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Archive for the ‘Food’ Category

SOUNDTRACK: RED BARAAT’S HOLI CELEBRATION-Tiny Desk Concert #605 (March 13, 2017).

Red Baraat is one of a few bands who have now made a second appearance on Tiny Desk.  This return is to celebrate Holi.  And celebrate they do!

I’m not really sure how to categorize Red Baraat’s music.  They are based around a traditional drum (the dhol) and yet they play a kind of jazz with lots of brass, but they also use a guitar and lots of percussion.

In the first song “Sialkot” they march through the audience playing the music until they get behind the stage. Once they settle in, the guitarist is using a bow (making some very cool sounds) and in the middle of the first song he’s all over the whammy bar.

So what does the blurb say:

Red Baraat’s fusion of bhangra, go-go, hip-hop and jazz is driven by frontman Sunny Jain’s percolating playing of the dhol, a double-sided drum which forms the rhythmic lattice of support for their boisterous horns and guitar. And though Red Baraat graced the Tiny Desk five years ago, we had to have Jain’s band back to celebrate Holi, the Hindu festival of color, of good over evil, and the coming of spring. Usually you’d see the dusting of brightly colored perfumed powders strewn in the air, covering bodies and clothing. The notion of doing that in the office was a fun thought, but the band (with my nudging) opted instead for confetti cannons and passing candied treats. It made for quicker cleanup, but their uplifting spirits lingered on, giving us a chance to shake off the final days of winter and demonstrating why music is so essential to the soul.

The second song is “Zindabad.” I love watching the sousaphone player who is really into the music.  And there is so much great percussion from the two drummers.

“Bhangale” opens with some super fast chanting from Jain and then some really fun chanting from everyone.  There’s so many cool moments in between the main horn playing where the guitarist is just playing these wild noisy guitar sounds. And then some really fast guitar solos.   There is so much chanting and singing amid the music that the joy is infectious.

  I had listened to the final song “Se Hace Camino” without seeing the title and I thought that they were singing in Spanish, which they apparently are.  This song has an almost ska feel, it’s so fast.  And again the fun is infectious, especially when the confetti starts flying all over the room.

I need to get involved in a proper Holi celebration next year.

Red Baraat is: Sunny Jain (dhol, vocals); Rohin Khemani (percussion); Chris Eddleton (drums); Sonny Singh (trumpet, vocals); Jonathan Goldberger (guitar); Jonathon Haffner (soprano sax); Raymond James Mason (trombone); Steven Duffy (sousaphone)

[READ: July 6, 2016] Lunch Lady and the Picture Day Peril

As Book 7 ends, Hector has a huge zit on his nose.  And picture day is coming up!  But before we can get to the photographic evidence, Lunch Lady has to stop the bad guys from stealing people’s lunch money–from an ATM.

But back to the Breakfast bunch.  Both Hector and now Terrence are covered in acne.  An it’s picture day.  The student council president tries to give everyone makeup for the photos, but Dee wants nothing to do with it.  It turns out that lots of kids are covered in acne so they start blaming the greasy food from lunch lady.  She rightly points out that the “link” between zits and greasy food is just a myth.  But clearly something has caused this outbreak.

The photographer comes into school and she is chic and fabulous. She loves meeting the “guybrarian” and fawns over lunch Lady’s look. (more…)

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  SOUNDTRACK: GARY BURTON-Tiny Desk Concert #318 (November 9, 2013).

Gary Burton has been on a Tiny Desk Concert before with Chick Corea.  I really enjoyed Burton then, and I enjoyed him even more this time.

Burton is a vibes player and he and guitarist Julian Lage play a delightful jazzy set.

I love the sounds of vibes already, but I really love the playing method—two mallets in each hand, spread to play a chord in each hand.  Its mesmerizing.

The first song is called “Out Of The Woods.”  The guitar is pretty and a delicate accompaniment.  Half-way through the guitar gets a solo and it’s interesting that the vibes seems to fade a bit even though he’s still going strong.

The second song “Remembering Tano” is dedicated to Arthur Piazollo, the master, whose nickname was Tono.  It has a very different feel with a mellow guitar solo at the end.

When Bob asks him about his playing style, he agrees that “4 sticks doesn’t look possible.”  But he explains that the vibes look like a piano keyboard, but the  advantage of this instrument is the visual impact it has for listeners.   He says that early xylophone players in 19-teens an 1920s played with four mallets a fair amount and then it went out of style.  He started playing in 1949 when he was 20 yeas old.   He grew up ion a farm town in Indiana by himself and when he played, it sounded empty so he needed harmonies.  Hence, four mallets.

The final piece was written for the show and is called “The Tiny Desk Blues.”  And it is fun and bluesy 3 fun and bluesy with a great vibes solo in between some nice guitar solos.

Vibes are definitely my favorite jazz instrument.

[READ: July 5, 2016] Lunch Lady and the Mutant Mathletes

As forewarned in Book 6, the Breakfast Bunch is serving a punishment for bailing on a field trip (true, it was to solve a crime, but such is the life of a secret super hero).  Their punishment is to join the mathletes team.

Before that we get a short episode of Lunch Lady foiling the bad guys from stealing ice cream from a family.  It’s the first time I’ve had to wonder if it’s the same bad guys every time.  From their reactions, I they are.

Lunch Lady feels bad that the kids are forced to join the mathletes so she makes cookies for the team.

While things are going on with the mathletes we see that angry janitor Mr Kalowski is more angry than ever. (more…)

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  SOUNDTRACK: BLUE MAN GROUP Tiny Desk Concert #567 (September 26, 2016).

This Tiny Desk Concert is probably the most fun right from th get go.

It opens with three men in blue marching through the NPR offices.  They go through backstage places, grabbing items.  The go through the DJ booth and even interrupt Corva Coleman’s weather forecast.

They even pull Bob away from his desk as they set up.  And then we see the blue men in action.

I remember seeing ads for Blue Man Group when I worked in Manhattan decades ago.  But I never actually saw them (something i regret).  And indeed, I’m not the only one who remembers their humble beginnings:

Josh Rogosin, our engineer for the Tiny Desk, first saw them in their early days, some 25 years ago at New York’s Astor Place Theatre. He told me how the Blue Men would retrofit some of their theatrical magic — including their custom-made instruments, confetti cannons and streamers — to fit this small desk space.  instead of installing their entire signature PVC instrument, what ended up behind the desk was about a third of it. On the right side of the desk, their Shred Mill makes its internet debut: It’s a drum machine triggered by magnets that changes rhythm depending where they are placed on the home-made variable-speed conveyor belt. They also invented something called a Spinulum, whose rhythmic tempo is controlled by rotating a wheel that plucks steel guitar strings.

So the guys, covered in blue (closeup cameras suggests to me that they are wearing gloves and masks?) play a number of home-made instruments (you can read a full description on the instruments below).  In addition to thw home made instruments, there is a Chapman stick bass guitar and a conventional drummer.

And they sure do get some cool sounds out of these items.

“Vortex” has its melody on the PVC pipes with the spinumlum and once the song really gets going in the middle, with the stick playing a cool melody and the cimbalon playing a sweet plucked melody, it’s really quite a pretty song.

For “The Forge,” the stick plays some cool scratchy melodies while two guys play the PVC tubes (I like that there’s a mirror mounted above them so you can see what they’re doing).  The cimbalon is put to good use in more pretty melodies.

“Meditation for Winners” is hilarious.  They play an old scratchy record with a really intense guy doing intense meditation.   They play really catchy music behind it.  They go into the audience and grab people to breathe in and out, and stretch.  Or doing dragon breath.  Then they chant a positive affirmation “I am the best at being relaxed.”  The way the meditation goes from Namaste into something else is pretty great as are the confetti cannons.

This makes me wish I had seen them 25 years ago even more now.

[READ: February 15, 2017] Chew: Volume Twelve

This is the concluding arc to the amazing (and disturbing) series Chew.  It covers issues 56-60 and includes Demon Chicken Poyo.

Chapter 1 begins with an introduction to Tony Chu, Cibopath.  By now we know who he is and what he does–he eats things (or people) and knows the history of whatever he just ate.  We are reminded that the only food that he does not get a psychic sensation from is beets.

The end of the previous book showed the death of Mason and his instruction that in order to save the world Tony must eat him.  Tony does not want to (obviously) but he must.  But the joke is on him because the last thing that Mason ate before killing himself was a big plate of beets–meaning he is totally blocking Tony’s abilities and that Tony will have to suffer through Mason’s long and tedious explanation of everything (this makes Colby crack up, which is quite funny). (more…)

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SOUNDTRACK: OKKERVIL RIVER-Tiny Desk Concert #311 (October 15, 2013).

I had first heard of Okkeervil River a few years ago, but I never really knew much about them.  I assumed they were a folk band.  Then a few years back I first head “Down Down the Deep River” and loved it.  I had some idea that the band was maybe a duo, so I was surprised to see this rather large 6 piece band–two acoustic guitars, 1 electric guitar, keys, trumpet and drums.

So what’s the deal with this band and the name?

At first blush, Okkervil River is obviously a good rock ‘n’ roll band, but listen closely — especially to its lyrics — and you’ll hear a great rock ‘n’ roll band. The group has been making sharp, thoughtful music since the late ’90s, with the first of its seven albums coming out a dozen years ago.

The songs in this Tiny Desk Concert are from The Silver Gymnasium, a record inspired by the childhood of 37-year-old singer-songwriter Will Sheff; he grew up a bespectacled, crooked-toothed redhead in the small New Hampshire town of Meriden. His lyrics are drenched in specific memories, pop-culture references and youthful insecurity.

The stories pop a bit more in this acoustic set-up for Okkervil River, but they rock plenty hard in concert and on their albums. If you’ve missed the past dozen years of this band, start here and then work your way back through its catalog. The Stage Names is my favorite, but nothing disappoints.

[The band takes its name from a short story by Russian author Tatyana Tolstaya set on the river in St Petersburg].

As it turns out the band is more rocky than folky–even if they are heavily acoustic.

“On a Balcony” a catchy swinging folk rock song.  The addition of the trumpet after averse is really cool.

Before “Pink Slips” Sheff switches guitars with the other guy–then laughs because the strap is set wrong.  Someone says, why not just switch straps?  Which they do.  Bob asks him about the strap correlation and he says: I don’t like the Paul McCartney disconnected cerebral height but I don’t like the grunge-Kurt-Cobain-I-cant-reach-my-guitar thing.  He likes a happy medium.  Then they ask about his shirt–it’s by Winsor McKay, the comic artist.  He says he always loved him, then he saw the Tom Petty “Runnin’ Down a Dream” video which imitates McKay.  It was a like a dream come to life, so he thought he’d make shirts of artists he likes and sells them with his merch.

“Pink Slips” has a kind of slacker melody with a lot of words—and here you can really hear the sophisticated lyrics that Bob talks about.  And the backing vocals sounds terrific.  After the song he says No one has caught the Kevin Costner references in that song. (Waterworld and The Postman).  He also notes that Tom Petty plays himself in The Postman.

“Down Down the Deep River” is so catchy, although this version is very different from the recorded version—more folky less keyboardy.  I really like the keyboard/horn melody and the great backing vocals.  And the claps are super fun.

[READ: July 8, 2016] Chew: Volume Eleven

Book Eleven covers issues 51-55.  And it features the death of two major characters!

Chapter 1 opens with the cryptic panel TWO YEARS LATER.

It shows Chu Chu’s bestselling cookbook being taken out of the best seller display and being replaced by Amelia’s EATERS series.

Then we flash up to heaven where Tony’s deceased sister Toni catches us up to speed briefly before getting called to bed by Abraham Lincoln and Genghis Khan (I love the bed scenes, they are so funny–the way Guillory draws the sheets so snug…).

Next we move to the White House where the annual Easter Egg hunt has been replaced by a Platypus Egg Hunt (with a platypus that looks quite similar to another famous cartoon platypus).  How I wish this was a commentary on the Trump Easter Egg Fiasco #RESIST.

Next we flash to Olive working in the White House kitchen.  It is through Olive’s lightning fast reflexes she is able to stop an assassination attempt of the President.  And their fast work has promoted them to full-fledged agents with the FDA.  Sadly for Olive, she is assigned to work with Ginny who is pretty nutty.  But some flash forwards show just how well they work together.

The next chapter shows the early history of Savoy.  His wife died in the avian flu epidemic which put him on the path to finding the truth about it.  But when he offers his services, a Senator is quick to shut him down–which doesn’t make Savoy very happy. (more…)

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SOUNDTRACK: TYPHOON-Tiny Desk Concert #314 (October 26, 2013).

As the show begins, you hear Bob inviting all the short people up front.  Bob suggests the band could organize something like that at their shows: Height night–order everyone as they come in where to stand, that way everybody meets different people and people who never get to see a show in their lives could finally see.  The lead singer says he hates to go to shows for that reason (he seems quite short), although the drummer is way over 6 feet tall.

I first heard Typhoon from NPR, where the song “Young Fathers” was strange, somewhat disjointed and incredibly catchy.  I loved the full band sound and big backing vocals.

The blurb notes: The group from Portland, Ore. crafts rock anthems like emotional tidal waves, propelled by the stories of frontman Kyle Morton. His deeply personal tales are often full of grief and loss. But just as often they celebrate and praise life’s simple wonders. Morton himself is a very grateful (and lucky) man who writes songs as if he were living on borrowed time. That’s because a random bug bite when he was a child left him with a monstrous case of Lyme disease that led to multiple organ failures. Morton’s own father donated a kidney to save his son’s life.

I love when Bob gets excited by a band, as when he talks about Typhoon:

At 27, with a backing band of a dozen musicians, Morton and the rest of Typhoon are making some of the most poignant pop tunes around. We’ve been following this group for a few years now, but Typhoon has never done anything quite like what you can hear on its latest album, White Lighter. The songs are by far the best arranged and most compelling of the group’s nearly 10-year run.  Somehow everyone in Typhoon not only managed to fit behind the Tiny Desk, but also managed to shine in this performance.

The opening of “Young Fathers” is so distinctive, the way the chords start and then pause completely for a second before starting again. When I first heard the that opening section, I was hooked.  The drama is still here in this Tiny Desk, although it’s acoustic so a bit less so.  But the backing vocalists sound great.  The whole band is really tight and it’s impressive that a dozen or so people can be and so quiet when they need to be.   And then singing in harmony and loudly!  Mid song the sound drops out and the two women sing a quick and gentle melody. As the song gets near the end all of those clappers and singers pick up their horns and add a cool melody.

“The Lake” has a simple and beautiful melody all the way through.  I also really like the guitar’s sliding low/high “solo.”  When the vocals join in singing some ooohs, it’s quite lovely.  The end of the song slows down to some staccato horn blasts,  almost martial, which leads to a dramatic ending.

The final song is the surprisingly named “Dreams of Cannibalism.”   There’s another gentle guitar introduction with some cool drums and cymbal buildups.  Once again, there are some dramatic moments where things grow quiet and it’s just him and his guitar and then he gets to belt out the lyrics (his voice is so interesting–raspy and powerful with a slight Oregonian accent).

I’ll leave the last word for Bob: “If you’re looking for music that touches your heart, that helps you appreciate the everyday, sit back and get ready for Typhoon to carry you away.”

[READ: July 8, 2016] Chew: Volume Ten

Book Ten covers issues 46-50.  And it open with Poyo in hell.  He has everyone there running scared.  Although there is a Disclaimer: “this doesn’t happen.”

Tony is furious with Colby and refuses to work with him.  So instead he is paired up with D-Bear.  Their first assignment is to look into a destructive candy scene. A CEEOSAKARER who can turn anything with glucose and fructose into machinery.  He appears to have gone insane and destroyed a town with gummi tanks and a jaw-breaker cannon.  And his message was about the coming dominance of E.G.G.  But he proves to be under the spell of the MINTHAMPERIOR who can hypnotize with peppermint candy.

D-Bear turns out to be a surprisingly good detective, and they work well together, even taking down a VECTUCIBORUTARE who can produce a noxious eruption (A fancy-assed word for “burps”) based on the age of what he eats.  But then Tony gets news that Mason has escaped from the hospital and taken Tony’s daughter Olive and Tony’s wife Amelia with him.  That’s the last straw.

Book 3 opens with FDA director Mike Applebee and special agent Cesar Valentino returning to duty.  The doctors have each been given one mechanical enhancement.  Caesar’s is a big claw while Mike’s is more… dramatic. (more…)

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SOUNDTRACK: SUPERCHUNK-Tiny Desk Concert #309 (October 7, 2013).

I’ve been a fan of Superchunk for years and I was excited to hear this Tiny Desk Concert.  Superchunk is a band full of manic energy.  Sorta punk, sorta poppy but mostly just fast, catchy songs.  So I was a little surprised to see them play an acoustic set for this concert.

I appreciated some context for this show from the blurb:

 The North Carolina band got its start in 1989, and here it is in 2013, with a new record called I Hate Music that demonstrates an undying passion for punk-fueled story songs with catchy phrasing. The band recorded its 10th album with a lineup that has held for most of its history: Mac McCaughan on guitar and vocals, Laura Ballance on bass, Jim Wilbur on guitar and Jon Wurster on drums.

At the Tiny Desk and on tour, it’s a shame not to have Ballance in the fold — her hearing problem worsens on tour and in loud venues — though Jason Narducy fills in admirably here. This set in the NPR Music offices includes songs from I Hate Music and 2010’s Majesty Shredding, but the group also digs deep to perform a song from 1995’s Here’s Where the Strings Come In. All in all, it’s a joy to have Superchunk translate its electric sound to acoustic instruments in such an intimate way.

It’s fascinating to see Mac sing so close up—you’d never expect that voice to come from him.  “Out Of The Sun” is so mellow.  I have I Hate Music, but I don’t actually know the original very well.  “Digging For Something”  I know this song well. I like the original of this so much that I find the slower acoustic version a little less fun than the original rocking version.  And yet it is still supercatchy and fun.  I love that the drummer has his wallet on the drum head—muffling the snare?  “Animated Airplanes Over Germany” is a great fun old song, I was really surprised when they started playing it and it sounds great regardless of the speed.  “Me & You & Jackie Mittoo” is a fun catchy song from their news album and it is well served acoustically.  Although the song title is pretty odd and I never could figure it out.

I’ve never seen Superchunk live and I assume I never will, so while this is a good look at the band, it probably doesn’t really capture their full live show experience.

[READ: July 8, 2016] Chew: Volume Nine

Man do I like this series.  It is so gross and yet so compelling.  Book Nine covers issues 41-45.  And it features a lot of Poyo!

I hate reading these books so far apart because it takes me at least an issue to get up to speed and by the time I’m flowing with the story again, it ends!

Chapter 1 opens with The morning after in Las Vegas.  And as Tony Chu is being woken with news of an emergency, we see that he and Amelia are in the honeymoon suite having just gotten married.  Then we flash back to the day before at the FDA convention.  Chu is being hailed as a hero, except by Director Applebee (who still hates Chu).

And then we flash to a bar in which Tony & Amelia are drinking together and Applebee and Colby are drinking together.

Tony answers the phone and hopes to not have to go on assignment.  Why not send in Poyo! (he is on special assignment–double splash pages–vs Unisaurus Rex).

Tony is called downstairs where everyone is covered in deadly fudge.  And we meet Professor Anazani, the FDA’s lead Armavictologist–he deals with weaponized food.  But this attack is not from the egg cultists, it is from the Collector.  Tony quickly solves that case and is even more of a hero much to Applebee’s eternal consternation.  The final page ends with a hilarious surprise. (more…)

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SOUNDTRACK: STEVE GUNN-Tiny Desk Concert #299 (August 31, 2013).

Steve Gunn is a fascinating guitar player:

his work mostly stems from a bushy, overgrown definition of what we often call “Americana,” with a healthy understanding of the La Monte Young drone.

Grateful Dead and J.J. Cale certainly reside in the rubber-band bounce of “Old Strange,” a song that keeps the groove mellow, but will suddenly pop with water-drop elasticity. “The Lurker” comes from a much longer solo guitar version that originally sounded like one of Roy Harper’s acoustic epics, but with Gunn’s trio, it becomes a back-porch barn-burner.

For this concert, Gunn and his band play two 9-minutes songs.  They center around his guitar work which yes, has a drone, but the main focus are the Americana riffs that he plays with precision.

“Old Strange” opens with a lengthy guitar passage that shifts after 2 and a half minutes to a slow folky kind of style.  The song seems like it will be an instrumental but 3 and a half minutes in he begins singing. His voice is deep and he sings a kind of narrative story.  It’s quite mesmerizing.   “The Lurker” is a slower, more mellow jam.

[READ: September 3, 2016]: Beatrice

I have read a couple of books from Dixon through McSweeney’s.  I didn’t know much about him then and I still don’t, but I recalled liking his stuff pretty well.  And this book was short so I thought I’d give it a look.

This book is told in a fascinating style–a kind of stream of consciousness in the mind of the main character, but through really close third person.

The book details the encounter of the main character Professor Philip Seidel (there’s a joke about this name, as Seidel means mug) and a woman named Beatrice.  Beatrice was a student of his some 25 years earlier.  She has stopped at his house to deliver some food in condolence for the recent passing of his wife.  She knows about this because she is now a professor where he taught her, although he had retired a few years back.

She brought some food and also wanted to tell him that he was her favorite teacher back then.  She had studied German and wasn’t allowed to take fiction courses until she completed her requirements.  She loved his teaching method and loved how encouraging he had always been.  She has clearly been keeping tabs on him–she has read some interviews he gave–and she definitely knows a lot about his life.

When she leaves he briefly wonders if maybe she’s interested in him now that the are older.  But he puts that out of his mind. (more…)

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 SOUNDTRACK: MIRAMAR-Tiny Desk Concert #594 (January 27, 2017).

Miramar is from Richmond Virginia, but they play beautiful bolero music.

When the members of Richmond, Virginia’s Miramar first heard the music of Puerto Rican composer Sylvia Rexach, they were intrigued that she wasn’t as well-known as other popular bolero writers. So they came up with an album’s worth of her songs to cover, and have been wowing audiences across the country with their exquisite renditions of her songs.

When they pulled into NPR to play behind Bob Boilen’s desk, Miramar’s members made time stop with a performance that swept us off our feet, ably backed by friends of theirs from Richmond who played gorgeous string arrangements behind the band. So turn the lights down low, clear out the living-room carpet and find your dance partner for this one.

What is it about bolero music?

Some say you have to have loved and lost to appreciate the beauty of the bolero. Since its inception in Cuba in the early 20th century, the music has been designed for thoughtful and emotional consideration of the joys and pains that come with loving someone so intensely, it becomes like a religion to adore that special someone (an actual bolero lyric).

They play four songs: “Sin Ti” (without You) opens with some great Spanish guitar and shakers (which sound like water).  The song slowly builds and then the two singers come in.  Rei Alvaresz and Laura Ann Singh sing beautifully together.

The rest of the band includes: Marlysse Simmons Argandoña (piano, organ); Hector Barez (percussion); James Farmer (bass) and Sebastian Cruz (guitar).

“Estatua” (Statue) is faster and more upbeat.  The large string section is put to full use here. (With strings provided by Ellen Riccio (violin); Treesa Gild (violin); Kimberly Ryan (viola) and Schuyler Slack (cello)).  I love when she is singing “te creo” and he is singing low vocals underneath her.  The strings add wonderful drama to this mournful yet beautiful song.

“Urgancia” (Urgency) has some very cool organ sounds—very retro 60s swinging (almost soap opera)–sound.  But in addition there’s beautiful guitar and their great vocals as well.   The first three songs were all originals

“Tus Pasos”  (Your Footsteps) is by Sylvia Rexach–the inspiration for everything they’ve done.  It is a sweet, romantic, old-fashioned sounding love song.

[READ: July 6, 2016] Lunch Lady and the Field Trip Fiasco

I’ve been really enjoying the way the events of the previous books lead to the follow-up.  So you actually should read these in order, which is more fun anyway.

Our opener shows masked men robbing a grocery store–Lunch Lady is able to stop them with fizzy soda.

But the plot of this book is the field trip that was foreshadowed in the previous one.  The Breakfast Bunch is excited to go, except that Hector forgot to get his permission slip signed.  So Dee (who is increasingly more sarcastic as the books go on) forges the signature–who will know?

Lunch Lady and Betty are bored because everyone is going to the field trip–there’s no lunch today.  But when Mrs Palonski learns that her chaperone can’t come she reluctantly agrees to let Lunch Lady come along.  (Betty tells her to go and have fun even though she sighs when she’s left all alone).  Of course Mrs Paloski is worried that Lunch Lady never stops talking (which proves to be an ironic worry). (more…)

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SOUNDTRACK: BADBADNOTGOOD-Tiny Desk Concert #593 (January 23, 2017).

I’m amused at how kinda dorky all of these guys look–except for the drummer who looks “cool.”  Why is that amusing?  Because of this blurb:

BADBADNOTGOOD made a name for itself by reworking songs from the likes of Nas and Ol’ Dirty Bastard, eventually catching the attention of Odd Future leader Tyler, the Creator. The masses took notice in 2015 when the group produced an entire LP for Ghostface Killah, Sour Soul. BADBADNOTGOOD has been called a hip-hop ensemble, but its foundation is clearly jazz, which provides a gateway to countless genres. On IV, the group allows that gateway to widen, adding soul and funk to the repertoire.

And they are all only in their 20s!

They play three songs from IV.  This first “And That, Too.” is a very jazzy song.  I love the complex piano melody that’s getting thrown around–syncopation and almost chaos, but always staying true to the great rhythm laid down by the bass and gentle drums.  I also happen to love the flute solo that rides over the top of everything–it provides a great 19070s jazz vibe.  The flute switch es to alt sax, and instrument that I think is kinda cheesy–I’d have rather it stayed with flute.  But his solo is pretty great–meandering and intense.

Introducing “In Your Eyes” the drummer says that he was fortunate enough to go to high school with a sax player who he didn’t know would have a voice that would blow him away … “later in my life” (ha).  Charlotte Day Wilson’s voice is deep and sultry although I don’t particularly like it–it feels too forced or something?  But she does sound much older than she looks.  Which is shame because I think the music of the song is pretty great.  The flutist has switched to guitar for this song (that’s a talented dude).

Before introducing the final song the drummer says “My 2017 is feeling pretty good so let’s keep it going.”  The fact that this was recorded sometime around the inauguration trump feels incredibly tone deaf.  But whatever.  “Cashmere” (“which only slightly veered from the studio version”) is a ten-minute song that opens with a very cool high bass note section and lots of piano.  The guitarist switches to yet another sax (four instruments in three songs).   The middle of the song is just the bass notes and a  lengthy piano solo.  i also like how the song seems to be over but that bass line picks up one more time.

I was surprisingly delighted with this Tony Desk Concert.

[READ: July 4, 2016] Lunch Lady and the Bake Sale Bandit

As Book 5 opens, Lunch Lady foils some safe robbers (in a very funny way).  I really enjoy how every book starts out with an intro comic showing off Lunch Lady’s mad skills.

Then it switches over to a school bus.  The Breakfast Bunch is trying to get on board–they don’t usually ride the bus–but the driver, Brenda, is pretty awful. To them and to everyone.  She drives like a maniac and yells at everyone.  She’s nice to the principal bit once he tells her his news, she can’t even pretend to be nice to him.

The news is that there is going to be a bake sale.  And if it goes well, the students will get a field trip and… Brenda will be the bus driver!

Gah! “How she despises children.” (more…)

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SOUNDTRACK: DEREK GRIPPER-Tiny Desk Concert #587 (December 16, 2016).

There are so many amazing musicians in the world that it’s impossible to have heard of all of them.  So it’s no surprise I haven’t heard of Derek Gripper, but at the same time, he is so mesmerizing I’m surprised that I haven’t heard of him before.

The 38-year-old started on violin at age 6, then wound up with one of the few classical-guitar professors in his native South Africa. But touring the world playing the music of the great dead white men was not all that appealing (though Gripper still loves to play Bach). Then he heard a record by the Malian kora player Toumani Diabate. He decided that that’s what he wanted to do: not play the kora itself, but play kora music on the guitar.

Of course, the kora has 21 strings, each tuned to a fixed note. The nylon-stringed guitar Gripper plays has six. But by using unusual tunings and fretting the strings up and down the neck with his left hand, he can pretty much hit all of the kora’s notes.

The remarkable thing is, he figured all of this out — and recorded two acclaimed albums — just by listening to CDs and checking out music online. Gripper painstakingly transcribed what he heard onto a kind of notation called tablature — similar to the music written for the Renaissance vihuela, which was also an inspiration. Earlier this year, Gripper finally made it to Mali, where his efforts received the blessing of Toumani Diabate himself; the two even jammed together.

That’s an amazing story but it’s nothing compared to the quality of his music.  It really does sound like he’s playing, if not the kora exactly, then certainly an instrument with more than 6 strings.

He plays four songs, three are traditional pieces which he has arranged for guitar and the fourth is an original piece.

Hearing the opening notes of “Tuth Jara” (Trad. Arr. Derek Gripper) and you know that you’re not listening to a typical guitar–the trills and runs sound so West African.   And once you get past the mesmerizing nature of his fingers. The melody is really pretty too.

“Joni” is an original piece about a love affair with a singer–the way he tells the story is delightful.  I love that part of the song is him actually down tuning one of the strings for a bit and then tuning it back up (all while playing everything else).  I also really like that he makes relatively quiet humming/singing noises while he’s playing.

He says he was inspired by Diabate who turned the kora into a solo instrument–which is much easier than traveling with a  band.  And then he illustrates how he plays kora music on his guitar–a bassline, the accompaniment and the melody–all on the guitar all by himself.  That’s his introduction to “Jarabi” (Trad. Arr. Derek Gripper).  And during the incredible playing out comes a beautiful, catchy and fun melody line.  All too soon, it’s over.

But since he has some time, they encourage him to play one more–“they’d be happier!” if he did.  So he ends with “Duga” (Trad. Arr. Derek Gripper) which he describes as a conversation between ngoni and kora.  The kora wins because he knows more about kora.   And like so many of his pieces, it is over way too soon.

[READ: June 13, 2016] Lunch Lady and the Summer Camp Shakedown

As Book 4 opens, Lunch Lady is seen in a two-page spread wielding her fish-stick-nunchucks.

Then we see that everyone is heading off to summer camp.   The kids have been looking forward to summer camp since they were little and they are finally old enough. Sadly Milmoe the bully will be there too.

And, unbeknownst to Lunch Lady and Betty, they are working at the same camps as the kids.  Lunch Lady has worked there before and she knows everyone, she gives us the lowdown on the counselors like Scotty who has always been the most popular and Ben, the new guy, who is pretty foxy himself.

The counselors are super excited when the kids show up, although Dee is a little blasé about it.  And then they run into Lunch Lady. (more…)

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