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Archive for the ‘Quasi’ Category

[ATTENDED: June 27, 2024] Quasi

I was a middling fan of Quasi back in the 90s.  I liked some of their stuff but never really  thought al that much about them.  After Janet “left” Sleater-Kinney and got into a car accident, I was much more interested in supporting her, so I got back into Quasi and was pretty excited to see they were touring last year.

When they played Johnny Brenda’s last year it was just Sam Coomes (on keys–wow, somehow only on keys) and Janet Weiss (killing it on drums).  I really enjoyed the show a lot and was so glad to have seen them.

When they announced a new tour, of the album Featuring “Birds” (the first album I (and apparently everyone else) loved from them.  I knew I’d like to see them again.  I wasn’t keen on going to World Cafe Live because it’s kind of awkward to get to for me.  But this was my second time there in a month and the paring was awesome once again.

And, the best part is that when I got downstairs, Sam and Janet were right there selling their own merch!  I got to chat with both of them and they signed my vinyl.  It was very cool.

When they came on stage, I noticed that there were a lot of guitars up there–there were none last time.  There was also someone else walking around the stage.  This turned out to be Joanna Bolme, on bass and occasional guitar or keyboard.  Bolme played regularly with Quasi for well over a decade, and was around for Birds, as an executive producer.  She didn’t say anything (although she did help o untangle some cords for Sam).  But she really held the show together, especially when Sam switched to guitar–the low end would have been notably absent without her on those song. (more…)

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[ATTENDED: June 27, 2024] Marnie Stern

I knew of Marnie Stern mostly from Late Night with Seth Meyers.  I had heard of her before the show as a notable guitar player (she was on Kill Rock Stars, so she was clearly iconoclastic).  So I was surprised that she was going to be on the show as, essentially a rhythm guitar player.  She was fine on the show, but she never really got to shine in any way (but I assume it was a reliable, steady gig).

When she put a new album out last year, I assumed it would be full of guitar wizardry, but I was surprised at just how weird it was.

But here’s a review of the album from treblezine which sums up her career briefly but nicely

Stern is a straight-up shredder whose playing style errs closer to the joyous fireworks of someone like Eddie Van Halen than she does any knotty, noisy experimentalists. That she happened to run in underground circles is by-the-by—there was always a great pop song buried within the chaos of her music. This is more visible than ever on The Comeback Kid. With her fifth and (you guessed it) comeback album, Stern has continued to chip away some of the raw spikiness of her early releases in service of a dozen stellar math pop tracks that might be (:whispers:) her strongest body of work yet.

I really enjoyed being right in front of Marnie, watching her tap away on her complex melodies with such ease. She also smiled and laughed through the whole set as she sang her complicated, sometimes perplexing, always exhilarating songs.

The rest of her band (whose names I didn’t catch) were also great.  Her drummer was incredible (I think it’s Jeremy Gara from Arcade Fire).  He smashed the hell out of the drums and really excelled at the crazy time signatures of the songs. (more…)

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[ATTENDED: March 17, 2023] Quasi

I explored Quasi’s music back in the late 1990s mostly because I loved Janet Weiss’ drum work with Sleater-Kinney.  I had no idea who Sam Coomes was (he was her husband at some point but is no longer), but he was clearly the main songwriting force behind the band (Janet is credited with some song, but Sam wrote the majority).

I lost track of them during the 2000s (they release sporadically and Sam does a ton of other work with other people–for instance he has played keyboards on every Built to Spill album since Keep It Like a Secret].  They have put out about five albums that I hadn’t heard of, including their most recent Breaking the Ball of History.

Janet Weiss got into a car accident about four years ago and broke her leg and collar bone.  It seemed like she’d never play again.  But she fought through the grief and man, she was amazing to watch.

I went to this show in part because I like their older songs and in part to give Janet Weiss some support.  She clearly didn’t need the support from me as everyone was there to cheer her on.  Apparently they used to sell “Janet Fucking Weiss” shirts, but don’t any longer.

And so they came out on stage, Janet and Sam setting up their own gear.  Since it’s just the two of them, they face each other.  Sam plays keyboards (which is the most limiting way of describing his performance) and Janet pounds the hell out of the kit. (more…)

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[ATTENDED: March 17, 2023] Bat Fangs

I hadn’t heard of Bat Fangs when this show was announced.  But when I looked them up I was really excited to hear them. I really love duos, especially bands that can really rock even with a two person set up.

I wound up missing the very beginning of this set (parking around Johnny Brenda’s can really suck).  But I caught most of it.

Rather than being a duo, however “(Betsy Wright (Ex Hex) shreds ‘n’ howls over Laura King’s (Flesh Wounds / Speed Stick) deep-thunder drums),” there was  third person on stage playing bass.  I have recently found out that bassist was Chrissy Tashjian (lead vocalist and guitars for the amazing Philly band Thin Lips).

I was a little bummed that they weren’t a duo, but Chrissy’s bass playing was awesome and their backing vocals were pretty incredible.  Indeed, each musician was great.  Betsy Wright played some fantastic guitar solos–shredding like nobody’s business.  And Laura King not only beat the hell out of the drums, but (for some of the songs) the patterns were complex and really interesting.

However, I really didn’t enjoy the songs. (more…)

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SOUNDTRACKQUASI Live at SXSW, March 8, 2010

I really enjoyed a few Quasi albums back around the turn of the century, and then I kind of forgot about them.  But this set is really great.  The always excellent Janet Weiss on drums and harmonies and the wonderful Sam Coombs on guitar and vocals. Around the time of this album, American Gong, they added Joanna Bolme on bass which really fills out their sound.  The first song, “Repulsion,” rocks harder than any of their older stuff (which was more keyboard based).  Indeed this album was apparently much rockinger than any of their earlier releases–I must check it out.

This set was recorded during SXSW  from the Gibson Showroom in Austin.  They play five songs in about 20 minutes.  “Never Coming Back Again” has a far more country feel (especially the backing vocals which have a real twang.  The lengthy instrumental section of “Black Dogs and Bubbles” is great–especially check out Weiss’ drumming.  “Little White Horse” is a shambolic rave of a song–fun and noisy.

The set ends with the inspiring Rise Up, a short stomper that encourages you to, yes rise up.  Weiss and Coombs both have other bands that they play in, so Quasi never seems like a full-time project.  But that seems to make their music all the better.  Listen here.

[READ: November 1, 2011] Under Wildwood

I enjoyed Wildwood, but I wasn’t blown away by it.  So I admit I wasn’t totally excited to read this one (especially since I had some other books lined up).  But Sarah managed to get it from the library (I guess it was not as a big a deal as I assumed it would be?) and I decided to give it a go.

I found it a little slow at first, but after about 40 pages, the book totally took off and I was fully engrossed.  Whether it was because there was less exposition since this was a sequel or because the story itself was more exciting, I couldn’t put the book down.  And, more importantly, the book did not feel like its 550 pages were excessive.  He really filled up every page with story.

But I was a little concerned because part of the story is set in an orphanage–a setting rife for cliché.  But Meloy has some great ideas and although he does use the orphanage as a scary setting (and employs some clichés from all orphanages) he transcends the conceit with some great characters and some evil owners who use demerits to completely move the story along outside of the orphanage–a great plot idea.

But let’s back up. (more…)

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SOUNDTRACK: QUASI-“Beautiful Things” from Score! 20 Years of Merge Records: The Covers (2009).

I’ve had this CD for a pretty long time just waiting for me to devote some time to listening to it.  The collection is a compilation of non-Merge label bands covers songs by Merge bands.

Quasi was a great band (I guess they are still together, so they are a great band).  I have their records from around the turn of the century (I love writing that!).  Sam Coombs and the wonderful Janet Weiss comprise the band (there’s a bassist, Joanna Bolme, added in 2007). And they sing wonderful, political alt-pop.

This is a cover of a song by the New Zealand band The 3Ds.  I don’t know the original (although I do know (and like) a few songs by them–mostly from the Topless Women Talk about Their Lives soundtrack.  This version has heavy keyboard prominence, but he sweet verses (sung largely by Janet with Tom doing backing vocals) are interspersed with some cool buzzy guitar solos.

  I just found the original online, and the cover is pretty accurate–although the Quasi version is a bit more dynamic.  Nevertheless, it makes me want to listen to The 3Ds a bit more.

[READ: March 15, 2012] “A Cup of Hot Chocolate, S’good for What Ails Ya”

Have you ever wanted to read about the history of hot chocolate?  No, of course not.  No one has.  And yet, when I started flipping through this article, Theobald introduced plenty of ideas that I found not only interesting but compelling.

Theobald explains how the Aztecs called this (at the time) very hearty, spicy and bitter) drink cacahuatl.  The Aztecs got the drink from the Mayans, who got it from the Olmecs.  The first Europeans to try this drink loathed it (one even called it a drink for pigs).

It was the conquistadors who mixed cacahuatl with sugar to make what we now know as chocolate.  Chocolate was a luxury back then–time consuming and difficult to make.

The Spaniards found the drink very hearty–hearty enough to be considered a meal.  This put Catholics in a tizzy about the state of the item.  They feared that if it was food it could not be consumed on fast days–it was ultimately deemed a drink.  The drink made its way through Europe and into England.  The first known English recipe called for sugar, long red pepper, cloves, aniseed, almonds, nuts, orange flower water and cacao. (more…)

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