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Archive for the ‘Lucius’ Category

[DID NOT ATTEND: January 29, 2024] Lucius

I’ve had a ton of opportunities to see Lucius in the last two years.  My count is 5 (plus two at festivals I wasn’t going to).  For one reason or another (sometimes inertia) I just didn’t go.

Then they announced this ten year anniversary of their debut album and I thought that that would be really fun to see.  I really liked about half of the album a lot.  The rest was good.  And I figured in a live setting all of the songs would be great.

The strange thing is I had no idea that Lucius has released only three albums (and various other remixes and stuff).  So when they played in NJ last year, had I gone, I would have seen half of this album anyway!  In fact, had I gone to that show, I would have heard them play one of their newer songs that I love, “Next to Normal.”  Serves me right.

But there was something neat about going to this little mini-tour and being one of the select cities that got to see it.

It took them a while t o come out.  In fact, they turned the lights out at 8:45 and we sat in the dark until like 9:10, which is just weird.  But whatever.  The guys came out first and then Jess Wolfe and Holly Laessig came out in matching outfits–berets and bold colored jackets00primary colors splitting the coats in half with brighter colors on the pockets.  They looked great.

There was a (tall) family in front of me and they were pretty good when they started singing “Wildewoman.”  There was a woman behind me who was singing very loudly.  She had a good voice, but honestly we are here to hear these two women with incredible voices.   Fortunately she was mostly in tune and easy to ignore. (more…)

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[ATTENDED: January 29, 2024] Jeff Taylor

Jeff Taylor is an old friend of Lucius.  He is from new Jersey but lives in Pittsburgh.

He opened his set by humming a kind of dissonant sound as he strummed his guitar.  It went on for far longer than it should have and became kind of funny, but not actually funny.

Then he finally sang a line “We lost my dad,” and seemed to start the whole song over.   Whether he messed up or just wanted that line to hang there is unclear.

Jeff played an electric guitar and sang and I just couldn’t get into it.

By the end of his set I feel like he warmed me up a bit and I enjoyed the last few songs more.  But most of his songs were about breaking up with someone and they just weren’t that interesting.

I mean “Flashes” goes

Just push me away
Let me be free of you
You weren’t my kinda girl

So, yeah. (more…)

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[DID NOT ATTEND: August 18, 2023] The War on Drugs / Shakey Graves / Lucius / Steve Gunn

My wife and I saw The War on Drugs as our first show after the pandemic.  And it was wonderful. We were seated in a terrible seats at The Met, but the show was chill and mellow and we sat far away and the music swept over us.

I wasn’t sure if we’d want to go to this show, though because Stone Pony Summer Stage is a questionable proposition.  It’s a lovely venue but depending on the crowd, it can be terrible.  Plus, I know that standing around for four bands can be exhausting.  Especially since I wanted to see Lucius, but not necessarily Shakey Graves.

Steve Gunn is a musician who I thought I didn’t know, but I have seen a Tiny Desk of his.  He plays a kind of slow acoustic guitar with an eastern-style drone. It’s slow and addictive but I don’t think I’d want to stand to hear it.

Lucius is a band that I’d like to see live but somehow keep missing, as they play every stage that I’m not going to.

Shakey Graves and Lucius were both at the Guster festival this past weekend.  Which is kind of crazy.  I had said that I didn’t want to see Shakey Graves, but when I re-read my thoughts about his Newport Folk performance from a few years ago, I remembered that I thought he’d be fun to see live–he’s great at getting the crowd psyched up.

But, honestly, we were happy to stay home on a Friday night.

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[DID NOT ATTEND: July 31-August 2, 2020] Newport Folk Festival

There’s very few festivals that I’d like to go to, but Guster’s On the Ocean seems like a lot of fun.  It’s kid friendly (but there’s still adult things to do).  The band is very participatory and they curatea  weeknd’s worth of fun all in a pretty chill atmosphere.

My wife says that we might not like the other people there, which is true–Guster fans near us tend to be kind of partiers, but I still think it would be fun.

But not this year.

Here’s what was on the docket. (more…)

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[DID NOT ATTEND: April 11, 2023] Lucius / Danielle Ponder

Last year I didn’t see Lucius on two separate occasions because the shows didn’t line up properly for me.

So when they announced a shwo at White Eagle Hall, I thought I’d try to get to it.

But it turned out to be opposite Sleaford Mods who I had been wanting to see for quite a while.  So, sorry Lucius.  I suppose I won’t get another opportunity, but if I do I’ll be sure to take it.

Although as I keep saying–

I’m not even 100% sure I want to see them live–I really like some of their songs a lot, but a lot are just kind of okay for me.  Although their harmonies are absolutely dynamite.

Danielle Ponder is a soul singer with an amazing voice.  Her raspy vocals on “Some of Us are Brave” are incredible.  I feel like she could easily be working with Hozier one of these days.

In 2020, NPR described her music as anthemic while compassionate; soulful, while bold and strong. She reverberates with a goosebump-inducing passion,.”

She’s be pretty great to see live.  And she has a fascinating backstory too:

Danielle attended Northeastern University where she received her Juris Doctorate. For 5 years, Danielle worked as a public defender where she provided criminal defense to the indigent community.

While working as a public defender, Danielle also toured Europe and scored an opening spot with George Clinton.

In 2018, after five years as a public defender, she made the gutsy decision to pursue her No.1 passion — music. In 2021, Danielle performed at the Newport Jazz Festival where her performance was hailed as one of the stand out performances of the event.

 

 

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[DID NOT ATTEND: May 7, 2022] Lucius / Celisse

I didn’t see this show the night before in Jersey (even though I was offered free tickets) because I had a (better) show with my son to go to.

So they were playing the following night in Philly (originally Rina Sawayama was supposed to play the TLA, but she got bumped to the Fillmore–good for her).

But honestly, sometimes I can go to two shows in a row, but the Pup show was pretty exhausting, so it seemed smart to just hunker down at home.

I’m not even 100% sure I want to see them live–I really like some of their songs a lot, but a lot are just kind of okay for me.  Although their harmonies are absolutely dynamite.

Celisse Henderson is a wild rocking woman who plays a killer guitar–I think she’s more of a blues player than anything else, but with a modern, female spin on the blues..  I don’t think I knew who she was at the time, but I have since learned that she is a killer and I would have loved to see her.

 

 

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[DID NOT ATTEND: May 6, 2022] Lucius / Celisse

Lucius had played a Free at Noon show earlier in the day and I could have gone.  But for a couple of reasons I didn’t.

I’m not even 100% sure I want to see them live–I really like some of their songs a lot, but a lot are just kind of okay for me.  Although their harmonies are absolutely dynamite.

For this show, I was even offered free tickets the night before:

Sign up now to claim free tickets to enjoy the sweet sounds of Lucius w/ Celisse

I absolutely would have gone to this for free.  (It also tells me it was not selling very well).

But, it turns out that I had SIX shows to choose from this evening: Gogol Bordello, Sunflower Bean (which was actually cancelled), Destroyer (which I had bought a ticket for a long time earlier), Olivia Rodrigo (which sold out long before I could get a ticket), Lucius and Pup (which my son and I went to).

So Pup it was (and it was great).

Celisse Henderson is a wild rocking woman who plays a killer guitar–I think she’s more of a blues player than anything else, but with a modern, female spin on the blues..  I don’t think I knew who she was at the time, but I have since learned that she is a killer and I would have loved to see her.

 

 

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[DID NOT ATTEND: May 6, 2022] Joanna Sternberg / Lucius: Free at Noon 

I scored a ticket to this Free at Noon show because I have been very curious to see Lucius live.  I absolutely love about half of their songs.  And I rather don’t like many of their other songs.  So it’s been a toss up whether I really want to see them.  This Free at Noon seemed like the perfect way.

Then I found out that they were sharing the bill with Joanna Sternberg.

I don’t know anything about her, so it’s no offense to her, but I didn’t want to see such a short Lucius set (most Free at Noons are barely 40 minutes, so it seemed crazy to drive all that way for… 20?

So I stayed at work.

This session took place during Non-COMM, which probably meant that it was really really crowded.  Turns out they only played six songs, although they are probably the six I mist wanted to hear.  So maybe I should have gone.

Although I was seeing Pup that night, so I guess, maybe not. (more…)

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SOUNDTRACK: NPR: The All Songs Considered Holiday Cruise 2018 (December 19, 2018).

Every year Bob Boilen and Robin Hilton “try to do something special for the holiday and it never works out.”  This year’s Christmas special sees them taking a cruise to Bermuda.  What could go wrong?

Every year I have loved the Christmas special–the fun music, the silly story, the guests. But this year’s was my least favorite so far.  And this is mostly because of the music and the guests.  The story was absurd and funny which I liked, but they really didn’t have any artists I was excited about.

Robin is of course unimpressed and concerned (given that they are sailing on Calamity Cruises) and Bob is as ever a gleeful optimist.  And there’s a strange recurring joke about rooms and cabins.

The show opens with a nice (unattributed) version of “Christmas on Christmas Island.”

There were some fun guests for sure, though.  They arrive at their cabin and find Mickey Dolenz (whose Paypal joke is quite funny, but he laughs a bit much at himself).  Most of the artists have a Christmas album out.  The Monkees-“What Would Santa Do” is a fun little ditty and it was written by Rivers Cuomo, so you can hear the Weezer in it.

Things kind of go south as soon as they look at the newspaper and see that William Shatner is lost at sea.

They meet Aloe Blacc on deck who says he created an album of new Christmas songs which were fun and dancey.  The song “Tell Your Mama” is okay.  Nothing special.  It is a little dancey, but maybe it’s not the best track on the disc.  I don’t know.

Robin goes on a journey and meets Steve Martin and the Steep Canyon Rangers.  “The Strangest Christmas Yet” is a fun song, but it came out in September so it’s not new or anything (which is what I tend to think this show is about).  But it’s enjoyable to hear Steve tell the crazy story.

Then Bob & Robin zipline along the ship where they run into Lucius.  They play the Lucius version of “Christmastime is Here,” which is pretty as most of their songs are but not very festive.  The story by Holly afterwards about hearing actual jingle bells is a highlight of the show.

Rodney Crowell also tells a funny story about playing basketball on the road.  Although his album is pretty dark, he says his album is about being Scrooge and looking for redemption.  They play “Let’s Skip Christmas This Year,” a bluesy romp that’s more fun than the title lets on.

The guys find themselves caught in the Bermuda Triangle and Shatner makes his appearance, “singing” “Blue Christmas” with Brad Paisley.  Shatner can’t overpower Paisley’s twang.

Up next is John Legend.  What I like about this is they try to talk to him about being lost and Legend is talking about his Christmas album–a funny spliced interview.  They play John Legend singing “Have Yourself a Merry Little Christmas” with Esperanza Spalding. It’s pretty good but they do too much vocal acrobatics at the end.

As the show ends, the final joke is revealed thanks to a grant (great joke).  Although the show ends with another Shatner song, an over the top “Feliz Navidad.”

So no one terribly exciting for this journey, but there are a few good Christmas songs to add to your favorites.

[READ: December 21, 2018] “The One Who Is”

Once again, I have ordered The Short Story Advent Calendar.  This is my third time reading the Calendar (thanks S.).  I never knew about the first one until it was long out of print (sigh).  Here’s what they say this year

Fourth time’s the charm.

After a restful spring, rowdy summer, and pretty reasonable fall, we are officially back at it again with another deluxe box set of 24 individually bound short stories to get you into the yuletide spirit.

The fourth annual Short Story Advent Calendar might be our most ambitious yet, with a range of stories hailing from eight different countries and three different originating languages (don’t worry, we got the English versions). This year’s edition features a special diecut lid and textured case. We also set a new personal best for material that has never before appeared in print.

Want a copy?  Order one here.

Like last year I’m pairing each story with a holiday disc from our personal collection, although today’s soundtrack is an NPR special.

This story shows the conflict between native culture and white culture.  It’s unclear when it is set, but at least the white doctor does sterilize his instruments.

Nona is about to give birth and she is having a very hard time. Her water broke, but she has been pushing for days with no luck–the baby is breached. (more…)

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SOUNDTRACK: TWEEDY-“High As Hello” (Field Recordings, August 7, 2014).

This Field Recording [Tweedy And Son Take To The Tunnels, Friends In Tow] is another one from the 2014 Newport Folk Festival.  Much like with the Jazz Festival, it was raining during the folk festival.  This means the musicians had to play in a that by now familiar tunnel–away from the elements.

These musicians were NPR favorite Jeff Tweedy and his then new project, Tweedy.  The project features Jeff’s then 18 year-old son Spencer on drums.  Jeff and Spencer are accompanied by Jess Wolfe and Holly Laessig from Lucius (who don’t get to really show off their pipes, but do provide great backing vocals).

With the rain, it was not possible to shuffle drums, so

Spencer Tweedy’s drums are made from found trash and objects lying around the fort, including a cardboard box and some boxes of gum. Still, magic happened.

I can’t help but remark (again) on the wonderful sound equipment.  The band sounds terrific and you can hear all of the guitars (a full band list isn’t given).  Somehow Spencer’s drums don’t sound like cardboard boxes.

This recording is from 4 years ago either before Jeff started wearing the ubiquitous cowboy hat or he didn’t want to wear it in a tunnel.

“High as Hello” is a slow song with great backing vocals and solos from at least one of the three guitars.

[READ: September 18, 2018] “Poor Girl”

This story was translated by Anna Friedrich and is about a woman trapped in a situation she hates.

What’s interesting is that it’s unclear if the title refers to the young mother or her daughter (as they are both poor in different ways).

The opening line is quite surprising:

The wretched mother could easily have lost her sanity watching her husband love their daughter….

What an odd thing to be upset about.  Until…

the way he stroked the child when she was falling asleep or waking up, his blissful expression when they touched, the fact that he bathed her himself, believing it to be his right and his responsibility.

So, the woman, Irina, raises some red flags, although it’s not always clear if she is being reasonable about them. (more…)

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