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Archive for the ‘Chris Forsyth’ Category

Gruff Rhys (solo) / Chris Forsyth (solo) (World Cafe Live, Philadelphia, PA, April 11, 2025) [DID NOT ATTEND]

Posted in Chris Forsyth, Gruff Rhys, Philadelphia, PA, Super Furry Animals, Wales, World Cafe Live on April 11, 2025| Leave a Comment »

[DID NOT ATTEND: April 11, 2025] Gruff Rhys / Chris Forsyth

This was a dream show for me.  I love Gruff Rhys (and can’t believe it was all the way back in 2018 that I saw him) and then to find out the Chris Forsyth was opening?  Oh dream night.  And it was in the upstairs part of World Cafe Live (because hardly anyone knows Gruff).  It would have been intimate and amazing.

But my wife was still recovering from her surgery and I didn’t feel comfortable leaving her.

Markitaneight recorded the hold night so I got to watch what I missed.  Chris played electric guitar.  He played about 25 minutes.  No set list was recorded, but he played some instrumentals and some songs with words.

I didn’t realize that Gruff was going to start the night with a 15 minute moving screening!  Which he then followed with music on his acoustic guitar.  The rest of the show was him talking about his American Interior project with slides and a soft spoken narrative.  The video has a hard time recording his spoken voice which is a bummer (but he’s fine singing).

He played songs from the album (but not in order).  And Chris Forsyth played a tasteful solo over Lost Tribes.  It looks like it was a weird, fun night.

CHRIS FORSYTH set:
Tomorrow Might as Well Be Today
You’re Gonna Need Somebody
Boston Street Lullaby [slow, serious instrumental (he had to sit for it)]
long instrumental [looped himself and played a solo over it]

GRUFF RHYS set:
American Interior ∀
Iolo ∀
Bad Friend ≅
Shark Ridden Waters ∞
Pang! ∏
Walk Into The Wilderness ∀
Lost Tribes ∀
If We Were Words (We Would Rhyme) ∞
Liberty (Is Where We’ll Be) ∀
The Last Conquistador ∀
The Swamp ∀

* set two*
Allweddellau Allweddol ∀
100 Unread Messages ∀
Y Gwenan Gorn ∀

 

∞ Hotel Shampoo
∏ Pang!
≅ Sadness Sets Me Free
∀ American Interior

 

 

 

Markitaneight recorded the night. Here’s Chris Forsyth:

Here’s Set 1 of Gruff’s night

And what he’s calling Set 2

Super Furry Animals was one of my favorite bands of the 1990s.  Their music was great and I loved that they were Welsh.  It’s unfathomable that some of their singles weren’t huge here.  Even their all-Welsh album Mwng is catchy as anything.

Since the mid 2000s they’ve been in a different musical space (and on hiatus).  Lead singer Gruff (pronounced Griff) Rhys has released several solo albums and just recently released the album Babelsberg.

I hadn’t heard any of Babelsberg, but that didn’t stop me from wanting to see Gruff live for the first time.  (I saw SFA back in the 90s, but this would be very different).

Gruff was supposed to come to Johnny Brenda’s a few years ago (he explained), but Visa issues caused him to miss the Philly date.  That show was supposed to be solo, but for this show he had a four piece band: bassist Stephen “Sweet Baboo” Black and Osian Gwynedd on piano (who I could never see because he was behind Gruff, but whom I talked to after the show).  And he had Kliph Scurlock from the Flaming Lips on drums (!).  Kliph was selling the merch (while the other guys were talking Welsh backstage) and I chatted with him for a bit.  He has moved to Wales! (more…)

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Basic / The Early / Totally Automatic (Johnny Brenda’s, Philadelphia, PA, December 7, 2024) [DID NOT ATTEND]

Posted in Basic, Chris Forsyth, Johnny Brenda's, Nick Millevoi, Philadelphia, PA, The Early, Totally Automatic on December 7, 2024| Leave a Comment »

[DID NOT ATTEND: December 7, 2024] Basic / The Early / Totally Automatic

I have seen Basic twice in recent months and didn’t really feel compelled to go again. I do enjoy their music (and would have enjoyed seeing them at Johnny Brenda’s, but I had tickets to see Ride tonight and there’s no way I was passing up them for this.

The Early says about themselves

Formed in north Jersey in 2004, The Early’s music metabolizes the textural grandeur of post-rock, the communicational intimacy of jazz improvisation, and the patient grooves of minimalism. Currently operating out of Philadelphia, PA.

So what does that mean?  Interesting and improvisational-adjacent jazzy instrumentals, from the sound of their most recent record.  The Early appears to be Alex Lewis – electric guitar, korg minilogue and Jake Nussbaum – drum set, percussion, contact mics.  I’m not sure if there were more people on stage.

The Early released an album with Totally Automatic this year.

Totally Automatic was formed by Anne Ishii, Eugene Lew and Matthew Smith Lee in the summer of 2021. They play unarranged music with each other, on drums, saxophone and electronics, and can be found around Philadelphia.

So this set would be even more improvised, this time with saxophone.

Probably not the most enjoyable night I could spend, but it would have been kinda fun.

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Tinariwen (Underground Arts, Philadelphia, PA, July 24, 2024)

Posted in Basic, Chris Forsyth, Philadelphia, PA, Tinariwen, Underground Arts on July 25, 2024| Leave a Comment »

[DID NOT ATTEND: July 24, 2024] Tinariwen

Tinariwen is a pretty legendary band.  They play a guitar driven “desert blues” in which the guitar is played pretty much non-stop.   It’s unique and original to American ears but is apparently part of a Mali musical sound that combines traditional Tuareg and African music with Western rock.

I’ve been trying to see them for a number of years and things never seemed to pan out, until this year.

The night was a challenge as parking was limited and I wound up coming in later than I intended.  It was also much more crowded (so early) than I anticipated.  So I had  to stand off to the side.

About half way through the show, I had to get out of the crowd and Underground Arts was super nice in that someone got me a chair (I’m using a cane at the moment).  I actually felt obliged to stay in the chair which meant I was in kind of a crappy location visually for most of the show.   But it was so crowded that I wasn’t going to see much anyhow, so I’m grateful for the seat. (more…)

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Basic (Underground Arts, Philadelphia, PA, July 24, 2024) [TINARIWEN]

Posted in Basic, Chris Forsyth, Philadelphia, PA, Tinariwen, Underground Arts on July 24, 2024| Leave a Comment »

[ATTENDED: July 24, 2024] Basic

Philadelphia’s own BASIC, Chris Forsyth on guitar, Nick Millevoi on baritone guitar and drum machine, and Patrick Avery on percussion and electronics.  I saw them open for Tortoise back in 2023 and really enjoyed their rocking, possibly improvised set.

The venue was super packed.  I started in the center but couldn’t see anything so I moved to the Nick Millevoi’s side, but was still blocked by a pole.  Eventually I sidled up and managed to see all three of them.

Last time, I felt Christ Forsyth’s guitar was a little quiet, but this time the sound was great.

Like last time, Avery had a tiny bass drum that he hit with a mallet.  On it was a kind of woodblock, which he hit with a plastic mallet.  That’s all he had.  Millevoi often started a drum machine as he started playing so technically Avery didn’t have a lot to do, but seeing and hearing him add bass drum was a nice touch.  Avery also played with some electronics on a table near him–I think he was doing a lot more than I realized (since I couldn’t see him very well, it’s hard to know).

They played for about 40 minutes and it was a great rocking set.  Nick and Chris both played great solos from time to time and Mikel held it all together.

I do hope to see them one more time, hopefully from the front where I can really see what’s going on.

And what was fun was that Chris and his family (I assume) stood next to me at the end of Tinariwen, and then he was super friendly after the show where we chatted about the upcoming Basic album.

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Tortoise (Union Transfer, Philadelphia, PA, November 6, 2023)

Posted in Basic, Chris Forsyth, Mikel Patrick Avery, Nick Millevoi, Philadelphia, PA, Tortoise, Union Transfer on November 9, 2023| Leave a Comment »

[ATTENDED: November 6, 2023] Tortoise 

Back in the 1990s I really liked Tortoise.  I was especially fond of Millions Now Living Wil Never Die.  But as they released more instrumentals, (all of the songs are instrumentals–more or less), they veered more into a jazz and lite-jazz field.  I didn’t mind it all that much at the time but I definitely listened to them a lot less.

I didn’t even realize they were still an ongoing concern (their last album came out in 2016).  When this show was announced I was intrigued.  I knew my friend Lar had experiences with them (good and bad), but his description of both shows was enough to make me think I should check this show out.

It turns out they haven’t been to Philly since 2016, so this seemed like a reasonable enough reason to check them out.  I mean, even if the songs were jazzy, the musicianship would be excellent.

I was pretty excited to get their early enough to be on the railing.  So I could see everything perfectly.  Well, except that there were two drum kits right in front of the stage.  Which was awesome, but did tend to block my view of the vibes.

Yes, vibes. There were actually two sets of vibes on stage.  One must have been electronic (I was right in front of it and couldn’t see what it was), while the other was across the stage. (more…)

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Basic (Union Transfer, Philadelphia, PA, November 6, 2023) [TORTOISE]

Posted in Basic, Chris Forsyth, Mikel Patrick Avery, Nick Millevoi, Philadelphia, PA, Tortoise, Union Transfer on November 8, 2023| Leave a Comment »

[ATTENDED: November 6, 2023] Basic

Basic is a trio comprised of Chris Forsyth and Nick Millevoi on guitars and Mikel Patrick Avery on drums.

When I found out that Chris Forsyth would be opening this show for Tortoise, it pushed me into the “I gotta go” category.  I knew that whatever it sounded like, I would enjoy it.

I sat near Millevoi, who I didn’t know–he’s a Philly guitarist in Desertion Trio who has released a bunch of solo stuff as well.  For the first song he was pretty quiet while Chris Forsyth soloed.   But for the second song he played a lot more loudly.  He seemed to be the low end–paying riffs and chords while Forsyth was the high notes.

The only problem for me was that Millevoi’s guitar was pretty loud and we were standing in front of his amp, so it made Forsyth’s solos a little hard to hear.

Avery had a tiny bass drum that he hit with a mallet.  On it was a kind of woodblock, which he hit with a plastic mallet.  That’s all he had.  Millevoi often started a drum machine as he started playing so technically Avery didn’t have a lot to do, but seeing and hearing him add bass drum was a nice touch.  Avery also played with some electronics on a table near him.

They played five songs.  The first three were about ten minutes each.  The fourth one was a little shorter, and when I assumed they’d be finishing up around 8:45, at 8:40 they started a new song which took them to a full fifty minutes of jazzy guitar improv.

It was pretty great.  Catchy and fun and interesting to watch these three dudes jam with each other.

They didn’t introduces songs so I have no idea what they played.  In fact the only words spoken their whole set were at the end when Chris said, “that was Basic.”

Great instrumental fun.

And Markit Aneight recorded the whole set

 

 

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Chris Forsyth / Purling Hiss / Garcia Peoples (Johnny Brenda’s, Philadelphia PA, April 21, 2023) [DID NOT ATTEND]

Posted in Chris Forsyth, Garcia Peoples, Johnny Brenda's, Philadelphia, PA, Purling Hiss on April 21, 2023| Leave a Comment »

[DID NOT ATTEND: April 21, 2023] Chris Forsyth / Purling Hiss / Garcia Peoples

I had planned to attend fewer shows this year.  It turns out there haven’t been that many days that were overbooked with shows.  This was  the first one that was totally overbooked.

I had tickets to M83 and also to Acid Dad and it was a hard decision which one to go to.

So this show didn’t really stand a chance.

I love Chris Forsyth, and would love to see him again.  However, I have seen him fairly recently and at Johnny Brenda’s.  The show would be reliably great, but as I said, already booked.

I saw Purling Hiss back in 2017 about which I said

I knew that the bulk of the band’s catalog was basically Mike Polizze making music for himself.  It was pretty noisy and abstract with lots of jam moments.  They are now a band–I’m not sure who the other two guys in the band were (based on the latest album, I’m assuming Ben Hart on drums and Dan Provenzano on bass)–and they have gotten more musical since then.  But thy are still noisy.  So I expected a lot of squalling feedback and pummeling sounds.  I was quite pleased with how melodic the band’s songs were (no idea what songs they played, but I assume most of it came from their newest album).

I’d definitely see them again.

Garcia Peoples are joining this tour in Brooklyn.  If they had been in Philly, this would have been a much more difficult choice.

UPDATE: Turns out they DID play as well.

And here’s video proof from the always reliable Markit aneight

Here’s video of Purling Hiss

And here’s Chris Forsyth

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Chris Forsyth (Johnny Brenda’s, Philadelphia, PA, October 29, 2022)

Posted in Chris Forsyth, Chris Forsyth & The Solar Motel Band, Espers, Heron Oblivion, Johnny Brenda's, Meg Baird, Philadelphia, PA, Ryan Jewell on November 2, 2022| Leave a Comment »

[ATTENDED: October 29, 2022] Chris Forsyth

I saw Chris Forsyth a few years ago and have been wanting to see him again.  It didn’t really matter what he was playing, I knew I’d enjoy his improv-filled jamming rock songs.

I was pretty excited to see him at Johnny Brenda’s as I knew I could get up close to watch him play.  It turned out that this particular show lined up with the Philadelphia Phillies’ first home game of the World Series.  Which meant that a) it was impossible to find parking and b) hardly anyone was in the concert hall.  Which was fine for me.  And probably for him, as I’m sure he sold a bunch of tickets ahead of time.

After raving about Meg Baird, Chris came up on stage with some of the band that Meg had used.  Douglas McCombs (from Tortoise!) and my favorite new (to me) drummer, Ryan Jewell.

The show started with Chris on a guitar that he didn’t play for the rest of the night.  The song was quiet and a little trippy.  A simple guitar chord structure with very loud simple bass line from McCombs.  I thought I knew the new album pretty well, but I didn’t recognize this song.  Nevertheless is was clearly a Chris Forsyth song with an interesting riffs and a tasteful solo or two.   I enjoyed how after about three or four minutes of this quieter introduction, the band totally rocked out. (more…)

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Peeesseye / TALsounds (Johnny Brenda’s, Philadelphia, PA, July 24, 2022) [DID NOT ATTEND]

Posted in Chris Forsyth, Johnny Brenda's, Peeesseye, Philadelphia, PA, TALsounds on July 24, 2022| Leave a Comment »

[DID NOT ATTEND: July 24, 2022] Peeesseye / TALsounds

Peeesseye is an experimental band co-founded by Chris Forsyth, who has gone on to do some amazing work on guitar.  I’m going to let Ars Nova Workshop summarize them better than I ever could:

Peeesseye was formed in 2002 in Brooklyn by Chris Forsyth, Jaime Fennelly, and Fritz Welch. Though their instrumentation changed as often as their sound, the core elements were always Fennelly’s combination of harmoniums, oscillators and feedback, Forsyth’s alternately spacious and cutthroat guitar playing, and Welch’s hyper-mutated vocals and possessed percussion.

They persistently kept listeners off balance over the course of the ensuing decade, both through chameleonic stylistic shifts from one release to the next as well as with the unpredictable eclecticism of the music itself. Gestural lowercase formalism might explode into blaring noise, sprawling psychedelia shatter into raucous free improv, back porch minimalism mutate into avant-trickster performance art—all engaged with a sense of emotionally engaged intensity that forged a unity in their often evolving sound.

The group splintered geographically and musically after a final show in Antwerp in 2011, with Fennelly pursuing theatrically Kosmiche synth gleam as Mind Over Mirrors from bases in Washington State, Chicago, Maine, and North Carolina; Forsyth carving out his own territory as a bandleader and lyrical guitar anti-hero upon relocating to Philadelphia in 2009, most notably with his Solar Motel Band; and Welch shifting from music/noise/sound to various performance scenarios to visual art extrusion in his adopted hometown of Glasgow, Scotland.

After more than a decade apart, Peeesseye is reconvening for two performances to mark the 20 years since they first made noise together.

I love Forsyth, but i didn’t know much about Peeesseye.  I assumed it was hard to listen to, but I still really wanted to go to this show.

Then it turned out that I got tickets for Mitski that night–with the whole family on board.  So I had to miss out on this bizarre evening.

TALsounds is the ambient solo moniker of Chicago-based experimental artist Natalie Chami, who is also a member of the trio Good Willsmith, one half of the duo l’éternèbre, and a co-founder of the Screaming Claws collective.

The music seems to be synthy and chill.  Almost a direct opposite of the noise of Peeesseye.   Although some of the songs add some texture, it is mostly synth playing.

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Japanese Breakfast / Yo La Tengo / Cate Le Bon [A Make the World Better Benefit] (The Dell Music Center, Philadelphia PA, July 23, 2022) [DID NOT ATTEND]

Posted in Cate Le Bon, Chris Forsyth, Dell Music Center, Garcia Peoples, Japanese Breakfast, Johnny Brenda's, Make the World Better, Philadelphia, PA, Purling Hiss, Yo La Tengo on July 23, 2022| Leave a Comment »

[DID NOT ATTEND: July 23, 2022] Japanese Breakfast / Yo La Tengo / Cate Le Bon

Everything about this show was geared for me to enjoy.

I love Japanese Breakfast and have seen them twice (the las time was fantastic).

I have been a fan of Yo La Tengo for years but have never seen them live.

I have wanted to see Cate Le Bon for a few years now and have had a few shows cancelled on me.  [Although I will be seeing her in October].

Plus, this is a benefit show for Make the World Better.

Their motto is “A park should be a place where you see joy every single day. That’s what we’re trying to do.” — Connor Barwin

We believe community-based redevelopment projects have a unique ability to strengthen neighborhoods by creating a sense of ownership over public spaces. We engage residents in all phases of a project, from concept to construction to ongoing programming and upkeep. We design with and for the community—pushing beyond typical play space design: we’ve built community garden plots and a media lab; we have painted murals and all of our projects have included green stormwater infrastructure.

However, we had tickets to Beach House and all four of us were going, so this show was shut out.

I’ve never been to the Dell Music Center.  It’s an outdoor venue near The Mann Center which probably means parking sucks.

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