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Archive for the ‘New Yorker’ Category

SOUNDTRACK: THE WEAKERTHANS-Reunion Tour (2007).

I have talked about some previous Weakerthans albums, and this is their newest. I also think it’s their best. The sequencing of it is really fantastic. It has some catchy poppy songs followed by some of the quieter, more unusual tracks [“Elegy for Gump Worsley”, a very spare tribute using plucked banjo and little else, followed by “Sun in an Empty Room” a song that gets more catchy with each listen.] It also has a fantastic “single” in “Civil Twilight,” as well as what is without a doubt the best song ever to use curling as a metaphor for a relationship: “Tournament of Hearts.” Everything about “Tournament” is great. It’s catchy and fun, with all kinds of curling going on. And, maybe some folks will look up what a bonspeil is and get interested in the great sport. We also continue the saga of Virtue the Cat from the last album.

Samson continues to write beautiful songs. They all seem so simple and effortless. It lulls you into either singing along or really listening to the lyrics. His lyrics are consistently above average too. He talks about “diabetic moons.” For sheer originality I enjoy the line ” So praise the things I can’t forget…with burgers and a silhouette” for rhyming silhouette, not cigarette (the obvious choice). And how many rock songs start with a line like this: “It had something to do with the rain leeching loamy dirt.”

I’m really quite delighted with this record, and although they seem to wait 4 years to put them out, I’ll be ready for the next one in 2011.

[READ: June 30, 2008] “Deep-Holes”

I have yet to read Munro’s Runaway, but I have now read maybe five of her short stories, and I consistently like them. Runaway is on my bedside, and I’ll get to it eventually. In the meantime, I guess I just have to keep looking in magazines and I’ll have more from her.

I hesitate to say there is something particularly Munro-like about her work, having read only a few stories, but I feel like I know what I’m to expect when I start one: a laid back pace, beautiful detail, and, it seems, a great sadness that looms over the characters.

In this case the sadness is brought on by the “deep holes” of the title. Sally and Alex go on a picnic to celebrate the publication of Alex’s first solo geology paper. They go to a site that figures largely in the work, a site with a caution sign warning of “deep-holes” The deep holes turn out to be, in fact, very large, very deep holes, which, predictably, one of their two boys falls into. Kent, the unlucky boy, is hurt quite badly, but is saved by his father. He and his father had a somewhat contentious relationship before, and this confuses things even more. All of this happens in the first two pages, and there is quite a lot left, so don’t feel that I gave anything away.

The remainder of the story concerns what happens to Kent after the accident. He distances himself from the family, corresponding only occasionally. At the time of the accident, Kent had a baby sister.  As she gets older, she wants to learn more about the brother she never knew.  She is the one who finally uncovers his whereabouts and tells her mom.  When Sally finally encounters him again, the conflict inevitably turns personal. Munro really gets into the mind and spirit of her characters. And, you can really see Sally grow older emotionally over the course of this short story.

Munro continues to impress me with her quiet, beautifully composed stories.

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SOUNDTRACK: TANAKH-Tanakh (2004) [UPDATE]

I re-listened to this CD and actually changed my mind about my preference.  I prefer the 58 minute song to the 28 minute one.  And, even though I appreciate the duct-tape-as-musical-instrument aspect of “28,” it lacks a cohesion and a song structure.  “58” even though it is rambling and could have easily been 20 minutes shorter at least has the feeling of a song.  “28” feels just like a bunch of people improvising on whatever is at hand.  And while organized improv is great, sometimes noisy improv can just be noisy.

Incidentally, I notice don this listen that at the 54 minute mark of “58” the bassist hits a wrong note.  How much would that suck if the had to redo the whole song after 54 minutes!  I was amused by this quite a bit.  I guess that proves there were no overdubs.

[READ: May 29, 2008] Superworse

After finishing Superbad, I learned that there was a book called Superworse. It is a “remix” of Superbad. The premise is that for the softcover edition, Laurence Onge, the editor of the first book (and completely fictitious I am now certain), decided to reorganize Superbad and to include a Foreward, an Afterward and a Midward.

For the most part the rest of the book is the same. (more…)

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SOUNDTRACK: THE AIRBORNE TOXIC EVENT-4 songs from My Space (2008).

Since the author of one of the stories below is the singer in this band, I thought I’d listen to them and see what they were all about. With a name like that I was expecting some kind of hardcore band. And that is NOT this band! They don’t have a record out yet, but they have some songs on MySpace here. The first song “Sometime Around Midnight” made me think of a couple of bands from the 90s: The Church and Midnight Oil, and possibly The Alarm. The vocals are mixed loudly in the mix, and there is an earnestness about the vocals which made me think of those bands. The second one, “Papillion” has a keyboard solo (!) over some fairly raucous simple melodies. The third song “This is Nowhere” is a fun indie rocker with a good staccato riff and a cool/spooky chorus harmony. And the fourth song “Innocence” was rocking and bouncy. I can’t get over the use of keyboards on songs where you wouldn’t expect them. I enjoyed these songs quite a bit, and will certainly check out the CD when it’s released.

[READ: May 30, 2008]: McSweeneys #27

This volume contains three books in a slipcase. Even though each is a small paperback, the overall package is quite nice. The slipcase has many tiny holes in it to look like skyscraper windows (or Led Zeppelin’s Physical Graffiti). (more…)

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SOUNDTRACK: BEAUTIFUL SOUTH-Superbi (2007).

I reviewed all of the Beautiful South records a few posts back. This one had not been released in the US at the time, and as far as I can tell has yet to be. But I ordered the import and here it is. Reviewing this is somewhat irrelevant as the Beautiful South have officially disbanded. It’s quite a pity as this album shows no sign of creative drop off. In fact, this album is one of their best.

The variety of styles in songs is really impressive. And each song contains the trademarks of The Beautiful South: incredibly poppy/happy sounding songs with good verses and catchy choruses combined with acerbic lyrics about relationships breaking up, and, interestingly, inanimate objects.

Some songs: “Manchester” is such a wonderfully winning song, with the great line, “if rain made England great it made Manchester yet greater.” All along, with such a great catchy chorus…. Even a bleak song like “When Romance is Dead” comes out beautifully in a striking duet. And speaking of duets, there’s a new female voice added to TBS on this record. Alison Wheeler is number three. I guess the bitterness of Heaton’s lyrics are hard to take sometimes. Wheeler does a great job. She has a strong voice and maintains a continuation of style to the previous women:

Paul Heaton, the singer and de facto leader, released a solo album a few years back under the name Biscuit Boy, and it was much the same, if slightly more dancey. Story is that he’s got a new solo album coming out in July, and I’ll bet its pretty great too.

[READ: April 2008] Superbad.

I ordered this book from McSweeney’s and, as you’ve heard before, I didn’t know much about it. I did know it was not related to the movie of the same name, however. In fact, here’s a pretty funny letter from Greenman to Seth Rogen about the name Superbad. (more…)

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SOUNDTRACK: PEARL JAM-Live at Easy Street (2006).

This is a live EP of Pearl Jam playing at the Easy Street record store in West Seattle. Wikipedia says their set list had 16 songs; however the EP (which is only about 25 minutes) has 7 songs. The EP is really great, though, as it contains some terrific punk covers in addition to some classic PJ tracks. It also makes the set seem like it was much more fast and furious than it actually was. The disc speeds up really quickly with the one minute “Lukin” and then jumps right a cover of The Avengers’ “American in Me” and then a song later, a fabulous cover of the Dead Kennedys “Bleed for Me” (complete with right-on squealing guitar noises), and then, the biggest surprise a great cover of X’s “The New World” (complete with guest vocals by John Doe). They end with a great rendition of “Porch” and then they’re done. I suppose it is more for completists, but i you’re not a big PJ fan, but like their harder stuff, this is a great EP to check out.

[READ: May 6, 2008] “Bullfighting

This story focuses on 4 middle-aged Irishmen and the bonds they create by meeting weekly for pints to talk about…nothing. Donal and Elaine have been more or less happily married for years. All of their kids are grown, and Donal is, well, satisfied with his life. (more…)

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tomine.jpgSOUNDTRACK: GRUFF RHYS-Candylion (2006).

candy1.jpgI’ve mentioned before that I really like Super Furry Animals. This is the lead singer’s solo album. It sounds very similar to an SFA album, although it’s a little less bizarre, a little less indulgent (which somehow seems odd for a solo album, but whatever.) Overall, it sounds somewhat more mellow, but it’s not exactly a mellow affair. The title song is a pretty little ballad. However, the album also has some great, if not rocking, then certainly rollicking songs that are great to sing along to like “Cycle of Violence” and “Now That the Feeling is Gone.” There’s lots of la la’s and Whooos! to add to the exictemnet.

And, even better, there are two songs in Welsh: “Gyrru Gyrru Gyrru” (that’s most of the lyrics, and it means “Drive”) and “Ffwydruad yn y Ffurfafen” which is just fun to imagine how to pronoucet. So, overall it sounds not unlike any other SFA album,

There is one thing though, the last song is a near 15 minute epic story called “Skylon!” It tells the tale of a mundane flight that turns into a near plane crash. There’s an actress on board as well and a bomb, and, well frankly, between Gruff’s accent and the meandering nature of the song, I’m not exactly sure what’s happening. And yet I like and learn more of the song with each listen.

I accept that this record will never be a big seller, except maybe in Wales, but you can do your part by ordering it and enjoying all of the coolness that is Gruff.

[READ: Feb 29, 2008] “The Shelter of the World.”

When the Satantic Verses came out, I was in college, and was somewhat friendly with an Indian guy (who two years later turned out to be the best friend of my then roommate…small world? Nope, small campus.) Anyhow I was talking to him about the hoopla and the fatwa and, he, very smugly, I felt, told me that I would never understand the book because it was very Indian, and an American like myself simply couldn’t get what was going on. I was rather offended by this, (and I’m sure I remember it being much more insulting than it actually was). But, when I finally read the Satanic Verses a few years after that, it turns out he was completely right. I had no idea what was going on in that book. And even though I may someday try again, I’m still pretty sure I won’t get it. That didn’t stop me from reading and enjoying Rushdie’s other books. However, I haven’t read much by him lately. So, when I saw this story in the New Yorker I thought I’d give it a go. (more…)

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everything.jpgSOUNDTRACK: RHEOSTATICS-Whale Music [Soundtrack] (1994) & Music Inspired by the Group of 7 (1995).

As I understand it, The Rheostatics read a great book by Paul Quarrington called Whale Music whalebook.jpg and then decided to name their new album Whale Music. (The follow up to Melville…they definitely have a nautical theme in their early records). Their awesome song “Claire,” is co-written by Quarrinton (I think some of the lyrics for the song were in the book). So, a few years go by, and a movie is made of Whale Music (which is basically a fictionalized story of a Brian Wilson-esque musical genius-recluse).

Obviously, “Claire” is going to be in the movie (there’s a character named Clarie, you see), so why not just have the Rheos do the entire soundtrack? Thus, the Rheos now have TWO records called Whale Music. Fascinating, no?

whale.jpgWhale Music [Soundtrack] (1994)
The soundtrack is very soundtracky–largely instrumental mood pieces, and two slightly different takes on ‘Claire’. Overall while it’s really dynamite to listen to, especially while reading, it’s really for Rheos diehards. (more…)

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ny115.jpgSOUNDTRACK: THE GO! TEAM-Thunder, Lightning , Strike (2004).

goteam.jpgThe Go! Team have a new album out and so I dug out their first to see if I liked it enough to check out the new one. This first one is such a weird album. It feels intensely like what I would call a joke album. There are cheesy horns, crazy samples of cheerleaders cheering, and hooks hooks hooks! It all sounds like the soundtrack to the best 70s action TV show that never existed. And yet the whole thing works so well. It is just so damned catchy. I listened to it about 3 times today and never got sick of it.

I can’t really imagine how you would follow it up…more of the same would be lame, but where could you possibly go from there? I’ll definitely be looking into it.

[READ: November 5, 2007] “The Dog.”

My initial exposure to Roddy Doyle was through his early, funny stories (Woody Allen shout out, there). And as he continues writing, his stories get darker and darker. Not mean spirited or sadistic, just kind of sad and fate-filled. While I do miss the funny Roddy, this newer side writes so precisely and so beautifully that it’s hard to complain. (more…)

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ny917.jpgSOUNDTRACK: SWANS-Omniscience (1992).

swans.jpgWhen I was in college, I really liked the Swans. They were noisy as all get out, and were at the forefront of an industrial style that has since become mainstream. But at the time they were pretty scary.

I particularly liked Children of God, a great album split between noisy M. Gira songs and pretty, soft Jarboe songs. Shortly after this record they released a very soft record called The Burning World with a totally mellow cover of “Can’t Find My Way Home.”

I had sort of stopped listening to them sometime after college, and then my friend Lar got into them and found out that I had a bunch of their older, then out-of-print, records, so we started sharing them. I got back into them and was able to fill out my collection of Swans works, all except Omniscience. He made me a copy of it and I liked it, and I just found a used one for myself.

Omniscience is a live record which came towards the end of their career. And the amazing thing is how beautiful the record is, for the most part. There are still some noisy, bass-heavy parts, but Swans had changed so drastically from the noisy band of yore that Omniscience is practically atmospheric in feel.  There are some interesting samples of dialogue that are simply weird and arbitrary, but they do set a mood for the show.  But compared to say, Public Castration is a Good Idea, it’s soothing.

[READ: October 15, 2007] “Mr. Bones.”

This is the second story by Theroux that I have read. (The first one was in the New Yorker a few months ago, and is being released in a new collection of his shortly). I’d heard the name of Theroux over and over, but wasn’t really familiar with his work. The other story was set in India, as I’m led to believe much of his stuff is. So, this one came as quite a surprise. (more…)

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persuasion.jpgSOUNDTRACK: LUTHER WRIGHT AND THE WRONGS-Rebuild the Wall (2001).

wright.jpgI first heard Luther Wright on an episode of Robson Arms, a weird, funny show on CTV in Canada. They were playing “Broken Fucking Heart” a fabulous country-punk song. So, I had to find out more about this guy, and it turns out he did a country-punk, but mostly country, version of Pink Floyd’s The Wall. It was with much trepidation that I dared into this most unusual of covers, because I don’t really care for country, particularly, shudder, new country. But, wow am I glad I did.

It’s hard to know even where to start, but it is amazing how well the songs translate into a country motif. I’ve loved Pink Floyd’s The Wall ever since it came out. I have very fond memories of reading the lyrics on the record sleeve when I bought it back in 1979, sitting in the back of my mom’s car as she drove myself and my aunt back from the mall. And, I have a fond memory of the resurgence that it had for me in college when evidently every angsty boy in my dorm felt the need to play it ritually.

I was prepared for the worst, but I never had any regrets of this cover version. I’ve even played it to friends who’ve thought it was really good as well. It all sounds like a joke, but the musicianship is top-notch (Sarah Harmer is back with great backing vocals), and the appreciation of the original is evident from the start. I encourage you to track down this album if you like the original. Give Luther some of your cash!

[READ: August 20, 2007] In Persuasion Nation.

This completes my recent spate of books that I read about somewhere, and can’t remember where. I maintain that it was in The Week by a former Simpsons’ writer, but I have to wait about a month before that issue gets online so I can confirm it (boo!). At any rate, I was led to believe that this was going to be a book of funny essays. And, well, it’s not. It skewers contemporary society, and it has moments that are definitely funny in a hmmmm, sort of way, but laugh-out-loud funny this is not. (more…)

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