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Archive for the ‘Steven Page’ Category

[ATTENDED: April 22, 2025] Steven Page Trio

I have loved Steven Page’s voice for decades.

I’ve really enjoyed his Trio shows, too.  I think I’d like to see him with a full band to really rock out, but even in this trio format, they can still rock.

The trio includes Craig Northey (of Odds) on guitar and Kevin Fox on cello.  I saw this same trio in the same place six years ago and it was great to see them again.

Like last time, they played a mix of BNL songs and Steven solo songs.  It was fun that they opened with It’s All Been Done (Steven acoustic, Craig electric) and the crowd Whoo hoo hoo’d along with them.  They followed it with Steven’s A New Shore (Land ho!) and the on to another BNL song, Jane.

The conundrum is that I love the BNL songs as much as anyone, but I feel a little bad that he doesn’t play more of his great solo stuff.  And yet, when he satted Alternative Girlfriend–one of my all time faves, it was a glorious moment.  The fact that it segued into Odds’ Someone Who’s Cool was a wonderful touch. (more…)

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[ATTENDED: April 22, 2025] Menno Versteeg

Menno Versteeg is a Canadian musician who fronted the awesomely-named (but I’ve never heard or heard of) Hollerado.  I wasn’t aware of him until this show, and I’m not sure how “big” he is in Canada.

Menno was very funny–a lighthearted storyteller (even if the stories were kind of dark).  Sadly, we walked in during the first song (WCL can be a real pain to get to), but we didn’t miss much.

It was him and his acoustic guitar playing songs from Why We Run, his debut solo album–although he has released music under the name Mav Carlo as well.

His songs were about a rough life as a youth in Canada

We would to drink enough whatever there was
To kill a clydesdale every night
But we’d do enough drugs and punching,
To bring that same horse back to life  [from Videostore]

There was a country vibe, but like most of Canadian country music, there wasn’t that awful twang in the vocals.

I particularly enjoyed the two dog songs.  The 4o some second I Got a Dog which is (entirely):

My mother is dyslexic
Sometimes her letters switch around
She failed grade 10 like a good artist does
And passed those ğood ġenes down
She faints plowers, like she saints pun-sets
Haints her Peart when She bolds a hush
And she assured me I would rind my dog
When I wasn’t in a fush

And then Bad Dog was a funny song story about a real bad dog–but Menno loves him still. (more…)

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[DID NOT ATTEND: August 14, 2024] Steven Page & Tom Hampton

The summer concert series is a delight.  I really enjoyed going to see Kathleen Edwards there a few years ago.  It’s free and it’s a beautiful venue–especially if it’s a nice night.

I love seeing Steven Page and would have really enjoyed going to this show.  But my brother in law was in town and he was heading to the airport that day, so it really messed with our schedule.

I have not heard of Tom Hampton and what I discovered is

Multi-instrumentalist and singer/songwriter Tom Hampton enjoyed a long career as a sideman to a bevy of notable artists before landing an extended road stint with Marshall Tucker Band and ultimately landing with Poco, where he stayed until the passing of founder Rusty Young in 2021. Refocused on writing and releasing his own material, there’ll be lots of new music coming in 2024.

Odd choice, I suppose.  I wonder how many people have heard of him.

 

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[ATTENDED: June 18, 2024] Trans-Canada Highwaymen

I was pretty thrilled when the “supergroup” of Trans-Canada Highwaymen formed.  I put that word in quotes because it’s likely that some (mostly non-Canadian) people don’t know half of the band.  But I was thrilled to have a guy from four terrific bands pooling themselves together.  And the fact that they were basically covering 70s AM radio hits was just a weird bonus.

I assumed they’d never tour the States.  But when they announced a show in Philly, I grabbed a ticket immediately.  I had no idea if it would sell well (it didn’t, really), but it there was a decent crowd and the people who were there were psyched (some a little too psyched).

There was no opening act.

We had seats in the third row (there were open eats in front of us).  But the row right in front of us was filled with about eight real keen Canadians who were crazy drunk and very loud.   It’s possible only we were bothered by them but I found them more annoying than fun.

But that’s fine, because the music was fantastic.

I’ve said before that I could listen to Steven Page sing anything.  So, having him start with an old BNL song was really fun.  It started with Steven and Craig Northey (from Odds) on guitar Moe Berg (from The Pursuit of Happiness) on bass and Chris Murphy (from Sloan) on drums.

By the end of the night everyone had played drums for at least two songs. (more…)

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[DID NOT ATTEND: April 30, 2023] Steven Page Trio

I really like Steven Page a lot.  I’ve seen him and his trio twice now and I’ve watched a bunch of live from home videos.

Evidently this show had been announced since at least the beginning of the year but it just came on my radar about a week ago.  The Newton Theatre is just over an hour from me which isn’t out of my range (that’s how long it would take to get to Philly) but somehow driving an hour north to Newton, NJ seemed kinda far.  Plus we had just been out the night before for Placebo, so I just gave this one a miss.

Crash Test Dummies are playing Newton in a few months, so maybe I will get to this place and see if its worth the drive.

There was no opening band.

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[ATTENDED: November 6, 2019] Steve Page Trio

I saw the Steven Page Trio about a year ago in Philadelphia.  When he announced that he was touring some more and coming to Bethlehem, I grabbed tickets for me and S. right away.

S. doesn’t really know his solo stuff at all, but she is a fan of BNL and has always said how much she liked his voice, so I thought it would be a fun, relaxing, seated event.

We were so close, we were literally right next to the stage.  When you’re standing, its a coveted spot, but when you’re seated, it’s terrible!  Luckily, they moved Dean Friedman’s giant monitor out of my way so I could actually see them all.  But in hindsight, sitting a few seats back would have been far preferable.

The weirdest thing is every time he picked up or put down his water bottle I thought he was going to talk to me (he didn’t).

I love being up close, the angles were just all wrong.  Any pictures I took were going to be of Steven’s crotch (!).   Fortunately, the vocals sounded fine.

I have learned from past experiences that seeing an artist a few months apart often means the same or a similar setlist.  And that’s what happened here.  Although when I look at other recent shows I see that he seems to have a kind of rotating setlist of some of the songs.  I saw that the night a few nights before us was amazing with “Alternative Girlfriend” (the song I really wanted to hear!) and “Someone Who’s Cool” an Odds cover!  They also played “Manchild,” my favorite new song of his and “Break Your Heart” both of which I have heart before but, come on, they are awesome.  Incidentally Odds opened for Steven Page in Canada.  Once again I wish I was above thee border not for political reasons. (more…)

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[ATTENDED: May 10, 2019] John K. Samson

I loved The Weakerthans from the moment I first heard “Civil Twilight” on a compilation and then on their album Reunion Tour.

I then went back and devoured the other three albums and loved the incredible lyrics that John K. Samson wrote.

Reunion Tour came out in 2007.  And that was the last anyone heard from The Weakerthans.  Well, not really, they put out a live album and toured some, but otherwise, that was pretty much it.  Sometime in 2014 they announced that they were more or less officially broken up.  So I figured I’d never get to see them live.

And I won’t.  But John K. Samson has been releasing solo albums since around 2009.  He has played Philly about three times in ten years.  And I was so excited to get a ticket to this show before it sold out.

The thing that made me so incredibly happy (aside from the play list) was that he sounded EXACTLY like he was supposed to.  I don’t mean that I don’t expect his voice to change over the years, but Samson has a distinctive voice and he sounded just like John K. Samson!

It was wonderful.

And the setlist was fantastic. (more…)

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[ATTENDED: September 24, 2018] Steven Page Trio

I’ve seen Barenaked Ladies countless times.  I saw them when Steven Page was with them.  I’ve seen them after he left.  BNL is always fun even without Steven.

But Steven Page’s voice is awesome and he is definitely missed in the band (even though his solo albums are better than recent BNL albums).

This is actually the third time I have seen him since he left BNL and all were within the last three years.

The first time (also with Craig Northey) was when they and the Art of Time Ensemble performed Sgt Pepper’s Lonely Heart’s Club Band.  The second was earlier this year when Steven did his Songbook–singing (mostly) other people’s songs.

These were both great but, man, I wanted to hear him sing his own songs.  So I was psyched when he announced a new tour with a trio playing his own music (and a new album).

The trio included Craig Northey on guitar and Kevin Fox on cello.  And it was awesome. (more…)

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SOUNDTRACK: ART OF TIME ENSEMBLE-Sgt. Pepper’s Lonely Hearts Club Band (2012)

The Art of Time Ensemble does many things although my exposure to them is through their string performances of rock songs

Led by Artistic Director Andrew Burashko, Art of Time Ensemble transforms the way you experience music. Fusing high art and popular culture in concerts that juxtapose the best of each genre, Art of Time entertains as it enlightens, revealing the universal qualities that lie at the heart of all great music.

Sarah and I saw a live show of this tour.  And this recording is pretty much the same (I’m sure there’s some variations).  It is more than just a symphonic version of the record.  The Art of Time Ensemble created new arrangements of the songs.  Purists might hate this, but it is lovingly created and made with a few extra orchestral moments thrown in.

This disc was recorded live in concert May 31, June 1 & 2, 2012 at the Enwave Theatre in Toronto

The disc opens, of course with “Sgt. Pepper’s Lonely Hearts Club Band.”  Steven Page sings the song with rocking guitars and horns.  There’s cool a capella moment with them all singing the “it’s wonderful to be here” moment.  Before allowing the next song to start the band does the slow orchestra rise of notes at the end of the album.  Clearly showing that while hey are staying somewhat faithful to the record, there will be surprises.

“With A Little Help From My Friends” has gentle swirling orchestral notes as John Mann (from Spirit of the West) sings.  This song seems to be all about the orchestra as they take many liberties with the melodies and soloing moments.

“Lucy In The Sky With Diamonds” Craig Northey sings this classic which is quite understated, especially in the chorus, when he sings falsetto and there;s minimal accompaniment.  However, those three thumps before the chorus are as loud as anything.

Andy Maize’s gruff, weathered voice sounds great for “Getting Better.”  But it’s Page’s harmonies in the chorus that make this song transcendent.  “Fixing A Hole: is the first song that really changes the original.  It has a kind of Kurt Weill cabaret/circus vibe with John Mann hitting some challenging notes.  But the music is so sinister, it’s quite interesting.

“She’s Leaving Home” is achingly, beautifully sung by Steven Page.  The backing vocals are perfect, too.
“Being For The Benefit Of Mr. Kite!” has a few strange moments in which the bulk of the music cuts out for pizzicato strings or when the middle section features an extended waltz for Mrs K to dance.  Craig Northey sounds like he’s singing through a megaphone but that seems unlikely.  By the end, Northey also seems to be talking Mr. Kite down from his foolish behavior (“Oh, he;s falling”).

“Within You Without You” is the other song that Andy Maize takes lead on.  On the original, the song is done in Indian classical style.  This version has strings filling in with repeated melodies.  Indian hand drums are used at the end and while I’m not certain, I think there was no sitar used, but the melodies on violin and voila do a great job of representing that sound.

“When I’m Sixty-Four” is very string-heavy and takes a bit before it gets the bouncey feel of the original.  John Mann does a nice job with the song and the backing singers do a great job too.  I’m only bummed that there’s no musical punctuation on Vera Chuck and Dave.

A long piano intro opens “Lovely Rita” before Steven Page takes lead vocals–a song well suited to him.  The big surprise comes in the middle when there’s a lenghthy big band dance section including a muted trumpet and a real nor jazz feel.  After the nifty trumpet solo there’s a clap along for the ending chorus.

The members all greet each other “Good Morning” before “Good Morning Good Morning” starts up, sung by Craig Northey.  It’s one of the more rocking songs.  At least until the swirling heavy guitars that open “Sgt. Pepper’s Lonely Hearts Club Band (Reprise).”  There is a chorus of vocals singing with vamping from Steven Page.

The disc ends with “A Day in the Life” with Andy Maize on the first section (squeaking out that House of Lords line) and Craig Northey taking the faster part.  Since the orchestra already did the end of the album much earlier the end of the concert is quiet, much more subtle.

The album is over but there are two bonus Beatles songs.  “Penny Lane” sung by Steven Page might be noticeable for the trumpet getting the solo perfect.

The whole show ends with “All You Need is Love” with everyone getting a verse.  There are a number of Beatles’ lines thrown in during the outro, like Page singing “I should have known better with a girl like you” and “All I’ve got is a photograph” (from Ringo).

This is a fun take on a classic album.  And while I’ll always prefer the original, it’s nice for a change of pace.

[READ: April 11, 2016] “Soldier’s Joy”

I don’t quite understand the title of this story, but that doesn’t detract from my enjoyment of it.

The story is about a woman, Nana, and her much older husband.  It opens with her relating to him a dream she had.  In the dream, he sent her a love letter in which he stated how lucky he was “that you still want to live with me.”  He laughs and says he is quite humble isn’t he.

In his dream he imagined that their friend Helen, a “preposterously impossible person,” was pregnant.  Helen had hosted them the previous evening and her husband had been drunk and flirted with Helen’s nineteen year old daughter .

Later Nana called Helen to apologize for her husband and to commiserate about what they should wear to the next function at Libby’s house.   Helen says not to worry sabot it, that all girls flirt.  And of course, Nana remembers how she and Helen flirted with their college professor when they were in school and how, of course, he is the man who Nana ultimately married. (more…)

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SOUNDTRACK: STEVEN PAGE-Heal Thyself Pt. 1 : Instinct (2016).

This is Steven Page’s second solo album since leaving Barenaked Ladies.  This one features his voice sounding utterly fantastic amid a large variety of styles of music.

“There’s a Melody” opens with a tiny harmonium sound.  It’s a one minute song that has this fascinating lyric:

There’s a melody somewhere inside of me,
I can hear it but can’t get it out of me,
In my head it soaring but when it comes out it is all the same note

Ironically it is sung to a terrific melody and it will be revisited later in the Reprise which builds and builds with full orchestra.

On Page’s previous album he played around with dance sounds and that continues on this record with “The Work at Hand.”  It opens with crazy electronic noises and then shifts to a soaring dance number.   The chorus sounds a bit like Pet Shop Boys (although not in the vocals).

“Here’s What It Takes” is a fast shuffle with prominent trumpets in the melody.  It’s catchy and was the first single.  But I’m more focused on the lyrics again.  For such a peppy song the lyrics are really dark:

An 8-ball of coke / You’re angry and broke / My Mother misspoke / by telling me the truth
Here’s what it takes to believe  / Drink down the Drano ’til the demons all leave
The fridge door was open again / There’s leftover blame / You’re eating your shame / and choking on the truth

What was funny was that I heard this couplet first and thought it was an amusing song before digging deeper:

What we once kept hidden from our parents / Now we keep it hidden from our kids

That’s a great line and it’s even darker with the above verses.

“I Can See My House From Here”  is a funny/dark song about Jesus, or at least a self-identified messiah.

Jesus came to me last night
To tell me everything will be alright
He said, “Thank you for rolling the stone,
but you’re gonna have to go it alone”

Hey, have you heard the Good News?
We’re gonna make you King of the Jew

But it’s also chock full of nods to the Beatles.  Both in the backing vocals (the Hallelujah and Hare Krishna below) but also in unexpected ways

[Hallelujah] Mother Mary
[Heal Thyself] You had me
[Hare Krishna] And no religion
[Hope that helps] So Let It Be

As he sings this section, it plays with the melody of “My Sweet Lord”

And if you can’t then you know it’s a lie
Goodbye my Lord, goodbye my Lord

and he even sings the next line “I really want to…” as if it were part of “My Sweet Lord” before jumping back to the melody of the song.

It end with the guitar melody of The Beatles’ “The Two of Us” and him singing “we’re on our way home.”

The best song around is “Manchild” which features Page’s soaring vocals and terrific self-deprecating lyrics that morph over the song

Darling, you’re talking to a man now / You’re talking to a man, now, child /
Speak slowly, speak slowly
Darling, you’re talking to a manchild / You’re talking to a manchild now /
Speak slowly, speak slowly

But the album is not all big powerful songs, “If That’s Your Way” (“If that’s your way of saying you’re sorry – I don’t mind”) and “Hole In the Moonlight” are both ballads with piano and strings.

“Mama” is a kind of almost reggae romp with some excellent snark in the lyrics.  And “Surprise Surprise” was the lead single and does a great job rhyming

I was feeling shamed / you were feeling stupid
because I knew what was wrong with me / long before you did

“Linda Ronstadt In the 70s” has a harpsichord and a chamber pop feel with an emphasis on pop.  I had no idea of the origin of the song.  It was apparently written because Colin Meloy requested people write songs about Linda Ronstadt.  You can see the original acoustic version here.

“No Song Left to Save Me” ends the disc with the unmistakable bass line of “Sugar Pie Honey Bunch” but the song quickly changes tempo and direction with swinging horns and big old catchy Steven Page chorus.

This is an excellent, fun disc and really shows the range that Page is willing to experiment with.  I wish Barenaked Ladies would take more chances like this, too.  But I am especially excited to see Page next month with the Art of Time Ensemble.

[READ: March 25, 2016] “My Holocaust Memoir”

You don’t expect something funny to have a title like this.  Of course once you see that the first line is “Dear Ms Winfrey,” you can expect to not take this seriously,

Greenman begins his letter to Ms Winfrey by saying how much he admires the show, although he doesn’t watch every day).  He says he was watching “Best Life Week ” (is that really the name of segment?) in which guests discussed the challenges they’ve overcome.  He says that he has had some challenges–which he is currently putting into book form.  And he would like her to take a look at them.

It begins: (more…)

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