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Archive for the ‘GHÖSH’ Category

[DID NOT ATTEND: October 10-15, 2022] Philly Music Fest 2022

Every year since 2019 I have participated in Philly Music Fest in some way.  But this year I wound up giving the whole thing a miss.

Philly Music Fest is a non-profit endeavor focused exclusively on local bands, with all proceeds donated to local music education charities. Philly Music Fest features both established and up and coming artists, showcasing the diversity of the Philadelphia music scene.

It wasn’t because of a bad lineup or anything, it was that I had tickets to other shows every night.  I wound up not going to all of those shows anyway, but basically I was already booked for the whole Fest.

This year’s line up was even bigger than last year’s

October 10, 2022 at Ardmore Music Hall 

  • Marielle Kraft is a poignant indie pop singer-songwriter
  • Electric Candlelight is a heavy psychedelic band that I was supposed to see open for Fuzz
  • Mt. Joy is a band I’ve heard on the radio a bunch who I don’t particularly like, so not so great in the headliner here.

October 11, 2022 at Ardmore Music Hall 

  • Stereo League is apparently impossible to describe using concrete words as I can’t figure out what their music sounds like from the blurbs I’ve read.
  • Salika is an R&B singer
  • Mt. Joy of the two nights I wouldn’t have picked this one anyhow.

October 12, 2022 at World Cafe Live

  • Perpetual Motion is described as dynamic acoustic jazz who play blues, rock, jazz, and world music
  • Kayleigh Goldsworthy is a folk singer who I saw open for Frank Turner.  She was great.
  • Ron Gallo is not Vincent Gallo, which is what I think every time I see his name.  Ron is an indie guy who I’ve never heard but who must be pretty popular or interesting if he keeps popping up.
  • Lady HD is a kind of psychedelic pop band whose name reminds me too much of that Lady A fracas that bubbled up a few years ago.
  • Low Cut Connie is one of the bigger bands at the festival.  I’d never want to see them, but I like some of their songs.

October 13, 2022 at Johnny Brenda’s

  • This was the night I would have gone to
  • The Ire is a four-piece goth-tinged post-punk band.  I like their overall sound.
  • Ghosh is a band I’ve wanted to see: they’re pissed off, informed, and ready to party.
  • Screaming Females are terrific and even better live.  I thought this would sell out in a second.

October 14, 2022 at REC Philly

  • This was a free show.  A night of hip hop and beat curated by Working on Dying who I’ve never heard of of

October 14, 2022 at The Dolphin

  • The Dolphin is a new-ish venue that I’ve yet to check out.
  • Max Swan is saxophonist, vocalist, and producer influenced y likes of Stevie Wonder, James Blake.
  • Echo Kid is two guys from RFA.  This is a hazier, no-holds-barred, psychedelic reimagining of the way they’d approach their songwriting process with a languorous sense of ease, effortless genre-blending, and an amalgam of intentional recorded conversation
  • Shamir is an artist I’d like to see live.  They keep popping up as an opening act and then something happens and I don’t see them.  Here’s another miss.

October 15, 2022 at Underground Arts

  • This would have been my pick for show of the Fest, if I hadn’t already been overbooked.
  • Justmadnice is blues-dipped psychedelic jazz.
  • Riverby are a fun indie rock band with a loose sound (and a cover of “Walk Through the Fire” from Buffy the Vampire Slayer.
  • Empath is a band I was supposed to see open for Fucked Up but the couldn’t make the rescheduled date.  They are kind of noisy and poppy and punky and are probably very fun live.
  • Mannequin Pussy is one of my favorite new(ish) bands.  They are amazing live and are always worth seeing.

The 2023 Fest is bound to be great too.

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[DID NOT ATTEND: May 27, 2022] NNAMDÏ / Ghösh / Lizdelise 

I saw Nnamdi Ogbonnaya open for Wilco and Sleater-Kinney.

I really enjoyed his set which went in all kinds of interesting directions.  As this blurb puts it he

makes dreamy, fractured, and frisky music that rarely sits still. He pulls from indie rock, hip-hop, and jazz on songs that mine his experience as a self-described “Black, Jewish, first-generation Nigerian-American.” He was terrific last year at the Mann Center opening for Wilco and Sleater-Kinney, though he couldn’t play guitar because he had broken his wrist skateboarding.

That’s the show I saw, too.

I’m not sure why I didn’t go to this show.  I’d say just taking it easy at the end of May.

Ghösh seems like an unlikely fit for this bill.  I very much want to see them, but sandwiched between two mellow artists this seems a little off.  XPN explains them

Ghösh combines the darkest elements of aforementioned 90’s rave — pummeling beats and washy, distorted samples ala Atari Teenage Riot or Front 242– with the lyrical intensity of a 2009 LiveJournal entry co-written by Angela Davis and your little sister: they’re pissed off, informed, and ready to party.

It’s a weird mix on the surface, but with songs like “Dear Daddy” intoning how bad all cops are (“even my dad,” Symphony shouts) over a dizzying jungle beat, to a cover of Limp Bizkit’s “Break Stuff” where buzzsaw riffs that tear through the an avalanche of Miami bass empowered 808 kicks where they scream-rap “my suggestion is to keep your distance / right now I’m dangerous”, it’s clear the genreless entropy is not just intentional, but beautiful.

The band has honed their sound in the usual spots: basements, dive bars, the batting cages, defying the usual punk orthodoxy with ever slurred, tripped out vocal sample, every re-appropriation of 90’s hip hop and nu-metal, every radical, queer, noisy explosion. And it’s true, Philly gravitates to bands that push, explore and distort a myriad of experiences and influences, the eclectic shit, as much as we love three chord punk, staid indie rock, and meathead hardcore.

Lizdelise was described by NPR as

Liz de Lise is a singer, songwriter and guitarist who writes alternative folk songs with jazz influences. She creates lush soundscapes with acoustic and electric guitar, vocals and a loop pedal. She completed her one-video-a-month-for-a-year project in 2015.

For ease of searching I include Nnamdi, Ghosh.

Here’s a video of Ghosh

GHOSH  PhilaMOC

 

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[DID NOT ATTEND: March 18, 2023] Ho99o9 / N8NOFACE / GHÖSH

I was not really familiar with Ho99o9 when this show was announced.  I looked them up and decided that although their sets are probably pretty awesome, that this show might be a little too much for me.

As one review says

The destruction really started a few songs in during ‘Street Power’ and new song ‘Forest Fires’ off their latest EP Cyber Cop, the distorted drums and deafening bass shook the room as the duo bounced around the stage like human bouncy balls, just before Eaddy took a first class flight off the stage; jumping on top of the awaiting audience, before climbing back on to the stage to finish up.

….

Tonight’s show was the definition of insanity, bodies flying all around the room, mosh pits opening up anywhere there was available space; Ho99o9 have been able to secure some of the most dedicated and passionate fans in the scene, no matter where they play no doubt there will be fans there to listen!

In a small place like Underground Arts, it might have been overwhelming. (more…)

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