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Archive for the ‘Nostalgia’ Category

SOUNDTRACK: hiatus

[READ: December 30, 2023] “I Was Caroline Calloway”

Yesterday I read the book Scammer by Caroline Calloway.  It was about Caroline Calloway and Natalie Beach two women who worked together to write a book that never got written (see yesterday’s post for a more sophisticated take on Scammer).

Caroline and Natalie had a feud and Natalie wrote this tell-most in The Cut.

Caroline addressed most of the issues that Natalie raised in Scammer.  But I figured I’d read this too.

Natalie is a good writer, although I feel that Caroline is better.

Natalie’s version of events is certainly darker–she obviously has more details about events that happened to her when Caroline wasn’t around.  She also knows a lot about what happened while Caroline was in an Adderall stupor. (more…)

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SOUNDTRACK: hiatus

[READ: December 29, 2023] Scammer

We get a surprisingly large number of self-published books at my library.  Most of them I don’t look at, but some look interesting enough to flip through.

This one was packaged with a ribbon around in (and a bookmark), and I loved the text on the back of the book.

“Is Caroline Calloway a scammer?  No.” — The New York Times.

Suffice it to say I had never heard of Caroline Calloway and had no idea what she was scamming, but there was something about this book that made me want to read it.

The book sums up the scamming.  In fact, it is a memoir (of sorts) about her time as a scammer.  She calls this a daybook–the kind of book you could read in a day–although it took me a few days.

The book is set up in 67 vignettes.  And I found the narrator to be quite engaging.  She talks about her family and upbringing a bit, but for the most part she gets right to the scamming.

She always wanted to go to Cambridge University.  She was rejected twice and then lied (a bit) on her transcript to get in on the third try.  She also found an editor (through trickery) and secured a book deal although she had no intention of writing the book.  When she blew through the $100,000 advance and now had to pay it back, she started an OnlyFans account, did some topless photos and made the money back in a few months. (more…)

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SOUNDTRACK: hiatus

[READ: December 28, 2023] The Books of Jacob

I don’t recall when I checked this book out.  I think it was in September, which makes me feel less bad about finishing it in December.  Still three month?  Well, it was 965 pages and I didn’t really read it at home, so I guess that kind of works out.

And now in December I don’t exactly remember why I checked it out.  I think I had an audiobook ad for Tokarczuk’s other book Flights and it was raved about.  I checked out this and Flights at he same time, but Flights was recalled by another patron, so  didn’t get to finish it (I barely started it).

But so I didn’t know what this was about at all. But I love a large book, and this was a large book.  It also had the fun detail that the pages ran backwards (in the acknowledgments, she notes that it is because the book is inspired by Hebrew and is (kind of) right to left for numbering.

I can honestly say that I didn’t realize that this book was kind of non fiction until about half way through the book.  It’s not exactly non-fiction, it’s a fictionalized account of something that happened centuries ago based on research and primary documents.

It’s interesting but not especially compelling.  A whole lot happens but really not much happens.  I could have put it down at just about any point and felt “done.”  And yet I kept coming back to it.  I felt like it was a slog to read, but almost every time I read it, I enjoyed what I read and was surprised at how many pages I read in a sitting. (more…)

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SOUNDTRACK: hiatus

[READ: January 22, 2022] In Beta_

I saw this book at work and was grabbed by the cover (yes, clearly covers do signify something about the book).  I decided to read it before reading much about it.  I didn’t understand the accolades until I read the acknowledgments at the end.  The book was self published through Inkshares, but it then went on to win (or at least do very well in some Nerdist/Inkshares Contest.  Which I guess is a big deal, maybe.

The book is set in a small town in the rural Pacific Northwest in 1993.  The town of Bickleton is boring.  Super boring.  There are like three businesses in town, one is a restaurant and grocery store together.  Everybody seems to work in the mines.  And there’s like a curse on the high school.  No a single person has ever gone to college.

And people aren’t exactly sure why–their grades are good, they just apparently aren’t good enough for even community college.

The main characters are Jay Banksman and his best friend Colin Ramirez.  They are nerdy boys who love video games and probably won’t be going to the prom.

Their school is a strange set up in which Jay and Colin and some of the other brainier kids are in a special classroom set apart from the rest of the school.  I have no idea if this is even remotely realistic, but who knows.  There was A-Court, the largest building which was close to the main parking lot and seemed to house all of the cool and popular people.  C-Court was smaller and shabbier and was where the dumber kids went–the burn outs.

Jay and Colin felt that A-Court was too vanilla and C-Court was too raw.  So they stayed in their trailer area called Tutorial.  Their teacher was Miss Rotchkey.  She had asked to teach these kids as a kind of experiment.  The school principal rolled his eyes at the whole thing but allowed it.  Miss Rotchkey was cool, teaching them existentialism and allowing them to use the school’s computer.  She was convinced that her class would be  the first to go to college.

But then came rejection day.  Everyone in the class was rejected from all of their schools, even their safeties.

Things were pretty much the same every day at school.  Then one day a rumor spread that there were Teenage Mutant Ninja Turtle pies in the A-Court vending machine.  And Jay wanted to get one.  So he and Colin snuck down to the A-Court and managed to evade detection from the jocks and the cheerleaders when suddenly there was Jeremy and the Johns.  Jeremy McCracken was the most popular boy in school.  A handsome jock and star of the baseball team.  The Johns were everyone else on the baseball team (I love this little joke that literally everyone else is named John with no last name just initials).

When they see Jay, they crush his pie and punch him in the face.  The principal sends Jay to the guidance officer because, hey sometimes life isn’t fair.

Jay’s only solace is in video games.  He gets a lot of video game and computer magazines and is always looking for new games to try out.  One day he gets a game called The Build.  When he puts t into the school computer, the graphics look like just like Bickleton.  It’s 8-bit graphics, but there he can see the whole town.  Including people walking around.  He mouses to his class room and when he raises his hand, the pixel version of himself raises its hand too.

He can’t believe this.  He tries to tell people about it, but every time he starts to talk about it to someone, they glaze over and seem to forget everything he just said.

Then things start to look up for him.  Liz Knight, the most popular girl in school (who he has known since like first grade when they were actually friendly–the held hands once) breaks up with Jeremy and asks Jay to the prom.

Liz’s best friends (who only like to talk about Beverely Hills 90210) don’t seem to be on board with this–they look down their noses at Jay like everyone else does.  So what gives?  Is it a prank?  It’s hard to know because Liz has been acting really strangely lately (in addition to asking him to prom that is).  Has she has a breakdown?  Or a breakthrough?

The next day Liz and Jay are talking when Jeremy approaches and asks her to go for a ride with him.  She does and Jay is very jealous.  He looks at The Build and sees the red Mazda Miata driving away with a little heart above it.  He clicks around the screen and sees a menu for disasters.  So he clicks on tornado.

And within minutes a tornado appears on the screen.  And in the town–a town  that has never had a tornado in its history.

There’s a lot going on in this story (although it’s a very fast read).  I don’t want to give any kind of spoilers away, but I do like to mention that Jay finds out his avatar’s stats: Strength; Speed;  Hit Points; Intelligence.  And at some point he moves them all up to ten.

This allows him to take sweet revenge on the Jeremys and to have access to intelligence and memories that he’s never known before.

The story sounds like an all boys story and it kind of is, but as the story moves along, two women become essential to the story.  There’s Liz of course, and there is also Stevie, a computer nerd who has mad programming skills.

Having the book set in the nineties means that Harvey overloads the book with 90s pop culture.  It goes a bit overboard.  He throws in some good music cues (Beck, My Bloody Valentine) and some bad ones (the bullies drive around playing Kriss Kross’ “Jump” all the time.  I’m also curious, since I didn’t go to school in the 90s, but would they have played Rage Against the Machine at a prom and would the kids have slam danced?  I cannot imagine.

So this was a fun story and one that I read very quickly.

And, if you’re wondering, as I was, about its similarity to other popular culture books and movies, he says in the acknowledgments that he started it about a decade ago and was about a group o seventh graders who found a magic VCR that brought 80’s movie clichés to life.  While he was finishing it up, Ready Player One, The Lego Movie and Free Guy (I don’t know this last one) all came out.  So he changed his tactics a bit.

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SOUNDTRACK: hiatus

[READ: December 20, 2021] Weird Accordion to Al [Vanity Edtion]

This book came to my work and I said, Hey I have this!  And then I said, but my cover is orange.  What gives?

And then I saw that Rabin, inspired by Al’s Ill-Advised Vanity tour expanded this book.  Or actually, since there is very little information about these books, perhaps he wrote them at the same time and released a shorter and longer version.  But why would he do that?

The first 366 pages are the same but, (and here’s the thing that messed with my head) they are not exactly the same.  Now, I didn’t read the same text in both books and compare them (that would be really insane). But I did flip through the book comparing paragraph and chapter breaks.  The text appears to be the same in both books.  BUT, the paragraphs are not!  For reasons that I don’t understand, in book 1 some pages end with paragraph F, but in book 2, with the same exact text, the page now ends with paragraph E.  Like the spacing of a period threw off all of the justification (Users of Word will know what I’m talking about).

So I’m assuming that both books are the same.

And then the new stuff was added to Book 2 (or taken out of Book 1, whatever).

Starting on page 368 we move on to Other Stuff. (more…)

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SOUNDTRACK: hiatus

[READ: December 20, 2021] Weird Accordion to Al

After writing the “Weird Al” biography, with “Weird Al” himself, Nathan Rabin dug even deeper into his “Weird Al” fandom to write a detailed account of, as the subtitle says, “Every ‘Weird Al’ Yankovic Album Analyzed in Obsessive Detail.”

“Weird Al” wrote the (short) introduction and then Nathan drops the needle on “Weird Al” Yankovic, Al’s 1983 debut album.

Nathan goes into varying degrees of detail on each of the songs.  Nathan was a rabid “Weird Al” fan from when he was a little kid.  And when he talks about how much he loves Al, you can see his deep abiding appreciation for everything Al has done.

Some songs get a paragraph, nut most get a page or so.  He usually talks about how much he likes (or loves) the song (and occasionally dislikes).  There’s nostalgia in the older songs and jokes and observations about contemporary things as well (Rabin’s politics poke through once in a while.  Good thing he’s a smart guy.

Because he did the Al biography with Al, he presumably got a lot of insight into the man and his work.  So although sometimes his insights seem like maybe he’s reading too much into a goofy parody, perhaps he’s on to things.  Maybe Al’s depth is deeper than rhyming Sharona with Bologna.  Which is not in any way to diminish Al’s intelligence.  He’s obviously very smart, especially as his later songs indicate.

Rabin’s tone throughout the book is smart and snarky.  He talks about the songs and the video (if there is one).  He talks about the production quality (or lack thereof) on the first album.  He references Dr. Demento (because the Dr is essential to Al’s career).  He also references Don DeLillo’s White Noise and says things like “Al is in deconstructionist mode.” (more…)

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SOUNDTRACKCRO-MAGS-The Age of Quarrel (1986).

In a post from a couple of days ago, Rebecca Kushner mentions a bunch of punk bands that she either knew or hung out with.  I was amazed at how many of them I’d heard of but didn’t really know.  So this seemed like a good opportunity to go punk surfing.

Cro-Mags are another of those classic punk bands that I never really listened to.  I mean, sure I’ve heard of them.  And that album cover is well known to me.  I just never gave them a listen.

This is their debut album.  They are still together but have only released 6 records.  And their later stuff is much more heavy metal oriented.  But this first one is classic punk.

There a whole bunch of really short songs–eight under two minutes.  But there  were hints at the metal direction because there are also some longer songs too.  Opener “We Gotta Know” is over three minutes and even has a wild guitar solo from Parris Mitchell Mayhew.  “Seekers of the Truth” runs to over four minutes and is comparatively rather slow paced.

But the punk elements are there too.  Chanted call and response and a song like “World Peace” has a good moshing break down.

Overall, it sounds a bit like a few of the metal albums form the 80s that I really liked.  There’s no reason I shouldn’t have listened to this back then.  They’ve even got pointed lyrics that as a teen I would have really gotten into

Interestingly, their follow up album, Best Wishes, had a big lineup change.  Their bassist (and the only guy who has been with the band for all of these years) Harley Flanagan took over on vocals.  His singing style was very different.  The short songs are gone and the metal feel really dominates.

In Kushner’s essay she talks about Harley the hare krishna and you can see that spirituality in his lyrics

Days of Confusion which is only 2 minutes long has this lyric

In these days of confusion much illusions try to get you
Try to trick you Every single day
Much aggravation and frustration
Devastation always heading my way
And I know why I’m suffering
Looking for satisfaction my mind keeps leading me astray
And I know and I see spiritually there’s gotta be a better way
It’s nice when bands do the right thing.

[READ: February 2, 2021] “Passeur” 

A man is in Krakow, the only major Polish city to have survived World War II without its buildings being severely demolished.

He is staying in “a pension” (which I’m picturing as a hostel) and asks where the nearest ATM is.  I enjoyed this line:

It’s not far, she said, sighing regretfully, as if she wished she were sending me to the other side of the world.

He says he has never been in this square before, but he knows it by heart.   Or at least he knows the merchants–grandmothers selling vegetables and home-made goods.

Then he looks in a barbershop and he sees a man who looks comfortable there, Ken.

Ken was born in New Zealand and died there. (more…)

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SOUNDTRACKEMEL-GlobalFEST Tiny Desk (Home) Concert #134/145 (January 12, 2021).

EmelGlobalFEST is an annual event, held in New York City, in which bands from all over the world have an opportunity to showcase their music to an American audience.  I’ve never been, and it sounds a little exhausting, but it also sounds really fun.

The Tiny Desk is teaming up with globalFEST this year for a thrilling virtual music festival: Tiny Desk Meets globalFEST. The online fest includes four nights of concerts featuring 16 bands from all over the world. 

Given the pandemic’s challenges and the hardening of international borders, NPR Music and globalFEST is moving from the nightclub to your screen of choice and sharing this festival with the world. Each night, we’ll present four artists in intimate settings (often behind desks donning globes), and it’s all hosted by African superstar Angélique Kidjo, who performed at the inaugural edition of globalFEST in 2004.

The fourth band on the second night is Emel from Tunisia.

Tunisia-born singer Emel first performed at globalFEST in 2015, the same year she performed her song of Tunisian Revolution, “Kelmti Horra,” at the Nobel Peace Prize Concert. Emel was hailed by NPR as a “21st century catalyst for change.” She created her latest album, The Tunis Diaries, equipped with only a laptop, tape recorder and a crowdsourced guitar after she was unexpectedly quarantined in her childhood home in Tunis last spring.

Emel plays only two songs.  It’s just her and her co-guitarist Kareem.  The songs are spare but very full and quite powerful.

“Holm” (A Dream) is a pretty, quiet song with soaring vocal melodies over the restrained lead guitar from Kareem.

“Everywhere We Looked Was Burning” is sung in English.  The spare and lushly echoed guitars make her voice sound especially raw and passionate.

[READ: January 14, 2021] “Drawing from Life”

I found this story to be a little confusing as it started.

Without really referring to the narrator specifically, the story starts with talk of being called out of retirement and away from Netflix, etc.

It wasn’t until the third paragraph when things started to get explained that it made sense.

Harold is a 70-plus year-old-man.  He was one of the first people in his neighborhood to get the Coronavirus.  His son had thought to get him an oxygen tank and so he didn’t need the hospital.  Two weeks later he had survived the virus and was more or less immune.

It was sometime a month or so later that the local rabbi called up.  He explained that people could no longer sit with the dying, with the deceased, as their faith prescribed.  Perhaps, since he was now immune, he would be willing to do so.  And, more to the point, perhaps he would be willing to paint the deceased for their family–as a last gesture.

Harold was an excellent painter–former teacher, exemplary artist who sold paintings to raise money–and often made a lot.

And so, Harold found himself in the hospital, often overnight, by himself, painting. (more…)

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SOUNDTRACKNATU CAMARA-GlobalFEST Tiny Desk (Home) Concert #134/143 (January 12, 2021).

Natu CamaraGlobalFEST is an annual event, held in New York City, in which bands from all over the world have an opportunity to showcase their music to an American audience.  I’ve never been, and it sounds a little exhausting, but it also sounds really fun.

The Tiny Desk is teaming up with globalFEST this year for a thrilling virtual music festival: Tiny Desk Meets globalFEST. The online fest includes four nights of concerts featuring 16 bands from all over the world. 

Given the pandemic’s challenges and the hardening of international borders, NPR Music and globalFEST is moving from the nightclub to your screen of choice and sharing this festival with the world. Each night, we’ll present four artists in intimate settings (often behind desks donning globes), and it’s all hosted by African superstar Angélique Kidjo, who performed at the inaugural edition of globalFEST in 2004.

The third artist on the second night is Natu Camara from Guinea.

Natu and her band play four songs.
From a studio space in Brooklyn, Guinean native Natu Camara mixes West African soul, rock and pop music. As a builder of inter-cultural bridges, Camara uses her songs to bring people together, weaving a tapestry of musical stories and visions of her beloved home.

“Ka Hirdé” is a short introductory piece. The “boombastic” Kayode Kuti on bass and Matthew Albeck on guitar set the melody going while percussionist Gary Phes and drummer Oscar Debe propel it forward.  Camara and her backing singer Lindsey Wilson sound great together while Camara plays a percussive stick.

It’s a short introduction before the funky “Waa” which means “crying for your soul.”  There’s some great bass work behind this simple catchy song.  I love the way it builds with the sung “waa, waa”  until a grooving keyboard solo makes the song feel like a jam.

“Dimedi” means “child” and is dedicated to all the children around the world.  She says, “Let’s take care of the children so we can change the future.  We may not be here when the world is better but at least if we train them well maybe they will do better than our generation.”

The song is slow and mellow with just Camara singing and playing guitar and keyboard washes from John F. Adam.  Until the whole band joins in to flesh out the song.

“Arabama di” ends the set in a really fun way.  It has a kind of reggae intro with some super funky drums and a wild bass line.   By the end, the song has turned into a wild jam with everyone dancing (in their seats) and a wailing solo from Albeck.

[READ: January 14, 2021] “Christmas in Cochinchina”

This story comes from a collection called A Very German Christmas: The Greatest Austrian, Swiss and German Holiday Stories of All Time.  I don’t know if the whole collection was translated by Michael Z. Wise, but this story was.

This was a very simple story, full of memories of childhood.

The narrator’s class went to the World Panorama.  It was a small class trip and cost five pfennings.  The narrator didn’t have the money so the school paid for him.

Once you went inside and the darkness cleared, you could see a large cabinet. It was illuminated from within and has holes that you could look in.

After being told to sit, he saw the show begin.  There were scenes from Cochinchina (Vietnam).

The sky was an intense blue and the sun was radiant–the narrator quickly forgot it was December in Germany..

There were palm trees and men in pith helmets.  There were women with arousing breasts and loincloths

that certainly would have fallen off if one could have stopped the pictures.

There was a British man teaching naked children.  There were fishermen and swimmers.

And then a gong sounded and it was over. (more…)

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SOUNDTRACK: LEO KOTTKE AND MIKE GORDON-Tiny Desk (Home) Concert #100 (October 21, 2020).

I’ve enjoyed Mike Gordon’s playing with Phish and his solo records for years. But I’ve never really explored his recordings with Leo Kottke.

It’s been 15 years since the legendary guitarist Leo Kottke put out a new recording, and it’s no coincidence that his new music is with Phish bassist Mike Gordon. The two have a history of making albums together, but that hit a hiatus in 2005 with their Sixty Six Steps projectThey’re back with a 2020 album, Noon, and Phish drummer Jon Fishman joins the duo.

They open with “Flat Top,” a fantastic instrumental with lots of melodic runs.

They begin with what fans of Leo Kottke fell in love with 50 years ago, the sound of his acoustic guitar fingerpicking. Mike Gordon punctuates the opening song “Flat Top,” which at moments feels like a musical chase.

Mike plays his five string bass like a lead instrument, either playing a kind of counterpoint to Leo’s guitar melodies or even following them along beautifully.

Jon Fishman is a tasteful addition. Mike and Jon have played over 2,000 shows together, so there’s telepathy there. Still, he also finds ways into the music that isn’t merely rhythmic; he adds aural atmospherics with brushes in hand. There are some fun visual tricks but — musically speaking — not a moment of trickery. Just pure magic.

Before “The Only One” Leo’s phone rings and he talks about his friend Sam.  He met Sam when they played poker.  Sam told Leo his two pair beat Leo’s three of a kind.  “On such rip-offs life long friendships are made.”  Mike introduces Fish (“he’s my hero”) who is playing in the studio downstairs from Mike.

Introducing the song, Leo says, the name “The Only One” sounds better than “How to Be an Asshole,” I gotta admit.

There’s plenty of picking in this song as we’l, but its also got some gentle singing from Kottke, harmonies from MIke and gentle drumming from Fish.  The middle solo section is a wonderful moment where both Leo and Mike play complementary solos.

And while they’re miles apart for this Tiny Desk (home) concert, Leo at Creation Audio in Minneapolis and Mike and Jon at Tank Recording Studio in Burlington, Vt., there’s plenty of humor and spirit traversing the wires.

They do an amusing visual joke of them throwing a water bottle through the cameras frames–it’s lined up perfectly.

Mike tells a story that might have inspired “Sheets,” but Leo says,

I don’t know why I wrote this tune.  I don’t know why I write any of them.  I’ve always got my guitar–annoy the neighbors.  I have to hear the guitar.  And every now and them something will come up.   This song uses some of Mike lowest bass notes–they really resonate with Leo’s pretty guitar and gentle singing.

The final song is clearly written by Mike.  He introduces “I Am Random” by saying

This is a song that’s not about being a person standing in a room doing something … ever.

Then he says

it’s about people who came to our country from Kiev in 1885–they took a bell out of a church tower and rode it on out of town.

Who knows what the truth is. This song has a great funky bass line and Mike’s lead vocals.  There’s all kinds of weird (random?) things going on in the song.  Bass slides, time changes and a wonderfully chaotic denouement from all three.

This is a fantastic introduction to what this dup can do and a great introduction to Kottke’s music for me.

[READ: December 3, 2020] “A Famous Man”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 3. Kathryn Scanlan, author of The Dominant Animal, doesn’t need to pay admission if she’s just visiting the gift shop.  [Click the link to the H&O extras for the story].

Yesterday’s story was told in first person plural. This one is told (in part) in second person singular.

“You” follow the life of a famous man. (more…)

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