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Archive for the ‘The Temper Trap’ Category

[ATTENDED: July 23, 2026] Muse

I can’t believe that it has been seven years since I’ve seen Muse.  Mostly because I remember their two shows (the earlier one was ten years ago) so vividly because they were fantastic.

I blew off their last tour to the States in 2023 because the tickets were so expensive.  Then I read a review and realized that the price was worth it for the show.  This time around the tickets were once again WAY too expensive, but they were at the PNC Bank Arts Center.  Where you can get lawn seats for around $40.  And, if the pavilion seats aren’t sold out, you can upgrade for $25.  And that’s what my son and I did.  We got Row Q which was the best location I’ve had for a Muse show.  And holy cow was it amazing to see them so close.

I realize that I haven’t enjoyed Muse’s newer stuff as much as their older stuff (I know everyone says that) but it doesn’t mean I think the new stuff is bad.  I just need to listen more, I think.  But new music mostly means a new tour and new technology for them to play around with.  And that’s pretty awesome.

When I saw them last time, it involved gigantic creatures all around the stage.  This show was slightly more subdued, but no less technologically marvelous.  Although at the start, the stage was remarkably minimalist.  One amp behind Matt Bellamy–I assume it was not plugged in and was just a prop).  Dominic Howard on drums on a riser in the middle (later, the amp was replaced with a small standing kit that he used for a song or two while they were no doubt doing something interesting to his main kit.  In the back right was touring musician Dan Lancaster who plays keys and guitar and other things.  And then there was bassist Chris Wolstenholme with his red-light-on-frets bass guitar.  He and Bellamy walk all over the stage, untethered to anything.

I assumed that they would be playing most of the new album and would certainly start with a new song.  But, instead, after a Chvrches song played over the speakers, they came out (to thunderous applause) and launched into Interlude.  Which is an amusing title to star a show with but it segued into the outstanding Hysteria which go the crowd totally rowdy. (more…)

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[ATTENDED: July 22, 2026] Bloc Party

For ages now I’ve felt like I should get into Bloc Party.  I mean, right from the start, I associated them with Art Brut and there’s no good reason why I didn’t jump on the Bloc Party party.  While not as “talkie” as Art Brut there is a similar vibe, with singer Kele Okereke kind of yell-speaking the lyrics.

Last year, Bloc Party played a show at the Met Philly.  I was going to go because Metric was opening.  Then they dropped out and I wound up not getting tickets–as I said, I didn’t know them all that well.  But I was really excited that they were opening for Muse on this tour, because it would finally give me a chance to check them out.

And they were fantastic.  The sound wasn’t perfect for them (too much bass drum, good heavens).  But what really impressed me about them was how great they sounded musically.  I’d always thought that the focus was on the lyrics/vocals.  And, yes, the lyrics are compelling, like on Coming on Strong

I was happy as a pig in
Happy as a pig in
Happy as a pig in spite of myself

But once I got past the words, I was blown away by guitarist Russell Lissack–he generated some weird and cool sounds effortlessly.  And there’s so much going on with the guitar work in Bloc Party songs.  I only wish I’d watched him from the start.  But, understandably, all eyes are on Kele–especially since he is a big muscular dude (I didn’t really know what he looked like back in the day, but he is big now!

I found myself liking their newer songs even more than their older ones.  The guitar progression of Rough Justice is great–cinematic and slightly scary at the same time.  Of course, the riff from 2012’s So He Begins to Lie is also great–heavy and lurching but really catchy as well.  And it was during this song that I really blown away by drummer Louise Bartle.  She played fast and heavy and played some really interesting drums patterns.  I realize that she didn’t play on the early albums (she joined ten years ago), but she was a force of nature live. (more…)

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[ATTENDED: July 22, 2026] The Temper Trap

I was really excited for this show. Muse is always a good show and I brought my son with me–he’s become a big fan.  I had purchased lawn seats and was hoping to upgrade them to pavilion seats when we arrived.  So I wanted to get there earlier enough to upgrade without having to hang out with nothing to do.  I knew that heading down to Holmdel around 6PM can really suck. but I was totally unprepared for how bad the traffic would be.  Holy cow, we were on 287 for half an hour easily (ten miles).  We pulled up to the venue just before 7. We still managed to upgrade our tickets and walked into the pvailion just as The Temper Trap came on.

I hadn’t heard of The Temper Trap, but when I looked them up I found out that they had a new album that being quite well received.

I also found out that they were from Melboure and I’ve been having a great deal of luck with Australian bands lately.  Well, I’ve found that they actually moved to London a while ago (and singer Dougy Mandagi doesn’t have much of Australian accent).

I enjoyed their set but I wasn’t really blown away by anything.  Indeed, when they were done I couldn’t even really remember what the sounded like (except that the bass was way too loud, which I know is not the band’s fault).

Listening to the songs now, Lucky Dimes is pretty cool with the sound effects getting generated–but which I didn’t really notice during the show.

Into the Wild slowed things down and Mandagi ‘s falsetto really came to the fore. (more…)

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