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Archive for the ‘The Mighty Mighty Bosstones’ Category

[DID NOT ATTEND: April 27, 2024] Me First & the Gimme Gimmes / The Defiant / Ultrabomb

I initially didn’t want to like Me First and the Gimme Gimmes because I didn’t like their name.  There are worse reasons to not like a band. Then I learned that they are a cover band doing punk covers of classic rock songs and I thought their name was actually pretty perfect and now I want to see them live too.

I bought a ticket for this show but learned a few weeks later that Teenage Fanclub was playing the same night.  Very different vibes, but a tough decision.

And, best of all, my family was going to be out for the night so I didn’t even have to feel guilty about going out without them!

But for whatever reason, I was really tired that night.  I wound up doing a lot of things that day and was asleep by 9:30.  I probably could have gone to the show and been awake enough to enjoy it, but I didn’t have the motivation to go to either show.

I hadn’t heard of The Defiant, but had I known about them, it probably would have swayed my decision to go to this show

Members from The Offspring, Smash Mouth, The Mighty Mighty Bosstones, Street Dogs and The Briggs have united to form the new band THE DEFIANT. The members of The Defiant are no strangers to success as individuals but as a group their music stands for so much more on both a personal and professional level. Together the five members create a rock ’n’ roll pedigree that culminates into a riot of melodic punk. The Defiant will release their twelve-song debut album this October with touring to follow.  The Defiant is:  Pete Parada on drums (The Offspring),  Greg Camp on guitar (Smash Mouth),  Johnny Rioux on bass (Street Dogs),  Joey LaRocca on guitar and keys (The Briggs) Dicky Barrett front and center (The Mighty Mighty Bosstones).

Mostly, I have wanted to see The Mighty Mighty Bosstones for decades (I saw them once back in the 90s) and was very sad when they broke up.  Had I known that I could have seen Dicky Barrett (who is really the one I wanted to see), I would have absolutely gone to this show. Ignorance is a bad thing.

And holy crap Ultrabomb features Hüsker Dü’s Greg Norton!  Why didn’t I read about these bands before this show?

UltraBomb, the eagerly anticipated international supergroup, have now arrived bringing together three iconic musicians from the cream of punk rock. On bass is the legend that is Greg Norton, once the driving force behind one of the most influential bands to emerge from the American punk scene, Hüsker Dü. Next up is the indefatigable singer-guitarist Finny McConnell, a name you’ll recognise from thirty years as the frontman of the Canadian Irish folk-punk sensation The Mahones. Completing the trio is the drumming powerhouse Jamie Oliver, having served well over fifteen years in the seminal British punk band UK Subs, as well as shorter stints with the likes of SNFU among others.

Oh boy, do I regret missing this show.

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ijSOUNDTRACK: THE MIGHTY MIGHTY BOSSTONES-Don’t Know How to Party (1993).

mmbI’ve always had a thing for ska (although even I got sick of it when No Doubt took over the airwaves, thanks Gwen).  When ska gets added to blistering metal, well, it’s hard to resist.  And so we get Boston’s own Mighty Mighty Bosstones.

This was the first Bosstones’ record I’d heard and I fell for it immediately.  I also really appreciated the aggressively green plaid that the band sported at the time (although they have since denounced the look).

A horn section can be a tricky thing in a rock band, with many using it to very poor effect. But the Bosstones used it wonderfully, complementing the heaviness and adding a cool skanking sound to the metal chops. And the songs are fantastic and fun.  “Someday I Suppose” is just one of the great rocking anthems from the 90s.  “Illegal Left” is wonderfully catchy and funny.  And “Issachar” is just blistering punk.  These three songs show the rocking and skanking range on the disc.  All of this is wrapped around Dicky Barrett’s rough, growling, heavily-smoker-sounding voice.

The Bosstones would go on to write some hugely popular tunes after this disc (with each disc getting progressively more recognition and sales) but for me, this is what ska is all about.

[READ: Week of September 7, 2009] Infinite Jest (to page 876)

Infinite Tasks drew my attention to a new comment regarding the Joelle timeline that we’ve been concerned about.  Greg Carlisle responded to it at Infinite Summer. And so Infinite Tasks updated an older post here.  I’m willing to accept Carlisle’s word as he did write Elegant Complexity after all.

And yet there’s another interesting time line issue that I bring up below about a chapter heading and an electronic calendar that Hal looks at.

ijdot1I’ve also decided that, since the story is steamrolling to an end, and since so many of the end days are coming along, I’m going to update my own calendar (but just the November info).  I’m putting it at the end of the post to include this week’s information.

In general, I’m a little bummed to see so many people have completed the book early, tempting as it is to do so (although obviously that’s better than not finishing at all, right?).  I’m nevertheless enjoying my routine and I think I’ll actually miss it when it’s over.

ijdot1

elizThis week’s reading is almost entirely focused on Gately in St Elizabeth’s Trauma Wing.  He is stuck staring at the ceiling which is breathing at him.  It reminds him of a holiday in Beverly, Ma in which the beach house that they rented had a hole in the roof. The hole was covered by a plastic sheet which flapped and pulsed with the wind.  His crib was placed under the hole and it freaked him out (although what is a 4 year old doing in a crib?  Well, Gately’s mom is clearly not the best parent.) (more…)

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SOUNDTRACK: DROPKICK MURPHYS-The Meanest of Times (2007).

Ever since The Pogues, traditional Irish music has been matched to a punkish attitude. The Dropkick Murphys take this one step further in that they are pretty much a hardcore band, and yet they throw in heaps of Irish attitude, channeled through growing up in Boston, Ma. I got their first album when it came out because I was living in Boston at the time. Then I more or less forgot about them. But The Meanest of Times made some noise, so I checked them out again. Despite their ever changing lineup, the band hasn’t changed that much in all these years. They still write great, fast, beer-swilling sing-alongs. Their vocalist sounds like the gruff, ass-kicking younger brother of The Mighty Mighty Bosstones’ Dicky Barrett. There’s a second vocalist on this record too who is less gruff, but, I feel, less effective. He sings one or two songs, but he’s primarily background in nature. And they still throw in the occasional bagpipe, accordion and mandolin. They have diversified their sound a little bit now. There are a few slower (but no less raucous) songs and even a ballad.

Lyrically, they touch on a lot of “political” issues. Not as in day-to-day politics, but more as in a general outrage at injustice (priest sex scandals, children’s services in the state of Ma, violence and war etc). They also reinvent some traditional style songs. “(F)Lanigan’s Ball,” a remake sort of of “Lanigan’s Ball” and old trad song. And “Johnny I Hardly Knew Ye” is an update of “When Johnny Comes Marching Home” done as more of a sea shanty–a punk sea shanty.

I’m not sure why hardcore punk matches so well with traditional Irish jigs, but it really does. If you like your music fast and loud, The Dropkick Murphys throw in a few extra ingredients to diversify your portfolio.

[READ: May 28, 2008] Diary of a Wimpy Kid & Diary of a Wimpy Kid: Rodrick Rules.

A lot of kids come into the library looking for these books. When I finally looked at it, it looked pretty funny, so I picked it up. I’m going to review the two books together because the second one is basically a continuation of the first one, there’s not a lot of differences, but, since the books are pretty short, that’s not a problem. (more…)

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