[DID NOT ATTEND: September 24, 2026] Slothrust / The Velveteers
I thought that I had been on the verge of seeing Slothrust many times, and yet I either didn’t note it or I’m making that up. I’d alway assumed that with a name like Slothrust that they would be really heavy. I also assumed, since I thought I saw their name a lot, that they were from Philly. But they are from Boston and have been around since 2010. Even more interesting is that the band is just Leah Wellbaum (vocals, guitar) and Will Gorin (drums).
I also just realized/remembered that they played the song for the opeinng credits of You’re the Worst, a show that my wife and I really liked back in the day. A nice review from The Revue (in Canada) from 2021 says
In the 8 years we’ve been covering Slothrust, we’ve seen the band change a lot musically. They’ve shifted from the early days of jazz-infused grunge, which eventually grew into much bigger and less easy to classify sounds. Each record feels like a rebirth, from Everyone Else having a fine polish on that distinctive Slothrust sound but expanding on it at the same time. The Pact felt like an even more diverse records, with the band diving more into electronic sounds and even diving into poppier sounds. It set up any future releases nicely to dive even more into the trio’s widening approach. Their latest record, Parallel Timeline, heralds yet another rebirth of the band. This is a slower Slothrust, as the chugging basslines and heavy drums are nowhere to be found. All the things that make Leah Wellbaum stand out as an artist, however, are on full display.
The biggest surprise for me is just how catchy their latest song is.
I was mostly interested in this show because of The Velveteers, a band I saw on Instagram and was immediately hooked by. Why? Because the band consisted (I assume it still does although I know someone left) of two drummers (one of whom is named Baby Pottersmith) and a guitarist/singer. The video was eye catching and the song was simple in that perfect grunge/garage sound that is just so great.
After hearing more of Slothrust, I would have really liked to get to this show, but I already had tickets to see Altin Gün tonight and I’ve been wanting to see them for a while. So I hope they both come back soon (especially The Velveteers).
[DID NOT ATTEND: December 17-18, 2022] Champagne Jam 2022
Every year for quite some time, The Front Bottoms have been doing a Champagne Jam at the close of the calendar year. Brooklyn Vegan talked about in 2019:
The Front Bottoms‘ annual holiday concert Champagne Jam has taken place in NYC and NJ in the past, and this year it moves to Philadelphia. It happens December 21 (the Saturday before Christmas) at The Fillmore Philly Complex.
2022 saw them return to Philly, which has three venues all more or less connected. I don’t know how the set times are structured–if there’s any way to see everyone (probably not). But then again, I dind;t want to see everyone.
I bought my son and I tickets to the Saturday December 17 show figuring it was one last opportunity to see The Front Bottoms (since we kept missing them for one reason or another). Then we wound up scheduling our own holiday jam for the same night.
So we weren’t going to go to the Friday night show anyhow, but here’s the full lineup:
Friday, December 16, 2022 in the Lobby
DJ Spicy Brown
Friday, December 16 2022 at The Foundry
Flycatcher are from New Brunswick, NJ According to The Deli
Flycatcher are a four-piece rock combo hailing from New Brunswick, New Jersey, three of whom have immaculately sculpted facial hair (well ok one of them has a bushy beard but still it’s neatly trimmed and shaped). On the musical side of things Flycatcher carry on in the fine tradition of immaculately sculpted extremely catchy power-pop-that-rocks made in the Tristate Area with oft-witty lyrics and a distinctly que será, será attitude as established by such legendary acts as Fountains of Wayne, The Feelies, The Smithereens, and the ripe-for-revival Cucumbers.
They sound like they are worth checking out–the one song I’ve listened to is pretty slackery.
Sweet Pill is an emo band from New Jersey. The band consists of vocalist Zayna Youssef, guitarist Jayce Williams, guitarist Sean McCall, bassist Ryan Cullen, and drummer Chris Kearney. The video I watched for High Hopes was super catchy (and set in a bowling alley).
Another Michael is a band who have opened for a bunch of shows I haven’t gone to. They play a kind of mellow indie rock with lead Michael’s vocals veering into R&B styles. Not quite my thing. But that’s only one dud in a bill I didn’t even think about going to.
Slothrust are from Boston. In a review from The Revue (in Canada) from 2021, they talk about an evolving band:
In the 8 years we’ve been covering Slothrust, we’ve seen the band change a lot musically. They’ve shifted from the early days of jazz-infused grunge, which eventually grew into much bigger and less easy to classify sounds. Each record feels like a rebirth, from Everyone Else having a fine polish on that distinctive Slothrust sound but expanding on it at the same time. The Pact felt like an even more diverse records, with the band diving more into electronic sounds and even diving into poppier sounds. It set up any future releases nicely to dive even more into the trio’s widening approach. Their latest record, Parallel Timeline, heralds yet another rebirth of the band. “Cranium” kicks off the record and immediately sets the tone. This is a slower Slothrust, as the chugging basslines and heavy drums are nowhere to be found. All the things that make Leah Wellbaum stand out as an artist, however, are on full display. Her voice, her surreal lyrics, and, at about halfway through the song, her guitar work. “Once More For The Ocean” hits a bit harder, kicking of with a ripping guitar solo, but it stays a bit in that pop realm with a bunch of sections that just beg to be sung along with.
Sounds like a really good night and some bands I should be on the look out for.
Friday, December 16, 2022 at Fillmore Philadelphia
Lunar Vacation I saw Lunar Vacation open for The Beths and they were great. I’d happily see them again.
Emperor X is from Louisville, Kentucky (and presumably not the Emperor X from Berlin). He plays a kind of low-fi pop that I see is described as a “bummer jam” which is absolutely not my thing.
Joyce Manor is a punk band from California who I always think are someone else. Their latest album 40 oz to Fresno was described by The New York Times (!!!) as “relentlessly tuneful 17-minute collection of all-killer, no-filler power-pop.” I rather like their clean punk sound.
The Front Bottoms are the stars of the night and the main attraction. They were, no doubt fantastic, and I love that they give a lot of other New Jersey bands a platform.
Saturday, December 17, 2022 at Brooklyn Bowl
Shannen Moser I’ve seen Shannen Moser twice. Her intense folk songs are quite good
Shane Henderson was the singer of Valencia and now does mostly production.
Tom May has “lived the dream” of being a full time, working, self-supporting folk musician. Tom is also the founder and host of the nationally-syndicated live radio program, River City Folk.
Kevin Devine is someone I love and I was really looking forward to seeing his set–and hoping that it didn’t conflict with any of the other headliners.
Saturday, December 17, 2022 at The Foundry
Riverby are from Philly. They are a fun indie rock band with a loose sound (and a cover of “Walk Through the Fire” from Buffy the Vampire Slayer.
Hotline TNT is the shoegaze/indie rock project of singer-songwriter Will Anderson (a.k.a. Flip Sandy). The project began after Anderson moved from Vancouver to Minneapolis. Now based in New York, Anderson still handles the songwriting himself and has played live shows with several different lineups.
Kid Sister is a rapper who has appeared with Sault.
Saturday, December 17, 2022 at Fillmore Philadelphia
Prince Daddy & The Hyena is an American rock band from Albany, New York, formed in 2014 described as indie rock with punk and “slacker” influences
Soul Glo is a band I really want to see. They are an extreme punk band and will probably scare the heck out of me. It would have been safest to see them amid all of these other bands
Titus Andronicus is a band I should probably love, but I just can’t get into them.
The Front Bottoms headlining a second night.
This seems like a really fun festival.
Jordan Norris nicely posted a video of The Front Bottoms from both shows
Friday night:
Saturday night
Also
Also, The Flycatcher review had these two videos (because of a song called sodas in the freezer)
This song is the opening theme to the FX show You’re the Worst, which I like very much.
The theme is only a few seconds long although the song (which has been around since at least 2011) is considerably longer (although it doesn’t reach 3 minutes).
Every time we’ve watched the show, I’ve tried to imagine who the guy is singing this song–he sounded strangely familiar. Well, imagine my surprise to find out that the music from the band Slothrust is pretty much written and sung by a woman, Leah Wellbaum. Well who would have guessed (it’s more evident in some of their other songs).
I love the simplicity of this song–repeated lyrics set to a ramshackle guitar which bursts forth into loud wailing in every repeated section. There’s even a guitar solo (equally as uninhibited). The band is a typically more punky than this folk song might hint, but you can feel all their glorious chaos in this one track.
It’s funny and rather catchy. Check out the song on bandcamp.
[READ: June 17, 2014] “Good Legs”
This year’s Summer Fiction issue of the New Yorker was subtitled Love Stories. In addition to the two graphic stories, we have a series of five personal essays which fall under the heading of “My Old Flame.” I liked that all five writers have slight variations in how they deal with this topic.
Joshia Ferris has written a number of things that I enjoyed. This piece, which found very peculiar, takes a very different approach than Kushner did. Where Kushner focused on different people in her past, Ferris Ferris focuses on one old flame. Or is she?
He says he met her in the hallway of a dorm. There’s this near-opening line that sets the tone: “I didn’t think much of her, but I was sure she had never seen anyone quite so handsome.”
It turns out that she was dating someone else anyhow. And then she graduated, leaving him behind (perhaps unbeknownst to her). He says, “I didn’t miss her,” because he was “in this terrible on-off thing with Sisyphus, who kept dragging me up a pretty blond hill and hurtling me down.” (more…)
I thought that I had been on the verge of seeing Slothrust many times, and yet I either didn’t note it or I’m making that up. I’d alway assumed that with a name like Slothrust that they would be really heavy. I also assumed, since I thought I saw their name a lot, that they were from Philly. But they are from Boston and have been around since 2010. Even more interesting is that the band is just Leah Wellbaum (vocals, guitar) and Will Gorin (drums).
