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Archive for the ‘Baroness’ Category

[ATTENDED: March 6, 2026] Baroness

I have seen Baroness twice before this show.  The first was an acoustic record release show at a Record Store.  The second was at a sold out Kung Fu Necktie in which I couldn’t see anything because of where I was.  So I felt I hadn’t really seen them.

I really wanted to see their Red and Blue tour (where they played both of those albums), but it sold out before I got a ticket.  So this was my chance.  It turned out that they were playing the following night at Starland Ballroom, but they were OPENING for Acid Bath, who I’d never heard of. Crazy.

But here they were headlining.  It feels like the band is really John Baizley (they only person who has been with the band from the start) and new(ish) lead guitarist and amazing shredder Gina Gleeson.  I had thought that the bassist and drummer were kind of new to the band, but Nick Jost has been bassist and Sebastian Thomson has been drummer since 2013–so, they’re long time fixtures for sure. (more…)

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[ATTENDED: March 6, 2026] Commitment

I listened to Commitment just before the show and was blown away by the band’s old school hardcore punk sound.  And that the singer was a woman (not all that common in hardcore).  The woman is Tati Salazar who can scream with an unparalleled fury.   I noticed that the guitarist from Soul Glo was standing in the back of the stage, and that made even more sense when I found out that the drummer is Soul Glo vocalist Pierce Jordan.  And he is a beast on the drums!  Holy cow he is fast and loud.

Guitarist Jake Smith (of Eye Flys, who I do not know) was on the far side of the stage and bassist Zach Bailey, was in front of me.  Bailey was fascinating to watch because his bass work was excellent, but he did not fit the part–he looked a little like Peter Parker in the early Spiderman movies.  He also wore a black latex glove on his left hand–how did it not get ripped on the strings that he was sliding all over?  The last time I saw someone wearing those gloves on stage was also at UA when Damien from Fucked Up said that he had cut his hand and the glove was for protection.  If Bailey cut his hand, it didn’t impact his playing at all.

The band came out and exploded all over the stage.  It was no-frills hardcore punk with almost no song reaching the two-minute mark (except for one longer song).  Now, I couldn’t understand a lot of what Tati was singing, but her energy and intensity made it pretty clear what the songs were generally about. (more…)

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[ATTENDED: March 6, 2026] Blood Vulture

I had not heard of Blood Vulture before this show was announced.  I listened to their record and was kind of surprised at just how much they sounded like Alice in Chains.  Singer Jordan Olds sounded quite a lot like Layne Staley, almost shockingly so.  It’s possible that it was a combination of his voice and the backing vocalist(s) who really made this comparison, but it was unavoidable.  They are a bit heavier and groovier on record.  And live, the Alice in Chains delivery is pretty much gone.  But the energy remained.

I didn’t know anything about Blood Vulture or Jordan Olds who is also known as Gwarsenio Hall from his popular YouTube series, ‘Two Minutes to Late Night.”  During the Baroness set, John Baizley said that they had been on Jordan’s show a number of times.

I was initially turned off by Jordan because he did that thing where opening bands demand that people dance (and circle pit) to their music.  I’m not convinced that anyone can insist on a pit–they should form organically.  Anyhow, I didn’t love his attitude, but I quickly learned that he’s pretty funny and whatever these songs are about, he told us that each song was “about sucking blood!”

Their drummer was fantastic, and indeed, everyone in the band was great.  I loved the sound of the bass.  The lead guitarist played some great solos and they keyboardist sang great backing vocals too.  Although the recording was all done by Jordan, so there was no introduction of the band members. (more…)

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[DID NOT ATTEND: December 15 & 16, 2024] Baroness

Three years ago, Baroness played three nights at Kung Fu Necktie.  I was able to get to one of the shows and it’s the only time I’ve seen them play.  This year, they announced that they were going to play all of their Red and Blue albums at Kung Fu Necktie.  The first show was announced, but I already had tickets to Strand of Oaks that night.

(Incidentally, it’s because of Strand of Oaks that I know Baroness at all)

Back in 2017 I saw Strand of Oaks play Union Transfer.  Toward the end of the set Tim Showalter called John Baizley on stage.  I didn’t know who he was but I was taken by his look (bald with a big beard) and his terrific voice (and guitar playing).  Turns out he’s the main force behind Baroness (he draws/paints all of the cover art, too).  I got into Baroness and wanted to see them live.

So I stuck with Strand of Oaks and them moments later they announced a SECOND show the following night.  And that night happened to be the night of our big cookie party, which meant that there was no way I was going to go.

I hoped hoped hoped that they’d announce a third night (like last time).  I even asked them on their IG account of they could add a third night (like last time) but it never happened.

This is something like the fifth time that I have NOT seen them for one reason or another.  I do hope to see them in a full sized venue some day.  We’ll see.

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[DID NOT ATTEND: June 27, 2024] Baroness / Filth is Eternal / Portrayal of Guilt

I’ve seen Baroness in two settings–an acoustic in-store and in a tony, crowded club.  I’d like to see them in a bigger space.  I’d also like to check out he Sherman Theater, which is just about on the edge of how far I’m willing to go for a show.

But this show conflicted with the Quasi tour, and Quasi won out.  Mostly because of the opening bands (and, yes, I like Quasi more).

I see that Ruby the Hatchet was opening for some of the shows and I would like to see them as well, but instead we had two bands I hadn’t hear d of and who, honestly, sound like they’d be too heavy to tour with Baroness.

Filth is Eternal I assumed was a heavy sludgy band, but I was 100% wrong. (more…)

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[DID NOT ATTEND: May 22, 2024] Mannequin Pussy / Soul Glo

I’ve seen Mannequin Pussy three times.  The first time they were opening for Japandroids and Boot & Saddle.  And now they have three sold out shows at Union Transfer!

I immediately grabbed tickets for the first night–a hometown show would be amazing.

When I saw that Gustaf was playing on Wednesday and they had added a Thursday show, I sold the Wednesday show and grabbed a Thursday one.  I assume they will be in full force on Thursday.

And I was especially excited that Soul Glo was opening for them. (more…)

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[DID NOT ATTEND: December 1, 2023] Baroness / Sheer Mag / Uniform / Zorn

I was really looking forward to this show.  I had seen Baroness in Kung Fu Necktie.  It was a fun show, but it was close and crowded and, while it was a great experience I wanted to see them in a bigger (but not huge) place.  Union Transfer was perfect.

Then I got COVID.

I was so bummed.  And with COVID being so weird these days, I wouldn’t have even tested if the tests hadn’t just come in the mail that day.  But I took it and couldn’t in good conscience go to the show.

I had been torn about when to get to this show, though.  It started at 6:30, which is insane.  And the openingest band was called Zorn.  Not John Zorn, but Zorn, a Philly based metal/punk band that I was really curious to see.  I mean check out this review from Punknews.org

During Zorn’s set, singer Eric Flea approached one of three already burning torches on stage, whipped out a sword, lit the sword on fire, and began waiving it all around as the flames grew up to some eight feet. I mean, that’s all I have to say about the Philly Vender Bender from October 28, 2022. What else can I say? A flaming sword!

I’ll admit, I was worried about Zorn. The band quickly released a string of excellent EPs which coincided with a string of excellent live shows (bandmembers jumping out coffins; people dressed like plague monks; chains being whipped at the audience; really kick ass death punk) but then, things seemed to go… silent. Was one of Philly’s most promising acts snuffed out in the bud before the flame could grow?

For one thing, Zorn was in raw and ragged and crazed top form. Their songs are as fast and as furious as ever. And, their strongest asset (aside from a great core concept) is that they’ve found that perfect sweet spot between metal and punk where the songs have the epic, grandiosity of metal as well as the slam-damn-heaviness, but they also have the unpredictable swing and danger of punk rock. A lot bands try to mix metal and punk and most of them are terrible. At the show, as the epics riffs swung upwards only for the screeched vocals to tear them back down, Zorn proved that it can be done and that the sum is greater than the parts.

The band also played some newish songs. the new tracks are more complex and frantic than earlier hits. This makes the band particularly effective because, while a lot of the spooky bands sound cool for a song or two, all their songs sound like those one or two songs. at the show, Zorn had a core style, but were able to flex it into a broad array of slashing. I’ll also add that the band has some degree of self-awareness, which, much likes Bauhaus, is the extra bit of pop that makes this band soooo good.

Also, did I mention that they started the show by having pallbearers bring out the aforementioned torches and a coffin, only for the vocalist to jump out of said coffin and throw said coffin lid at the audience? Now, THAT’S WHAT I AM HERE TO SEE.

(more…)

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[DID NOT ATTEND: December 12, 2021] Bully / Graham Hunt Band / Slomo Sapiens

Look at this, yet another great show at Underground Arts that I didn’t go to. That place has really got my number–we just need to get our calendars to synch up better.

Bully is basically Alicia Bognanno and whoever she chooses to play with.  She writes great songs and has a unique and cool voice.  I really enjoyed Bully’s first album, Feels Like, but when it was announced that she was touring a new album (and playing Philly with Spirit of the Beehive AND Control Top!) well, I checked that album out right away. And it is very good.

I was pleased when it was announced that she’d be playing Underground Arts instead.  World Cafe Live is a better venue, but UA is much easier for me to get to.  Sadly the opening bands were not the same, but that’s okay.

And then…. Baroness announced they would be playing three nights at Kung Fu Necktie.  I couldn’t make the Saturday one (holiday party), so my only choice was Sunday.  Later they added another date for Monday, but I had already purchased my ticket and it seemed like way too much of a hassle to try to change it.  So Bully had to miss me.  Drat.  Come back again Alicia!

I’d never heard of Graham Hunt although apparently he is been in a lot of bands.  According to this write up

Hunt’s solo work continues to be an oddball amalgam of the best traits of his other projects: Midwives’ exacting focus, Reruns’ strong songwriting structures, and Sundial Mottos’ winsome, relaxed aesthetic all are apparent throughout the excellent new solo album Painting Over Mold. Even the distinct imprints of Dusk and Mike Krol, both acts Hunt has appeared with as a touring member, find cohesion across the record.

Slomo Sapiens continues the tradition of great band names from Philadelphia.  I didn’t know much about them, but they are described as a psychedelic “sludge rock” trio, which sounds pretty good to me.  Their newest album is called Cabin Fever Dreams.

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[ATTENDED: December 12, 2021] Baroness: Your Baroness Tour

Back in 2017 I saw Strand of Oaks play Union Transfer.  Toward the end of the set Tim Showalter called John Baizley on stage.  I didn’t know who he was but I was taken by his look (bald with a big beard) and his terrific voice (and guitar playing).  Turns out he’s the main force behind Baroness (he draws/paints all of the cover art, too).  I got into Baroness and wanted to see them live.

Since then I’d had a few chances to see them, all of which were dashed or one reason or another.  I did get to see an acoustic performance when they put their last album out in 2019, but that’s not the same, obviously.

Finally, Baroness announced the Your Baroness tour–a tour of small clubs which would feature an all-request set.  And the three (!) Philly shows (where Baroness is based) would be at Kung Fu Necktie, a club I’d never been to but always wanted to check out.  (It has about 100 person capacity, so…intimate show!). (more…)

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[CANCELLED: May 30, 2020] Against Me! / Baroness / Drug Church

indexI had a ticket to see Against Me! on their “2 Nights / 4 Records / 48 Songs,” tour.

I was mostly interested in seeing Dilly Dally who was opening, but I thought it would be interesting to see Against Me! as well. My night was for the White Crosses/Transgender Dysphoria Blues albums.  I actually don’t know those newer albums (I have New Wave), but I was interested in hearing them.

This show seemed like a good opportunity to check them out

But the main reason I wanted to go to this show was for Baroness.

I saw ‎John Baizley play with Strand of Oaks a few years ago and he was a great addition.  I hadn’t heard his band, but I immediately had to check them out.  I really liked them.  Last year I got to see and meet Baroness at an in store performance at Vintage Vinyl, but seeing Baroness acoustic in a record store (as cool as it was) is nothing like seeming them as full band in concert.

Unfortunately their Philly stop was at the Decibel Metal & Beer Fest that had a good line up but sounded like a nightmare, honestly.  But when they set up the rest of their dates, they didn’t do Philly again.

I don’t know Drug Church, but I’ve read that their sound mixes hardcore punk with alternative rock and grunge.  I listened to their song “Avoidarama” (love the name) and I really liked it (it’s far more grunge than hardcore and no screaming vocals).  “Grubby” has a bit more punk elements, and I liked it too.  I hope they tour with them when this gets rescheduled.

This show in Stroudsburg is the closest their were coming and even though they weren’t headlining (double headliner, I guess) it was the best I could do.  I’ve never been to a show in Stroudsburg before and I was curious how the commute there would compare to Philly.  But I’ve heard the Sherman Theater is really nice.

Since this show was at the end of May, I was counting it as a sort of holding out hopes for shows to not get cancelled.  But better safe than sorry.

 

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