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Archive for the ‘Otoboke Beaver’ Category

[ATTENDED: March 23, 2024] Drinking Boys and Girls Choir [드링킹소년소녀합창단]

Otoboke Beaver is slowly moving up in North America.  They first played Philly’s Johnny Brenda’s, (250 capacity) then moved up to Underground Arts (650 capacity) and have now moved to the relatively big leagues of Union Transfer (1200 capacity).

All without having any presence in the States at all that I’m aware of.

So this was my third time seeing them and each time I have failed to get any meaningful pictures or videos.  Because each time, as soon as they start playing the crowd goes insane!  I thought that at Union Transfer, if I got there early enough, I ‘d could position myself away from the pit.  But from the first song I was pushed around and almost knocked down.  So I moved away from the center a bit and was still pushed around.  I don’t think the show sold out but it was packed up front!

This was  the biggest stage that I’d seen them on and they filled it pretty well.  Although I never did get close to bassist Hiro-Chan (who plays barefoot) for the whole show.  In fact I barely saw her between the heads of people around me.

This was the first time I could see drummer Kahokiss because she was on a riser, but she was surrounded by cymbals so I never actually got to see her, just her flying, furious arms.

Singer Accorinrin was hard to spot because of the tall guy in front of me, but she clearly made her presence known.  And, like last time, I was in awe when, before one of the songs, Accorinrin stood with her arm raised and the whole band waited for her to begin.  The crowd, not taking the hint, whooped it up, but she was clearly waiting for silence.  She stood and waited (like a teacher) in front of some 1,000 people, while every jackass had to whoo one last time and people finally started yelling “shut up.”  When things were quiet to her liking, she got the whole band to launch into the song in perfect sync.

Their songs are short and fast with serious time changes.  There is no margin for error.

The most fun member of the band is obviously guitarist Yoyoyoshie.  Between every few songs she screams in a crazy guttural voice, “WE ARE OTOBOKE BEAVER!”  She also talks the most between songs, telling about how she eats Philadelphia Cheese on the bus every day on tour.  She also commented that she loves the Phillies (especially the mascot).

Sure, their setlist has been virtually the same for the last two years (they are working on a new album), but it doesn’t really matter because the songs are frenetic and fun and are somewhat similar in style–there’s usually small things that are different between the songs.  Like a part that slows things down or a part that is kind of silly or funny or a great big chanting chorus.

As with every time I’ve seen them, I was quickly shoved aside from my original spot and had to fight to stand upright in the moshing crowd.  But with the band on the big stage it was a lot easier to watch them than it has been in the past.

When they finished the set after about an hour, they left the stage and then came back a few minutes later.  Yoyoyoshie had an inflatable beaver pool toy and threw it into the crowd, which everyone started batting around.  And then Yoyoyoshie herself surfed into the crowd and climbed into the Beaver!  It was wild and weird and super fun.  If I had been in the original spot I probably would have gotten to hold her up.

When she surfed back to the stage they played an encore.  Accorinrin said it was the first time the song was played in the US and said it was called “I don’t want to live with mother-in-law.”

This bodes well for a new album coming out soon.

And, yes, I’d see them again.  I wonder if they will move up to a bigger venue next time?  They didn’t sell out union transfer but they have sold out many of the venues on the tour.

2024 2023 2022
Yakitori § (ヤキトリ) Yakitori § (ヤキトリ) Yakitori § (ヤキトリ)
Akimahenka Ø Akimahenka Ø Akimahenka Ø
Don’t light my fire Don’t light my fire Don’t light my fire
Bad luck Bad luck Bad luck
S’il Vous Plait Ω (シルブプレ) S’il Vous Plait Ω (シルブプレ) S’il Vous Plait Ω (シルブプレ)
Love Is Short ♥ Love Is Short ♥ Love Is Short ♥
What do you mean you have talk to me at this late date? Ω (いまさらわたしに話ってなんえ) What do you mean you have talk to me at this late date? Ω (いまさらわたしに話ってなんえ) What do you mean you have talk to me at this late date? Ω (いまさらわたしに話ってなんえ)
Introduce me to your family ♥ Introduce me to your family ♥ Introduce me to your family ♥
Datsu . Hikage no onna ⊗ (脱・日陰の女) Datsu . Hikage no onna ⊗ (脱・日陰の女) Datsu . Hikage no onna ⊗ (脱・日陰の女)
Dirty old fart is waiting for my reaction § (​ジ​ジ​イ is waiting for my reaction) Dirty old fart is waiting for my reaction § (​ジ​ジ​イ is waiting for my reaction) Don’t call me Mojo § (呼ばんといて喪女)
I am not maternal § (アイドンビリーブマイ母性)  I am not maternal § (アイドンビリーブマイ母性)  George & Janice § (ジョージ&ジャニス)
Don’t call me Mojo § (呼ばんといて喪女) Don’t call me Mojo § (呼ばんといて喪女) Dirty old fart is waiting for my reaction § (​ジ​ジ​イ is waiting for my reaction)
I put my love to you in a song JASRAC § (あなたとの恋、歌にしてJASRAC) PARDON? § (パードゥン?)  I am not maternal § (アイドンビリーブマイ母性) 
PARDON? § (パードゥン?)  Nabe party with pocket brothers § (穴兄弟で鍋パーティー)  Nabe party with pocket brothers § (穴兄弟で鍋パーティー) 
I checked your cellphone § (​携​帯​み​て​し​ま​い​ま​し​た​) I put my love to you in a song JASRAC § (あなたとの恋、歌にしてJASRAC)  I put my love to you in a song JASRAC § (あなたとの恋、歌にしてJASRAC)
I won’t dish out salads § (サラダ取り分けませんことよ) George & Janice § (ジョージ&ジャニス) I checked your cellphone § (​携​帯​み​て​し​ま​い​ま​し​た​)
Leave me alone! No, stay with me! § (リーブミーアローンやっぱさっきのなしでステイウィズミ) I checked your cellphone § (​携​帯​み​て​し​ま​い​ま​し​た​) PARDON? § (パードゥン?) 
I don’t want to die alone § (孤独死こわい)  I won’t dish out salads § (サラダ取り分けませんことよ) I won’t dish out salads § (サラダ取り分けませんことよ)
First-class side-guy § (一級品の間男) Leave me alone! No, stay with me! § (リーブミーアローンやっぱさっきのなしでステイウィズミ) Leave me alone! No, stay with me! § (リーブミーアローンやっぱさっきのなしでステイウィズミ)
Anata Watashi Daita Ato Yome No Meshi ⊗ (あなたわたし抱いたあとよめのめし) I don’t want to die alone § (孤独死こわい)  I don’t want to die alone § (孤独死こわい) 
encore First-class side-guy § (一級品の間男) First-class side-guy § (一級品の間男)
Shutome to Dokyo B-DASH Kaigo
(First time played in North America)
Anata Watashi Daita Ato Yome No Meshi ⊗ (あなたわたし抱いたあとよめのめし) Anata Watashi Daita Ato Yome No Meshi ⊗ (あなたわたし抱いたあとよめのめし)
encore encore
Ai no Bourobon ~bakuro book~ Ω (愛の暴露本) Ai no Bourobon ~bakuro book~ Ω (愛の暴露本)
encore 2
SETLISTS are similar at most venues with these possible changes

Love Is Short ♥ may have been Bakuro Book
Introduce Me to Your Family ♥ may have been 6 day working week is a pain

Let’s shopping after show § (レッツショッピングアフターショー)
§ SUPER CHAMPON (2022) ス​ー​パ​ー​チ​ャ​ン​ポ​ン
ITEKOMA HITS (2019)
♥ Love Is Short EP (2017)
Ø Okoshiyasu!! Otoboke Beaver (2016)
Ω Ai no Bourobon ~bakuro book~ EP (2016)

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[ATTENDED: March 23, 2024] Drinking Boys and Girls Choir [드링킹소년소녀합창단]

I’ve had limited exposure to Drinking Boys and Girls Choir, except that they are on the same label as Otoboke Beaver.  I knew that they were from South Korea, but only recently learned that Daegu is one of the most conservative cities in the country (“it sucks,” singer/bassist Meena Bae said).

Meena Bae and Myeong-jin Kim (drums & vocals) started the band in 2012.  They’ve gone through a few guitarists over the years and have now grabbed Scottish guitarist Megan Nisbet who joined the band in 2020 (and had been studying Korean for 15 years!).

I was really excited that they were opening for Otoboke Beaver.  I was hoping to buy a copy of their record but I forgot a bag and I didn’t want to hole a record for the entire show (and it’s a good thing, too as Otoboke Beaver fans are wild).

The trio came out and immediately launched into their rockingest songs.  Their debut album Keep Drinking!! is more wild and fun than the follow up Marriage License, although Marriage still rocks pretty hard.  They played songs from both albums and really mixed up the intensity and pacing of the show.

I was in front of Megan, but Meena was very active, running around the stage and making sure we all saw her as she danced and hopped.  She was a bundle of energy and a lot of fun, too.

Their songs are punky and super catchy with lots of backing vocals.  The first couple of songs were fast with the band showing off their chops.  Meena jumped around and Myeong-jin (who goes by MJ) was an impressive drummer–fast and intense and always on beat.

During “Red Shift,” Megan demonstrated her guitar chops with some super impressive soloing.

Some of their songs featured lead vocals by one of their previous members, but they played them anyhow and they sounded great.

But even if the newer songs are a bit softer, “Hit the Corner” is fast and heavy and I was fascinated to see the MJ had a double bass drum pedal and was using it furiously.

Some of the lyrics are in Korean and some in English, so it’s fun to try to figure out if you can figure out the fast words or if they are in Korean.

I was really surprised to hear them play “Linda Linda” a song t hat I know of because of the band The Linda Lindas.  I thought it was odd that they would play this song until I found out that they recorded a single of it before the U.S. band had become known and, in fact, have been playing the song for years.  That’s pretty cool.  Meena jumped off the stage and chatted with a little girl whose name was Lynn.  It was really cute.

“National Police Shit” is super catchy, sung in English and really quite funny.  It’s less than 2 minutes long and features the line “This is just Skateboard!”

It was followed by “History” their first single recorded with Megan (a new album is on the way, I believe).  They ended with a rocking version of “Wish” and Meena ran into the audience to do some slam dancing with the crowd (all while playing).  Then she ran back up on stage to lead the band in a blistering version of their anthemic song Keep Drinking!

The show was awesome and I think they’re winning over audiences all over North America.

(more…)

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[ATTENDED: March 23, 2024] Party Nerves

I saw Party Nerves open for Say Sue Me back in November and now t hey are opening for Drinking Boys and Girls Choir and Otoboke Beaver.  There seems to be a pattern.

Since it’s only been four months, my opinions of them haven’t changed that much.  Except to say that they sound even better.  Tighter, more powerful.  And the size of this venue didn’t affect them at all.

After a song when someone shout “shit is tight bro” Mike the bassist said thanks, “we practice.  A lot.  We don’t have lives.”  And then drummer Pavlo chimed in, “hey, I have a dog.  And a wife.”

All three members are super in tune with each other, but fairly or unfairly, most of the attention has to go to guitarist Woolly since he’s the one playing the lightning fast, non-stop surf guitar riffs. Yup, rocking surf guitar that reminds me of Shadowy Men on a Shadowy Planet (the band who made The Kids in the Hall theme song), although listening to them this time, they have more urgency and intensity that Shadowy’s laid back vibe).

Admittedly a lot of the songs are samey–I mean, it’s instrumental and it’s all kind of reverbed and riff-based.  But each guy is really good and the riffs are tasty.

The crowd was really impressed.  Everyone I heard talk about them had nothing but good things to say.

Like last time, 30 minutes was pretty perfect for me to enjoy their stuff without getting overwhelmed by the surf vibes.  I wonder what the longest show they’ve played is.

Party Nerves is a great opening act, check them out! (more…)

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[ATTENDED: February 24, 2023] Otoboke Beaver 

I saw Otoboke Beaver back in October and since they decided to swing through Philly again, I immediately grabbed a ticket.  The show sold out a few days before it happened (good for them).  And this venue is twice the size of Johnny Brenda’s (from 300 to 650 capacity) so even better for them.

There were several rules up on the wall before the show.  Basically they didn’t want people on stage (understandable) and they didn’t want people taking their setlist (this one I still don’t get) and no posting videos to YouTube (although Instagram is okay–I don’t quite get that either but whatever).  This also meant t hat there was a barrier up between the band and the stage (unusual for Underground Arts).  Sadly this meant that guitarist Yoyoyoshie would not be crowd surfing.  Of course, I didn’t arrive early enough to get that close anyhow.

Nevertheless, I had a pretty good spot up front, but as soon as they started playing, the mosh pit started and I got pushed off to the side a bit.  And by the end of the show I was all the way off to the side in a not especially great place.  That kind of sucked because they are so much fun to watch that I was bummed I couldn’t see them from the front.  But it was neat being near bassist Hiro-Chan who plays barefoot!

They sing (almost) exclusively in Japanese so I can’t really tell which song is which.  And most of their songs are short and fast so who knows what they played (again, not seeing a setlist), but it doesn’t matter because their whole set is about fun-wild fun.

One thing that really impressed me was that before one of the songs, singer Accorinrin stood with her arm raised and the whole band waited for her to begin.  The crowd, not taking the hint, whooped it up, but she was clearly waiting for silence (I understand Japanese audiences are very quiet between songs).  She stood and waited (like a teacher), until eventually she lowered her arms in a quiet gesture and everyone was quiet.  Their songs are very tight and need to be coordinated well.  As soon as their was silence, she was able to start and everyone was in synch.  (more…)

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[ATTENDED: February 24, 2023] Gladie

Otoboke Beaver had a different local band open for each of their shows on this tour.  After the show I spoke to Gladie and they were really psyched to have been chosen to open.

This was actually the fourth time I was supposed to see Gladie.  Most of the shows they were opening for someone and the show as postponed due to COIVD. So I was glad this one actually came through.

They don’t quite fit musically, but they were an excellent warm up.  Gladie are a Philly-based band that was created out of the ashes of other Philly-based band.  Singer Augusta Koch was the singer of beloved band Cayetana, who I only really found out about as they were breaking up (and who actually only put out two albums!).

The band also has Matt Schimelfenig and some other people who may or may not have been on stage that night.

Augusta Koch is clearly in charge of things.  She is a fun frontwoman and made some funny comments about the show.  She was saying how much she loves Underground Arts and how much it reminds her of the club in Buffy the Vampire Slayer (that’s pretty accurate). (more…)

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[ATTENDED: October 2, 2022] Otoboke Beaver [rescheduled from from April 9, 2022]

I wanted to get to this show early because it was sold out and I knew it would be crazy.   But between one thing and another I wound up arriving at 8:25.  Only to find out that the opening band (opening bands at Johnny Brenda’s tend to go on a little later than advertised) was DONE.  Apparently Soft Torture, a Philly hardcore band, did a super-fast set (their debut EP has nine songs in about 13 minutes).  Listening to it, they sound really tight with a great vocalist.  Shame I missed them.

But I was there for Otoboke Beaver.  And so was the rest of the riotous crowd.

About their new album, SUPER CHAMPON (ス​ー​パ​ー​チ​ャ​ン​ポ​ン) the band says:

CHAMPON is a Japanese noun meaning a mixture or jumble of things of different type.

Our new album is a mixture of songs from love to food, life and JASRAC. Our music is genreless and has various elements. We hope that it will be our masterpiece of chaos music!

Otoboke Beaver are a four-piece from Japan.  There’s Accorinrin on vocals, Yoyoyoshie on lead guitar (and crowd surfing), Hiro-chan on bass and Kahokiss on drums.  The band plays primarily hardcore, but with a comical and fairly wild edge.  But even that is an extremely limited view of their set.  The songs shift without warning, from frenetic punk to … well, anything else.  It’s amazing how tight the band is that they can keep up with these twists and turns.

Accorinrin is up front.  She stomped around the stage, sometimes pointing finger pistols at the audience, enagaging really well with everyone.   Stage right was Yoyoyoshie who is as ferocious on guitar as her howls of “Otoboke Beaver!” between songs.  On the left was Hiro-Chan standing bare-footed (the band has pleaded that people not put any drinks or throw anything on the stage to protect her feet).  She seems remarkably chill given the frenzy around her, and her growls are awesome.  Kahokiss on drums somehow sounds fantastic while all of this is going on.  How on earth can she keep all of this straight?  It’s really amazing. (more…)

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[POSTPONED: April 9, 2022] Otoboke Beaver [postponed to October 2, 2022]

I’m not sure if this was a COVID-related postponement, but it came at a good time for me, because we had booked a vacation for the following day and it would have been hard to justify going out to see a band the night before a long drive.

I am very excited about seeing Otoboke Beaver.

 

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