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Archive for the ‘Pool Kids’ Category

[ATTENDED: September 22, 2025] Pool Kids

This was my third time seeing Pool Kids.  I really like their mix of punky alt rock and really cool guitar shredding (so much finger tapping).  I saw them headline at a small place in Philly and they blew the roof off (with singer Christine Goodwyne crowd surfing at the end).

Since I last saw them the put out a new album.  And they played 8 (of 11) songs from it.  They opened with a new song and then immediately jumped back to their previous album

The opening riff to That’s Physic Baby is a mastercalss in cool guitar riffage–sounding like an old school metal intro.  Both Goodwyne and second guitarist Andy Anaya shred impressively with lots of fingertapping.  Anaya seems to add a few extra flourishes while Goodwyne gets back to singing.  The end is a dramatic moment where the chorus telling you what I, telling you what I need, is repeated but at the end the song drops off and she screams (and we all scream along) NEED!

Vocalist/guitarist Christine Goodwyne was fun with a powerful voice that held high notes and also screamed with rage.  She and second guitarist played some great harmony solos together too.

A group chat with goddamn 21 people I wish I was joking but I’m not.

They played one song from their debut (the wonderfully named $5 Subtweet) which has a total progressive rock vibe with a fast riff opening and some complicated intertwining moments.

The new album has a lot more going on–synths, quieter moments, even an AutoTune on the first song).  But there’s still plenty of Pool Kids sound–loud vocals and gorgeous guitar work on Last Word.  But they moved back to another of my favorite songs of their “I Hope You’re Right” with the chorus “You wanna start a fight” which is super fun to sing along to.

I also need to mention bassist Nicolette Alvarez who plays some amazingly complicated parts and adds a lot of backing vocals (which I don’t think she did on the previous album).  Drummer Caden Clinton makes a lot of noise on a fairly small drum kit.  He plays interesting rhythms and different parts of the kit to bring a really full (and dare I say kind of proggy component) to the songs.

After playing most of their bigger songs, they played three new songs.  Sorry Not Sorry is a slower song (where Alvarez’ backing vocals really shone).  Easier Said Than Done is also slower (with soft backing vocals from Anaya).  These songs are all a bit more conventional. but they retain a lot of makes Pool Kids interesting.

Then we were encouraged to sing along to the next song because we all knew it.  Conscious Uncoupling is the first song I heard by them and I loved everything about it–the soft to loud vocals, the cool guitar sounds and the big explosive chorus.

For one of the ending songs, Goodwyne put down her guitar and jumped into the crowd.  The guy next to me had been singing along all night and she ran up to him and they sang a line together.  Later from on the stage she called him over to shout a line with her and he was clearly thrilled.  There wasn’t a large crowd–I felt bad for them, although it was a Monday night–and there was even a small “pit” available because I was standing a little back from the people up front (the sound isn’t very good when you’re right on the stage).  She bounced around and then some short person slammed into her really hard.  She bounced off and seemed game for more.  So they bounced off each other a few more times and then she climbed back on stage.

They ended and it was still about 9:45 (I assuming 10PM curfew).  On their other nights they had been adding an encore and when they left the stage they put their guitars down on the stage in the “we’ll be right back” gesture.  But then the house music came on and it seemed like they weren’t coming back.  But the crowd started a “one more song” chant (again, what happened to encore), and after a few minutes, they came back.  Goodwyne apologized to the sound guy saying they weren’t planning on coming back out.  It may be the first genuinely earned encore I’ve ever been a part of.

They played Swallow, a great song with lots of finger tapping guitar–it’s really fun when Goodwyne and Ayana face each other in a little guitar battle.  It was a great and cathartic end to the show and they were done by 10!

The show was great and I was in for a surprise at the end of the show.  As I was heading up the stairs, two young women were walking down and said my name.  I looked up confused until they revealed that they were the daughters of one of my college friends.  I hadn’t seen them in about five or six years and I don’t know how they recognized me (something about knowing I liked this band and they asked their parents what I looked like to see if I was there).

Turns out they are huge fans of the band and drove 3 hours to see them!  They may also drive down to Philly on Thursday to see them again.  It was great to see them and I immediately texted their mom–it had been too long–and we caught up.

 

House of Independents 2025 Ukie Club 2023 Rooftop 2023 (open for PUP)
Tinted Windows € Swallow Swallow ¶
Arm’s Length That’s Physics, Baby That’s Physics, Baby ¶
That’s Physics, Baby Erso ⊗ $5 Subtweet ⊗
$5 Subtweet $5 Subtweet Arm’s Length ¶
Which is Worse? € Further ¶ I Hope You’re Right ¶
Last Word € Comes in Waves ¶ Conscious Uncoupling ¶
I Hope You’re Right I Hope You’re Right Talk Too Much ¶
Sorry Not Sorry € Pathetic ¶
Bad Bruise € Arm’s Length
Easier Said Than Done € Conscious Uncoupling
Conscious Uncoupling Talk Too Much
Leona Street € encore
Talk Too Much Borerline ⊗
Exit Plan €
encore
Swallow

€ Easier Said Than Done (2025)
¶ Pool Kids (2022)
⊗ Music to Practice Safe Sex To (2018)

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[ATTENDED: September 22, 2025] Truth Club

I saw Truth Club open for Indigo de Souza last year and I really liked their set a lot.

It was pretty obvious that there was a curfew in place because the bands changed pretty quickly (they were using the same drum set so that helped).  Truth Club came out and opened with a song from their debut album.

Unlike Pony, they played many of the same songs (the don’t have a new album yet, but they do have a bunch of new songs).

I definitely enjoy their second album more than their debut–there’s a lot more dynamics going on.  77x starts slow but in an interesting, lurching way.

And here’s what I loved about them last time and this time.  Singer Travis Harrington plays guitar as well and he plays the basic chord structure.  But in these first few songs, guitarist Yvonne Chazal made some really interesting sounds.  They played lots of high chords and single notes.  They bent the notes and made really interesting textures.  It wasn’t always clear what sounds were coming out, but it made the whole thing feel bigger.

After a couple of songs Yvonne switched instruments with bassist Kam Vann.  If I had to guess I’d say that Kam might be the full time lead guitarist because he was pushing the sounds further than Yvonne did.  He played loud hard chords, but also played some solos and added extra sounds.

And really it’s the song creations from Truth Club that I like so much.  There’s a lot of loud/quiet shifts, but there’s also odd time signatures (for one of the songs Travis counted in to 6).  (more…)

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[ATTENDED: September 22, 2025] Pony

I saw Pony open for Fucked Up about 3 years ago.  I didn’t know them before the show, but I really enjoyed them.  Pop punk energy (like Beach Bunny but a little rougher around the edges).  I was pretty psyched about this lineup.  Three bands I knew and liked.  So I wanted to make sure I arrived early enough for Pony.

The show said 7:30, I strolled in around 7:15 and they were already on!  And apparently had been since 7.  So I only got to see a few songs, but it was enough to know that they still kick butt and I would happily see them again.

Interestingly, their recorded output is far more poppy than their on stage performance.

Pony is from Toronto and is fronted by Sam Bielanski who plays guitar and sings.  She is also a voice actress and voiced Jazz in My Little Pony: Tell Your Tale (hence the band name).  I can’t find a ton of information about the band, but I’m guessing that Matty Morand is an important part of the band.  He played (really cool) guitars at this show.

I don’t know if she played guitar for this set as she wasn’t when I came in and didn’t pick one up.  But her intensity is amazing.  And, she was super nice after the show.

The setlist was almost entirely different from the previous show as they have released two albums since then.  I really would have enjoyed seeing more of this set.

 

2025 [Pool Kids] 2022 [Fucked Up]
Superglue § WebMD ™
Peach ∇ Couch ™
Freezer ¼ Furniture ™
Sucker Punch ∇ Très Jolie ∇
Sick ∇ Sometime Later ™
Middle of Summer § My Room ™
Every Little Crumb ¼ Did It Again ∇
Très Jolie Chokecherry ™

§ single (2025)
¼ single (2024)
∇ Velveteen (2023)
™ TV Baby (2021)

 

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[DID NOT ATTEND: February 14, 2024] Militarie Gun / Pool Kids / Spiritual Cramp / Spaced

I found out a bout this show a few days ago because Pool Kids was playing it. I wasn’t going to go to the Church, so it didn’t really matter who was playing.

I’ve heard of Militarie Gun, who are apparently a post-hardcore supergroup (made up of bands I’ve never heard of) that draws major inspiration from the melodic post-hardcore of the ’90s as well as more alternative-leaning acts.  They formed in 2020, so haven’t been around as long as I assumed for how much I’ve heard their name bandied about.

Their new EP has duets from Bully and Mannequin Pussy.

I feel like I should like them, but I’m not sure yet.

The whole reason I would have gone to this show was for Pool Kids.  I’ve seen them twice and they are amazing live.  They’re one of my favorite bands right now and I’d definitely want to see them again (although preferably as a headliner).

I hadn’t heard of Spiritual Cramp and given the other bands on this tour, I wasn’t really sure what to expect.  They’re kind of all over the place genre-wise, which is kind of fun.  They seem to veer punk but are more new wave.  And this little bit from a Pitchfork review seems really apt:

Spiritual Cramp are among a wave of bands, including Militarie Gun and Turnstile, who emerged from hardcore backgrounds and broadened their palettes to include softer, artsier flourishes. [Like] when the Clash realized the natural alliances between punk and reggae, filtered through a hard-sashwaying garage rock lens. Spiritual Cramp integrate dub, spiky guitars, and oi-like crowd-starters, all with a kitschy wink rather than flatly imitating their predecessors. The music is ecstatic rather than enraged, semi-ridiculous rather than self-serious.

I’ve listened to a bunch of their songs and the latest one sounded like The Hives, so they can please (or upset) everyone.  I’ll bet they are really fun live.

Spaced is (despite the visuals of their albums) a hardcore band with a pretty traditional hardcore vibe.  They are from Buffalo.  The big difference for me is that the singer is female and her growling angry voice adds a new tone to the somewhat overdone format of growling angry men.  I liked what I heard

Lexi Reyngoudt – vocals
Joe Morganti – guitar
Donny Arthur – guitar
John Vaughan – bass
Dan McCormick – drums

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[ATTENDED: July 28, 2023] Pool Kids

Wow was it hot in The Ukie Club.

After two bands (and the inability to buy water at the bar–I can never catch a bartender), I splashed water on my face in the bathroom and prepped for Pool Kids.

The band set up, left the stage and then moments later came on stage to a familiar song that I realized I had no idea the name of.  And you probably don’t either.

It was “Sandstorm” by Darude.  You know it.  Everyone knows it. When I looked up the song the top comment on YouTube is “This song would have well over a billion views if people could actually find it”  And it’s true no one knows the name of it. [The video is quite good too.]

Anyhow, the band came out to it, getting everyone pumped, and then the song slowed and wavered as they kicked into the opening chords of “Swallow.”  There’s some great guitar lines on this song and even though there’s some mellow middle parts (on record–live it’s much heavier), the crowd immediately started slam dancing.  Several people who were up front headed for the sides and I moved over a bit to let them get their dancing out. (more…)

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[ATTENDED: July 28, 2023] Sydney Sprague

I had seen Syndey Sprague open for The Front Bottoms a couple years ago.  She was the first band of  the night and I wound up walking in after the first two songs.

I liked her vibes and overall sound.  But I was surprised/disappointed by her record which was a lot more poppy than her live show (which was kind of grungy and rocking).

For this show, she came out in an oversized shirt(she must have been very hot).

The other two bands were fairly heavy and rocking, and Sydney was almost in that style, but was a little softer, a little quieter.  Just a little.  The biggest difference was in her singing style which was a lot more monotone than t he other two singers.  Not monotone exactly, but nowhere near as expressive as the other singers.

Having said that, her set was a lot of fun and was full of songs from her new (as yet unreleased) album.   The first two (new) songs were catchy and a rocking.  The third, “Steve” slowed things down a bit but retained that catchiness with a big chorus.

“Object Permanence” is a poppy song–super catchy.  (more…)

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[ATTENDED: July 28, 2023] Chase Petra

I wasn’t sure if I was going to make the show this evening.  Things were confusing at my house, but got straightened out enough that I wound up leaving almost an hour after I would normally have.

I assumed I’d missed Chase Petra.  It was stupidly hot in The Ukie Club and the band on stage was setting up at roughly 8:40.  I guessed it was Sydney Sprague, but when someone on stage shouted for help with Syndey’s amp, I realized that this was Chase Petra.

And I thought, jeez, I’m glad I didn’t arrive on time if they’re just going on now.

But it turned out there was a secret guest who started the show.  New Jersey’s Sweet Pill, who I could have seen at a Front Bottoms festival, but have now missed twice (and whose album is very good).

A few minutes later, amid loud (and accurate) grumbling about how hot it was, Chase Petra took the stage. (more…)

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[ATTENDED: May 23, 2023] Beach Bunny 

When this mini tour was announced I was pretty psyched.  My son and I have seen PUP and loved them.  My daughter and I have seen Beach Bunny (twice) and loved them.  The only problem was that it was at Rooftop Pier 17–a massive pain in the butt to get to.

But I grabbed tickets anyway and surprised them earlier this month.

When PUP ended the place cleared out some.  There were definitely fans of both bands there (in fact, they had toured together five years ago), but a lot of the more hardcore PUP fans took off, which was nice.

I used the intermission time (since our space wasn’t that great anyway) to look at merch and use the bathroom.  When I came back up, my daughter had moved further back (she says she can see better from the back, which is kind of true, but there is the huge problem of drunken hangers on hanging on and talking back there).  My son, on the other hand, pressed forward and wound up just five people from the stage. (more…)

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[ATTENDED: May 23, 2023] PUP

When this mini tour was announced I was pretty psyched.  My son and I have seen PUP and loved them.  My daughter and I have seen Beach Bunny (twice) and loved them.  The only problem was that it was at Rooftop Pier 17–a massive pain in the butt to get to.

But I grabbed tickets anyway and surprised them earlier this month.

I assumed that PUP would go on last as they are the louder band.  But, in fact, they went on second. And that may have been wise as many of PUP’s more bro fanbase left after their set.

But as they were setting up, the sun hadn’t set yet and PUP came out to the orchestral version of their album (they just released some kid of answering machine version of their album from during the pandemic, which I’m pretty curious to hear).  They had a cool evening sky and marveled at being on a rooftop in New York City (it is a very cool venue).

And then they were off.  They opened with the two songs they closed the show with last time.  This being a shorter set, it was more of a greatest hits and less of a celebration of the last album.

There’s only one rule at a PUP show.  Look at your neighbors around you, have fun and look out for each other’s safety.  Then the moshing began in earnest. (more…)

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[ATTENDED: May 23, 2023] Pool Kids

I think I heard of Pool Kids about a week before this show was announced.  I really liked their mix of punky alt rock and really cool guitar shredding (so much finger tapping).

I was thrilled that they were opening this show.

The Rooftop at Pier 17 is a great venue but it is a huge pain in the ass to get to.  Last time, we drove in and looked for parking for about 20 minutes.  This time we drove to Hoboken and took the PATH train to World Trade Center.  It was about a ten minute walk but we stopped or food.

We had left the house at 4 and wound up being late for Pool Kids who went on at 6:30.  So I don’t imagine going to too many more shows there.

We saw about three Pool Kids songs and they were great.  The band has great on stage presence and clearly were cool with a large crowd.  Vocalist/guitarist Christine Goodwyne was fun with a powerful voice that held high notes and also screamed with rage.  She and second guitarist Andy Anaya played some great harmony solos together too.

Bassist Nicolette Alvarez took lead vocals on one song, but mostly held down the low end.  And drummer Caden Clinton somehow made a lot of noise on a drumset that was off to the side (and was much smaller) than Pup’s massive kit behind them.

I think we came in during “Arm’s Length.”  But I was really excited that they saved “Conscious Uncoupling” late in their set.  It’s the first song on their album and is a perfect statement about the band.  Great vocals, a cool riff and tons of energy.

I’m really excited they’re doing a headline tour later this year so I can catch a full set.

  1. Swallow
  2. That’s Physics, Baby
  3. $5 Subtweet
  4. Arm’s Length
  5. I Hope You’re Right
  6. Conscious Uncoupling
  7. Talk Too Much
⊗ Music to Practice Safe Sex To (2018)
¶ Pool Kids (2022)

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