Feeds:
Posts
Comments

Archive for the ‘Magazines’ Category

Alice Munro–“Free Radicals” (New Yorker, February 11 & 18, 2008)

Posted in Alice Munro, Canadian Content, Cancer as plot device, Elf, M. Ward, New Yorker, She & Him, Short Story, Threats, Zooey Deschanel on July 14, 2008| Leave a Comment »

SOUNDTRACK: SHE & HIM-Volume One (2008).

If you’ve seen Elf, and I’m sure you have, then you know that Zooey Deschanel has a beautiful voice. This record is a collection of her songs, sung by her with instrumentation by M. Ward, whose music I don’t know. The thing I learned about her voice is that it comes across as a very naked sound. It’s a little bit disconcerting in this day of vibrato and AutoTune, to hear someone singing so purely and with no affectation. That was evident in Elf, but it is really brought to the front here, where she sings an a capella track as well as some songs with limited instrumentation.

The bulk of the record is done in a style like 50s & 60s girl groups–The Ronettes, The Shirelles, and the Phil Spector wall of sound style. Her voice is suited perfectly to this kind of material. Even the recording style is very clean–one or two tracks sound like they could be from that era, just recently rediscovered. The rest of the songs have a country feel, a stripped down heartbreaky feel. And once again, her voice sounds great.

The whole collection just seems so sweet and unaffected, it’s almost impossible to believe that it was all written and recorded in 2008.

The only problem for me is that I don’t really like 60s girl groups, and I don’t really like country that much. So, really, I don’t like the CD all that much. I’ve given it a couple of spins, and it definitely overcomes the things that I don’t like about those styles. I even found myself singing two of the songs to myself this morning. It definitely deserves the great press, I just wish it was more my thing.

[READ: July 1, 2008] “Free Radicals”

The second Munro story in two days for me. And many of the elements are in place: idyllic, Canadian life, female protagonist, and a fairly unspeakable horror. (more…)

Read Full Post »

George Saunders–“Antiheroes” (New Yorker, June 23, 2008)

Posted in Bad Religion, Funny (ha ha), George Saunders, New Yorker, Short Story, Supernatural on July 11, 2008| Leave a Comment »

SOUNDTRACK: BAD RELIGION-The Empire Strikes First (2004).

I’ve been a fan of Bad Religion for ages. And then a few years back they reissued all of their old CDs, and I got BR overload. I didn’t listen to them for a while. Then recently, I decided to check out their newest CD, and was delighted to find that I’d only missed this one in the interim.

So, Bad Religion writes eloquent, fast punk songs. They are typically political, anti-religion, anti-war, anti-Republican. And main lyricist Greg Graffin has a PhD in what is essentially evolutionary biology. So, basically, Graffin is well-read (the lyrics have footnotes!) and knows big words. All of this in a two minute punk song.

And it’s the poppiness that surprises. BR have always given credit to the “oozin ah’s” on the records, and there are always lots of ooh’s and ah’s in the background. The choruses are catchy as all get out. And the songs are over in under three minutes. Actually, it’s when the songs go past 3 minutes that they tend to get into trouble. Fortunately that doesn’t happen too often. I’m not sure why, but the record seems to be lined up almost in order from short to long songs. So you get suckered into these great under two minute songs and then they pile up the long ones at the end. But that’s okay too, as some of the longer ones do add nice complexities to their arrangements.

There’s not a lot one can say about Bad Religion albums from one to another. Either you like the style or you don’t. However, for a bunch of old men, they rock pretty hard and they rock pretty well. And yet for all of their aggression (“Social Suicide” “Atheist Peace” “Sinister Rouge”) they are often uplifting and get you to sing along (“Live Again”). With a little less guitar these might even be chart toppers (perish the thought!).

[READ: June 30, 2008] “Antiheroes”

I recently flew to California. I brought all of the back issues of magazines that have been piling up in my house. For some magazines it was four or five months! I didn’t finish them all but I knocked a good three or four pounds off of my carry on luggage by the time I arrived. (more…)

Read Full Post »

Alice Munro–“Deep-Holes” (New Yorker, June 30, 2008)

Posted in Alice Munro, Canadian Content, Canadian Music, Marriage Trouble, New Yorker, The Weakerthans on July 11, 2008| Leave a Comment »

SOUNDTRACK: THE WEAKERTHANS-Reunion Tour (2007).

I have talked about some previous Weakerthans albums, and this is their newest. I also think it’s their best. The sequencing of it is really fantastic. It has some catchy poppy songs followed by some of the quieter, more unusual tracks [“Elegy for Gump Worsley”, a very spare tribute using plucked banjo and little else, followed by “Sun in an Empty Room” a song that gets more catchy with each listen.] It also has a fantastic “single” in “Civil Twilight,” as well as what is without a doubt the best song ever to use curling as a metaphor for a relationship: “Tournament of Hearts.” Everything about “Tournament” is great. It’s catchy and fun, with all kinds of curling going on. And, maybe some folks will look up what a bonspeil is and get interested in the great sport. We also continue the saga of Virtue the Cat from the last album.

Samson continues to write beautiful songs. They all seem so simple and effortless. It lulls you into either singing along or really listening to the lyrics. His lyrics are consistently above average too. He talks about “diabetic moons.” For sheer originality I enjoy the line ” So praise the things I can’t forget…with burgers and a silhouette” for rhyming silhouette, not cigarette (the obvious choice). And how many rock songs start with a line like this: “It had something to do with the rain leeching loamy dirt.”

I’m really quite delighted with this record, and although they seem to wait 4 years to put them out, I’ll be ready for the next one in 2011.

[READ: June 30, 2008] “Deep-Holes”

I have yet to read Munro’s Runaway, but I have now read maybe five of her short stories, and I consistently like them. Runaway is on my bedside, and I’ll get to it eventually. In the meantime, I guess I just have to keep looking in magazines and I’ll have more from her.

I hesitate to say there is something particularly Munro-like about her work, having read only a few stories, but I feel like I know what I’m to expect when I start one: a laid back pace, beautiful detail, and, it seems, a great sadness that looms over the characters.

In this case the sadness is brought on by the “deep holes” of the title. Sally and Alex go on a picnic to celebrate the publication of Alex’s first solo geology paper. They go to a site that figures largely in the work, a site with a caution sign warning of “deep-holes” The deep holes turn out to be, in fact, very large, very deep holes, which, predictably, one of their two boys falls into. Kent, the unlucky boy, is hurt quite badly, but is saved by his father. He and his father had a somewhat contentious relationship before, and this confuses things even more. All of this happens in the first two pages, and there is quite a lot left, so don’t feel that I gave anything away.

The remainder of the story concerns what happens to Kent after the accident. He distances himself from the family, corresponding only occasionally. At the time of the accident, Kent had a baby sister.  As she gets older, she wants to learn more about the brother she never knew.  She is the one who finally uncovers his whereabouts and tells her mom.  When Sally finally encounters him again, the conflict inevitably turns personal. Munro really gets into the mind and spirit of her characters. And, you can really see Sally grow older emotionally over the course of this short story.

Munro continues to impress me with her quiet, beautifully composed stories.

Read Full Post »

Kate Clinton–What the L (2005)

Posted in Consumerism, Corporate skewering, Essays, Funny (ha ha), Kate Clinton, Olu Dara, The Progressive on June 7, 2008| 1 Comment »

SOUNDTRACK: OLU DARA-In the World: From Natchez to New York (1998)

A friend of mine (Hi Jon!) made me a copy of this CD several years ago, and I just found it again and popped it in. I was delighted with how much I enjoyed it. I’d never heard of Olu Dara before, and I was quite pleased with the results. It’s a fun carribbean-esque/New Orleans jazz feeling CD. “Okra” and “Your Lips” are particularly fun. The only downside is “Jungle Jay” a rather uninspired rap. I just found that the rap is done by Nas, who is Dara’s son. I don’t know of Nas’s raps, but I assume they must be better than this one.

Overall, this record gives a nice upbeat feel of the heat in the summer time. Even though it has some raw sounding moments (his voice sounds quite vulnerable at times) it still maintains a good, solid sound. Knowing my tastes, I wouldn’t get more by Dara, and I wouldn’t listen to this all that often, but when the mood strikes, this will really hit the spot.

[READ: Winter 2006] What the L

I got tangled up in life, so I forgot that there were a number of books from a while back that I wanted to add to this blog listing. I’m going to intersperse them throughout here, but as you’ll see, some were read nearly two years ago, so I may not have all of my thoughts straight about them. (more…)

Read Full Post »

Ben Greenman–Superworse (2004)

Posted in Ben Greenman, Books about writers, Funny (ha ha), Funny (strange), McSweeney's, New Yorker, Short Books, Tanakh, The Wizard of Oz on June 3, 2008| Leave a Comment »

SOUNDTRACK: TANAKH-Tanakh (2004) [UPDATE]

I re-listened to this CD and actually changed my mind about my preference.  I prefer the 58 minute song to the 28 minute one.  And, even though I appreciate the duct-tape-as-musical-instrument aspect of “28,” it lacks a cohesion and a song structure.  “58” even though it is rambling and could have easily been 20 minutes shorter at least has the feeling of a song.  “28” feels just like a bunch of people improvising on whatever is at hand.  And while organized improv is great, sometimes noisy improv can just be noisy.

Incidentally, I notice don this listen that at the 54 minute mark of “58” the bassist hits a wrong note.  How much would that suck if the had to redo the whole song after 54 minutes!  I was amused by this quite a bit.  I guess that proves there were no overdubs.

[READ: May 29, 2008] Superworse

After finishing Superbad, I learned that there was a book called Superworse. It is a “remix” of Superbad. The premise is that for the softcover edition, Laurence Onge, the editor of the first book (and completely fictitious I am now certain), decided to reorganize Superbad and to include a Foreward, an Afterward and a Midward.

For the most part the rest of the book is the same. (more…)

Read Full Post »

McSweeney’s #27 (2008)

Posted in Art, Art Spiegelman, Cancer as plot device, Ernest Goes to Camp, Gangsters, Graphic Novel, McSweeney's, Midnight Oil, Mikel Jollett, New Yorker, Stephen King, The Airborne Toxic Event, The Alarm, The Church, Torture Porn, Unlikable main character, Yuck! on June 1, 2008| 1 Comment »

SOUNDTRACK: THE AIRBORNE TOXIC EVENT-4 songs from My Space (2008).

Since the author of one of the stories below is the singer in this band, I thought I’d listen to them and see what they were all about. With a name like that I was expecting some kind of hardcore band. And that is NOT this band! They don’t have a record out yet, but they have some songs on MySpace here. The first song “Sometime Around Midnight” made me think of a couple of bands from the 90s: The Church and Midnight Oil, and possibly The Alarm. The vocals are mixed loudly in the mix, and there is an earnestness about the vocals which made me think of those bands. The second one, “Papillion” has a keyboard solo (!) over some fairly raucous simple melodies. The third song “This is Nowhere” is a fun indie rocker with a good staccato riff and a cool/spooky chorus harmony. And the fourth song “Innocence” was rocking and bouncy. I can’t get over the use of keyboards on songs where you wouldn’t expect them. I enjoyed these songs quite a bit, and will certainly check out the CD when it’s released.

[READ: May 30, 2008]: McSweeneys #27

This volume contains three books in a slipcase. Even though each is a small paperback, the overall package is quite nice. The slipcase has many tiny holes in it to look like skyscraper windows (or Led Zeppelin’s Physical Graffiti). (more…)

Read Full Post »

Ben Greenman–Superbad (2001)

Posted in Ben Greenman, Corporate skewering, Funny (ha ha), Funny (strange), McSweeney's, New Yorker, Political Humor, Short Books, Short Story, Smarty Pants, Superbad, The Beautiful South on May 16, 2008| 1 Comment »

SOUNDTRACK: BEAUTIFUL SOUTH-Superbi (2007).

I reviewed all of the Beautiful South records a few posts back. This one had not been released in the US at the time, and as far as I can tell has yet to be. But I ordered the import and here it is. Reviewing this is somewhat irrelevant as the Beautiful South have officially disbanded. It’s quite a pity as this album shows no sign of creative drop off. In fact, this album is one of their best.

The variety of styles in songs is really impressive. And each song contains the trademarks of The Beautiful South: incredibly poppy/happy sounding songs with good verses and catchy choruses combined with acerbic lyrics about relationships breaking up, and, interestingly, inanimate objects.

Some songs: “Manchester” is such a wonderfully winning song, with the great line, “if rain made England great it made Manchester yet greater.” All along, with such a great catchy chorus…. Even a bleak song like “When Romance is Dead” comes out beautifully in a striking duet. And speaking of duets, there’s a new female voice added to TBS on this record. Alison Wheeler is number three. I guess the bitterness of Heaton’s lyrics are hard to take sometimes. Wheeler does a great job. She has a strong voice and maintains a continuation of style to the previous women:

Paul Heaton, the singer and de facto leader, released a solo album a few years back under the name Biscuit Boy, and it was much the same, if slightly more dancey. Story is that he’s got a new solo album coming out in July, and I’ll bet its pretty great too.

[READ: April 2008] Superbad.

I ordered this book from McSweeney’s and, as you’ve heard before, I didn’t know much about it. I did know it was not related to the movie of the same name, however. In fact, here’s a pretty funny letter from Greenman to Seth Rogen about the name Superbad. (more…)

Read Full Post »

Roddy Doyle–“Bullfighting” (New Yorker, April 28, 2008)

Posted in Dead Kennedys, Marriage Trouble, New Yorker, Pearl Jam, Roddy Doyle, Short Story, The Avengers, X on May 15, 2008| Leave a Comment »

SOUNDTRACK: PEARL JAM-Live at Easy Street (2006).

This is a live EP of Pearl Jam playing at the Easy Street record store in West Seattle. Wikipedia says their set list had 16 songs; however the EP (which is only about 25 minutes) has 7 songs. The EP is really great, though, as it contains some terrific punk covers in addition to some classic PJ tracks. It also makes the set seem like it was much more fast and furious than it actually was. The disc speeds up really quickly with the one minute “Lukin” and then jumps right a cover of The Avengers’ “American in Me” and then a song later, a fabulous cover of the Dead Kennedys “Bleed for Me” (complete with right-on squealing guitar noises), and then, the biggest surprise a great cover of X’s “The New World” (complete with guest vocals by John Doe). They end with a great rendition of “Porch” and then they’re done. I suppose it is more for completists, but i you’re not a big PJ fan, but like their harder stuff, this is a great EP to check out.

[READ: May 6, 2008] “Bullfighting”

This story focuses on 4 middle-aged Irishmen and the bonds they create by meeting weekly for pints to talk about…nothing. Donal and Elaine have been more or less happily married for years. All of their kids are grown, and Donal is, well, satisfied with his life. (more…)

Read Full Post »

Benjamin Percy–“April 20, 2008” (Esquire, May 2008)

Posted in Badly Drawn Boy, Benjamin Percy, Digression, Esquire, Pink Floyd, Short Story, Tanakh, Tindersticks, Tom Waits, Wikipedia on May 13, 2008| Leave a Comment »

SOUNDTRACK: TANAKH-Tanakh (2004) & Ardent Fevers (2006).

Tanakh are part of the whole Montreal subculture that I really like. Even though Jesse Poe, the founder lives and records in Virginia, somehow he got involved with the Quebeckers. They release CDs on the venerable Constellation and Alien8Records labels. They also released two CDs in relatively quick succession. The reason I didn’t give any prelude about the band as a whole is because these two discs are so different that it wouldn’t be worth it.

Tanakh. This is a two disc set. It contains 2 songs. One is about 58 minutes the other is about 28 minutes. Each song is a long (obviously) improvisational piece. There’s about ten people involved in the recording, and while there are some clear traditional instruments involved: guitar, bass, drums) there are also scores and scores of ambient noises, non ambient noises (at one point I’m pretty sure you can hear duct tape being pulled off the roll). And on and on. Whether or not this type of thing is your cup of tea will determine your tolerance for it.

The 58 minute piece starts with a two note motif that fades away and returns. It reminds me in some ways of the early 70’s Pink Floyd side-long pieces which start off as songs and then have freak outs in the middle and then return to the motif. The big difference of course is that Tanakh’s freak outs are more noise than music. The 28 minute song had less of that wild improv in the middle, and I think is the more satisfying of the two. Of course, it’s pretty hard for me to listen to a 58 minute song straight through, as my commute is only 30 minutes, so some of the momentum gets lost.

In the past, Tanakh records were a little less willful, and, as it turns out, so they are in the future.

Ardent Fevers. This record is a stunningly beautiful collection of songs. It is so radically different from the self titled album that it’s hard to believe the same people were responsible. The liner notes for this album are from a fan who says he listened to this album and this album alone for several weeks on a long trip, and I can totally see that. I had listened to it a number of times and really enjoyed it. When I re-listened to it the other day I couldn’t believe how good it all sounded. It was as if it had aged well while put away. The melodies seemed stronger, the pieces more catchy, everything about it is great.

But what does it sound like, you ask. Despite the darker nature of the songs, they exude a calming effect somehow. They contain, usually, a nice strong riff, sometimes accompanied by horns, often with a repeated and hard to ignore motif. The songs build and build, yet never reach a fury or even a major crescendo. And despite this, the songs never feel like they are unfinished. They just build in strength until they stop.

Jesse Poe’s voice is a soft, low, almost-speak. Comparisons are not too useful–although he sounds so much like one singer who I just cannot place–but perhaps, like a sweeter Tom Waits, or a less depressed Tindersticks. The overall feeling of the album is kind of dark, yet there are all of these uplifting moments (like the horns or a great surge of acoustic guitars) that lift you out of the gloom. I hate to sound so fawning about this record, and yet I think it’s a really great piece. (more…)

Read Full Post »

What I learned… (17) [Coincidence]

Posted in Anne Murray, Blake Nelson, Digression, Radar, That 70's Show, Tiny Masters of Today on March 26, 2008| Leave a Comment »

I love coincidences. They freak me out a little bit and make me go woah! Now, I’m not the kind of guy to read into coincidences, I don’t think they are portents, or omens or harbingers of things good or evil. I just think they are cool. Now, I’m not talking about seeing some actress whom you haven’t thought of for ages suddenly appearing on two different magazine covers, because that’s just saturation marketing (and when you see the article, you realize that they have a new movie out). Nor am I thinking–I just bought the new Band of Horses CD months after it came out and I’ve been listening to it a lot and then I hear a song from it on an episode of Chuck–because they’re both new and it’s just a semi-popular song on a semi-popular show. Mild coincidence at best. I’m talking about the fact that in the circle of friends that my wife and I have developed since the birth of our son, two of their kids are named Ryan (admittedly a fairly popular name) and three of the five husbands are named Rob. And even weirder, they each go by a different variant: Rob, Robb and Robert.

Several months ago I had a string of coincidences that were so freaky I had to write them down. Which I did. And then they stopped. Well, now I’ve had two cool ones in two days, so I’m going to star jotting them down as well. Admittedly, the previous ones were much cooler, and if I can find where I wrote them I’ll include them too. But for now, I’ll start with these two neat ones.

We were watching The Rick Mercer Report (March 15, 2008 episode) where he goes on a tour bus and interviews Anne Murray, Canada’s songbird. Not that weird since they are both Canadian and it is a Canadian show. It was a little odd that they were in Florida, but whatever. Then the following night we were watching That 70s Show on DVD. We were watching the 5th season (from 2002), and Eric talks about having to sell his records for cash. But they didn’t buy his Anne Murray record, and she is Canada’s Songbird. Woah, weird. Especially as, despite the Songbird’s popularity, she’s not exactly a common punchline!

But even weirder was that moments after the show ended, and before turning off the lights I was flipping through the brand new April 2008 issue of Radar. There’s a piece about preteen bands. One of them is called Tiny Masters of Today. Which is weird and all, but as it happens, that was the name of the band in the book that I just started today Rock Star Superstar (from 2004). So, clearly, they read the book and named themselves after that band. But how weird that I would happen upon them both in the same day??

Harbinger? Not at all. But still pretty cool.

Read Full Post »

« Newer Posts - Older Posts »