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Archive for the ‘Wilco’ Category

[DID NOT ATTEND: August 5, 2025] An Evening with Wilco

Nothing could have excited me more than an evening with Wilco.  They are an amazing live band and I would have been so excited to be in the pit for this one.

So why didn’t I go?

Because I already had tickets that night to see Modest Mouse and The Flaming Lips–in the pit at the Mann Center.  True I’d seen both bands seven times already, but never from the pit!

So it was a tough choice, but I couldn’t do both.

Sounds like it was a great night.  But so was mine!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2025
Islands of Men ©
Jesse
Tomorrow’s Crusades Ø
Cocaine ©
Half Real ©
2122 Ø (with Interstellar Overdrive” Pink Floyd)
Cowboy Nudes Ø
Taxes ©
4D Contry
St. Elmo Ø

© G3 (2025)
⊗ 4D Country
Ø 3D Country

 

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[DID NOT ATTEND: December 8, 2022] Autumn Defense / Nels Cline Duo / Eucademix

When this show was first announced, I grabbed a ticket immediately.

Two of my favorite members of Wilco are Nels Cline and Glenn Kotche.

So to be able to see them do their work solo was incredible.

Then all of a sudden, when I looked at the show poster it looked like this —>
instead of the one at the bottom of the post.

Where was Glenn?

There was no word or information.  A day or so before the show I discovered that Glenn had hurt his arm (or something) and wasn’t going to be there. (more…)

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[DID NOT ATTEND: April 17, 2022] Wilco

When Wilco announced that they were going to play Yankee Hotel Foxtrot straight through–in Chicago and New York City–I knew I had to try to get a ticket.

Amazingly, I scored one–a fantastic seat–on Sunday April 17.  Which was, I later found out, Easter Sunday.  Easter is not a huge holiday for us, but it is a family gathering, and I didn’t feel right going out on the Sunday.  Especially to a place that i knew nothing about, location and parking-wise.  I tried to sell the ticket but wasn’t able to.  So I ate it along with my Easter ham.

A couple of days before hand, there was some grousing that the band (known for their long shows) only played the whole album an a few encores.  They played fourteen songs on the first night.  By my night (night three). they had bumped it up to 19 songs.  But it seems like maybe the band were annoyed that people wanted more…

I have a little regret for not going–it will certainly never be played like this again.  But it was not that big a deal to miss out.  Especially since I had been in a massive cancelling on shows streak. (more…)

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[ATTENDED: August 22, 2021] Wilco / Sleater-Kinney / NNAMDÏ [rescheduled from August 23, 2020]

I saw Wilco five years ago and it was one of the best shows I’d ever been to.  The band was amazing.  The live versions of their songs were tremendous and they played thirty two songs (two encores).

They were top on my list of bands I wanted to see again.  But they didn’t come close to us until this double headline tour last year which became this year.

The bad thing about the double headline is that neither headlining band plays a full set,  I assume this is nice for the bands, but who knows.   What this mean logistically is that the band played twelve fewer songs at this show.

But those twenty songs were fantastic.

They started with the most appropriate song for a post-pandemic tour “A Shot in the Arm.” And yes, that was all we needed.  (more…)

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[ATTENDED: August 22, 2021] Wilco / Sleater-Kinney / NNAMDÏ [rescheduled from August 23, 2020]

I saw Sleater-Kinney two years ago.  This was the tour where Janet Weiss had just left the band and I think there were some weird feelings floating around.  The show was odd since they weren’t a trio, but I came away thinking that they sounded amazing.

Last tour the had three additional players: Angie Boylan (drums), Katie Harkin (guitars/keyboards) and Toko Yasuda (keyboards).  This time, their backing band was entirely different.  Almost up front with Carrie and Corin was third guitarist Fabi Reyna (who started She Shreds magazine and was a major force on stage).  Then in the back row was Galen Clark on keys, Bill Athens on bass and Vincent Lirocchi on drums.

I saw S-K 21 years ago when they were a punky trio and while I would have loved to see one more set with Janet on drums, this new set up is really great live.  It allows them to explore in very different ways.  Having Fabi play a series of piercing high notes throughout most of the songs added a nice edge to all of the songs.  She also seemed to allow Carrie a little freedom to move around a bit more (something Carrie seems to be really enjoying).  Plus, now that they have a bassist (!) and a keyboardist, they can make all kinds of sounds.

I was surprised that they announced a tour with Wilco because they sound so different.  Although I know that Carrie and Jeff worked together on Portlandia, and that they are buds.  I feel like many of the Wilco fans had no idea who Sleater-Kinney were.  But there were plenty of S-K fans there to rock. (more…)

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[ATTENDED: August 22, 2021] Wilco / Sleater-Kinney / NNAMDÏ [rescheduled from August 23, 2020]

NNAMDÏ is Nnamdi Ogbonnaya, an American multi-instrumentalist born in California to Nigerian immigrants now based in Chicago.

I had not heard of him, but I was really intrigued to see what his set would be like.  I can honestly say it was nothing like I expected.

Earlier in the tour NNAMDÏ fell off a scooter or skateboard and broke his wrist.  He missed a few dates and then was back on the tour.  NNAMDÏ plays guitar but he had to get a replacement for the tour.  He told us the replacement learned all of his parts in like a day.  And the parts were all over the place.  Because NNAMDÏ’s music is about as unclassifiable as Thundercat’s.

I felt like he was digging into prog-rock territory and yet I guess it would be more accurately labelled as jazz with rapid time changes, incredibly fast parts and wicked jamming.   And yet the roots of most of his songs were a kind of pop/R&B vibe. (more…)

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SOUNDTRACK: MY LITTLE FUNHOUSE-Standunder (1991).

Drummer has a funny story about joining My Little Funhouse.  It’s especially funny given how young he was and how raunchy the band seems.

This album feels like a hair metal band whose second guitarist had just heard of grunge.  Lead singer Alan Lawlor sounds bratty and sleazy like an L.A. hair metal stud.

There’s some ripping guitar solos (“Destiny”) and big soaring ballads (“Wishing Well”) and there’s a dumb straight up rocker (“L.S.D.”).  There’s even the quiet intro (lighters up in the air) “sensitive” song (“breaks my heart/tears me apart”), “Anonymous.”

The one musical surprise is the summer guitar intro of “Been too Long” which sounds like it belongs to another song all together.  Although the bass/drum clap along is pretty apt.  “raintown” is another song that is a little unusual here–it feels like a B-side.  Lawlor’s vocals are toned way down and the production is much softer.

Perhaps the one thing that sets them apart from the West Coast metal is the song “Catholic Boy.”  Yup, it’s just as sexual/ist as a typical metal band, but the specificity of being Catholic seems very Irish to me.

My Little Funhouse opened for Guns N’ Roses when they toured Ireland.  And that makes perfect sense.  This album is completely of its time (or maybe a year too late).  With the right exposure, they would have been huge.  But this is the only thing they released before they broke up.

[READ: December 30, 2020] Irish Drummers Volume 1

I received this book at work and thought it would be interesting to look though.  I flipped through the names in the contents and was pretty sure I hadn’t heard of any of these drummers.  But it turns out I knew a lot of the bands they played in, just not their names.

Gilligan says that he created the website Irish Drummers several years ago.  It was an opportunity for him to interview Irish drummers and celebrate them.  Gilligan himself is a drummer but never really played with any bands.  Probably the most famous Irish drummer, U2’s Larry Mullen, Jr is not in this book, but he is on the website.

Gilligan thought it would be very cool to publish a book and here it is. The interviews are truncated for the book, you’ll get a lot more online.

Each interview has a picture (or two) and three to seven questions.

I have made some notes of interest from the drummers who had something unique to say. (more…)

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SOUNDTRACK: D12-“Bizarre” (2001).

Hornby said that this track, a skit on the D12 album, was “I think the single most dispiriting moment of my professional life so far this millennium.”  Which meant I had to see what was so horrible.

I didn’t want to listen to the whole D12 album because I basically agree with his sentiments, I just think he;s way over the top into curmudgeonland.

So this skit starts with guys talking about hos and general sex ideas.  Then a guy introduces Bizarre (one of the D12) to Cindy.  She asks about Eminem (which is pretty funny) and he says he doesn’t know who that is.  He starts hitting on her and then farts very loudly.  When she protests, “the fuck you didn’t” he says, “Girl chill out, that shit came from my soul.” Which also made me chuckle.

Then he farts loudly again and asks for a kiss.  And that’s pretty much it.

It’s juvenile and light-hearted (which is probably necessary given how dark and misogynistic the rest of the album seems).  But I can’t imagine anyone wanting to hear it more than once if you were actually listening to the album.

Nevertheless, you have to be a real curmudgeon to not enjoy humor in music.  And, given his reaction to Blink 182, I’m guessing Hornby likes his bands to be Sophisticated, only.

[READ: September 10, 2020] “Pop Quiz”

I have enjoyed recent essays by Hornby in which he jokes about being a curmudgeon.  But boy was he ever a real musical curmudgeon in 2001.

He says that back in July 1971, the top ten list included Sticky Fingers by The Rolling Stones, Whats Going On by Marvin Gaye, a live album by CSN&Y and Aretha Franklin Live at the Fillmore East.  He says even the most curmudgeonly critics probably gushed over this list.  [Let’s gloss over the fact that there were a lot fewer albums released back in 1971 and that record sales were pretty well determined by radio airplay etc–so you had a pretty set idea of what would be popular].

But now there are many different top ten lists, probably because most critics don’t like what’s on the actual top ten list.  Many of those critics from 1971 are still critics today.

He says there is literary, critically approved pop–Wilco, Lucinda Williams, Nick Cave–none of whom trouble the Billboard statisticians much.

But he was unfamiliar with most of the people on the top ten on July 28, 2001.  So he decided to listen to them all (more…)

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[POSTPONED: August 23, 2020] KT Tunstall / Christine Havrilla

index

Initially, KT Tunstall wasn’t going to play Ardmore Music hall when she scheduled her Spring tour.  She had a date at SOPAC in NJ in March and a date in Sellersville in May.

With the rescheduling of her shows, she added a show at Ardmore Music Hall, sponsored by WXPN.  And there’s a really hopping poster attached to it.

Of all the advertising for her shows, this one certainly looks the most exciting.  This rescheduled show was on the same date as my Wilco / Sleater-Kinney show, so I wouldn’t have gone…but with the Wilco show cancelled earlier, it was a possibility,

I had forgotten about KT Tunstall.  I had her first record and then didn’t realize that she had had a couple of other (big) hits since “Suddenly I See.”

Her name has been popping up all over the place lately and each time I saw her name I wondered if I should check her out.  She’s touring with Hall and Oates this summer and she seems to be doing a lot of local shows as a headliner.  All of this repetition has me thinking I might go see her.  But mostly I’m intrigued by how much her name is going to show up in these posts soon.

Christine Havrilla is a folksinger who sounds a bit like she could sing with the Indigo Girls.  She’s from Philadelphia and apparently if she’s with her band Gypsy Fuzz she rocks out harder than solo–although the song I heard veered a bit into country.

seller

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[POSTPONED: August 23, 2020] Wilco / Sleater-Kinney / NNAMDÏ [moved to August 22, 2021]

indexI’ve wanted to see Wilco again ever since I saw them a few years ago.  Their show was outstanding and long and I know that each set is a little different.

When I heard they were touring with Sleater-Kinney, I was pretty surprised.  They are very different sounding, but they share a sensibility that makes sense.  Their announcement of their co-headlining tour was pretty great too).

I had just seen S-K and didn’t really need to see them again (although it was a great show), but I was pretty excited that they were joining Wilco.  I got tickets very quickly (even willing to go to the Mann Center) and they were good seats (even though it was the day after Deftones).  Once again, I’m glad a show that I have good seats for is simply rescheduled with seats remaining.

S. had actually expressed interest in going after I mentioned that I had gotten the ticket. I felt bad because I didn’t think she’s want to go.  Maybe with the reschedule I can get her one too.

I haven’t heard of NNAMDÏ who is Nnamdi Ogbonnaya, an American multi-instrumentalist born in California to Nigerian immigrants now based in Chicago, Illinois.  He plays a kind of experimental pop and sings with a gentle falsetto.  He doesn’t really go with either of them, but he could certainly work on the edge of both of their more recent styles.  I’m curious to see him live as well.

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