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Archive for the ‘Boris’ Category

Boris: Do You Remember Pink Days? Tour (Union Transfer, Philadelphia, PA, November 2, 2025)

Posted in Boris, Philadelphia, PA, Union Transfer on November 3, 2025| Leave a Comment »

[ATTENDED: November 2, 2025] Boris

It’s fascinating to think that Boris almost called it quits a few years ago.  Since then they have shown a seriously revitalized interest in touring and revisiting their older albums.

This tour was the 20th anniversary of their classic Pink.  But the tour was titled Do You Remember Pink Days? because they threw in some other songs from the same year (they were quite prolific in 2005).

They also didn’t play the album front to back which was an interesting choice except that there are several different versions of the album so there is no real definitive track listing or anything else.  (You’d have to be crazy to try to be a Boris completist).

They had some fun merch and I debated buying one of Wata’s cute frog stuffed animals, but I didn’t.  And I still kind of regret it.

After the glory of Agriculture faded away, the stage was set–Atsuo’s gong brought close to the front (it was just the trio again for this tour).  I was right in front of Takeshi and his doubleneck bass/guitar and I was pretty far from Wata who seemed to be shrouded in fog for most of the show.  I tend to be on Takeshi’s side more often than not because I think the fanboys really like to be near Wata.  But as it turns out, Takeshi sings a lot of this album, so it was a good place to see all the action. (more…)

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Agriculture (Union Transfer, Philadelphia, PA, November 2, 2025) [BORIS]

Posted in Agriculture, Boris, Philadelphia, PA, Union Transfer on November 2, 2025| Leave a Comment »

[ATTENDED: November 2, 2025] Agriculture

I had never heard of Agriculture, but I knew that Boris’ opening bands could be pretty intense.  And that was the case here.  They call their music ecstatic black metal and that description, while slightly vague, is really spot on.  There is screaming and growling, speed and heaviness but also a lot of brightness and beauty.

They came out with an absolute blast of noise–screaming  guitars slamming drums and after a minute, guttural growls.  It was intense and a bit overwhelming.

And then imagine when two minutes in, the song shifted to a simply strummed and quietly sung section (that still had super fast drumming).  The quiet music remained but the growling guttural vocals continued.  And then back to the melodic part again.

I was standing in front of singer Dan Meyer who had a big beard and did a full body stomp each time the song was about to kick in. (more…)

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Starcrawler (Union Transfer, Philadelphia, PA, October 19, 2024) [BORIS]

Posted in Boris, Philadelphia, PA, Starcrawler, Union Transfer on October 19, 2024| Leave a Comment »

[ATTENDED: October 19, 2024] Starcrawler

Starcrawler goes down as probably the biggest let down from a build up for me at a concert.

I had wanted to see Starcrawler for about 5 years because I had heard such great things about their live show.  Since then, their show had evolved (as it probably should) and instead of the crazy rockers I thought I was getting, instead, I got a cocksure LA band who were snotty to the crowd and way overconfident in an unpleasant way.

So, while I might normally have been really excited to see them, I was a little bummed that they were opening for Boris without hearing anything new from them.

There’s a few songs by them that I really do like.  And they didn’t play either “Hollywood Ending” or “No More Pennies.” But the did play the two songs that I liked least when I saw them last time, covers of two genuinely terrible songs, If You’re Gonna Be Dumb, You Gotta Be Tough and Pet Sematary (easily the worst Ramones song ever).

The one thing that made me happy was when Wata from Boris came out and played guitar on Kick Me. (more…)

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Boris (Brooklyn Bowl Philadelphia, Philadelphia, PA, September 21, 2023)

Posted in Boris, Brooklyn Bowl, Mr. Phylzzz , Philadelphia, PA, The Melvins on September 25, 2023| Leave a Comment »

[ATTENDED: September 21, 2023] Boris 

I can’t believe it has been four years since I last saw Boris.  Their shows leave a powerful impression on a person.

I couldn’t make their last tour back in 2022, but that’s okay.  Their last show tided me over for four years clearly.

This tour announcement was interesting because they had just released an album called Heavy Rocks, but this tour was them playing Heavy Rocks, the album they released in 2002, in its entirety.  [They have released three albums called Heavy Rocks, all different–in 2022 they played the 2022 Heavy Rocks in total].

I’m pretty delighted that with the three shows I have seen such a variety of songs.

I don’t really have a favorite Boris album, but this one is pretty fantastic.  With several really heavy songs, several sing a long moments (whether or not you know Japanese) and even a few mellow, quieter moments.

As with each time I’ve seen them, Takeshi stands to our right with his double neck bass/guitar.  Atsuo is in the middle with his drum kit and gong and Wata stood on our left with her guitar and effects pedal.  The previous two shows she had more gear, but since this show was for a twenty year old record, she didn’t need anything else.

The show started, as it should, with Atsuo smashing the gong.  And then the sludgy riff of “Heavy Friends” introduced us to Heavy Rocks.  The lights were still way too red, but it didn’t impact the sound, which was immense and awesome. (more…)

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Melvins: Twins of Evil Tour (Brooklyn Bowl Philadelphia, Philadelphia, PA, September 21, 2023) [BORIS]

Posted in Boris, Brooklyn Bowl, Mr. Phylzzz , Philadelphia, PA, The Melvins on September 24, 2023| Leave a Comment »

[ATTENDED: September 21, 2023] Melvins 

Despite everything in the world indicating that I should be a Melvins fan, I have never really gotten into them.  I mean, I’ve loved thigns about them for decades.  I loved that they put out three “solo” albums that looked just like the Kiss solo albums.  I love that Boris got their name from one of their songs.

And yet, for whatever reason, I just never followed them. They may just be a little too much in every way for me.   Love them in theory nut not in reality.

So I’ve never wanted to see them live.  And when this dual bill with Boris was announced, it made sense, but I wasn’t that excited about it.  I actually thought that if Melvins were headlining, I might leave to get home early.  Although, honestly, how could I leave without at least laying eyes on Buzz Osbourne in the flesh.

So Melvins were playing their Bullhead album in its entirety.  I didn’t know it. I don’t know if it’s special in any way in their catalog.  But it does contain the song “Boris” so…. (more…)

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Mr. Phylzzz (Brooklyn Bowl Philadelphia, Philadelphia, PA, September 21, 2023) [BORIS]

Posted in Boris, Brooklyn Bowl, Mr. Phylzzz , Philadelphia, PA, The Melvins on September 23, 2023| Leave a Comment »

[ATTENDED: September 21, 2023] Mr. Phylzzz 

Mr. Phylzzz were described as a “two-piece loud-ass noise rock band from Chicago, IL.”   And indeed, they were a two-piece and in the way of man two-piece bands, they were loud-ass.

Mr. Phylzzz (pronounced Flyzzz) consists of Clinton Jacobs (guitar/vox) & Danny Sein (drums).  Since Sein is behind the kit (and seriously pummeling it), it’s up to Jacobs to be the entertainment.  He pretty much never stood still. He ran back and forth around the stage, he climbed into the audience, he waved his guitar around, he looked very intimidating.  And yet he had a completely childlike (comically so) speaking voice.

Were the songs simple?  Sure!  Did they rock?  Yes indeed.

There was a real classic rock feel to many of the songs (probably because of Jacob’s falsetto).  A song like “Pretend Friends” is only a couple of notes, but they are catchy.  And after the verse (single notes really fuzzed out) the song gets huge when Jacob plays the whole chord.

And there was much entertainment at the end of the song when Jacobs and Sein crashed the chords/cymbals at the same time and Jacobs roared his guitar during the pauses.

Incidentally, Sein was wearing a shirt and tie and Jacobs had on a suit–although the jacket was ripped from the bottom up to the sleeve for maximum free movement. (more…)

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Melvins / Boris / Mr. Phylzzz (Musikfest Cafe, Steel Stacks, Bethlehem, PA, September 20, 2023) [DID NOT ATTEND]

Posted in Bethlehem, PA, Boris, Mr. Phylzzz , Steelstacks, The Melvins on September 20, 2023| Leave a Comment »

[DID NOT ATTEND: September 20, 2023] Melvins / Boris / Mr. Phylzzz 

There’s not a lot that could keep me away from a Boris show.  Although the last time they came to the area, it was the same night that my daughter wanted to see Kurtis Conner.  So obviously she won out that night.

This year, I saw that Boris and Melvins were touring together.  I’m not a big fan of the Melvins.  I like them in theory but never really got into their music.  And yes, I know that Boris gets their name from a Melvins song, so this tour is just too perfect.

Anyhow, the one thing that could keep me away from this show was the fact that I had tickets to see Igorr this very night and I wasn;t going  to pass up that rare opportunity.  PLUS, this very show was going to be in Philadelphia the next night.

Mr. Phylzzz are described as a “two-piece loud-ass noise rock band from Chicago, IL.”  Sounds like a perfect fit for this show.  I’ll find out tomorrow.

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Boris / Nothing (Union Transfer, Philadelphia PA, September 1, 2022) [DID NOT ATTEND]

Posted in Boris, Nothing, Philadelphia, PA, Union Transfer on September 1, 2022| 5 Comments »

[DID NOT ATTEND: September 1, 2022] Boris / Nothing

I came to the Boris part way too late.  They’ve been melting faces for over 25 years and I really only found them about five years ago.  They were on the verge of breaking up, in fact, when they were inspired to make some new music and to keep touring.

I so wanted to get to this show (which would have been my third). But, it was scheduled for the same night as a Kurtis Conner show that my daughter wanted to go to.

I have to assume that Boris will be back at least one more time (since there’s a new album in the works already).

Nothing is a shoegaze band from Philadelphia.

I was a little surprised that Boris would have a shoegaze band open for them since in the past, they’ve had some pretty heavy rockers open up.  But I listened and Nothing is quite heavy.

I’m a little puzzled when shoegaze became associated with heavy metal.  I know there are many metal bands who successfully use shoegaze elements, but I would never have had a blanket association with metal given its origins.   My Bloody Valentine is certainly loud, but not really heavy.

Either way, this would have been a great show.

 

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Jhumpa Lahiri–“Casting Shadows” (New Yorker, February 15 & 22, 2021)

Posted in Boris, Jhumpa Lahiri, New Yorker, Nick Drake, Romance, Sex, Sexism, Short Story, Translation on May 2, 2021| 2 Comments »

SOUNDTRACK: BORIS-Akuma No Uta (2003).

Boris albums are never an easy thing to find.  This album was originally released in Japan in 2003.  Then it was reissued in America in 2005 with a vastly superior cover.  The cover to the right, a hilarious mock up of Nick Drake’s Bryter Layter album (left).  The original album (cover way below) was only 31 minutes, but the reissue was extended to 39 minutes because that’s how long the Nick Drake album was.

So this new album is quite different from the original: In addition to running an additional 7 minutes, the opening track of the newer version is a totally different take; both use the same riff from “Akuma no Uta,” but the original, shorter track repeats it far less and opens with over a minute of ambient, resonant amp noise absent from the longer version.

I have the newer edition and don’t know the original.  “イントロ” (Intro)” opens with a slow, simple infectious riff and then a sort of soaring siren sound starts.  The four note riff is enveloped in distortion while the backing chords cycle through slowly.  Then comes soaring guitars and washes of noise which stretch this song out to almost 10 minutes.

The opening track lulls you into a false sense of mellowness until “Ibitsu” comes blasting out with heavy rocking guitars, pounding drums and screaming vocals.  Most of the verses are just drums and Atsuo’s singing with an occasional riff from Wata. Then Takeshi joins in on the chorus and turns it into a big old crashing metal song. The middle is a three note riffs before a brief Wata solo and some wild drumming. The end is so loud it seems to blow out the speakers.

There’s a brief pause and then “フリー” (Furi) kicks off even faster and more intense heavy rock.  There’s a fast riff and a chorus that is super fun to sing along to even though I have no idea what they are saying.

“無き曲” (Naki Kyoku)” is a grooving slower song.  The first three minutes are primarily a solo by Wata.  The middle turns into a slow jam with stops and starts.  A slow grooving solo resolves into a another catchy rocking singalong before feedbacking out.  Around five minutes, the vocals come in.  The middle has another solo and some meandering bass from Takeshi–almost like a call and response musical section.

“あの女の音量” (Ano Onna no Onryou) is another big crashing rocker with heavy ponderous chords.  It’s got screaming guitars and shouted vocals but plenty of room for noisy feedback.

The album ends with “”あくまのうた” (Akuma no Uta).  A big gong introduces the three note riff.  Around two minutes the fast guitar riff begins and the song rocks out–a classic short heavy Boris rocker.

[READ: May 1, 2021] “Casting Shadows”

I haven’t read a lot of Jhumpa Lahiri’s stories, but she was very popular a while back.  I’m not sure if she still is.

Perhaps the most fascinating thing about this story is that it was written in Italian (translated by the author, which is also interesting).

Lahiri used to write in English but she has recently begun writing in Italian.  I find that fascinating, especially since she translated this work herself–how different is it than if she had written it in English first, I wonder.

This is the story of an older woman and how she interacts with the world around her. particularly the men.  She was

Never married, but, like all women, I’ve had my share of married men.

It’s a really interesting character study and shows a powerful woman who some people might (foolishly) try to take advantage of. (more…)

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Andrea Lee–“The Rivals” (New Yorker January 4 & 11, 2021)

Posted in Andrea Lee, Boris, Japanese Music, Madagascar, Marriage Trouble, New Yorker, Sex, Short Story, Violence on May 1, 2021| Leave a Comment »

SOUNDTRACK: BORIS: Boris at last -Feedbacker- (2003).

Boris’ sixth album is pretty iconic, what with the bloodied head of Wata on the cover and all.

The album contains one song–43 minutes of “Feedbacker.”  But it is broken into five surprisingly discernable parts.

Part 1 (9:38) opens with low feedback and slowly played chords that ring out.  Then single notes pick out a melody that recurs throughout.  Low bass notes and low harmonic frequencies play out through the bulk of the track until it segues into Part 2 (14:54).  That’s when the drum is added.  It’s a slow beat at first with the low feedbacking tones.  Then the guitars start playing a slow chord progression.  Eventually there’s some quiet lead guitar noodling added.  After about 8 minutes, Wata start one of her big slow solos.  Then around 12 minutes, Takeshi starts sings softly.  But after a minute and a half of this, the song shifts gears and gets much louder–big chords, crashing drums and louder vocals.

Part 3 (5:52) opens with serious crashing of cymbals which turns into noisy chaos.  There’s some high-pitched feedback and and then a seriously heavy riff starts up.  The rocking part of the song takes over with heavy distorted guitars and rumbling bass and drums.  A really noisy guitar solo is followed by a buzzy riff after which things slow down for quiet vocals once again.  The drums are still heavy but the guitars are quietly echoing.  The end gets louder again with roaring and chanted vocals.  (I have no idea what they are saying but it’s easy to sing along to).

Part 4 (9:52) is basically a wall of noise and feedback with echoing distorted cymbals and crackling sounds.  Near the end, noisy piercing feedback soars through until it segues into Part 5 (3:34).  As the feedback fades, the song resumes part 2, with soft drums and slow guitar chords and a quiet feedback floating over everything.

It’s a pretty monumental record.  Not as abrasive as the cover would suggest, but with enough heavy parts so that it’s not just a pretty drone record.

[READ: April 30, 2021] “The Rivals”

I feel like I tend to read stories that are written in a convoluted way.  Either with multiple time lines, or multiple threads that eventually come together.  So it was nice to get a story that was pretty straightforward.

Sure, it started in the middle, but it flashed back, got to the opening scene, and continued along in a pretty straight line.  And it was very enjoyable.

The story is set in Madagascar.  Floristella, a plump Italian man, sees his former friend Pianon, a skinny Italian man, and jumps out at him, hitting him with a walking stick.  It takes a bunch of servants to pull these older men apart.

The narrator then fills us in on what’s going on.  Pianon and Floristella were at one time very good friends.  Pianon is from Verona.  He is a widower who always dresses nicely. He is the bookkeeper and rental manager at the Red House.  Floristella is from Sicily. He comes from a small fortune and acts like it, even if his money is mostly gone now. His house is next to the Red House.

Floristella’s wife was bored of Madagascar, so she returned home, allowing Floristella to enjoy the beach and all of its perks. Like Noelline.  She was his secretary and then his mistress.  She was no longer young, but she was voluptuous and stylish.  She also flouted all conventions on the island.

Each morning she came to his place, did work for him, had sex with him and then went home.

Most of the women on the island hated her. (more…)

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