dangerous way for him to live at the moment.  This was especially true as he was having trouble with coordination, which mean that cooking was out of the question.  This made things even worse because Antrim loved to cook.  (more…)

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CV1_TNY_11_04_13Brunetti.inddSOUNDTRACK: RAPHAEL SAADIQ-Tiny Desk Concert #28 (September 28, 2009).

saadI’ve heard the name Raphael Saadiq for years.  I’ve seen his name in print in many places.  And I always assumed he was a word music artist.  I had no idea that he was an R&B artist who was in Tony! Toni! Tone! (a band about which I know nothing except their name).

I’m not a fan of R&B, so I wasn’t expecting to enjoy this Concert very much.  But man, it is a great session.

I have to assume that it’s the acoustic guitars (with the amazing guitar work by Rob Bacon) that rein in some of the trappings of R&B which I tend to dislike.  But I was also really impressed with how great his voice sounded.  Especially knowing that he was in a dance artist (with implied studio trickery), his voice sounds amazing stripped down this way.  He plays three songs, “Love That Girl,” “100 Yard Dash,” “Sure Hope You Mean It” and each one is great.  I love the way he gets the office to sing along on “Sure Hope You mean It” (even though they’re not ready).

I’m tempted to listen to him in another setting to see what he sounds like outside of a Tiny Desk, but I’m afraid to spoil how much I enjoyed him here.

[READ: January 5, 2014] “Deliverance”

I don’t really know much about Lena Dunham. I know she writes Girls, and is the new It-Girl, but I’ve never seen the show and I’ve read very little else about her.  So I didn’t really have any expectations upon reading this.

I learned a bit about her past and her family, but primarily I learned that she and her sister (like so many of us) loved take out food. (more…)

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CV1_TNY_11_04_13Brunetti.inddSOUNDTRACK: PIXIES-Tiny Desk Concert #334 (February 3, 2014).

pixiesI had been planning on going in reasonable order with the Tiny Desk reviews, but when The Pixies come in, you throw order to the wind and move on.

The Pixies!  Holy cow.  I saw them many many years ago opening for The Cure (a great show).  And I’ve loved everything they’ve done.  I was a little less than excited with the reunion (2013 was a little too mcuh with the reunions) and I didn’t love “Bagboy” their first single (but that may have been because Kim Deal wasn’t in the reunion).  But I really like the two new songs they play here.

And, as it turns out Paz Lenchantin fills in for Kim Deal’s role quite capably (she plays violin and sings vocals here).

So, yes there are three songs.  “Greens and Blues” appears on the new EP2 (I haven’t heard the EPs).  It’s a mellow acoustic song (at least in this version) and sound like classic slow Pixies.  “Silver Snail” is so new it hasn’t appeared on an album yet.  It’s another slow song, but it has that kind of sinister slowness that the Pixies do so well.  And then they bust out “Monkey Gone to Heaven” in a mellow acoustic version that is ever so much fun.

It’s pretty great to see them reunited, and I may just have to check out those EPs too.

[READ: January 5, 2014] “Family Meal”

I didn’t realize until reading this essay (one of five on a food related topic), that the “theme” of these essays is “Take Out” (it says it right there at the top of them).

And this may be the most unusual version of food take out I’ve heard of (as the poor delivery boy confirms at the end of the essay).

But, as most good food stories do, this one starts talking about something else entirely.  Turns out that Baby T showed up on time for work at the restaurant, but she was bloodied and confused.  So Gabrielle took her to the hospital. (more…)

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CV1_TNY_11_04_13Brunetti.inddSOUNDTRACK: TELEKINESIS-Tiny Desk Concert #27 (September 21, 2009).

telekinI know of Telekinesis only from NPR.  They have a couple of albums out, but I think I only know one song of theirs.  And I don’t know it that well.  This Tiny Desk features only two members of the band, singer-songwriter Michael Benjamin Lerner and guitarist Chris Staples.

They play four songs in 11 minutes (they are quite brief).  The songs all features pretty melodies, and the singer’s gentle voice. The electric guitar is used sparingly and only to play delicate riffs. This works especially well on the first song, “Plankton.”  Meanwhile the second song, “Coast of Carolina” has catchy bouncy guitars right from the beginning.

The other two songs are “I Saw Lightning” (which is very sweet) and “Rust” (which is very short).  I didn’t love any of the songs and I honestly couldn’t remember them long after listening, but I found myself listening to this show a lot.  And I enjoyed the songs each time.  I’m curious what the songs sound like not in a Tiny Desk setting.

During the brief interview with them, Lerner says he daydreams about better places when he writes songs and that when he wrote the songs from this album, the studio smelled like Grunge never went away.

[READ: January 5, 2014] “Butter”

I wasn’t expecting another issue with five of this brief essays from writers I know (The October 14 issue had the last batch).  I’m not sure how many more issues will have these type of things, and I’m not sure if will review them all.  However, there were a few authors I liked in this group.  Plus I’m intrigued by the food writing in these essays.

And this first one proved to be such an unexpected topic.

Akhil Sharma grew up in the United States.  His older brother had been brain damaged in a swimming accident and his family took on the full responsibility of his recovery .  It was pure family loyalty and that loyalty made them all pretend that taking care of him was not an awful task (even though it was).  Akhil’s lunch from home often came in the bags that his brother’s medicine came in.  And while he was ashamed of this, he also felt it was his duty of loyalty to not be ashamed by this. (more…)

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