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Archive for the ‘Harper’s’ Category

aug2013SOUNDTRACK: JIM GUTHRIE-Tiny Desk Concert #294 (August 10, 2013).

jimgI was unfamiliar with Guthrie before this set and I almost didn’t play it because of his mustache–he just looks so country to me.  But then I read that he and his band drove 9 hours from Ontario just to do the show (which is 11 minutes long, so that’s pretty crazy).  But the set is really good.

The three songs come from Guthrie’s new album Takes Time (his first solo album in ten years).  And I was hooked…not right from the start, but 15 seconds into “The Difference a Day makes” when the guitar plays the chorus riff.  There is something so… Canadian about the melody line.  It reminds me of Neil Young, Sloan, Rheostatics, even Kathleen Edwards, all of these great Canadian songwriters who play with slightly different melodies.  The fact that he sings “doubt” and “out” with an Ontario accent solidifies it.  It’s one of my favorite mellow songs of the year.  “Before & After” sounds a bit like  Barenaked Ladies mellow song, like something  written by Kevin Hearn.  I tend to not like the Hearn songs, but I thin kit’s that I don’t like Hearn’s voice, because I like this song quite a lot.

Guthrie has a delicate but strong voice–I can’t imagine him screaming, but he conveys a lot.  Especially in the final song, the more mellow (and minor key) “Like a Lake.”  I’ve heard Tiny Desk shows that go on for five or six songs.  I wish that Bob and Robin had let them play for ten more minutes. Now I’m off to find his records.  Check it out.

[READ: September 10, 2013] 3 book reviews

Tom Bissell reviewed three new books in the August 2013 issue of Harper’s.  I like Bissell in general and since I’ll probably wind up writing about these when they get collected anyway, why not jump the gun here.  Especially when there’s three good-sounding books like these.

sagamoreThe first is Peter Orner’s Last Car Over the Sagamore Bridge.  I know Orner from McSweeney’s mostly, where I’ve read a few of his things  But one of the stories that Bissell mentions from this short story collection sounds familiar and yet it doesn’t seem to be something I’ve read.  Hmmm.  Well anyhow, he says that Orner’s previous book (with a title that Bissell assumes he had to fight to keep–The Second Coming of Mavala Shikongo) was a great piece of fiction about Africa, and that his previous collection Esther Stories was also very solid.

This book is a little stranger—bundled into 4 sections, it includes more than fifty “stories” and is all of 200 pages.  (Sounds like just the kind of thing I can get into).  Bissell suggests that the stories have a layer of remove, like someone telling a story about someone telling a story.  Or, if they were about a bank robbery, the story would actually be about someone describing having once met the guy who sold the robbers their ski masks.  But the real selling point for me was this pithy description of the collection: imagine Brief Interviews with Hideous Men written by Alice Munro.   That sounds hard to pass up. (more…)

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aug2013

SOUNDTRACK: GWAR-“Carry on My Wayward Son” (A.V. Undercover, October 8, 2012).

gwarIf I thought Reggie Watt’s cover of Van Halen’s “Panama” was absurd, imagine my surprise when GWAR’s version of “Carry on My Wayward Son” proves to not only be not absurd but actually rather faithful.  Well, I mean Oderus Urungus is certainly not serious, but the band sounds amazingly tight–who knew they could play their instruments so well?

The opening is played very faithfully–solos and all–it’s quite impressive under all that foam.  The verses are played at breakneck speed (with Oderus barely singing and improving at times). The chorus is fascinating though as they slow it down quite a lot–with a different singer this might bring an extra gravitas to it, although this version assuredly does not.

I never knew Oderus’ mask fit so poorly before.  And I don’t believe I’ve ever really noticed the large green item hanging down between his legs.  See for yourself:

[READ: September 6, 2013] “Sleeping Together”

The final article of this forum about sleep is set in Tokyo.  Lewis-Kraus has gone to the first co-sleeping cafe. For about $30 for a membership and $30 for 40 minutes you can sleep with a woman.  Not sex–indeed, nothing sexual is allowed to happen. You just sleep.  Or more specifically, you lie next to a woman (seems unlikely that you could actually sleep).  You can also get options like staring into each other’s eyes, being petted on the head, spooning and resting your head on her lap.

There are, of course sexual cafes, as well. The kayabakura is a bit more explicit than the sleeping cafe–the women are all made up and act servile, but this is different.

The woman who the author sleeps with is Yukiko. Yukiko admits that most men don’t sleep, they talk.  She says that in their culture shame is very big, so men seek comfort and encouragement from women. (more…)

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aug2013SOUNDTRACK: REGGIE WATTS-“Panama” (A.V, Undercover, January 22, 2013).

reggiepanama This is from the A.V. Club’s third series of covers called A.V. Undercover.  In this series, the bands select what they are going to cover from a list (which gets shorter after each go).  I’ve been really enjoying Reggie Watts lately.  And I really enjoy this “cover” of Van Halen’s “Panama.”

In the pre-song interview he explains how he knows the guys in the band and that this version is a cover of an earlier demo version of the song.  Who knew the original content was so different

Check it out (and groove on the sweater).  “Oh woah, shipping canals!”

[READ: September 6, 2013] “Insomnia”

Solnit posits a wonderful idea–if only sleep could be hoarded and then accumulated or traded.  She has suffered from sleep deprivation off and on for decades–her mind just can’t turn off–like hamster on a wheel.  And like a hamster on a wheel, she is annoyed that all of the churning is so unproductive.

She talks about the two kinds of insomniacs–those who can’t fall asleep and those who wake up in the middle of the night (that’s me).  She quotes F Scott Fitzgerald who said “in a real dark night of the soul it is always three o’clock in the morning.”  Because as anyone who has woken up at that time knows, everything is overwhelming, arduous and against you.  “At that hour you could probably contemplate pancake recipes with terror.” (more…)

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aug2013SOUNDTRACK: REGGIE WATTS-Tiny Desk Concert #227 (July 12, 2012).

reggieI know Reggie Watts from Comedy Bang Bang, but his name sounds familiar, like he’s been around for a long time.  And he has, although not in ways that I am familiar.  He’s been in a million bands (none of which I’ve heard of) and done a number of short films and concerts (prominently as of 2004).  Interestingly he was born in Germany to French and American parents.  And, yes, he lived his early life in Montana.

In his early bands, Reggie sang (he has a beautiful voice).  In recent years he has become sillier, doing improv and a lot of looped vocals.  he also has a lot of funny comedic lyrics.  But not all of them.  In this Tiny Desk concert, Reggie does three songs (with funny intros).  The first one “Song #4” is a “proper” song.

The other two are improved.  The middle one, about NPR is very funny (if you know your NPR).  In all of the songs he samples his voice creating bass lines and whatnot (he does amazing beat box work).  The set is really impressive that one guy can make so much beautiful music.

Although normally I enjoy just listening to the Tiny Desk shows, this is one that demands watching, just to see how he does it all.

[READ: September 6, 2013] “Motherhood”

Manguso writes about being a mother and how sleep deprivation as a new mom is actually somewhat enjoyable (I suppose she means in retrospect).  She doesn’t say anything all that new about being a mom and the experiences of waking up at the slightest sound (or lack of sound) from your children.  Although of course it’s original to everyone when it is their child.

And she does make some interesting observations about how when the baby is first-born you rush to help him or her at the first cry but as they get older you feel even more protective of them.   I also enjoyed the idea that maternal love is in no way a softening or weakening force but is actually a courageous act–sacrificing yourself for someone else. (more…)

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aug2013SOUNDTRACK: THE FRONT BOTTOMS-Tiny Desk Concert #297 (August 19, 2013).

frontbotI really enjoyed The Front Bottoms’ “Au Revoir” and was pretty excited to see they had a Tiny Desk Concert.  After watching this, I’m very curious to see what they do in a full band setting because their sound works very well in this stripped down fashion–with acoustic guitars, penny whistle and muted trumpet (!).

Lead singer, Brian Sella, reminds me a lot of Mike Doughty in his speaky/singing way (especially on “Swear To God The Devil Made Me Do It”–although less speaky than Doughty or Cake–there’s just something about his delivery that puts me in mind of them.

He’s also always got a smirk on his face, which makes me like them more.

I’m torn between wondering if they’re a novelty band that I wouldn’t listen to more than a few times or a cool alternative band whose idiosyncrasies only get better with each listen.  I love the way “Twin Size Mattress” has little elements (like the tambourine moment–and the “no fucking way moment) which elevate it above some of the seemingly sillier songs.  Not to mention the lyrics are really good in the song.  Indeed, even though the lyrics are funny, they are often very clever, too.

I really enjoyed all four songs in this set and I have listened to it many times now.  “Au Revoir (Adios)” sounds great.  All four songs comes from their new album Talon of the Hawk.  And the more I listen the more I’m convincing myself to jut get the damned album.

[READ: September 6, 2013] “Gaboxadol”

This essay was actually hard for me to read.  That’s because the first half was all scientific chemistry talk and I really got lost–I don’t really know what GABA receptors are or do and I didn’t even really understand what he was talking about what Stepan Krasheninnikov did in 1755.  And I worried that I wasn’t going to enjoy this at all.

But soon Morris brought it back to an area that dummies like me can enjoy   He talks about the history of Gaboxadol a drug created by Dutch chemist Povl Krogsgaard-Larsen in 1977.  The first time Povl took it (self-experiment was very common until recently) he said it made him feel like he had just had three beers–a very comfortable feeling.

But Gaboxadol never found its niche.  Povl knew it had relaxing qualities but he couldn’t specifically diagnose who would best benefit from it.  It was tried on the mentally ill.  The desired effects did not really arrive–but the side effects made people feel sleepy.  Then it was tried as an analgesic for cancer patients.  It relieved some pain but it made everyone sleepy (you see where this is gong, right?).  It was then tested on patients with anxiety disorder, but the side effects were more powerful that the anti-anxiety effects.

So then the drug was just shelved (were people just less experimental back then?)  It wasn’t until 1996 that Marike Lancel a somnologist in Munich read the research and decided to try it as a sleeping aid.  She realized that Gaboxadol assisted sleep and also had none of the side effects that Ambien had (apparently terrible insomnia once you stop taking it–so I’ll not be taking that, thank you very much).  Merck bought the rights to Gaboxadol for $270 million. (more…)

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aug2013SOUNDTRACK: MOTHER FALCON-Tiny Desk Concert #296 (August 17, 2013)

motherfBy my count there are fourteen people in Mother Falcon (the notes say 17 but I couldn’t see them all)–that’s a lot of people in a Tiny Desk concert.  And they all play an instrument.  I count trumpet, bassoon, three saxophones, three violins, two cellos, an upright bass, accordion, guitar and mandolin (the mandolin player is the lead singer (and a cello player too).

Despite the orchestral set up, the songs are short pop songs but with a lot of, well, orchestration.  The songs have gorgeous instrumental sections, especially in “Marigold” where the riff is powerful and made all the more dynamic by the woodwinds.

“Marfa” has vocals by the female lead (who plays guitar–I don’t see any band member names on the NPR site).  The strings really dominate here and remind me of the way The Dambuilders used strings–even though there is no heavy guitar.  The strings feel like they are playing rock songs rather than being used as background for a rock song.  “Dirty Summer” is a sing-along track with no real words–lots of oh ohs.

motherfalWatching one of the members climb on the desk to sing louder was pretty fun.  It was also cool hearing how excited they were to be on the Tiny Desk.  Check it out.

They sound really great and, although I have to suspect that they must be more dynamic live than on record–how could they not be?

[READ: September 6, 2013] “Herbal Remedies”

Curtis is a holistic nutritionist.  I was a little concerned that this whole essay was going to be about prescribing alternative medicines to people to help them sleep (that’s only part of the article–and sadly there’s no quick suggestions either).  Actually, I’m normally all for herbals, but I’ve been watching Doc Martin lately and, man, he really rails into the herbalist on that show.  I’m generally torn about herbal remedies–I absolutely believe in science, but I have no faith in corporations.  So I believe scientists find cures for things and then corporations mess with them and make us need more than we do.  And I also feel like old herbal remedies probably work to an extent and yet they have also not been scientifically proven.  What’s a skeptic to do?

Anyhow, the switch comes when Curtis admits that while her patients can’t sleep, she has no problems with it.   Except that she doesn’t want to sleep, she hates it.  She even slept with the light on (until her business associate warned that it ruins your “kidney jing.)”

She talks about what it’s like to sleep in different men’s beds.  I liked the descriptions–the way each bed and each man makes her feel a different way in the bed–like a princess, or someone who wakes up several times a night so she can cuddle again or, like a safe and secure person who can sleep uninterrupted all night long. (more…)

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aug2013SOUNDTRACK: GREEN DAY-¡Quatro! (2012).

quatroIf you have the hard copy of the three Green Day CDs, you’ll notice the back cover lists a fourth disc, ¡Quatro!.  I wasn’t really sure what ¡Quatro! was supposed to be, but I have recently found out that it is a documentary DVD/CD.  For those keeping track, Jason White who was a touring guitarist with the band for years and who has recently become a full-fledged member of the band, is on the cover.

According to press releases and such, ¡Quatro! will give a behind-the-scenes look at the creative process that resulted in the trilogy and their various live shows across the U.S.

It seems as though the release date is up in the air (no doubt because of the state of the band), although some of the material premiered as early as last November.  And their official site only says “in 2013.”  I probably won’t watch it as I find this kind of thing self-indulgent and pointless; however, some of these videos can be entertaining.  Indeed, if it had come as a bonus disc to one of the other three discs I probably would have watched it.

At any rate, the official trailer for ¡Quatro! is available on YouTube

And there’s a few other snippets (which were probably shown on VH1.

[READ: September 6, 2013] “Bed-Wetting”

Bed-wetting is fairly common, especially for those who are potty training.  Smallwood talks about all of the ways throughout history that people have tried to deal with it.  She gives this list (which I have abbreviated here):

  • Plugging the urethra
  • Constriction of the penis with bandages, strings, adhesives, or vises, one of which was described as a “formidable rat-rap looking instrument”
  • Eliminating sugar
  • Removing the child from school
  • Injecting the bladder with gaseous carbonic acid

(and I have left out a few of the more crazy ones).

By the late nineteenth century, naturally, Westerners began connecting bed wedding with masturbation (other symptoms of masturbation: flushed cheeks, paleness and paralysis).  At this time, victims were subjected to cold baths, hard beds and even whipping (which may have caused sexual fantasies but certainly didn’t help with bed wetting).

A fascinating piece of information—boys are more prone to night time wetting while girls are more prone to day time. (more…)

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aug2013SOUNDTRACK: GREEN DAY-¡Tre! (2012).

treThe third and final album of the trilogy is called ¡Tre! (and yes I enjoyed that they named this one ¡Tre! as opposed to ¡Tre! and put Tre Cool on the cover—not exactly the most clever thing around, but it made me smile and makes me think that they only did three albums so they could have this title/cover combo).  And, yes, this is my least favorite of the three discs.  It feels like a bonus disc—songs that don’t really belong anywhere else. It’s kind of an album full of ballads (but that would suck) so they made it mostly ballads with other things too.

Like “Brutal Love”  a slow ballad (complete with horns) that builds into a standard rocker (it’s got a very “rock and roll” vibe).  Many punk songs are really just rock and roll played fast and this is certainly one of those songs.  (I don’t care for that kind of punk so much).  “Missing You” is a another mid-tempo rocker–the kind they do very well.

“8th Avenue Serenade” has another cool sound (as in different from the rest of the album).  “Drama Queen” is an acoustic guitar ballad with creepy creepy lyrics. It’s probably my least favorite Green Day song ever.  “X-Kid”seems even more simple than other Green Day songs (does Billie Joe throw anything away?)  It sounds like a classic rock song form the mid 80s.  “Sex, Drugs & Violence” brings the disc back some with a fun poppy rocker.  “A Little Boy Named Train” sounds a lot like “Carpe Diem” from ¡UnoI (same chords, just played slower—although the verses do change it a bit.

“Amanda” a mid tempo rocker and “Walk Away” is another slow song that sounds like classic rock.  “Dirty Rotten Bastards” clocks in at over 6 minutes!  It’s got several short sections in it though (which makes it more fun). The first part is the melody of The Marines Song.  “99 Revolutions” is so catchy it even has a chorus with only drums (that lowest common denominator of songs that is guaranteed to get the crowd to sing along).

So yes, there are a few good songs in this collection, but they could have easily scraped out the good ones and dumped them on the first two discs and just put Tre’s picture on the back of both of them.

[READ: September 6, 2013] “Neighbors”

Unferth, like Julavits, writes a kind of narrative piece about sleeplessness.  It’s hard to imagine her living the way she does, but if you’ve read her memoir, she has certainly slept in worse places than a Chicago slum.  It turns out that her downstairs neighbor, Maximilian, would turn on his TV late at night and leave it on all night. The odd thing was that he had no electricity in his apartment—he ran an extension cord to the light in the foyer.  When Unferth would get fed up with the noise, she would go downstairs and unplug the cord.

But then Maximilian’s girlfriend Dorothy moved back in.  The two of them fought nightly—loud screaming fights that were worse than the TV noise (when Unferth unplugged the TV, Dorothy found an electricity source elsewhere, although Unferth couldn’t figure out where).

She makes a very interesting distinction about the type of noise that might wake you up as compared to visceral fighting of your neighbors.  From things like jets and trains (or a fire engine, like at my house): “You may lose sleep over them, but you won’t lose sleep over them.”  Whereas hearing your neighbors screaming at each other is far more disturbing. (more…)

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aug2013SOUNDTRACK: GREEN DAY-¡Dos! (2012).

Wdoshile I was writing about these songs the words “stupid” and “dopey” came up a lot and I realized that of this trilogy of albums, this may be the dopiest (I mean, look at the cover).  I assume that’s on purpose.  We know that Green day was taking a break from their serious albums and operas to make dopey punk rock.  But between the lyrics and the riffs, this one is really quite dopey.  Charmingly so.

¡Dos! opens with “See You Tonight” a tinny guitar sound that makes me think they’re goin to bust into The Allman Brother’s “Jessica,” but no, it remains a folky song that lasts for 90 seconds before it bleeds into “Fuck Time” a knuckleheaded, big drummed bluesy riff that  reminds me of Soundgarden’s “Big Dumb Sex” except that it might actually be serious.  And it may be the least sexy song about sex I’ve ever head.  “Stop When the Red Lights Flash” ups the speed even further (although they manage to have catchy verses that seem to recall The Who again).  “Lazy Bones” changes the tone somewhat, bringing in some nice ringing guitars (sounding more like The Strokes than punk) and a prettier feel (in the verses anyhow).  It’s probably my favorite on this disc.

“Wild One” is one of their rockier ballads.  It could probably do with being about a minute shorter, but the backing vocals are pretty cool.  “Makeout Party” is  stupid fun (with some wild solos, and even a bass solo section).   “Stray Heart” is a fun boppy song with, yes, a big arena-friendly chorus).  “Ashley” is a fast punky song (that plays high guitar notes rather than big chords).

“Baby Eyes” has  good harsh sound in the riff (a rare minor chord)–although again those verses are bright and happy.  “Nightlife” is the one glaringly odd song.  It has a silky bass line and a really interesting sound.  But it also feature an extensive rap by Lady Cobra (who I’ve never heard of).  The rap is just as silly as Armstrong;s lyrics, but somehow since she is speaking them so clearly (rather than hurriedly singing them) they seem even dumber.

“Wow! That’s Loud” is a wonderful title for a fast spirited song, with a dopey riff and some fun soloing sections (unusual for Green Day).  The disc ends like it began with an acoustic type ballad.  This one is called “Amy” and it is pretty much the quintessential sweet Green day ballad.

Although I liked this one, I preferred the first disc overall.

[READ: September 6, 2013] “Segmented Sleep”

I’m repeating this intro because of the content of this essay.  The timing of this Folio, entitled “Are You Sleeping? In search of a good night’s rest” is quite spooky.  I myself have been having middle of the night insomnia.  I seem to battle this occasionally.  This recent bout seems to be accompanied by a stomach upset.  So I have this really unfair cycle.  My stomach is bothered by caffeine, so it keeps me up at night and when I wake up groggy and with a headache, I need the caffeine to get me somewhat stabilized (and I’m not a big caffeine drinker—a cup of tea, maybe two a day).  But that seems to upset me during the night.  I am also really strangely accurate with my insomnia.  It is almost always between 2 and 2:30 AM. So, yea, here’s other people interested in sleep deprivation.

[begin new content] Although Julavits’ piece read like a story, Ekirch’s has a much more academic style.  Turns out that he wrote about a history of sleep for his dissertation and for part of his book At Day’s Close: Night in Times Past.  This short essay focuses on “segmented sleep.”  It turns out that in pre-industrial nights, sleep was segmented: a first and second sleep bridged after midnight “by an hour or more of wakefulness in which people did practically everything imaginable.”  This second sleep is mentioned in Odyssey and Aeneid.

In the 1990s a sleep study was done.  Males were deprived of artificial light at night for a few weeks.  They began sleeping in segments as well.  This seems to be a natural circadian rhythm to our lives.  Indeed, It was in the 1800s that segmented sleep gave way to one longer sleep—when lighting and industry came to dominate our lives.  And we felt compelled to be awake when it was light out so we could be more productive. (more…)

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aug2013SOUNDTRACK: GREEN DAY-¡Uno! (2012).

unoLast year Green Day announced that they were going to release three back to basics albums (a sort of antidote to their operas and concept albums).  And lo, there they came: one, two and three.  Oh and in the meantime, Billy Joe Armstrong had a kind of mental breakdown or something.

I’ve enjoyed Green Day’s releases since Dookie–they write simple pop/punk songs that are fun to sing along to.  Not all of them are winners, but many are.  Billy Joe has a knack for a pop hook. So when I say I liked all three of these records, it is with the understanding that these aren’t genius records, they are fun, kind of silly records.  Or, as I like to sum them up: simple three chord pop punk with supremely catchy choruses.

¡Uno!, the first one, is comprised of a lot of these simple, catchy rockers.  There are super fast rockers like “Nuclear Family” “Let Yourself Go” “Loss of Control” (with the fairly lame bridge of “we’re so crazy, oh so crazy now”–even by Green Day standards, that’s pretty lame) and “Angel Blue.”

There’s also slower rockers (which last longer) like “Stay the Night” “Carpe Diem” (with pretty harmonies and falsetto) “Troublemaker” and “Fell for You” (which if it was slower and sung by a girl group would be a perfect girl group song from the 1950s–except for the “pissed the bed line” of course).

Then there’s the jittry “Kill the DJ”, a song I instinctively dislike, (because of the stupid chorus) but which is undeniably catchy.  Even the Green Day songs I don’t really like I find myself singing along two after a couple of listens.

The last three songs change the tempo of the album a bit and each song stands out in its own way.  “Sweet 16” is a big ol’ ballad (with really falsettoed vocals).  It’s a pretty standard ballad from them, not quite as lighter-raising as their huge ballads, but this could have been huge if marketed right.  Along similar lines is “Rusty James” their more uptempo radio hit—big choruses, backing vocals a wonderful bridge—three chords and a major hit.  You have to be really jaded not to tap your foot to this one.  And the final track, “Oh Love” feels like a big 70s rocker (reminiscent of the Who).

There’ a lot of cursing on this album (mostly of the “we don’t give a  fuck” or “you’re a stupid motherfucker” variety).  And while I don’t object to that in principle, it comes across as really lazy songwriting.  Of course, this is a 40 minute album of pop punk and three chords, so it’s not exactly an unlazy album to begin with.

Of the three this is my favorite.

[READ: September 6, 2013] “Restlessness”

The timing of this Folio, entitled “Are You Sleeping? In search of a good night’s rest” is quite spooky.  I myself have been having middle of the night insomnia.  I seem to battle this occasionally.  This recent bout seems to be accompanied by a stomach upset.  So I have this really unfair cycle.  My stomach is bothered by caffeine, so it keeps me up at night and when I wake up groggy and with a headache, I need the caffeine to get me somewhat stabilized (and I’m not a big caffeine drinker—a cup of tea, maybe two a day).  But that seems to upset me during the night.  I am also really strangely accurate with my insomnia.  It is almost always between 2 and 2:30 AM. So, yea, here’s other people interested in sleep deprivation.

Julavits writes about her vacation home in Maine.  Her family spends a few months there each year and it often happens that she is simply hunting the house for sleep while her family snores on.  Beginning at 12:20, she leaves Husband bed and heads off to the other options: Child One, an uncomfortable futon; Child Two: a single air mattress (“basically [a] pool toy for houses”). (more…)

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