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Archive for the ‘Credence Clearwater Revivial’ Category

SOUNDTRACK: FOGERTY’S FACTORY – JOHN FOGERTY + FAMILY-Tiny Desk (Home) Concert #14 (April 24, 2020).

I’ve never given much thought to John Fogerty.  I like some CCR songs; dislike others.  He’s a legend for sure, but I never thought about him.  I certainly never thought about whether he had children (much less grown children).

Watching this Tiny Desk where Fogerty and his three grown kids are playing along to some utterly classic songs is pretty weird.  Imagine if your dad wrote “Centerfield”?  It’s not my favorite song.  I don’t even especially like it, but I’ve heard it a million times.

And there you on video playing guitar and bass with your dad who wrote the song.  Is that surreal and wild or is it just what dad does?

When John Fogerty breaks out his baseball bat guitar and swings into that famous guitar lick from “Centerfield” to open his Tiny Desk (home) concert, I can almost taste the Cracker Jacks. Welcome to Fogerty’s Factory, the tricked-out basement where the Fogerty Family (John, his sons Tyler (mustache) and Shane (no mustache), and his daughter Kelsy) make music in these quarantined times.

Fogerty jokes about his own tiny desk.

His desk is the road case his band Creedence Clearwater Revival used when they played Woodstock, and John shows off a guitar he played at the festival as well.

After “Centerfield” he plays

three of his CCR classics from 50 years ago (still singing in the same key), surrounded by family and sending out words of encouragement to all of us.

I have a hard time believing he wrote “Down on the Corner” if only because it seems like a song that’s been around forever (which it has).

It’s amusing hoe much he acts like a grandpa (which he just might be), when talking to us and to his daughter (who has wise words to say about missing her graduation).

I don’t really know “Long As I Can See the Light.”  Maybe I do, it sounds vaguely familiar, but all CCR songs sound vaguely the same (his voice is unmistakable–and he still sounds pretty good).  he plays organ on this song, which is a slight change of sound.

“Proud Mary” is another song that I just can’t believe he wrote. Can you imagine being the guy who wrote that song?  Again, not a song I especially like, but everyone has sung it.  Everyone knows it.  It seems like it was a blues standard or something.  But this guy wrote it.

That’s pretty wild.

[READ: April 26, 2020] “Bedtime Story”

Ezra Washington’s wife walked in on him telling a story to their younger child.  It was about the time he was rollerblading and Julia Roberts crashed into him.

At first she doesn’t realize that he is talking about Julia Roberts, she thinks he is talking about her (“That laugh you’d know anywhere”).  But none of the details sound familiar.  It’s when the child says, “She’s the one that plays the mom…with the big teeth and the long brown hair?” that she realizes it’s the Julia Roberts story.

The dad confirms and the child reiterates, “Julia Roberts went right between your legs?”

“Yes, but don’t repeat that.”

She was the biggest movie star in the world.  Back then. (more…)

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[ATTENDED: October 8, 2016] Built to Spill

2016-10-08-22-25-14Fifteen years ago I saw Sigur Rós.  A few days before that show I was supposed to see Built to Spill, but 9/11 happened and I skipped BtS.  So here it is fifteen years later and I get to see Sigur Rós and BtS a few days apart once again.  I also happened to see Built to Spill almost exactly one year ago today, so it was fun to do it all over again,.

This was my first time in the legendary Stone Pony.  I was shocked by how small it was and how strangely laid out it is (quite wide and not very deep).  I could have been within a few feet of the stage but when I varied I saw that even though the ticket said 7, BtS wasn’t going on until 10, so I scoured the venue and a saw a small riser to the back right.  I went up there and stood in the front of it, effectively three feet above everyone.  And I had a perfect view of the stage, so I stood there the whole time.

And boy am I glad.  The floor scene was a madhouse.  I was right above what was essentially the only way in and our once the club had gotten really packed.  People were squeezing past this small opening all night long.  And during the third song, a fight broke out–punches actually thrown!–because someone got in someone (both men of course) else’s way.  I even beer or something thrown in my face.  Stay classy, Asbury Park.

Unlike the previous show, BtS was only a three-piece.  Last show I marveled at Doug Martsch including two other guitarists to share lead duties, but I loved the fullness of the sound. I wasn’t sure what I would think of the band as a three-piece (my friend Jay informed me of the trio set up a few hours before they went on, so at least I was prepared–although I was bummed that Jay couldn’t make the show).

I was a little unconvinced about the sound of the three-piece when the band started.  But that turned out to be a mixing issue.  The drums were too loud, the bassist was inaudible and then Doug was himself.  But by the second song it was perfectly balanced and sounded amazing.

And once the sound was perfected, it came down to setlist.  And that was amazing–this setlist was almost entirely different from my previous show.  (more…)

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