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Archive for the ‘Funny (ha ha)’ Category

18SOUNDTRACK: THE SHINS-“It’s Okay, Try Again” (2009).

mia“Sometime you win, sometimes you lose.  But it’s okay, you try it again.”

A simple idea that no kid will ever believe in no matter how many times he or she hears this song.  Nevertheless, the song is poppy and fun, it’s pure Shins and it is infectious.

The song also feels a lot longer than 2 minutes.  They have really packed a lot into their choruses and verses (and middle third).

Yo Gabba Gabba has been excellent at getting great bands to play simple quickie songs for their records (and shows).

[READ: May 16, 2014] Happy Birthday, Babymouse

It’s hard for me to believe that it took 18 books before Babymouse had a birthday!  I got a chuckle out of the fact that in the book it acknowledges that we don’t even know how old she is [and that they break the fourth wall, too].

As the book opens, Babymouse imagines a full-on Times Square countdown for her birthday.  But that only makes sense because every other birthday that she has had in recent years was a disaster (no idea what season it’s supposed to be in since the disasters span just about everything you can imagine).

But this year she is planning something epic–she sends out a mailbox-filling pile of invitations (including to people in the Squish series–nice cross platform mixing there).  Everyone gets invited except for the gnomes–“they’re too troublesome.”  Of course then comes the dreadful information–Felicia Furrypaws is having her party on the same exact day.  And it promises to be everything Babymouse dreamed her party would be. (more…)

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xubingSOUNDTRACK: THE VESTIBULES-“Boulbous Bouffant” (1995).

rfvThis is a fantastic comedy bit of euphonics.  It starts out a bit slow–without a clear point.  But once it picks up, it is outstanding.  And you’ll find yourself saying…oh all kinds of things for no reason.

[READ: May 15, 2014] Book from the Ground

Xu Bing is a Chinese artist.  He caused some stir several years ago with his exhibition Book from the Sky, a set of books, panels and scrolls on which were printed thousands of characters resembling real Chinese characters, but which were nonsense. Xu spent years hand carving the typesetting blocks used to make the prints according to traditional Chinese block printing methods. Each block was embossed with a unique but meaningless symbol and then used to make the prints for the exhibit.  It was controversial and he even lost favor with the Chinese government.

That project was conceived as a “book” that no one could read.  With Book from the Ground, he has attempted to create a book that literally everyone could read.

The entire story of this book is told with icons.  There are no words at all.

It is the story of a man as he lives his day from the time he wakes up until he falls asleep late that night.

The icons are mostly but not entirely universal–they depend upon the reader being familiar with contemporary technological life (icons for Amazon and GMail for instance might confuse some–or maybe they have saturated the market enough that they are universal by now).

The story opens with us zooming in on the man as he sleeps.  It is 7AM and he is awoken by a bird and by his alarm.  We see him wake up, use the bathroom, make (and ruin) breakfast and then head to work. (more…)

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13SOUNDTRACK: JACK BLACK-The Goodbye Song (2009).

jbI love that Jack Black is a terribly terribly profane man, and yet he has also made a huge career out of doing kids shows and movies.  True Tenacious D are practically child men anyhow, but to think that the guy who sang some of those really dirty songs is also Kung Fu Panda?  Or the sweet guy saying goodbye to everyone in Yo Gabba Gabba land?

This song is, like most Yo Gabba Gabba songs, incredibly simple and repetitive (it’s mostly chorus singing goodbye) but each verse has one of the characters from the show singing a simple verse and JB saying something in return.

There’s nothing especially great about this song (you want it more for the visuals), it’s just always fun to hear Jack be funny and silly–and to rock out at the end.

[READ: May 9, 2014] File Under: 13 Suspicious Incidents

I knew that his book was coming out and I was pretty sure it was Book 3 in the All the Wrong Questions series because, well, because it came out during the series and it was illustrated by Seth.  But it is not part of the series at all.  Well, that’s not true.  It is sort of part of the series.

It is set in Stain’d by the Sea.  Lemony Snicket is there with his mentor S. Theodora and all of the characters we have met so far in the series are here as well.  But this is a series of unfortunate incidents in which Lemony Snicket helps to solve some crimes or, if not crimes, at least possible crimes.  Thing of it as a short story interlude from All the Wrong Questions.  And yet, even though that seems dismissive, it is a great and fun read.

So despite being a little disappointed that this wasn’t the next book in the series (I’m quite hooked) I really enjoyed these short “cases.”  It also turns out that the “bonus” story that came in the Barnes & Noble edition of Book 2 is one of these incidents.  I didn’t enjoy it that much as a “bonus” story, but I found it far more enjoyable this time in the context of Snicket trying to figure things out here. (more…)

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dec20133SOUNDTRACK: HANGEDUP-Clatter for Control [CST034] (2005).

clatterClatter for Control is Hangedup’s third and (so far) last album.  As Kicker was an evolution from their debut, Clatter feels like an evolution as well.  It feels like a more experimental work with fewer “proper’ songs proper and more soundscapes and ideas.

“Klang Klang” is a fast, yes, klanging song.  The viola is slightly discordant and the riffs are abrupt and staccato and it builds into a frenzy.  “Alarm” is more spooky sounding with tape manipulation. “A Different Kind Of Function” starts with some staccato notes and then builds into merging lines of viola and feels almost like a remix song.  “Kick-Back-Hub” is 90 seconds of squeaking bowing and metal clanking along with some very fast drums. It melds into “Eksplozije” which is 2:25 and is more feedback and big noisy drums.

“Go Let’s Go” feels like an actual song with riffs and chords, while “Derailleur” is another short piece, just under 2 minutes of noise and rattling and wildly untuned viola sounds.  “Fuck This Place” has a bass guitar although you wouldn’t necessarily know it (there is more bottom end), it feels like the viola is actually vocal samplings which is neat. “How We Keep Time” is a slower song with languorous viola sounds and sparse drumming.  “Junk The Clatter” feels like the most song like of the bunch. After a minute intro a fully realized riff comes out.  There’s some beautiful melodies and when the song ends it has a cool rocking section.

I prefer Kicker in Tow, but there’s record is a lot of fun too, full of unusual and discordant sounds–if you like that sort of thing.

 [READ: May 5, 2014] “I Can Say Many Nice Things”

I wound up reading about 3/4 of this story in one sitting and I loved it.  But when I came back to finish the end, I didn’t really like it as much.  I though the first part was engaging and complex without being convoluted.  I was interested in the direction the story was going and I was disappointed that it went where it did.  The ending ultimately makes sense within the context of the story, but I enjoyed so much of what happened before that I guess I didn’t want it to end.

So what was so great?

Fleming is an writing teacher.  A disgruntled and unpopular writing teacher.  He has been given a chance to teach a writing class… on a cruise!  A five day cruise with all expenses paid and ten well-paying students signed up for a morning and afternoon class.  Everyone he knew thought he was so lucky (colleagues pretended to be jealous)–it would certainly be an easy way to rack up positive evaluations from happy cruisers?  But Fleming is a pretty miserable guy.  He’s even more miserable because he intended to get in shape for the cruise, but in fact he got fatter, and he feels lousy about himself.

Even though at heart this is a story about teaching and writing (typically not great story topics), the set up is unusual–especially as we slowly come to realize that he is trapped on this ship. And when you add in some of the other details, I thought this was a really interesting setup.

Here’s some details that i found compelling. (more…)

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[ATTENDED: May 2, 2014] The Figaro Plays: The Marriage of Figaro

marriageAfter last night’s unexpectedly hilarious Barber of Seville, my expectations were much higher for The Marriage of Figaro.

For a brief explanation of these plays, see yesterday’s post.

The Marriage of Figaro is set three years after The Barber of Seville.  [It must be said that the promotional material said they could be seen in any order, but a lot from Barber is referenced in Marriage and since it is set three years later, it really does behoove you to see Barber first].  The situation is interesting: Count Almaviva and Rosine are still married, although the Count is sleeping around and the Countess is despondent (so much for that rush of first love).  But the main plot concerns Figaro.

Figaro is living with them (as Almaviva’s right hand man) and is set to marry the Countess’ Lady in Waiting, Suzanne.  Figaro is gloriously happy, as is Suzanne.  And they cannot wait to get married.  So, unlike the previous play, there are no shenanigans trying to get them together behind the back of someone else.  The shenanigans are of a slightly different sort.

For Suzanne reveals to Figaro that the reason the Count has given them this glorious space in the chateau–which is but mere feet away from the Count’s private room–is that he plans to deflower Suzanne on the night of her wedding to Figaro.  This was, apparently, the Count’s privilege at the time.  Although Count Almaviva ended that policy when he married Rosine.  But he seems ready to reinstate it now.

Figaro doesn’t believe it at first, but is soon convinced.  The Count wants to meet Rosine in the garden on her wedding night.  And so she and Figaro (with the help of Rosine) decide to hatch a plot.  And that’s just one of many plots in this sequel which is much more complicated, has a much bigger cast and pushes three hours in length. (more…)

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[ATTENDED: May 1, 2014] The Figaro Plays: The Barber of Seville

barber2I won tickets to see The Figaro Plays at McCarter Theater.  And yes, there are two different plays going on at the same time. I have to say, I’m super impressed that they put on two Figaro plays on alternating days starring many of the same actors—how complicated must that be?

The Figaro Plays are, well, I’ll let the McCarter site, explain:

Stephen Wadsworth makes his triumphant return to McCarter Theatre with The Figaro Plays, two thrilling new translations of the great farces that inspired Mozart and Rossini’s operas: The Marriage of Figaro and The Barber of Seville…. Wadsworth brings his genius to these two delightfully scathing social satires. Figaro, the famous barber, has his hands full with schemes, plots, and a master who chases all the wrong women. Lush, lively, and a little bit naughty, these plays are chock-full of hilarious misunderstandings, passion, disguises, and sumptuous period costumes.

The plays were written by Pierre-Augustin Caron de Beaumarchais, um …who? He wrote three plays about Figaro and Count Almaviva: Le Barbier de Séville, Le Mariage de Figaro, and La Mère coupable.  And so Wadsworth translated, arranged and directed two (I don’t know if the third one was too much to do or not very good or what–according to Wikipedia, it is rarely performed, and the synopsis doesn’t sound great)

So you have certainly heard of these two The Barber of Seville or the Useless Precaution (written in 1773) was turned into Gioachino Rossini’s opera, The Barber of Seville (1816).  The Marriage of Figaro (written in 1778) was turned into the opera Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro, or The Day of Madness), K. 492, composed in 1786 by Wolfgang Amadeus Mozart,

So that’s a lot of background information, and I knew none of it before seeing this first play.  I wasn’t even sure if there would be music or not.  So no, they were not the operas, indeed, Barber has no music (well, one love song strummed on a guitar).

And it was hilarious. (more…)

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eaveptotterSOUNDTRACK: ELIZABETH ANKA VAJAGIC-Nostalgia/Pain EP [CST035] (2005).

This album is considered an EP, probably because it runs about 33 minutes. And yet with 3 songs and one of them nearly 20 minutes long, it feels like a much bigger release.

The first song, “Nostalgia” is 17 minutes long and begins with three minutes of scratchy violin “warm up” sounds.  Around 3 minutes guitars start playing some simple chords which gives the violin some direction.  Around 4 minutes’ Vajagic voice comes in, throaty and raw like a wounded PJ Harvey crossed with Patti Smith.  The song doesn’t vary all that much in the 17 minutes, but it’s her voice that carries the anguish and pain of the song along.  The interesting touch of the scratching guitars on the edges gives more angst to the song.  Starting around 12 minutes, the song kind of devolves into a series of noises –clicking drums, scratching violins.  A kind of free-form exploration like the beginning was.

So although the song is 17 minutes, it’s really only about nine of actual song.  The rest is sort of an experimental jam, with the volume down quite low in comparison.

Song 2, “Pain” is 12 minutes and opens with a slow guitar melody.  But the real focus is Vajagic’s voice because the instrumentation is basically a guideline.  Until, that is, the 4 minute mark comes around, when the guitar turns electric and more powerful and EAV’s voice goes away for about 3 minutes.  The melody is simple but has a good yearning and building quality with an interesting slow guitar solo meandering around.  Around 8 minutes she begins singing again, repeating the original vocal melody but now with screaming guitars behind her–it’s quite a change and a cathartic introduction of new sounds.  The ending kind of drifts away without ever really letting go.

The final sing is only 4 minutes.  It opens with cracking sounds and a music box.  When the song proper starts there’s more quiet guitars and EAV’s voice and that’s all the song is–like a microcosm of the longer songs and somewhat more powerful for its condensed nature.   Although I do prefer the louder more angsty music she makes, this is a nice showcase for her restraint.

This is the last record that I’m aware of her releasing.

[READ: April 26, 2014] Lord Tottering: An English Gentleman

I saw this comic strip book at work and decided it was interesting looking and might be fun to read.  The title made me laugh as did the Registered Trademark “Tottering-By-Gently” and is a kind of compendium of Lord Tottering comic strips.

Never heard of Lord Tottering?  Me either, but it has been appearing weekly in the magazine Country Life since 1993 and is “phenomenally successful” according to the introduction.  Which also states that Annie Tempest is one of the top cartoonists working in the UK.  (I’ve never heard of her either, but again, that doesn’t mean much).

The cast consists of Daffy Tottering, who reflects “the problems facing women in their everyday life” (if you are rich and British, and live in “their stately home in the fictional county of North Pimmshire).  She also spends time (and I feel compelled to put all of this in here because it is an amusingly long list):

“reflecting on the intergenerational tensions and the differing perspectives of men and women, as well as dieting, ageing, gardening, fashion, food, field sports, convention and much more.” [She must be exhausted].

Her husband is Dicky.  He is basically a retired rich Englishman who hunts and fishes and goes to the kind of club that is mocked endlessly in Snuff Box.

I mock this cartoon a little bit because it is pretty mockable–wealthy aristocrats suffering white people’s problems.  Think of it almost like Cathy for Rich Britons.  And yet, despite all the mocking, I got a chuckle out of a lot of the strips, and I’m sure it brings a smile to many people. (more…)

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 superheroSOUNDTRACK: ELIZABETH ANKA VAJAGIC-Stand With the Stillness of This Day [CST028] (2004).

eavlpElizabeth Anka Vajagic is a singing in the vein of Carla Bozulich (whose solo album CST would release a few years after this one).  She has a powerful, raw voice that can go low but can also rage.  She has a lot of control over her voice (which is seems sometimes Bozulich doesn’t) which leads to a lot of tension-filled songs.  EAV plays guitar and some piano.  These songs are also filled with cello, harmonium and an oud.  The songs are slow but powerful, and her voice suits the melodies very well–dark and full of longing.

“With Hopes Lost” has that mournful keening vocal, and the cello really provides that hopeless-feeling component.  “Around Here” is a dark stormy song with aching strings and piano.  “Where You Wonder” is a dark song but with a fight left in it–resistance to the darkness it feels.  The song feels mostly sparse until 4 and half minutes when it rages with a screaming guitar solo and big bold chords.  “Iceland” has probably the most fun chorus of the bunch, something actually sing-alongable.    The next song is called “Why.”  I’m always suspicious of a song called “Why” and this one is a little deservedly so–vague statements are not really anyone’s forte.  She has the keening down well, but it feels a little flat–brevity helps on this one.  “And the Sky Lay Still” opens with a slow echoing guitar, and as it slowly builds, ther’s a great vocal melody that builds for the verse  “Sleep with Dried Up tears” is an acoustic song.  It’s definitely a bit of a downer after the intensity of the album (which is dark but powerful).

EAV is definitely not for everyone.  It depends on your taste for screaming and, your taste for strings instead of heavy guitars to accompany those screams.

[READ: April 23, 2014] The Adventures of Superhero Girl

I grabbed this book from the library because I like Hicks’ work.  When I brought it home, Sarah thought that I brought it for her because it is on her Hub Reading Challenge List.  But no, I liked Hicks enough for myself (so selfish–although I did let her read it first).  She loved it, and so did I.

The Adventures of Superhero Girl is an online comic which Hicks seems to have started in 2010.  Online it is black and white (this book is done with colors by Chris Peters). I didn’t check to see if this is the entire series, but I assume it is. It went on hiatus in 2012 and has been eerily silent ever since.  So at least we have this pretty hardcover document of this hilarious series.

The strip is a genuine, honest to god, comic strip–8 panels and a punchline!  (okay most have fewer than 8 panels, but that’s the set up).  It’s sort of a goof on superheroes, but as the introduction by Kurt Busiek points out, it is really not a parody of the genre.  Superhero Girl is a superhero, with powers (but not amazing powers) and she does help people and she suffers angst from it.  But Hicks plays around with the most basic tropes of super heroes.

Superhero Girl, first of all, doesn’t have a superhero name.  She’s not hugely muscular, she’s not super sexy, she doesn’t wear a sexy costume.  She’s a young Canadian girl in a mask and (sometimes) a cape. She doesn’t have an agonizing backstory.  She just has superpowers and wants to help people. (more…)

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catsSOUNDTRACK: THE OKEE DOKEE BROTHERS-“Lucy and Tighty” (2010).

okeetakeEven though the Okee Dokee Brothers are primarily about getting outdoors, not all of their songs fall into that category.  Like this one, which is a cute song about two people who are very different but who still like each other (and fall in love).  See the chorus:

‘Cause opposites attract, opposites attract
In the end baby, opposites attract

But what attracted me to the song was the fun (and perhaps easy rhyme scheme) of the verses.  I loved the way the first verse started

Lefty Lucy loved to lolly lackadaisically
But Righty Tighty went By the book alphabetically
So when Lefty Lucy loosened up unapologetically
Righty Tighty tightened up rather introvertedly

Musically, the beats are simple and pronounced, and while the songs starts simply, with just guitar and banjo (and drums, of course), it builds through each verse and chorus, complete with backing vocals.  I loved the fun of the names “Lucy and Tighty” (which may be immediately obvious or may not) and the wordplay in the second verse two.

On the dance floor, they were known for
Having moves that expressed themselves aesthetically
Lucy was groovy, dancing to a different drummer energetically
Tighty politely followed the right steps predictably
Solo, they were so-so, but together they’d be better exponentially

And if all this weren’t fun enough, the video is also fun, done with mirrors (which you can see in the background), it makes me wonder if they are leaning in the right direction or not.  The song even ends up with a fun New Orleans style stomp at the end.  This will help get your kids into the Avett Brothers for sure.

[READ: April 2014] Guinea Pig, Pet Shop Private Eye #5

After raving about the first four books in the Guinea PIg series, we received a huge surprise when Colleen AF Venable sent us a copy of Book #5 with an autograph and an inscription and everything.  And I can’t believe that I forgot to write about it!  So here it is two years later (!) and Book 6 is already out and I’m only writing about book 5.  Shame.  On.  Me.

So I re-read the book recently and decided it was about time I showed Colleen Af Venable a little more love.  Because even if she hadn’t sent us this cool book, it would still be hilarious.

As this one opens, recent pet shop hire Viola is trying to teach Mr Venezi the pet shop owner, the names of the animals (he’s hilariously awful at it–he calls the hamster a mini koala, a short ferret and a tiny dragon).  Viola is very good with the animals and plans to buy a few of them to bring home (so she can dress them up even more, which they secretly love).

Hamisher (the hamster) and our star Guinea Pig, Sasspants (the best name for a character, ever) are talking about what kind of owners they might want.  Hamisher hopes that their owners will live in the same state so that maybe they can see each other still.  They talk about the kind of owner they’d want (their standards are very high).  Then Hamisher notices he is standing on a cat.  Charlotte (the owner of the store next door) has a cat (whose name is Tummytickles) which sleeps in their window.  A lot.  Sasspants explains that Tummytickles is a heavy, heavy sleeper.  Tummtickles wakes up enough to say that that’s not his real name but falls asleep before he can ever say what it is.

We focus on Tuimmytickles because he is the main crisis in this story–he has gone missing!  Which is pretty impressive for a cat who barely moves an inch in a week.  How will Sasspants and Hamisher find him?  Especially when…Sasspants has just been purchased! (more…)

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croninSOUNDTRACK: THE OKEE DOKEE BROTHERS-“Can You Canoe?” (2012).

okeecanoe I found out about The Okee Dokee Brothers from Kids Corner.  They are two guys (one on guitar one on banjo) who sing folk songs about going outside, “with a goal to inspire children and their parents to get outside and experience nature. They believe this can motivate kids to gain a greater respect for the natural world, their communities and themselves” (from their website).

This is a fun folk song–easy to sing along to and very catchy.  It reminds me in spirit (but not voice) of John Denver–the guys have very good harmonies as well.

And since spring time may (finally, maybe) be coming, we should be busting out our canoe soon as well.  Perhaps we’ll sing along to this

Can you canoe on a little boat built for two?
Can you canoe? I’ll be your captain and your crew
Can you canoe if there’s nothing better to do?
I wanna float down a river with you.

In addition to the catchy chorus, there are some great lines in the song, too.  Like:

“We don’t need no outlets, we don’t need no wires
Primetime entertainment will be lightnin’ bugs and fires”

and

“I’ll take the bow brother, you can take the stern
I’ll move us forward, while you choose when to turn”

and

“Sound waves on the water don’t need to be amplified.”

I have become a quick convert to this band whom I’d not heard of until very recently.  I’m looking forward to my kids hearing this (and watching the videos too).

Here’s the video:

[READ: April 15, 2014] The Chicken Squad (1)

I grabbed this book for the kids because it looked like a lot of fun.  And indeed it was.  I didn’t realize that Cronin was the author of such fun kids books as Click, Clack, Moo and Diary of a Worm (and other insects).  This book is quite different from those picture books in that this tells a (admittedly short) longer story.  And it has chapters!

The story is told by the family dog, J.J. Tully, a retired search and rescue dog.  J.J. Tully is in charge of the yard and that includes watching out for the chickens.  He introduces us to the four chicks who live in the yard: Dirt (speciality: foreign languages, math, colors, computer codes), Sweetie [who has glasses] (speciality: breaking and entering, interrupting), Poppy (speciality watching the shoe [which is where they live]) an Sugar [has a triangle head–which comes in for a very funny joke later] (specialty: None that i can see).

The plot begins when a squirrel named Tail comes running into the coop.  He is in a panic shouting, “It’s after me.”  When the chicks question him, he can only get out variations of: “Its big and scary!!.” “It’s BIG and it’s SCARY!!”  And while he is panicking, trying to get out the details of what it looks like: (Big), J.J. comes in to see what the ruckus in.  And Tail faints dead away. (more…)

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