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Archive for the ‘Carissa’s Wierd’ Category

nov 2013SOUNDTRACK: SERA CAHOONE-Tiny Desk Concert #4 (July 10, 2008).

seraI had never heard of Sera Cahoone before this show.  NPR dude Stephen Thompson is the one who brought her to the Tiny Desk.

Sera used to be a drummer (for Band of Horses and Carissa’s Wierd) but then she picked up a guitar and started writing songs for her 2006 debut album.  Cahoone plays five songs (in about 21 minutes) for this set.  She plays acoustic guitar (and harmonica).

The songs are pretty, folky songs.  Thompson describes them as “hammock music” in that it simulates the sensation of lying in a hammock and sipping an iced tea, possibly while being fanned.  And that’s pretty accurate.  The songs are soothing and gentle, simple chords played in the right order (F/C/G/C).  Her voice is slightly husky, but she still manages high notes. easily.

“Runnin’ Your Way” is a very standard, pretty folk song.  “Couch Song” introduces some mild picking which changes the tone but retains the hammock atmosphere.  “Only As The Day Is Long” is probably my favorite of the five–I like the way she sings the verses and adds an interesting chord progression to the verse.  I’m not thrilled with the harmonica part but it’s fine.  “The Colder the Air” is a minor chord song that adds some tension to the proceedings–it’s really quite good.  “Last Time” is from her first record.  Its a little faster, and I like the change it introduces.

Although Cahoone’s music is similar throughout there’s enough variety for it to be interesting and very enjoyable. This was yet another great Tiny Desk set.

[READ: November 20, 2013] “A Summer Sunday”

This story is an interesting concept–an attempt at the narrator to not tell us something.

I admit that I found the beginning confusing.  I’m not sure when it was written but while before 2001 “two towers” may have referenced Tolkien, in 2013 it can only reference one event.  But after a few paragraphs we learn that the story is not even set in the United States (although the exact location remains a mystery).

In addition to the towers, there is a cemetery.  Near the cemetery is a house which the narrator has visited.  While they were there shells started falling near the General’s Residence, which was not too far away.  It had been a very bad day–lots of people were killed in the gunfire, but for the narrator and his family it was a pleasant Sunday.  Indeed, the whole weekend was nice, even if when he was sitting in a cafe on Saturday a piece of shrapnel landed near him.  He gleefully ran to collect it.  Later that evening he and friends were drinking in a garden when “rockets came screaming overhead.”  Several people dove for cover or huddled in a ball. The next line?  “It was very funny and we laughed a lot.”

Interesting reaction, but that appears to be all because of “that other thing I shouldn’t talk about.” (more…)

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CV1_TNY_11_26_12Blitt.inddSOUNDTRACK: BAND OF HORSES-Live on KEXP, October 19, 2007 (2007).

bohgibsonBand of Horses plays in New York at Gibson Showroom for the CMJ Festival and KEXP was there for the broadcast.  The band plays six songs and they sound really great here–I’m always amazed by their harmonies.  They had just recently released Cease to Begin, and so they play “Is There a Ghost” which sounds perfect live (I’m not sure if it has been a hit by then).

I’m confused that in “Marry Song,” they state that he switches to the double neck guitar.  Not that I doubt that he does, but there’s so little guitar in the song, it seems an odd choice.  Regardless it sounds pretty, as does “Ode to LRC”–one of my favorite BoH songs.

The chat with the DJ is great, as she reminds the singer about 6 or 7 years ago when he was pushing his new label and the band Carissa’s Weird and how all of a sudden he was playing with them behind the drumkit and now he’s fronting Band of Horses.  There’s a  comment about the band relocating back to North Carolina (and no longer being a “Seattle” band).  And they joke about the song “Detlef Schrempf” and how they have had a sports guy on both of their albums so far.

The play “Par One” which he says he hopes he doesn’t screw up because he forgot the words the other day.  The final track “Am I A Good Man,” is a cover of a Them Two song.  I’m always mixed about bands dong covers.  It’s fun to hear their take on things but I’d much rather hear an actual BoH song than one by someone I’ve ever heard of.  Having said that, this song is really good, very retro-sounding with a cool 70s style keyboard solo.

It’s odd that the band hasn’t been back on KEXP since 2007.  You can hear this one here.

[READ: December 1, 2012] “Bull”

Mo Yan’s story (translated by Howard Goldblatt) opens with a technical detail about forcing water through the arteries of slaughtered animals.  Lao Lan perfected the method for doing this that required far less water.  It was also suggested that he used a bit of formaldehyde to keep his animals looking fresher than the other butchers’ wares.  The person who suggested the formaldehyde was Luo Tong, the narrator;s father.  [I know that it’s the reader’s responsibility to keep characters straight, but is it really that hard to not have your two main characters have these three names: Lao Lan Luo?].

The narrator’s father was an expert at judging animals–he could look at any beast and guess the weight and overall meat content.  He would put his hands on the beasts just for show.  But he was always right within a kg and at the market, his word was bond.

There’s a brief interlude in which we see the narrator’s homelife.  We learn that Luo Tong is cheating with “Auntie Wild Mule.”  There’s a funny sequence in which the narrator reveals that he knows his mother’s name (a no-no apparently) because Luo Tong told it to Wild Mule.

The story seems like it might just be a story about the village and Luo Tong’s proficiency at his skill (he never accepted any gifts from anyone so as to not seem unjust, everyone agreed he was fair–crazy, but fair).  But then as the day’s trading is ending, Lao Lan walks over to where Luo Tong is sitting and pisses on the ground right in front of him (from the amount and the smell, the narrator surmises he has been holding it a long time).  Luo Tong does nothing.  Literally he just sits there.  The narrator is mortified at his father’s cowardice and it is clear that Luo Tong must have lost some respect here.

When the day finally ends and the merchants give Luo Tong his cut, Lao Lan deliberate drops the money in the puddle of urine.  The narrator calls his father all manner of names and says he can no longer respect him.  Lao Lan states that the narrator should consider being his (Lao Lan’s) son instead.  The narrator is offended by this as well and charges at him (but misses).  And the narrator sulks. (more…)

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