[ATTENDED: July 22, 2026] Bloc Party
For ages now I’ve felt like I should get into Bloc Party. I mean, right from the start, I associated them with Art Brut and there’s no good reason why I didn’t jump on the Bloc Party party. While not as “talkie” as Art Brut there is a similar vibe, with singer Kele Okereke kind of yell-speaking the lyrics.
Last year, Bloc Party played a show at the Met Philly. I was going to go because Metric was opening. Then they dropped out and I wound up not getting tickets–as I said, I didn’t know them all that well. But I was really excited that they were opening for Muse on this tour, because it would finally give me a chance to check them out.
And they were fantastic. The sound wasn’t perfect for them (too much bass drum, good heavens). But what really impressed me about them was how great they sounded musically. I’d always thought that the focus was on the lyrics/vocals. And, yes, the lyrics are compelling, like on Coming on Strong
I was happy as a pig in
Happy as a pig in
Happy as a pig in spite of myself
But once I got past the words, I was blown away by guitarist Russell Lissack–he generated some weird and cool sounds effortlessly. And there’s so much going on with the guitar work in Bloc Party songs. I only wish I’d watched him from the start. But, understandably, all eyes are on Kele–especially since he is a big muscular dude (I didn’t really know what he looked like back in the day, but he is big now!
I found myself liking their newer songs even more than their older ones. The guitar progression of Rough Justice is great–cinematic and slightly scary at the same time. Of course, the riff from 2012’s So He Begins to Lie is also great–heavy and lurching but really catchy as well. And it was during this song that I really blown away by drummer Louise Bartle. She played fast and heavy and played some really interesting drums patterns. I realize that she didn’t play on the early albums (she joined ten years ago), but she was a force of nature live. (more…)
