[DID NOT ATTEND: May 20, 2024] Zeta / Cold Court / Sweet Pill
I was really excited when this show was announced (although not the reason it was an announced).* But this week appears to be the week that I had many shows lined up and things keep coming up to prevent me from going.
So, as my day unfolded, it was pretty clear that i wouldn’t be able to go to the show.
And with this line up, I’m sure it was intense and amazing. In fact, it may have been a little too intense for me in that small space. The last time I went to the Ukie club there was some serious dancing and right now I am not up for the pit. So maybe it was better for me to not be there. (more…)
[DID NOT ATTEND: May 10, 2024] Sweet Pill / Equipment / Broke Body / Have a Good Season
Sweet Pill opened for Pool Kids last year. But I arrived too late and missed them.
The other bands raved about them so I was interested in checking them out. I was really surprised that they had a headline spot at Union Transfer. And they sold it out! Very impressive.
I decided I didn’t care enough to go to a four-band show if I didn’t even know the headliners.
Philadelphia’s Sweet Pill writes eruptive emo songs that embrace the edges of pop and hardcore. The kind of band whose members are fully immersed in their local scene—through a handful of notable side projects (twentythreenineteen / Goings / Harm Assist / typopro) and the show-promoting Philly staple 4333 Collective—the quintet’s sound takes wide-spectrum influence from its environment. The result is an amalgam of complex song structures and flourishes of technical acumen, wholly unconcerned with genre, yet evoking the specific styles of touchstones such as Paramore and Circa Survive.
I personally hear a huge amount of Pool Kids in their music, without the wild guitar pyro that Pool Kids use. (more…)
After two bands (and the inability to buy water at the bar–I can never catch a bartender), I splashed water on my face in the bathroom and prepped for Pool Kids.
The band set up, left the stage and then moments later came on stage to a familiar song that I realized I had no idea the name of. And you probably don’t either.
It was “Sandstorm” by Darude. You know it. Everyone knows it. When I looked up the song the top comment on YouTube is “This song would have well over a billion views if people could actually find it” And it’s true no one knows the name of it. [The video is quite good too.]
Anyhow, the band came out to it, getting everyone pumped, and then the song slowed and wavered as they kicked into the opening chords of “Swallow.” There’s some great guitar lines on this song and even though there’s some mellow middle parts (on record–live it’s much heavier), the crowd immediately started slam dancing. Several people who were up front headed for the sides and I moved over a bit to let them get their dancing out. (more…)
I had seen Syndey Sprague open for The Front Bottoms a couple years ago. She was the first band of the night and I wound up walking in after the first two songs.
I liked her vibes and overall sound. But I was surprised/disappointed by her record which was a lot more poppy than her live show (which was kind of grungy and rocking).
For this show, she came out in an oversized shirt(she must have been very hot).
The other two bands were fairly heavy and rocking, and Sydney was almost in that style, but was a little softer, a little quieter. Just a little. The biggest difference was in her singing style which was a lot more monotone than t he other two singers. Not monotone exactly, but nowhere near as expressive as the other singers.
Having said that, her set was a lot of fun and was full of songs from her new (as yet unreleased) album. The first two (new) songs were catchy and a rocking. The third, “Steve” slowed things down a bit but retained that catchiness with a big chorus.
“Object Permanence” is a poppy song–super catchy. (more…)
I wasn’t sure if I was going to make the show this evening. Things were confusing at my house, but got straightened out enough that I wound up leaving almost an hour after I would normally have.
I assumed I’d missed Chase Petra. It was stupidly hot in The Ukie Club and the band on stage was setting up at roughly 8:40. I guessed it was Sydney Sprague, but when someone on stage shouted for help with Syndey’s amp, I realized that this was Chase Petra.
And I thought, jeez, I’m glad I didn’t arrive on time if they’re just going on now.
But it turned out there was a secret guest who started the show. New Jersey’s Sweet Pill, who I could have seen at a Front Bottoms festival, but have now missed twice (and whose album is very good).
A few minutes later, amid loud (and accurate) grumbling about how hot it was, Chase Petra took the stage. (more…)
[DID NOT ATTEND: December 17-18, 2022] Champagne Jam 2022
Every year for quite some time, The Front Bottoms have been doing a Champagne Jam at the close of the calendar year. Brooklyn Vegan talked about in 2019:
The Front Bottoms‘ annual holiday concert Champagne Jam has taken place in NYC and NJ in the past, and this year it moves to Philadelphia. It happens December 21 (the Saturday before Christmas) at The Fillmore Philly Complex.
2022 saw them return to Philly, which has three venues all more or less connected. I don’t know how the set times are structured–if there’s any way to see everyone (probably not). But then again, I dind;t want to see everyone.
I bought my son and I tickets to the Saturday December 17 show figuring it was one last opportunity to see The Front Bottoms (since we kept missing them for one reason or another). Then we wound up scheduling our own holiday jam for the same night.
So we weren’t going to go to the Friday night show anyhow, but here’s the full lineup:
Friday, December 16, 2022 in the Lobby
DJ Spicy Brown
Friday, December 16 2022 at The Foundry
Flycatcher are from New Brunswick, NJ According to The Deli
Flycatcher are a four-piece rock combo hailing from New Brunswick, New Jersey, three of whom have immaculately sculpted facial hair (well ok one of them has a bushy beard but still it’s neatly trimmed and shaped). On the musical side of things Flycatcher carry on in the fine tradition of immaculately sculpted extremely catchy power-pop-that-rocks made in the Tristate Area with oft-witty lyrics and a distinctly que será, será attitude as established by such legendary acts as Fountains of Wayne, The Feelies, The Smithereens, and the ripe-for-revival Cucumbers.
They sound like they are worth checking out–the one song I’ve listened to is pretty slackery.
Sweet Pill is an emo band from New Jersey. The band consists of vocalist Zayna Youssef, guitarist Jayce Williams, guitarist Sean McCall, bassist Ryan Cullen, and drummer Chris Kearney. The video I watched for High Hopes was super catchy (and set in a bowling alley).
Another Michael is a band who have opened for a bunch of shows I haven’t gone to. They play a kind of mellow indie rock with lead Michael’s vocals veering into R&B styles. Not quite my thing. But that’s only one dud in a bill I didn’t even think about going to.
Slothrust are from Boston. In a review from The Revue (in Canada) from 2021, they talk about an evolving band:
In the 8 years we’ve been covering Slothrust, we’ve seen the band change a lot musically. They’ve shifted from the early days of jazz-infused grunge, which eventually grew into much bigger and less easy to classify sounds. Each record feels like a rebirth, from Everyone Else having a fine polish on that distinctive Slothrust sound but expanding on it at the same time. The Pact felt like an even more diverse records, with the band diving more into electronic sounds and even diving into poppier sounds. It set up any future releases nicely to dive even more into the trio’s widening approach. Their latest record, Parallel Timeline, heralds yet another rebirth of the band. “Cranium” kicks off the record and immediately sets the tone. This is a slower Slothrust, as the chugging basslines and heavy drums are nowhere to be found. All the things that make Leah Wellbaum stand out as an artist, however, are on full display. Her voice, her surreal lyrics, and, at about halfway through the song, her guitar work. “Once More For The Ocean” hits a bit harder, kicking of with a ripping guitar solo, but it stays a bit in that pop realm with a bunch of sections that just beg to be sung along with.
Sounds like a really good night and some bands I should be on the look out for.
Friday, December 16, 2022 at Fillmore Philadelphia
Lunar Vacation I saw Lunar Vacation open for The Beths and they were great. I’d happily see them again.
Emperor X is from Louisville, Kentucky (and presumably not the Emperor X from Berlin). He plays a kind of low-fi pop that I see is described as a “bummer jam” which is absolutely not my thing.
Joyce Manor is a punk band from California who I always think are someone else. Their latest album 40 oz to Fresno was described by The New York Times (!!!) as “relentlessly tuneful 17-minute collection of all-killer, no-filler power-pop.” I rather like their clean punk sound.
The Front Bottoms are the stars of the night and the main attraction. They were, no doubt fantastic, and I love that they give a lot of other New Jersey bands a platform.
Saturday, December 17, 2022 at Brooklyn Bowl
Shannen Moser I’ve seen Shannen Moser twice. Her intense folk songs are quite good
Shane Henderson was the singer of Valencia and now does mostly production.
Tom May has “lived the dream” of being a full time, working, self-supporting folk musician. Tom is also the founder and host of the nationally-syndicated live radio program, River City Folk.
Kevin Devine is someone I love and I was really looking forward to seeing his set–and hoping that it didn’t conflict with any of the other headliners.
Saturday, December 17, 2022 at The Foundry
Riverby are from Philly. They are a fun indie rock band with a loose sound (and a cover of “Walk Through the Fire” from Buffy the Vampire Slayer.
Hotline TNT is the shoegaze/indie rock project of singer-songwriter Will Anderson (a.k.a. Flip Sandy). The project began after Anderson moved from Vancouver to Minneapolis. Now based in New York, Anderson still handles the songwriting himself and has played live shows with several different lineups.
Kid Sister is a rapper who has appeared with Sault.
Saturday, December 17, 2022 at Fillmore Philadelphia
Prince Daddy & The Hyena is an American rock band from Albany, New York, formed in 2014 described as indie rock with punk and “slacker” influences
Soul Glo is a band I really want to see. They are an extreme punk band and will probably scare the heck out of me. It would have been safest to see them amid all of these other bands
Titus Andronicus is a band I should probably love, but I just can’t get into them.
The Front Bottoms headlining a second night.
This seems like a really fun festival.
Jordan Norris nicely posted a video of The Front Bottoms from both shows
Friday night:
Saturday night
Also
Also, The Flycatcher review had these two videos (because of a song called sodas in the freezer)
I was really excited when this show was announced (although not the reason it was an announced).* But this week appears to be the week that I had many shows lined up and things keep coming up to prevent me from going.
I Just Read About That... 