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Archive for the ‘Karina Rykman’ Category

[ATTENDED: September 3, 2025] Karina Rykman 

We didn’t really plan to go to  this show, especially since it was right at the beginning of the school year.  But, since these shows have a strict 9:30 curfew, we decided to drive the hour and get a free show with Karina Rykman!  Because who doesn’t love a night of Karina!

The amazing thing is that Karina has recently posted videos of her in front of these giant festival crowds, and here we were surrounded by a few hundred people and able to get right up next to the stage.

Karina came out and the joy and good vibes started right away.  It’s unclear whether the crowd knew her or not (although there were a lot of hippie types with jam band shirts on).  The trio absolutely fills the space with guitar wizard Adam November filling the space with his effects and soloing skills and drummer Chris Corsico keeping things together but adding some fun too.

The opening instrumental jamming of the new song Lagos > Dirty South was just fantastic.  A jamming/funky/super fun opening which got a whole lot of people off their feet and standing in front of the stage.  This blocked our view and so we took this as a chance to get up and dance (well, sway, really).  Which also meant getting right up on stage to see even better.

I always wonder what people think when they shift from the rocking instrumentals to her far more poppy and gentle song-songs.  Her voice is so soft an airy (very different from her speaking voice).  But these songs are a delightful breather before the grooviness of Plants comes on (with Adam November showcasing all of the cool sounds he can get from his gear).

Up next was another new song, Change My Flight (I guess a new album is on the way?) followed by the Ween cover Springtheme.  When she was singing the lyrics I was think they didn’t sound like her lyrics and now I see that it’s a Ween cover.  It segued perfectly into City Kids.  The crowd loved City Kids and mid-song she brought up Jeremy Kaplan of Dogs in a Pile to play a lengthy melodica solo [no wonder she didn’t have time to play everything on the setlist]. (more…)

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[ATTENDED: September 3, 2025] David Bakey

We didn’t really plan to go to  this show, especially since it was right at the beginning of the school year.  But, since these shows have a strict 9:30 curfew, we decided to drive the hour and get a free show with Karina Rykman!

It was announced that David Bakey would be opening.  Bakey is a NJ based guitarist (his father apparently works for Camden County).  I had never heard of him (and I would guess that he and Karina might not have even met as neither one acknowledged the other from the stage).

Bakey is more than a guitarist.  He plays a phenomenal style in which he uses both hands on the fretboard, but also created percussive sounds and chords with his right hand while his left is playing fairly complicated melodies.

He played six songs, all of which were pretty long and with multiple components.

For the first two songs he sat and played acoustic guitar.  For the next one he stood and played the electric guitar.  Then came the show stopper–he played his electric with his left hand and with his right, he played a guitar that was on a table.  So he was basically tapping both guitars at the same time. It was amazing to watch.

He ended the set with two more acoustic guitar songs, one of which was on the 12 string and sounded glorious.

I don’t know what the songs were called (he didn’t say much).  Heh, as I look at his album online, it seems that most of his songs are fairly short, so maybe he played many short pieces instead of a few longer ones.

It was a gorgeous night in the park and his music was suitably delightful.

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[ATTENDED: December 13, 2024] Karina Rykman 

Last year, my wife and I saw Karina Rykman twice.  First as an opening act and then for our final show of 2023, as a headliner.

The show was great–loud and dancing and fun and everything you’d want in a jamband adjacent musician who totally kicks ass.

When she announced another Philly show this year (my second to last show of the year, but my wife’s final show of the year once again), I snatched up tickets immediately.

Karina is such a joy to see live.  Her band rocks and her choice of songs (both her own and covers) are designed for maximum fun (and chops).  And of course, she has a perpetual smile on her face–no one enjoys playing music as much as she does. (more…)

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[ATTENDED: December 13, 2024] Muscle Tough

I had never heard of Muscle Tough and I admit I was a little concerned about a band with this name.  I mean, were they jock rock?

When we arrived, they had their name and two cutouts of muscular arms flanking the stage (pretty funny).

And it turns out I should have trusted Karina, because Muscle Tough were amazing.  They play rocking jamming instrumentals that are proggy and jazzy and show off the incredible chops of all three musicians, Ross Bellenoit (guitar), Jonathan Colman (bass) and Joe Baldacci (drums).

They have a pretty fascinating backstory.  Bellenoit was in a couple of different bands, but he wanted to start a band just for jamming and goofing around.  And Muscle Tough has been around longer and has had more success than any of his other more “Serious” projects.

Bellenoit is a phenomenal guitarist–he plays tasteful solos but also shreds like a fiend.  He also had a massive arrive of effects so he can create just about any sound.  Colman is an amazing bassist, playing really fast riffs and imrovs with ease. (more…)

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[ATTENDED: April 13, 2024] Marco Benevento / Ghost Funk Orchestra

I have seen Marco Benevento three times live.  Every time has been a wonderful, joyous experience.  And I promise myself I’m going to see him again soon.

I didn’t go to his shows last year because I needed a break from shows that week.

This year, I already had a ticket to see Swans and then my daughter and I were going to go see Jhariah, so I couldn’t go to see Marco this time.    But he’s always playing shows and I’m sure I’ll see him again pretty soon.

Ghost Funk Orchestra has a name that I was bound to love.  And yet when I listened to them I found that i didn’t really like them at all.

Ghost Funk Orchestra is the brainchild of composer/multi-instrumentalist Seth Applebaum. The band draws heavy influence from the worlds of soul, psych rock, salsa, and beyond.

Even that description is perfect for me, but I feel like they take my least favorite elements from all of the genres and I instantly bristled at the vocals and the recording style.

They’re probably a lot of fun live, and I’m sure I would have enjoyed them opening for Marco, but I did not enjoy the album at all.

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[ATTENDED: December 15, 2023] Karina Rykman 

I‘ve seen Karina Rykman play bass with Marco Benevento three times.   She exudes a joy that is infectious.  And her sound with Marco is outstanding–her fuzz bass is unparalleled.

So I’d wanted to see her solo for a while, even though her solo songs are a bit more discoey than I would have liked. She opened for Guster back in April and she and her band blew me away.  In fact, my wife liked her so much that she was totally on board with seeing her again.

Yes, her singing voice is rather discoey (she must use lots of effects on it to sound so echoey and outer-spacey, but man, when she jams, she gets down and dirty and often quite heavy.  But she also steps back and lets her impressive guitar player Adam November take over.  And her drummer Chris Corsico is pretty awesome too.

She sold out Milkboy (I was supposed to see her there in 2020 and I think it would have been a very different show) which she was pretty thrilled about.  And the crowd was 100% dancing to her groove.

She opened with three songs from her album Joyride (which had not come out in April).  “Joyride” and “All That You Wanted” are softer songs that accentuate her way with melody and hooks–the choruses are dynamite. (more…)

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[ATTENDED: December 15, 2023] Coyote Island

Coyote Island opened for Karina Rykman.  I hadn’t heard of them and when I listened to a song or two I thought they sounded kind of folkie and mellow.  Turns out

Coyote Island is the musical vision of producer/songwriter and multi-instrumentalist, Mike O’Hehir. For many years Mike travelled the country with guitar in hand. With roots in folk music, the sound quickly expanded into a new genre-bending realm of psychedelic indie. With good vibrations, dancey grooves, and tropical psychedelia, Coyote Island offers you a sonic vacation from the doldrums of existence.

Okay, so that’s promo blather but it’s not far off.

When the band started, they played an excellent instrumental jam.  It rocked and was really grooving.  Their second song was kind of lite-reggae.  I don’t like reggae, but I enjoyed this song because it deviated from the formula in little ways.

Their next song was, as the blurb says, kind of tropical psychedelia.  There’s definitely the tropical element in the drums from Ryan Benoit.  And five-string bassist Garrett Roy Jones played a great low-end.

It was lead guitarist Amir Rivera who really blew me away.  I loved the way he casually played some really amazing solos.  He was fast, but also very clean and tasteful.

I don’t have any song titles, although I do know that they played a super fun and hugely surprising cover of “Can’t Get You Out of My Head” by Kylie Minogue–sung by Amir.  Another really fun moment was when Mike broke a guitar string–a low E of all things–and had to get a new guitar.  He climbed off the stage to their gear which was stacked up in the crowd.  While he grabbed and tuned a guitar, Amir led the rest of the band in this rippling fun instrumental.  None of this is to dismiss Mike, whoc joined in about halfway through and added a ton of little details.

Indeed, Mike is a fun and engaging front man.  He’s got a smooth island-inflected singing voice [I was stunned when he said they were from Maine as they sound like the least Maine-sounding band I could imagine].  He had on a fun outfit and was generally smiling and happy.

When the set was over he walked through the crowd and happily talked to anyone.

Without question they would make an excellent opening band in nearly any situation.  I hope to see them again.

 

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[DID NOT ATTEND: September 21, 2023] Karina Rykman / Guerrilla Toss

I’ve only been to The Wonder Bar once and I really liked it.  Strange how in all these years since there haven’t been any bands I’ve wanted to see there (not exactly true, but the few I’ve wanted to always conflicted).  Then Karina Rykman announced a surprise show there.

My wife and I saw her open for Guster and she was great live.  I’ve since listened to a bunch of her live shows online and she’s a great performer.

When I saw that this tour promised that Guerrilla Toss was opening, I needed to go.  So, even though I had a ticket to see Boris, a band I never want to miss when they come here (especially since they almost called it quits recently), I grabbed a cheap ticket to Karina just in case it sold out.

Then Melvins drummer, Dale Crover injured himself and was going to miss the tour.  I actually wondered if it might get postponed.  But no.  But Karina announced a show in Philly at Milkboy an I grabbed a ticket for that.  It doesn’t look like Guerrilla Toss is going to play that show which is a bummer.  But Karina is worth schlepping into center city Philly in December.

I don’t exactly remember what first attracted me to Guerrilla Toss.  I had heard very good things about them, although I don’t remember what.  I also don’t think I heard about them before 2014 when they were apparently really crazy as this clip from Impose notes:

What I loved about that band in 2014 is not what I love about them now. As long time fans of Toss know, the band is much different now. They’ve ditched the nudity, the three-song sets, the mindless and sometimes violent thrashing. Guerilla Toss brought this hurricane of inescapable absurdity and frantic release; there was always a feeling of, “I need to get this out of me, whatever it is, right fuckin’ now.” On the last three releases, they’ve synthesized the pop even further into a truly danceable and quite accessible experience, one that retains the absurdity and the anxiety that Toss fans have always really appreciated. The reason I love Guerilla Toss now is because not only can I continue to move to their music, but it’s entered a space that ultimately does not push out those who might be afraid to mix with the obscure, the scary, the sometimes absurdly violent environments that the old Guerilla Toss would bring with them everywhere they go. And yet they haven’t fully ditched that angle either. Guerilla Toss, the way I see it anyways, is a chance for experimental, fans-of-the-fringe, noise heads to fuck with mainstream indie-pop, and for mainstream indie-pop heads to fuck with the noise.

I have to say when I listened to them recently I thought they sounded really safe, so maybe they have matured really really far in ten years.  I wonder if their shows are still fun.  And I suppose there’s still a chance they’ll play in Philly.

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[ATTENDED: April 6, 2023] Guster

It was only a few months ago that we saw Guster in Montclair.  And yet here they were back again in New Jersey!

They’re playing Philly tomorrow night and it was be incredible to see them two night in a row, but the second night is the same as night as the five-times rescheduled Bikini Kill show. so, you know, priorities.

Karina Rykman’s set was so much fun but we had no idea how good this night’s set was going to be.

This is my tenth time seeing Guster and my wife’s ninth (she couldn’t make the Free at Noon that I went to).  So we pretty much know what to expect at a show by now.

But the guys really mixed it up quite a lot for this one.

In addition to their super fun set design (desk lights suspended from the ceiling all set up with LEDs to glow different colors), they also played a setlist that was totally killer. (more…)

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[ATTENDED: April 6, 2023] Guster

I’ve seen Karina Rykman play with Marco Benevento three times.  She is an amazing bass player with a great sound, great instincts and great jamming skills.

I was supposed to see her a few times, but the shows were cancelled for one reason or another.

So how awesome was it that she was going to open for Guster?

I didn’t really have a good sense of what her live show would be like.  Her recorded solo stuff is rather synthy and kind of discoey, which I really didn’t expect.  So who knew what we were going to get.

Well, her band, Chris Corsica on drums and Adam November on guitar were outstanding.  The songs had a kind of disco feel (especially from the guitar playing from November) and the occasional very disco bass line that Karina threw in.  But they felt modern as well.

The songs grooved and were groovy, taking the most fun aspects of disco and marrying them to a heaviness and thumping sound that worked really well.

I hadn’t really heard Rykman sing before and her voice is quiet and somewhat angelic.  She must have some kind of processors on her mic because it sounded like there were harmonies a lot of the time. (more…)

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